Martinet Gihaut Collection

Parisian customs: Are you pleased with yourself?, 1825. Creator: Edme Jean Pigal
Parisian customs: Are you pleased with yourself?, 1825. Moeurs parisiennes: T'es ben fier a present?'. Older man laughs at the costume of younger man

It's a Pole, 1832. Creator: Auguste Raffet
It's a Pole, 1832

The Camp, 1836–37. Creator: Auguste Raffet
The Camp, 1836-37

We Will Civilize those Fellows... with Time, 1836–37. Creator: Auguste Raffet
We Will Civilize those Fellows... with Time, 1836-37

Man of the People, 1836. Creator: Auguste Raffet
Man of the People, 1836

The Kennel, from the series Hunting Scenes, 1829. Creator: Alexandre Gabriel Decamps
The Kennel, from the series Hunting Scenes, 1829

The Climb, from the series Hunting Scenes, 1829. Creator: Alexandre Gabriel Decamps
The Climb, from the series Hunting Scenes, 1829

Wolf Hunt: Wounded Animal Attacked by Dogs, from the series Hunting Scenes, 1829

Interior of the Kennel, from the series Hunting Scenes, 1829

Children Frightened by Snarling Dog, from the series Hunting Scenes, 1829

Hunting in the Field, from the series Hunting Scenes, 1829

Turkish Barrack, 1823-60. Creator: Alexandre Gabriel Decamps
Turkish Barrack, 1823-60

Hunting a Ferret with Blanks, from the series Hunting Scenes, 1829

The Death of Ophelia, 1843. 1843. Creator: Eugene Delacroix
The Death of Ophelia, 1843. Ophelias death is described in act 4, scene 7 by Queen Gertrude

Hamlet and Horatio before The Gravediggers, 1843. 1843. Creator: Eugene Delacroix
Hamlet and Horatio before The Gravediggers, 1843. Act 5, scene 1, grave diggers preparing a burial site unearth the skull of Yorick

Polonius and Hamlet, 1834-43. 1834-43. Creator: Eugene Delacroix
Polonius and Hamlet, 1834-43. In act 2, scene 2, the prince mocks the courtier Polonious who asks what he is reading, by replying " Words, words, words."

Hamlet and Guildenstern, 1834-43. 1834-43. Creator: Eugene Delacroix
Hamlet and Guildenstern, 1834-43. In act 3, scene 2, the prince suspects Guildenstern has been summoned by the king to act as a spy

Hamlet Attempts to Kill the King, 1834-43. 1834-43. Creator: Eugene Delacroix
Hamlet Attempts to Kill the King, 1834-43. In act 3, scene 3, the prince does not revenge his uncle who is at prayer

The Queen Tries to Console Hamlet, 1834. 1834. Creator: Eugene Delacroix
The Queen Tries to Console Hamlet, 1834

The Death of Hamlet, 1843. 1843. Creator: Eugene Delacroix
The Death of Hamlet, 1843. In act 5, scene 2, Laertes and Hamlet kill each other in a duel and the queen dies from drinking poison intended for her son

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"Martinet Gihaut: A Captivating Journey through Hunting Scenes and Beyond" Step into the world of Alexandre Gabriel Decamps, a renowned artist whose series "Hunting Scenes" takes us on an exhilarating adventure. In "The Kennel, " we witness the anticipation and excitement of hunting dogs ready to embark on their mission. Their energy is palpable, setting the stage for what lies ahead. As we continue our exploration, "The Climb" captures a thrilling moment as hunters navigate treacherous terrain in pursuit of their prey. The determination etched on their faces reveals their unwavering commitment to the chase. In "Wolf Hunt: Wounded Animal Attacked by Dogs, " Decamps skillfully portrays both the intensity and brutality of nature's cycle. This gripping scene reminds us that even amidst beauty, there exists a rawness that cannot be ignored. Venturing further into this captivating collection, we find ourselves immersed in "Interior of the Kennel. " Here, Decamps invites us behind closed doors, revealing a glimpse into the lives of these loyal companions who eagerly await their next adventure. But not all scenes are filled with excitement; some evoke different emotions entirely. In "Children Frightened by Snarling Dog, " fear grips young hearts as they encounter an unexpected danger lurking within these hunting grounds. It serves as a reminder that bravery can come from unexpected places. Moving beyond hunting scenes, Decamps transports us to exotic lands with his masterpiece "Turkish Barrack. " With vibrant colors and intricate details, he invites us to immerse ourselves in this foreign culture—a testament to his artistic versatility. Returning once more to hunting scenes, we witness an unconventional approach in "Hunting a Ferret with Blanks. " This intriguing composition challenges traditional notions while showcasing Decamp's ability to push boundaries within his artistry.