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Marston Collection (#2)

"Marston: A Captivating Blend of Art, History, and Nature" Immerse yourself in the enchanting world of Marston

Background imageMarston Collection: An Amazing Seance and an Exposure

An Amazing Seance and an Exposure
Cover design, An Amazing Seance and an Exposure, by Sydney A Moseley, introduction by Sir Arthur Conan Doyle. 1919

Background imageMarston Collection: The Reeling Berg, April 1916, (oil on canvas)

The Reeling Berg, April 1916, (oil on canvas)
990896 The Reeling Berg, April 1916, (oil on canvas) by Marston, George (1882-1940); 71.1x127 cm; Private Collection; (add.info.: The Reeling Berg, April 1916. George Marston (1882-1940)

Background imageMarston Collection: Advertisement, Harpers Magazine (engraving)

Advertisement, Harpers Magazine (engraving)
1061803 Advertisement, Harpers Magazine (engraving) by English School, (19th century); Private Collection; (add.info.: Advertisement, Harpers Magazine)

Background imageMarston Collection: Marston, 1798. Creator: Charles Balthazar Julien Fevret de Saint-Memin

Marston, 1798. Creator: Charles Balthazar Julien Fevret de Saint-Memin
Marston, 1798

Background imageMarston Collection: Royal Air Force - Supermarine Swift F Mk. 3

Royal Air Force - Supermarine Swift F Mk. 3
Royal Air Force - A Supermarine Swift F Mk.3 on the Engine-running de-tuner pan at the South Marston Vickers-Supermarine factory near Swindon

Background imageMarston Collection: Staffordshire ST20 0 Map

Staffordshire ST20 0 Map
Postcode Sector Map of Staffordshire ST20 0

Background imageMarston Collection: Staffordshire ST18 9 Map

Staffordshire ST18 9 Map
Postcode Sector Map of Staffordshire ST18 9

Background imageMarston Collection: Derbyshire Dales SK17 9 Map

Derbyshire Dales SK17 9 Map
Postcode Sector Map of Derbyshire Dales SK17 9

Background imageMarston Collection: Kennet SN10 5 Map

Kennet SN10 5 Map
Postcode Sector Map of Kennet SN10 5

Background imageMarston Collection: Oxford OX3 0 Map

Oxford OX3 0 Map
Postcode Sector Map of Oxford OX3 0

Background imageMarston Collection: South Kesteven NG32 2 Map

South Kesteven NG32 2 Map
Postcode Sector Map of South Kesteven NG32 2

Background imageMarston Collection: North Tyneside NE12 6 Map

North Tyneside NE12 6 Map
Postcode Sector Map of North Tyneside NE12 6

Background imageMarston Collection: Hereford HR6 9 Map

Hereford HR6 9 Map
Postcode Sector Map of Hereford HR6 9

Background imageMarston Collection: Cheshire West and Chester CW9 6 Map

Cheshire West and Chester CW9 6 Map
Postcode Sector Map of Cheshire West and Chester CW9 6

Background imageMarston Collection: Warwick CV8 3 Map

Warwick CV8 3 Map
Postcode Sector Map of Warwick CV8 3

Background imageMarston Collection: Birmingham B76 0 Map

Birmingham B76 0 Map
Postcode Sector Map of Birmingham B76 0

Background imageMarston Collection: Rowing Home the Schoof-Stuff (from Life and Landscape on the Norfolk Broads, 1886

Rowing Home the Schoof-Stuff (from Life and Landscape on the Norfolk Broads, 1886, plate XXI), 1886. Reacting against the theatrical, sentimental photogaphs made by his contemporaries

Background imageMarston Collection: Footbridge Near Chingford, from The Compleat Angler, 1888. Creator: Peter Henry Emerson (British)

Footbridge Near Chingford, from The Compleat Angler, 1888. Creator: Peter Henry Emerson (British)
Footbridge Near Chingford, from The Compleat Angler, 1888

Background imageMarston Collection: A Convicts Home, 1876. Creator: John Thomson (Scottish, 1837-1921); Sampson Low, Marston

A Convicts Home, 1876. Creator: John Thomson (Scottish, 1837-1921); Sampson Low, Marston
A Convicts Home, 1876

Background imageMarston Collection: At the Grindstone--A Suffolk Farmyard, 1888. Creator: Peter Henry Emerson (British

At the Grindstone--A Suffolk Farmyard, 1888. Creator: Peter Henry Emerson (British
At the Grindstone--A Suffolk Farmyard, 1888

Background imageMarston Collection: Gold book cover, 19th century, (1881). Creator: John Watkins

Gold book cover, 19th century, (1881). Creator: John Watkins
Gold book cover, 19th century, (1881). Etching of an embossed and enamelled book cover, made in Europe, probably in the 19th century

Background imageMarston Collection: Writing tablets, 1690-1700, (1881). Creator: W Harbutt

Writing tablets, 1690-1700, (1881). Creator: W Harbutt
Writing tablets, 1690-1700, (1881). Etching of ivory tablets with gilded silver cover, made by J C Schmidt in Augsburg, Germany, in the late 17th century

Background imageMarston Collection: Silver-handled knife, c1470?, (1881). Creator: Js Dominy

Silver-handled knife, c1470?, (1881). Creator: Js Dominy
Silver-handled knife, c1470?, (1881). Etching of a knife ascribed to Pollaiuolo, decorated with scenes including the Judgment of Paris and the Judgment of Solomon

Background imageMarston Collection: Pyxis, c964 AD, (1881). Creator: M Sullivan

Pyxis, c964 AD, (1881). Creator: M Sullivan
Pyxis, c964 AD, (1881). Etching of a small cylindrical ivory box made in the mid 10th century, at Medina Azahara, Cordoba, Spain

Background imageMarston Collection: Branched altar cross, 14th-15th century, (1881). Creator: Js Goepel

Branched altar cross, 14th-15th century, (1881). Creator: Js Goepel
Branched altar cross, 14th-15th century, (1881). Etching of a silver parcel-gilt cross, the crucifix made c1350, and the figures and base made 1464-1474 by Hans Rutenzwig or his workshop, in Basel

Background imageMarston Collection: Design for a jug, (1881). Creator: Unknown

Design for a jug, (1881). Creator: Unknown
Design for a jug, (1881). A jug or ewer decorated with a triumphant procession of Venus across the sea, attended by tritons, nymphs, and cupids

Background imageMarston Collection: Pyx, 1500-1700, (1881). Creator:s Thomas

Pyx, 1500-1700, (1881). Creator:s Thomas
Pyx, 1500-1700, (1881). Etching of a carved boxwood pyx, possibly made in Venice or the Balkans, between the 16th and 17th centuries

Background imageMarston Collection: The Ceramic Gallery, South Kensington Museum, c1876, (1881). Creator: John Watkins

The Ceramic Gallery, South Kensington Museum, c1876, (1881). Creator: John Watkins
The Ceramic Gallery, South Kensington Museum, c1876, (1881). Interior view of the Ceramics Gallery, a tiled and painted room housing the Museums collection of pottery and porcelain

Background imageMarston Collection: Silver gilt spoon, late 15th century, (1881). Creator: R I Stevenson

Silver gilt spoon, late 15th century, (1881). Creator: R I Stevenson
Silver gilt spoon, late 15th century, (1881). Etching of a short-handled spoon made in Denmark, engraved on the bowl with the figures of St Anne, the Virgin Mary and the infant Christ

Background imageMarston Collection: Bust of Pope Innocent X, c1690, (1881). Creator: Bernard Collier

Bust of Pope Innocent X, c1690, (1881). Creator: Bernard Collier
Bust of Pope Innocent X, c1690, (1881). Etching of a bronze portrait bust of Giambattista Pamphili, Innocent X (1574-1655), made posthumously by Domenico Guidi in Rome

Background imageMarston Collection: Head of a Tau Cross, c1140-1150, (1881). Creator: Frederick Albert Slocombe

Head of a Tau Cross, c1140-1150, (1881). Creator: Frederick Albert Slocombe
Head of a Tau Cross, c1140-1150, (1881). Etching of a tau or T-shaped cross head, made in France in the mid 12th century, of walrus ivory inlaid with coloured pastes

Background imageMarston Collection: Silver tea caddy, 1716, (1881). Creator: W. M. McGill

Silver tea caddy, 1716, (1881). Creator: W. M. McGill
Silver tea caddy, 1716, (1881). Etching of a tea caddy made in the early 18th century in Leeuwarden, Netherlands, by Johannes Van Der Lely. The chased decoration features a monogram and coat of arms

Background imageMarston Collection: Cutlery case, (1881). Creator: W. M. McGill

Cutlery case, (1881). Creator: W. M. McGill
Cutlery case, (1881). Etching of an undated container for for cutlery, made of silver and painted wood, described as Continental

Background imageMarston Collection: Section of the Tijou Screen, late 17th century, (1881). Creator: J Brooke

Section of the Tijou Screen, late 17th century, (1881). Creator: J Brooke
Section of the Tijou Screen, late 17th century, (1881). Etching of one of the twelve sections of a wrought iron screen, designed c1690 by the Huguenot ironworker Jean Tijou for the gardens at Hampton

Background imageMarston Collection: Silver cup, 1580-1600, (1881). Creator: John Watkins

Silver cup, 1580-1600, (1881). Creator: John Watkins
Silver cup, 1580-1600, (1881). Etching of a cup made as a trial piece of work, or masterpiece, that met an agreed standard of workmanship

Background imageMarston Collection: Terracotta bust of a young man, c1860s, (1881). Creator: William H Jobbins

Terracotta bust of a young man, c1860s, (1881). Creator: William H Jobbins
Terracotta bust of a young man, c1860s, (1881). Etching of a portrait bust made c1850-1868 in Florence by Giovanni Bastianini

Background imageMarston Collection: Bronze lamp, 19th century?, (1881). Creator: M Sullivan

Bronze lamp, 19th century?, (1881). Creator: M Sullivan
Bronze lamp, 19th century?, (1881). Etching of a lamp in the form of an asss head, round which a dwarf is clinging. It was probably made in Italy, possibly in the 16th century, or more likely later

Background imageMarston Collection: Carved openwork box, 1500-c1860, (1881). Creator: W Tucker

Carved openwork box, 1500-c1860, (1881). Creator: W Tucker
Carved openwork box, 1500-c1860, (1881). Etching of a small coffer of boxwood with engraved ivory fillets and wrought brass handle, made in France

Background imageMarston Collection: Chinese potters at work, design for stained glass window, c1870, (1881). Creator

Chinese potters at work, design for stained glass window, c1870, (1881). Creator
Chinese potters at work, design for stained glass window, c1870, (1881). Two Panels of Windows in the Gallery of the Museum Containing Pottery in the South Kensington Museum, by William Bell Scott

Background imageMarston Collection: One Bay of the Water-Colour Galleries, 1860s, (1881). Creator: A Reid

One Bay of the Water-Colour Galleries, 1860s, (1881). Creator: A Reid
One Bay of the Water-Colour Galleries, 1860s, (1881). A proposal for ornamenting one of the bays of the National Competition Gallery in the South Kensington Museum in London

Background imageMarston Collection: Walnut chest, (1881). Creator: Andrew Fingar Brophy

Walnut chest, (1881). Creator: Andrew Fingar Brophy
Walnut chest, (1881). Etching of a walnut wood chest, resting on carved lions. It was made before 1856. From " The South Kensington Museum", a book of engraved illustrations

Background imageMarston Collection: Agate cup, (1881). Creator: W. M. McGill

Agate cup, (1881). Creator: W. M. McGill
Agate cup, (1881). Etching of a cup made of agate with silver mounts, made in Britain by Roger Flint. It was bought in 1867 as an Elizabethan masterpiece

Background imageMarston Collection: Jupiter, firedog, late 16th century, (1881). Creator: J Brooke

Jupiter, firedog, late 16th century, (1881). Creator: J Brooke
Jupiter, firedog, late 16th century, (1881). Etching of a bronze firedog in the form of the Roman god Jupiter, one of a pair made c1570-1600 by Giuseppe de Levis in Verona, Italy

Background imageMarston Collection: Stoneware jug, c1590?, (1881). Creator: F Brown

Stoneware jug, c1590?, (1881). Creator: F Brown
Stoneware jug, c1590?, (1881). Etching of a jug with silver mounts, possibly made in England in the late 16th century. From " The South Kensington Museum", a book of engraved illustrations

Background imageMarston Collection: Shell cup, late 17th century?, (1881). Creator: T Charbonnier

Shell cup, late 17th century?, (1881). Creator: T Charbonnier
Shell cup, late 17th century?, (1881). Etching of a trochus shell mounted in silver to form a goblet or cup, possibly made in Germany. The stem is in the form of dolphin

Background imageMarston Collection: Designs for grotesque friezes, 16th century, (1881). Creator: Unknown

Designs for grotesque friezes, 16th century, (1881). Creator: Unknown
Designs for grotesque friezes, 16th century, (1881). Three proposals for architectural ornament, school of Perino del Vaga, Italy. Woodcut after drawings made in Italy, early-mid 16th century

Background imageMarston Collection: Miniature altar, 1500-1570, (1881). Creator: D Jones

Miniature altar, 1500-1570, (1881). Creator: D Jones
Miniature altar, 1500-1570, (1881). Etching of a boxwood and silver house-altar, probably made in the Netherlands, 16th century

Background imageMarston Collection: Copper gilt pyx, mid 15th century?, (1881). Creator: M Sullivan

Copper gilt pyx, mid 15th century?, (1881). Creator: M Sullivan
Copper gilt pyx, mid 15th century?, (1881). Etching of a hexagonal pyx (container for the host used in the Eucharist), possibly made in England, Germany, or Flanders




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"Marston: A Captivating Blend of Art, History, and Nature" Immerse yourself in the enchanting world of Marston, where silhouettes of hunting field scenes come alive against a backdrop of breathtaking landscapes. From the rugged Durham County Rugby Team battling it out on the pitch to the brave Shore Party at their Winter Quarters in 1908, Marston's history is as diverse as it is fascinating. Step into an artist's masterpiece with "The Autumn Sunset, " painted by George Marston himself. Let the warm hues transport you to a serene moment frozen in time. And speaking of historical moments, witness Oliver Cromwell commanding his troops during the intense Battle Moor in 1644 – a pivotal event that shaped England's destiny. But Marston isn't just about art and history; it also celebrates nature's wonders. Experience sheer joy as penguins return home amidst icy landscapes in George Marston's captivating painting "Return of the Penguins. " Their resilience and beauty remind us of our connection to this magnificent planet. Away from canvases and battlefields, venture into Birmingham Union Cottage Homes at Marston Green, Warwickshire – a haven for those seeking solace and community spirit. These homes stand as testaments to compassion and care for fellow human beings. As you explore further along High Town Road in Luton, let your senses be captivated by Sampson, Low, Marston and Company publishers' literary treasures. Discover worlds within pages that ignite imagination and knowledge. And finally, indulge your taste buds with a sip of pure delight – savor every drop of Marston's Amber Ale. Crafted with passion and expertise over generations, this brew embodies both tradition and innovation. Join us on this extraordinary journey through time and space where artistry meets athleticism; where nature embraces humanity; where stories unfold page by page; where flavors dance upon your tongue. Welcome to Marston - a place where the past, present, and future intertwine in perfect harmony.