Marcantonio Raimondi Italian Collection

Two Nude Men Beside a Tree. Creator: Marcantonio Raimondi (Italian, 1470 / 82-1527 / 34)
Two Nude Men Beside a Tree

Christ, the Virgin, and St. John the Baptist with Saints Paul and Catherine, c. 1520-1525

Venus, Mars and Cupid, 1508. Creator: Marcantonio Raimondi (Italian, 1470 / 82-1527 / 34)
Venus, Mars and Cupid, 1508. Raimondis fascination with ancient marbles is evident in this allegory of love triumphant over war

The Pieta. Creator: Marcantonio Raimondi (Italian, 1470 / 82-1527 / 34)
The Pieta

Two Fauns Carrying a Child in a Basket, c. 1513-1515. Creator: Marcantonio Raimondi (Italian)
Two Fauns Carrying a Child in a Basket, c. 1513-1515

The Climbers (Three Figures from Michelangelos Battle of Cascina), 1510. Creator
The Climbers (Three Figures from Michelangelos Battle of Cascina), 1510. Raimondis source for these three male figures was Michelangelos Battle of Cascina cartoon--a preparatory full-scale model

The Cassollette: Women Supporting an Urn, c. 1520-27. Creator: Marco Dente (Italian, c
The Cassollette: Women Supporting an Urn, c. 1520-27. Prints helped disseminate design ideas and establish a taste for decorative objects and styles, especially when endorsed with royal insignia

Orpheus Charming the Animals, c. 1505. Creator: Marcantonio Raimondi (Italian, 1470 / 82-1527 / 34)
Orpheus Charming the Animals, c. 1505. In Greek mythology, Orpheus was a singer and poet. He was given a lyre by Apollo, the god of music, and was taught to play by the Muses

Faun and Child, c. 1509. Creator: Marcantonio Raimondi (Italian, 1470 / 82-1527 / 34)
Faun and Child, c. 1509

The Wine Press. Creator: Marcantonio Raimondi (Italian, 1470 / 82-1527 / 34)
The Wine Press

The Virgin and the Cradle with Saint Elisabeth and Saint Anne, 1520

Horatius Cocles Defending the Sublician Bridge. Creator: Marcantonio Raimondi (Italian
Horatius Cocles Defending the Sublician Bridge

Madonna of the Palm Tree. Creator: Marcantonio Raimondi (Italian, 1470 / 82-1527 / 34)
Madonna of the Palm Tree

Apollo on Parnassus, c. 1517-1520. Creator: Marcantonio Raimondi (Italian, 1470 / 82-1527 / 34)
Apollo on Parnassus, c. 1517-1520. Around 1510, the influential painter Raphael began collaborating with the engraver Raimondi to translate his designs into prints

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Marcantonio Raimondi, an Italian artist from the late 15th to early 16th century, left a lasting impact on the art world with his remarkable creations. His works encompassed various themes and subjects, showcasing his versatility and skill. One of Raimondi's notable pieces is "Two Nude Men Beside a Tree, " which captures the beauty of the human form in its purest state. The attention to detail and anatomical accuracy highlight Raimondi's mastery as an artist. In "Christ, the Virgin, and St. John the Baptist with Saints Paul and Catherine, " Raimondi depicts religious figures in a harmonious composition. The delicate brushwork brings these revered characters to life, evoking a sense of spirituality within viewers. Raimondi also explored mythological themes in works such as "Venus, Mars and Cupid. " This enchanting piece portrays love and desire through intricate details that showcase Raimondi's ability to capture emotions on canvas. "The Pieta" stands as a testament to Raimondi's talent for conveying profound sorrow. Through this poignant depiction of Mary cradling Jesus' lifeless body, he elicits deep empathy from those who behold it. Raimondi's creativity extended beyond religious or mythological subjects; he also delved into scenes inspired by nature. In "Two Fauns Carrying a Child in a Basket, " he presents playful creatures amidst lush foliage—a celebration of both innocence and nature itself. Another striking work by Raimondi is "The Massacre of the Innocents (Without the Fir Tree). " This powerful portrayal exposes humanity's darkest side while highlighting his ability to depict raw emotion through expressive figures. Inspired by Michelangelo’s Battle of Cascina fresco, Raimondi created "The Climbers (Three Figures from Michelangelo’s Battle of Cascina). " This piece showcases his admiration for the great master and his skill in capturing dynamic movement.