Masks Collection (#45)

The mask seller, 1883 (bronze) (b / w photo)
XIR346100 The mask seller, 1883 (bronze) (b/w photo) by Astruc, Zacharie (1835-1907); Jardin du Luxembourg, Paris, France; (add.info)

Title page from Babys Own Aesop, engraved and printed by Edmund Evans
KW308682 Title page from Babys Own Aesop, engraved and printed by Edmund Evans, London, published c.1920 (colour litho) by Crane, Walter (1845-1915) (after); Private Collection; Ken Welsh; English

The Beggars Opera Burlesqued, 1728 (engraving)
XJF393890 The Beggars Opera Burlesqued, 1728 (engraving) by Hogarth, William (1697-1764) (after); Private Collection; (add.info)

The New World, from the Foresteria (Guesthouse), 1757 (fresco)
XIR468191 The New World, from the Foresteria (Guesthouse), 1757 (fresco) by Tiepolo, Giandomenico (Giovanni Domenico) (1727-1804); Villa Valmarana ai Nani, Vicenza

States of Mind: Those Who Stay, 1911 (oil on canvas)
XBP390283 States of Mind: Those Who Stay, 1911 (oil on canvas) by Boccioni, Umberto (1882-1916); 70.5x95 cm; Museum of Modern Art, New York

Venus and Cupid, Allegory of the Truth (oil on wood)
BAL347474 Venus and Cupid, Allegory of the Truth (oil on wood) by Backer, Jacques de (b.c.1545-fl.1595); eLviv State Picture Gallery, Ukraine; Netherlandish, out of copyright

Fallen Angels, engraved by R. Griffith (coloured engraving)
XCF272201 Fallen Angels, engraved by R. Griffith (coloured engraving) by Barrett, Francis (fl. 1800) (after); Private Collection; (add.info.: a deceiver; Apollyon; vesssels of iniquity; ); English

Bacchae with satyr masks, Gerard Melder, 1725

Ewer with lobe ornaments and masks, Theodorus van Kessel, Christiaen van Vianen, Christiaen van Vianen, 1646 - 1652

The Ghost of Clytemnestra Awakening the Furies, 1781 (oil on panel)
XYC225470 The Ghost of Clytemnestra Awakening the Furies, 1781 (oil on panel) by Downman, John (c.1750-1824); 50.75x64.75 cm; Yale Center for British Art, Paul Mellon Collection

Using a bow at the gate of Yven (w / c on paper) (b / w photo)
XIR217855 Using a bow at the gate of Yven (w/c on paper) (b/w photo) by Chinese School, (19th century); Private Collection; Chinese, out of copyright

Doge Alvise Mocenigo IV (1701-78) Giving a Banquet for the Ambassadors, 1776-78
XIR190378 Doge Alvise Mocenigo IV (1701-78) Giving a Banquet for the Ambassadors, 1776-78 (oil on canvas) by Guardi, Francesco (1712-93); 67x100 cm; Louvre, Paris

The Arrival at the Sabbath and the Homage to the Devil (oil on canvas)
XIR188787 The Arrival at the Sabbath and the Homage to the Devil (oil on canvas) by Saint-Aubert, Antoine Francois (1715-88); 62.5x48 cm; Musee Municipal, Cambrai

Ball at the Opera (colour litho)
XIR182924 Ball at the Opera (colour litho) by Guerard, Eugene Charles Francois (1821-66); Musee de la Ville de Paris, Musee Carnavalet, Paris, France; French, out of copyright

Three friezes with leaf tendrils, Anthonie de Winter, C. de Moelder, 1696

The upper table is shown in perspective, with the lower table top is shown upright, on both sides four masks are shown, Daniel Marot (I), Dating after 1703 - before 1800

The Masked Ball (oil on canvas)
XAL177138 The Masked Ball (oil on canvas) by Bison, Giuseppe Bernardino (1762-1844); Museo Civico Rivoltello, Trieste, Italy; Italian, out of copyright

Mandan Buffalo Dance, 1861 (oil on card mounted on paperboard)
XOS1765505 Mandan Buffalo Dance, 1861 (oil on card mounted on paperboard) by Catlin, George (1796-1872); 44.8x61.4 cm; National Gallery of Art, Washington DC

with two masks Cartouche, Jacob Lutma, Johannes Lutma (I), Frederik de Wit, c. 1654 - c. 1678

Three masks with horns, Pieter Feddes van Harlingen, 1611

Three masks zonders horns, Pieter Feddes van Harlingen, 1611

Cheats leading the nation to ruin, print maker: Dirck Volckertsz Coornhert, Adriaan de Weerdt, Hendrick Hondius I, 1604

Cartouche with two masks, Agostino Mitelli, Anonymous, Anonymous, after 1619 - before 1642

Street Fair (oil on canvas)
XIR166310 Street Fair (oil on canvas) by French School, (18th century); Musee de la Ville de Paris, Musee Carnavalet, Paris, France; (add.info.: Spectacle de Foire sur les Boulevards; ); French

The Perfume Seller (oil on canvas) (see also 60625)
XAL166068 The Perfume Seller (oil on canvas) (see also 60625) by Longhi, Pietro (c.1701-85); 61x51 cm; Ca Rezzonico, Museo del Settecento, Venice; Italian, out of copyright

The Tooth Extractor, c. 1754 (oil on canvas)
XIR165581 The Tooth Extractor, c.1754 (oil on canvas) by Tiepolo, Giandomenico (Giovanni Domenico) (1727-1804); 80.5x110 cm; Louvre, Paris, France; Italian, out of copyright

Debauchery, Raphael Sadeler (I), 1592

Six alphabets, Michiel le Blon, Anonymous, Balthasar Caymox, after 1611 - 1635

Ornament, Michiel le Blon, Anonymous, Balthasar Caymox, after 1611 - 1635

Ornament featuring two cherubs, Michiel le Blon, Anonymous, Balthasar Caymox, after 1611-1635

Ornament featuring Schweifwerk, Michiel le Blon, Anonymous, Balthasar Caymox, after 1611 - 1635

Ornament, Michael le Blon, Anonymous, Balthasar Caymox, after 1611-1635

Ornament featuring a fruit trophy, Michiel le Blon, Anonymous, Balthasar Caymox, after 1611 - 1635

Ornament featuring a bird, Michiel le Blon, Anonymous, Balthasar Caymox, after 1611 - 1635

Garland with three bouquets of fruit, Michiel le Blon, print maker: Anonymous, Balthasar Caymox, after 1611 - 1635

Stone heads and masks found at Teotihuacan, Mexico by Desire Charnay during his expedition
KW1078098 Stone heads and masks found at Teotihuacan, Mexico by DesireCharnay during his expedition in 1880/1883 (engraving) by Spanish School

Farce Actors Dancing (oil on panel)
XIR181855 Farce Actors Dancing (oil on panel) by Quast, Pieter Jansz. (1605-47); Comedie Francaise, Paris, France; Dutch, out of copyright

French infantrymen during WWI wearing respirators to protect them against German poison gas
KW1547382 French infantrymen during WWI wearing respirators to protect them against German poison gas, from The Illustrated War News, 1915 (b/w photo) by English Photographer

Masquerade (oil on canvas)
XJL146967 Masquerade (oil on canvas) by Lucas y Padilla, Eugenio (1824-70); Museo Romantico, Madrid, Spain; Spanish, out of copyright

1826?-1869 1859. 24. 3 35. 3 Celebratory God Hiroshige
Sasshu makurazaki kaimongadake jusei odori, Celebratory dance (to the God of long life Jurojin) and Mount Kaimongatake in Makurazaki of Satsuma Province. Utagawa, Hiroshige, 1826?-1869, artist, 1859

Ukie momotarAc mukashibanashi no zu, Perspective print of an old tale: Momotaro. Utagawa, Toyokuni, 1769-1825, artist, [between 1789 and 1792], 1 print : woodcut, color; 18.9 x 25.1 cm

Sumiyoshi odori, Sumiyoshi festival dance. RyA'ryA'kyo, Shinsai, approximately 1764-1820, artist, [between 1804 and 1818], 1 print : woodcut, color; 21.6 x 31.4 cm

Yamauba, Mountain woman. Totoya, Hokkei, 1780-1850, artist, [between 1830 and 1835], 1 print : woodcut, color; 20.9 x 18.7 cm. Print shows two actors wearing masks as mountain women

The Carnival at Rome, Italy, Masks in the Corso, 1876: the Chinese Car

The Carnival at Rome, Italy, Masks in the Corso, 1876: the Monkeys

Zoan Andrea (Italian, active c. 1475-1519), Ornament Panel with Dragons, Masks, and Instruments of War, c. 1505, engraving

Romania, Transylvania, Tihuta Pass, souvenir market, horror-themed masks

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"Masks: Unveiling the Enigmatic Charms Across Cultures and Eras" Restless Natives (1985) UK release one sheet poster: A vibrant depiction of masked rebels, symbolizing rebellion and cultural identity. Gold mask of Tutankhamun, Egyptian Museum, Cairo, Egypt, North Africa, Africa: An awe-inspiring relic from ancient times that whispers tales of pharaohs and their opulent afterlife rituals. Two ladies in blue and gold masks, Venice Carnival, Venice, UNESCO World Heritage Site: The enchanting allure of Venetian masquerade balls where elegance meets mystery amidst a backdrop steeped in history. Horsemen filming Robin of Sherwood in Cornwall: Masks transforming ordinary individuals into legendary characters as they bring timeless stories to life on the silver screen. The carnival in the port of Spain, Trinidad: A riotous explosion of colors and rhythms where masks become an integral part of celebrating Caribbean culture with exuberance unmatched anywhere else. A portrait of Vivien Leigh by Angus McBean: Capturing the duality within us all; masks worn both on stage and off reveal hidden depths beneath glamorous facades. Hillary and Tensing on Mount Everest: Battling treacherous conditions while wearing oxygen masks – a testament to human resilience pushing beyond limits for triumph over nature's mightiest peaks. Gas-proof pram from 1938: Reminding us how even innocent infants were not spared during dark times when gas masks became essential protection against looming threats. Tutankhamun's legacy at Cairo Museum - Egypt's treasure trove holds secrets behind this iconic mask that continues to captivate hearts worldwide with its intricate beauty and historical significance. Lady and gentleman in red and white masks at Venice Carnival - Witnessing love blossoming amidst masked anonymity; a romantic rendezvous transcending societal norms in the magical city of Venice.