Marwar Collection

Maharaja Ajit Singh (reigned 1676-1725) and Dancer, 1814. Creator: Unknown
Maharaja Ajit Singh (reigned 1676-1725) and Dancer, 1814

View of the Lake of Ulwar, c1891. Creator: James Grant
View of the Lake of Ulwar, c1891. From " Cassells Illustrated History of India Vol. II.", by James Grant. [Cassell Petter & Galpin, London, Paris and New York]

Marwari Merchants of Calcutta, c1891. Creator: James Grant
Marwari Merchants of Calcutta, c1891. From " Cassells Illustrated History of India Vol. II.", by James Grant. [Cassell Petter & Galpin, London, Paris and New York]

A Young Prince on Horseback, c. 1720 / 30. Creator: Unknown
A Young Prince on Horseback, c. 1720/30

Krishna Fluting for the Gopis, Late 18th or early 19th century. Creator: Unknown
Krishna Fluting for the Gopis, Late 18th or early 19th century

Merchants of Calcutta, "Marwaris", i e, natives of Marwar in Rajpootana (engraving)
967389 Merchants of Calcutta, " Marwaris", i e, natives of Marwar in Rajpootana (engraving) by English School, (19th century); Private Collection; (add.info.: Merchants of Calcutta)

Preparatory Study for a Portrait of Man Singh and His Harem, 1810-15. Creator: Unknown
Preparatory Study for a Portrait of Man Singh and His Harem, 1810-15

Symbols of the Chakravartin... a Digambara Manuscript, Possibly the Shalibhadra, late 17th cent
Symbols of the Chakravartin: Folio from a Digambara Manuscript, Possibly the Shalibhadra, late 17th century. Symbols of divine kingship - the elephant, horse, umbrella, weapons, conch

Khambavati Ragini... from a Dispersed Ragamala Series (Garland of Musical Modes), 1700-1725
Khambavati Ragini: Page from a Dispersed Ragamala Series (Garland of Musical Modes), 1700-1725. Khamabhavati accompanied by a female attendant offers a tray of fruits to Brahma

Maharaja Bijay Singh in His Harem, ca. 1770. Creator: Unknown
Maharaja Bijay Singh in His Harem, ca. 1770

Equestrian Portrait of a Nobleman, ca. 1710-20. Creator: Unknown
Equestrian Portrait of a Nobleman, ca. 1710-20

Rao Shiv Singh Chandrawat, c. 1720. Creator: Unknown
Rao Shiv Singh Chandrawat, c. 1720

A Rathor Noble Visiting a Digambara holy man at a Vishnu Shrine, probably Baba Atmaram, c. 1760

Maharaja Abhai Singh, Equestrian, Watching Girls Swinging at the Teej Festival, c. 1740. The Teej Festival celebrates the coming of the monsoons that bring the rains essential for the crops

Shri Bakht Singh (1706-1752), Maharaja of Jodhpur. Artist: Indian Art
Shri Bakht Singh (1706-1752), Maharaja of Jodhpur. From a private collection

Maharaja Abhai Singh Equestrian Watching Girls Swinging
Maharaja Abhai Singh, Equestrian, Watching Girls Swinging at the Teej Festival, c. 1740. Northwestern India, Rajasthan, Marwar, Rajput Kingdom of Jodhpur

A Rathor Noble Visiting Digambara holy man Vishnu Shrine
A Rathor Noble Visiting a Digambara holy man at a Vishnu Shrine, probably Baba Atmaram, c. 1760. India, Marwar. Color on paper; page: 33.4 x 29.3 cm (13 1/8 x 11 9/16 in.)

Rao Shiv Singh Chandrawat 1720 Northwestern India
Rao Shiv Singh Chandrawat, c. 1720. Northwestern India, Rajasthan, Marwar. Opaque watercolor and gold on paper; miniature: 31.8 x 22.2 cm (12 1/2 x 8 3/4 in.)

Portrait Suraj Singh Rathor Raja Marwar Maternal Uncle
Portrait of Suraj Singh Rathor, Raja of Marwar and Maternal Uncle of Shah Jahan: A Page from the Prince Khurram Album, c. 1600. Attributed to Bishandas (Indian, active c. 1610-30)

Ajit Singh (1678?1724), the Maharaja of Jodhpur, Mid of the 18th cen Artist: Indian Art
Ajit Singh (1678?1724), the Maharaja of Jodhpur, Mid of the 18th cen.. Found in the collection of the The David Collection

Folk Painting 1725 India Rajasthan Marwar Ink
Artokoloro

Symbols Chakravartin Folio Digambara Manuscript
Artokoloro

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"Exploring the Rich Heritage of Marwar: A Glimpse into its Art, Culture, and Royalty" Step back in time with these captivating glimpses of Marwar, a region steeped in history and grandeur. The enchanting view of the Lake of Ulwar, captured by James Grant in 1891, transports us to a serene oasis surrounded by nature's beauty. The Marwari Merchants of Calcutta, also immortalized by Grant's lens in the same era, showcase the entrepreneurial spirit and business acumen that made them renowned figures across India. Their influence on trade and commerce is undeniable. A young prince astride his majestic horse takes us further back to the early 18th century. This unknown creator captures both power and grace as we witness royalty at its finest. Krishna Fluting for the Gopis reveals an artistic masterpiece from late 18th or early 19th century Marwar. The divine melody resonates through this timeless artwork, depicting Krishna's charm captivating not only mortal beings but also celestial maidens. Engraved images depict native Marwari merchants from Calcutta - a testament to their significant presence in shaping economic landscapes during that period. These individuals hailed from Rajputana's Marwar region and left an indelible mark on Indian commerce. Preparatory Study for a Portrait of Man Singh and His Harem showcases another facet of royal life during 1810-15. This intriguing glimpse into their private world offers insight into their opulence and intricate social dynamics. Symbols of Chakravartin found within Digambara Manuscripts hint at deep spiritual beliefs held dear by the people of Marwar. These manuscripts possibly include Shalibhadra texts dating back to the late 17th century – artifacts that connect generations through faith. Khambavati Ragini presents itself as part of a dispersed Ragamala series, offering a harmonious blend of music and art.