Marquis Of Lorne Collection (#3)

The Lower Ward, Looking Up, 1895. From The Governors Guide to Windsor Castle, by the Most Noble The Marquis of Lorne, K.T. [Cassell and Company, Limited, London, 1895]

Plan of the Castle, 1895. From The Governors Guide to Windsor Castle, by the Most Noble The Marquis of Lorne, K.T. [Cassell and Company, Limited, London, 1895]

The Castle from Thames Street. A Bit of the Outer Walls, 1895. From The Governors Guide to Windsor Castle, by the Most Noble The Marquis of Lorne, K.T. [Cassell and Company, Limited, London, 1895]

The Curfew Tower, 1895. From The Governors Guide to Windsor Castle, by the Most Noble The Marquis of Lorne, K.T. [Cassell and Company, Limited, London, 1895]

Nordens View of Windsor Castle, 1607. 1895. Artist: John Norden
Nordens View of Windsor Castle, 1607. 1895. From The Governors Guide to Windsor Castle, by the Most Noble The Marquis of Lorne, K.T. [Cassell and Company, Limited, London, 1895]

Windsor Castle from the Home Park, 1895. From The Governors Guide to Windsor Castle, by the Most Noble The Marquis of Lorne, K.T. [Cassell and Company, Limited, London, 1895]

Scottish deerhounds, stuffed specimens C016 / 5136
Scottish deerhounds, stuffed specimens. These specimens are a breed of the domestic dog (Canis lupus familiaris). Their names are Marquis of Lorne (front) and Lady of Raikeshill (back)

The Tapestry Room in Windsor Castle, c1899, (1901). Artist: Eyre & Spottiswoode
The Tapestry Room in Windsor Castle, c1899, (1901). The Tapestry room situated over George IV?s Gateway, comprising of the Gobelins tapestry which fills the panelled walls and the chairs

Inside cover pattern, 1901, (1901). From V.R.I. Her Life and Empire, by The Marquis of Lorne, K.T. [Harmsworth Bros Ltd. London, 1901]

The Kings Drawing Room at Kensington Palace, c1899, (1901). Artist: Thiele & Co
The Kings Drawing Room at Kensington Palace, c1899, (1901). Apartment built under the command of King George I (1660- 1727), designed by William Kent (c1685-1748)

Bedstead and Furniture of the Room Occupied by Princess Victoria at Broadstairs, c1899, (1901). Artist: Swaine & Co
Bedstead and Furniture of the Room Occupied by Princess Victoria at Broadstairs, c1899, (1901). From V.R.I. Her Life and Empire, by The Marquis of Lorne, K.T. [Harmsworth Bros Ltd. London, 1901]

The Queens Private Sitting Room at Osborne, c1899, (1901). Artist: Hughes & Mullins
The Queens Private Sitting Room at Osborne, c1899, (1901). Osborne House is a former royal residence in East Cowes, Isle of Wight

The Queens Dining Room at Osborne House, c1899, (1901). Artist: HN King
The Queens Dining Room at Osborne House, c1899, (1901). The Queens Dining Room was converted into a temporary chapel for the lying in state of Queen Victoria in 1901

The Queens Dressing Room at Windsor Castle, c1899, (1901). Artist: HN King
The Queens Dressing Room at Windsor Castle, c1899, (1901). From V.R.I. Her Life and Empire, by The Marquis of Lorne, K.T. [Harmsworth Bros Ltd. London, 1901]

The State Dressing Room at Windsor Castle, c1899, (1901). Artist: HN King
The State Dressing Room at Windsor Castle, c1899, (1901). From V.R.I. Her Life and Empire, by The Marquis of Lorne, K.T. [Harmsworth Bros Ltd. London, 1901]

The Grand Staircase at Buckingham Palace, c1899, (1901). Artist: HN King
The Grand Staircase at Buckingham Palace, c1899, (1901). The Grand Staircase at Buckingham Palace, designed by the architect John Nash (1752-1835), at the request of King George IV (1762-1830)

The Ruins at Frogmore, c1899, (1901). Artist: HN King
The Ruins at Frogmore, c1899, (1901). The Frogmore Estate, private gardens within the grounds of the Home Park, adjoining Windsor Castle

The White Drawing-Room at Buckingham Palace, c1899, (1901). Artist: HN King
The White Drawing-Room at Buckingham Palace, c1899, (1901). John Nash (1752-1835) reserved one of his most original ceiling designs for the White Drawing Room

The Prince Consorts Writing Room at Buckingham Palace, c1899, (1901). Artist: HN King
The Prince Consorts Writing Room at Buckingham Palace, c1899, (1901). The Prince Consorts Writing Room at Buckingham Palace

The Queens Private Audience Chamber at Windsor Castle, c1899, (1901). Artist: HN King
The Queens Private Audience Chamber at Windsor Castle, c1899, (1901). The Queens Private Audience Chamber at Windsor Castle, situated close to her private sitting room

The Prince Consorts Dressing Room at Buckingham Palace, c1899, (1901). Artist: HN King
The Prince Consorts Dressing Room at Buckingham Palace, c1899, (1901). The Prince Consorts dressing room at Buckingham Palace

The Banqueting Room at St. Jamess Palace, c1899, (1901). Artist: HN King
The Banqueting Room at St. Jamess Palace, c1899, (1901). From V.R.I. Her Life and Empire, by The Marquis of Lorne, K.T. [Harmsworth Bros Ltd. London, 1901]

The Audience Chamber at St. Jamess Palace, c1899, (1901). Artist: HN King
The Audience Chamber at St. Jamess Palace, c1899, (1901). From V.R.I. Her Life and Empire, by The Marquis of Lorne, K.T. [Harmsworth Bros Ltd. London, 1901]

Princess Victoria was Confirmed at the Chapel Royal, St. James, c1899, (1901). Artist: HN King
Princess Victoria was Confirmed at the Chapel Royal, St. James, c1899, (1901). St Jamess Palace, London, built c1540 and altered since, most notably by Sir Robert Smirke (1780-1867) in 1837

Mr. Francis Clark, The Queens Gillie, with three of her favourite dogs, c1899, (1901). Artist: GW Wilson and Company
Mr. Francis Clark, The Queens Gillie, with three of her favourite dogs, c1899, (1901). From V.R.I. Her Life and Empire, by The Marquis of Lorne, K.T. [Harmsworth Bros Ltd. London, 1901]

The Royal Kitchen at Windsor Castle, c1899, (1901). Artist: Eyre & Spottiswoode
The Royal Kitchen at Windsor Castle, c1899, (1901). The Kitchen?s restoration dates from King George IV?s (1762-1830) reign. From V.R.I. Her Life and Empire, by The Marquis of Lorne, K.T

The Waterloo Chamber, Windsor Castle, Fitted as a theatre for the State Plays of 1891, c1891, (1901). Queen Victoria (1819-1901)

The Grand Reception Room, Windsor Castle, c1899, (1901). Artist: Eyre & Spottiswoode
The Grand Reception Room, Windsor Castle, c1899, (1901). The Grand Reception Room, Windsor Castle, decorated in the style of Louis XV, the walls are hung with six pieces of Gobelin tapestry

The Council Chamber Windsor Castle, c1899, (1901). Artist: Eyre & Spottiswoode
The Council Chamber Windsor Castle, c1899, (1901). From V.R.I. Her Life and Empire, by The Marquis of Lorne, K.T. [Harmsworth Bros Ltd. London, 1901]

The Throne Room, Windsor Castle, c1899, (1901). Artist: Eyre & Spottiswoode
The Throne Room, Windsor Castle, c1899, (1901). From V.R.I. Her Life and Empire, by The Marquis of Lorne, K.T. [Harmsworth Bros Ltd. London, 1901]

The Cupola or Cube Room at Kensington Palace, c1899, (1901). Artist: Eyre & Spottiswoode
The Cupola or Cube Room at Kensington Palace, c1899, (1901). King George I (1660-1727), commissioned William Kent (c1685-1748) to decorate the state rooms of Kensington Palace in 1722

The Queen Driving in the Grounds of the Grand Hotel at Grasse During Her Holiday in the Riviera in Artist
The Queen Driving in the Grounds of the Grand Hotel at Grasse During Her Holiday in the Riviera in the Spring of 1891, c1891, (1901). From V.R.I. Her Life and Empire, by The Marquis of Lorne, K.T

The Queen at the age of sixty six, c1885, (1901). Artist: Alexander Bassano
The Queen at the age of sixty six, c1885, (1901). Queen Victoria (1819-1901) From V.R.I. Her Life and Empire, by The Marquis of Lorne, K.T. [Harmsworth Bros Ltd. London, 1901]

The Duke and Duchess of Argyll, late 19th or early 20th century. Princess Louise (1848-1939), the fourth daughter of Queen Victoria, married John Campbell, 9th Duke of Argyll (1845-1914)

If Everywhere as Successful as in Love, a Great Destiny Awaits Him, 1870. Artist: Carlo Pellegrini
If Everywhere as Successful as in Love, a Great Destiny Awaits Him, 1870. John Campbell (1845-1914), Marquess of Lorne, pictured in Highland dress

The Marquis and Marchioness of Lorne at Niagara Falls, Canada, 1879. Otherwise known as John Campbell (1845-1914), the 9th Duke of Argyll, and his wife, Princess Louise (1848-1939)

The Queen, with the Prince of Wales, the Princess Royal and the Princess Alice, in 1862, c1862, (1901). Queen Victoria (1819-1901), with Edward Prince of Wales (1841-1910)

John Campbell, Marquess of Lorne, 1900. Artist: Elliott & Fry
John Campbell, Marquess of Lorne, 1900. John Campbell, 9th Duke of Argyll (1845-1914) married Princess Louise, the fourth daughter of Queen Victoria, in 1871

The marriage of Princess Louise, 21 March 1871, (1900). Artist: Sydney Prior Hall
The marriage of Princess Louise, 21 March 1871, (1900). The marriage of Queen Victorias daughter Louise to the Duke of Argyll in St Georges Chapel at Windsor Castle

John Douglas Sutherland Campbell (1845-1914), 9th Duke of Argyll from 1900, c1880. In 1871 he married Princess Louise, fourth daughter of Queen Victoria

A (Real) German Defeat, 1870. Artist: Joseph Swain
A (Real) German Defeat, 1870. This cartoon shows the Princess Louise and her betrothed, the Lord of Lorn (John Campbell). For the first time

To the Great North-West with the Marquis of Lorne, the Prairie and the Rockies"
TO THE GREAT NORTH-WEST WITH THE MARQUIS OF LORNE, THE PRAIRIE AND " THE ROCKIES", 1. An Indian Mother; 2. Abandoned

In the Great North-West with the Marquis of Lorne, Blackfoot Crossing

In the Great North-West with the Marquis of Lorne, Crossing the Boundary Line: 1
IN THE GREAT NORTH-WEST WITH THE MARQUIS OF LORNE, CROSSING THE BOUNDARY LINE: 1. Rolling Prairie: An Attempt by Dr. Macgregor to Describe the Infinite; 2

George Douglas Campbell, 8th Duke of Argyll (1823 - 1900) Marquis of Lorne (1837 - 1847), succeeded to the Dukedom in 1847. British Whig (Liberal) politician and scientist

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"The Marquis of Lorne: A Life of Royal Connections and Adventures" In 1871, the grand union between Princess Louise and the Marquis of Lorne captivated the world. This momentous occasion marked a significant chapter in their lives, as well as in history. The year 1901 witnessed an unknown creator capturing the essence of this remarkable couple. Their love story unfolded through engravings that depicted their journey together, from royal engagements to explorations in the Great North-West. Lt. Governor M Letellier de St Just's engraving showcased the Marquis of Lorne's influential role in Quebec, highlighting his dedication to public service and governance. The silver epergne gifted by Argyllshire gentlemen symbolized their admiration for the Marquis. Its fountain-like form represented his ability to bring life and joy wherever he went. At Westminster's Chapter House, Dean Bradley addressed a meeting memorializing Dean Stanley. The presence of the Marquis signified his support for cultural endeavors that enriched society. Accompanied by Princess Louise on an adventurous journey, engravings captured their exploration into uncharted territories in sketches titled "To the Far West. " These images immortalized their shared spirit of curiosity and discovery. Even amidst royal family gatherings at Aix-les-Bains' grotto entrance, it was evident that all eyes were on them - particularly on the dashing figure of John Douglas Sutherland Campbell himself. His engraved portrait exuded charisma befitting a man who had won not only royalty but also hearts worldwide. Covent Garden witnessed another triumph when "Diarmid, " a new English opera, took center stage with applause echoing throughout its walls. The call before its curtain revealed how deeply admired and respected Lord Lorne was within artistic circles too. Installation day arrived with great pomp as Halifax welcomed its new Governor-General - none other than our esteemed marquis himself.