Mark 15 Collection

Peasant Woman Spinning Spinning Peasant Woman
Peasant Woman Spinning, Spinning Peasant Woman. Interior of a farmhouse where a woman is spinning, next to her a child is playing in a high chair with a dog. The room is full of furniture

Christ cross skull bones foot left Jerusalem
Christ on the cross, a skull and bones at its foot. On the left, Jerusalem, the crucifixion of Christ: Christs death on the cross, Calvary (Matthew 27: 45-58, Mark 15: 33-45, Luke 23: 44-52)

Crucifixion De Passie series title Christ cross
Crucifixion De Passie (series title), Christ on the cross between the two other crucifixions. At the foot of the cross among others the three Marys and Longinus with his lance

A Phalanx Close-in Weapons System
Pacific Ocean, May 6, 2013 - A Phalanx Close-in Weapons System (CIWS) fires during a pre-aim calibration exercise aboard the aircraft carrier USS Nimitz

A MK 15 Phalanx close-in weapon system is fired aboard USS Carl Vinson
Pacific Ocean, April 18, 2013 - A MK 15 Phalanx close-in weapons system (CIWS) is test fired on the flight deck aboard the aircraft carrier USS Carl Vinson

Christ before Pilate, Ludovicus Siceram, Hendrick Goltzius, 1623

Crowning with Thorns, Ludovicus Siceram, Hendrick Goltzius, 1623

Crucifixion, Jacob de Gheyn (II), Nicolaes de Clerck, 1588 - 1592

Christ on the cross, print maker: Arnold Houbraken, Jasper Goris wed. 1681 - 1683

Christ is crowned with the crown of thorns, Jan Collaert (II), Adriaen Collaert, 1598-1618

Christ on the cross, print maker: Nicolaes de Bruyn, Nicolaes de Bruyn, 1610

Flagellation of Christ, Monogrammist HR (graveur), Monogrammist RH (graveur), Hendrick Goltzius, 1597 - 1667

Christ before Pilate, Charles Howard Hodges, Robert Smirke, 1806

Flagellation of Christ, Nicolaes de Bruyn, 1619

Crucifixion of Christ, Jan Luyken, Hendrick and Dirk Boom, 1679

Christ on the cross, Jan Luyken, Pieter Mortier, 1703 - 1762

Female holding a burning heart, beholds the crucified Christ, Jan Luyken, Gijsbert de Groot, 1691

Five sorrowful mysteries, Antonie Wierix (II), Hieronymus Wierix, 1605 - 1619

Crowning with Thorns, Jan Harmensz. Muller, 1613 - 1622

Flagellation of Christ, Hieronymus Wierix, Melchior Model, Pierre Firens, 1608

Crowning with Thorns of Christ, Hieronymus Wierix, Melchior Model, Pierre Firens, 1608

Christ on the cross, Nicolaes de Bruyn, Pieter Schenk (I), 1637

Crowning with Thorns of Christ, Nicolaes de Bruyn, 1618

Christ before Pilate, Hieronymus Wierix, Maerten de Vos, Hans van Luyck, 1563 - before 1586

Flagellation of Christ, Johannes Wierix, 1603

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"Mark 15: A Captivating Blend of Art and Warfare" In the realm of art, the "Mark 15" captivates with its enigmatic imagery. From the spinning peasant woman to the haunting Christ on the cross, this series titled "Crucifixion De Passie" delves into profound symbolism. The juxtaposition of a Phalanx Close-in Weapons System firing aboard USS Carl Vinson may seem incongruous at first glance. However, it is in this unexpected fusion that we find an intriguing narrative unfolding. Just as a peasant woman spins her thread diligently, so does this weapon system spin its deadly web of protection around naval vessels. The foot left Jerusalem hints at historical significance, reminding us of ancient battles fought for control over sacred lands. As we delve deeper into the artwork within this series, Ludovicus Siceram and Hendrick Goltzius transport us to pivotal moments in Christ's journey. We witness his trial before Pilate and his agonizing crowning with thorns - scenes that evoke both empathy and contemplation. Meanwhile, Jacob de Gheyn (II) and Nicolaes de Clerck take us back even further in time with their depiction of Crucifixion. These prints serve as powerful reminders of sacrifice and redemption throughout history. Amidst these artistic expressions lies a stark contrast - the firing of a MK 15 Phalanx close-in weapon system aboard USS Carl Vinson. This modern warfare technology stands as a testament to humanity's unending quest for power and protection. In Mark 15, art merges seamlessly with warfare; two seemingly disparate worlds collide to create an evocative tapestry that challenges our perceptions. It prompts reflection on how our past influences our present while urging us to contemplate what lies ahead in our collective human story.