Masquerade Ball Collection (#2)

Three Men in Red Capes Dancing with Their Partners, c. 1515. Creator: Unknown
Three Men in Red Capes Dancing with Their Partners, c. 1515

Procession of Knights Viewed by Ladies on a Balcony, c. 1515. Creator: Unknown
Procession of Knights Viewed by Ladies on a Balcony, c. 1515

Three Dancing Couples Led by Two Knights in Room with Column, c. 1515. Creator: Unknown
Three Dancing Couples Led by Two Knights in Room with Column, c. 1515

Court Amusements with Two Monkeys, c. 1515. Creator: Unknown
Court Amusements with Two Monkeys, c. 1515

Masquerade, c. 1515. Creator: Unknown
Masquerade, c. 1515

Two Dancing Couples Led by Torch-bearing Knights, c. 1515. Creator: Unknown
Two Dancing Couples Led by Torch-bearing Knights, c. 1515

Canto VI, Verse 294, 1803. Creator: William Blake
Canto VI, Verse 294, 1803

Three Figures Dressed for a Masquerade, c. 1740s. Creator: Louis-Joseph Le Lorrain
Three Figures Dressed for a Masquerade, c. 1740s

Romeo and Juliet at the Masquerade (Shakespeare, Romeo and Juliet, Act 1, Scene 5), June 15, 1785

Masked Ball at the Opera, 1873. Creator: Edouard Manet
Masked Ball at the Opera, 1873

Royal Masquerade Somerset House, October 21, 1805. Creator: Thomas Cook
Royal Masquerade Somerset House, October 21, 1805

Masquerade Dance with Torches, 1922. Creator: Albrecht Durer
Masquerade Dance with Torches, 1922

Decoration for a Masked Ball at Versailles, on the Occasion of t... ca
Decoration for a Masked Ball at Versailles, on the Occasion of the Marriage of Louis, Dauphin of France, and Maria Theresa, Infanta of Spain (Bal masque donne par le roi)

Carnival at Rome, Italy, from the Holidays series (N80) for Duke brand cigarettes, 1890

Three half-length figures from a Venetian carnival, 1750-1822. 1750-1822
Three half-length figures from a Venetian carnival, 1750-1822

Masquerading, [August 30, 1811], reprinted. [August 30, 1811], reprinted
Masquerading, [August 30, 1811], reprinted

Masquerade, [August 30, 1811], copy after. [August 30, 1811], copy after
Masquerade, [August 30, 1811], copy after

Masquerading, August 30, 1811. August 30, 1811. Creator: Thomas Rowlandson
Masquerading, August 30, 1811

Gustavus Hamilton (1710-1746), Second Viscount Boyne, in Masquerade Costume, 1730-31

The Meeting, 1746. Creator: Pietro Longhi
The Meeting, 1746

Dame mascherate, c. 1909. Creator: Ciardi, Emma (1879-1933)
Dame mascherate, c. 1909. Found in the Collection of Galleria Nuova Arcadia di Luciano Franchi, Padova

Masked Ball (Il ridotto), Mid of 17th cen Creator: Heintz, Joseph, the Younger
Masked Ball (Il ridotto), Mid of 17th cen.. Private Collection

The Elephant, 1774. Found in the Collection of Palazzo Leoni Montanari, Vicenza

Scene of a masquerade at the Pantheon, Oxford Street, Westminster, London, 1773. Artist
Scene of a masquerade at the Pantheon, Oxford Street, Westminster, London, 1773. Designed by James Wyatt, the Pantheon was a place of public entertainment that opened in 1772

The Pantheon, Oxford Street, Westminster, 1809. Artist: J Bluck
The Pantheon, Oxford Street, Westminster, 1809. Interior view during a masqerade, showing figures dancing in costume. Designed by James Wyatt

Interior view of a masquerade at the Kings Theatre, Haymarket, London, 1821

Casino (Il ridotto) in Venice, ca 1757. Found in the collection of Museo della Fondazione Querini Stampalia, Venezia

The Charlatan, ca 1757. Found in the collection of Fondation Bemberg, Toulouse

Piazza San Marco, 1753. Found in the Collection of Alnwick Castle

Carnival Parade in Piazza San Marco in Honour of the Conti Del Nord. Found in the Collection of Fondazione Cini, Venezia

Masked Ball. Private Collection

Leaving the Masqued Ball. Artist: Madrazo y Garreta, Raimundo de (1841-1920)
Leaving the Masqued Ball. Found in the collection of Museo Carmen Thyssen, Malaga

The hour of the masked ball. Private Collection

Dressing for the Masquerade. Laetitia Flies from Reflection to Public Entertainments, 1789. Artist: John Raphael Smith
Dressing for the Masquerade. Laetitia Flies from Reflection to Public Entertainments, 1789. After George Morland (1762-1804). From The Connoisseur Vol. LXXV. [The Connoisseur, London, 1926]

Scene at Masked Ball, c19th century. Artist: Claude Allin Shepperson
Scene at Masked Ball. by Claude A. Shepperson. 1944. [The Offices of the Studio, London & New York, 1944]

Day Masquerade in Ranelagh Gardens, (1842), 1903
Day Masquerade in Ranelagh Gardens (a correct view of the place), 1842. The Misers Daughter: 11/20, The Masquerade in Ranelagh Gardens

March - Day and Night nearly equal, 19th century. Artist: George Cruikshank
March - Day and Night nearly equal, 19th century. Revellers returning home meet workers starting the day

A Masquerade Ball, (1885). Artist: Urrabieta
A Masquerade Ball, (1885). Illustration from 18th Century Institutions, Usages And Costumes, France 1700-1789, by Paul Lacroix, (Paris, 1885)

Nobody knows himself, 1799. Artist: Francisco Goya
Nobody knows himself, 1799. Plate 6 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression

Lions House or the Venice Carnival, 1762. Found in the collection of Fondazione Querini Stampalia

Masquerade Ball Ritz Hotel Paris 1909 Oil canvas
Artokoloro

Source Size = 3816 x 2585
The Eastern Question: Constantinople, Going to a Masquerade Ball in Pera

Elizabeth Chudleigh, Countess of Bristol, dressed as Iphigenia, c. 1749 (engraving)
XJF696693 Elizabeth Chudleigh, Countess of Bristol, dressed as Iphigenia, c.1749 (engraving) by English School, (18th century) (after); Private Collection; (add.info)

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Dressing up for a Masquerade Ball, April 1, 1790. Step back in time and immerse yourself in the glamour of a bygone era as guests don exquisite costumes inspired by history and culture. Picture a woman adorned in Persian attire, her hair styled into elegant ringlets, wearing an embroidered dress with intricate sleeves. This portrait captures the allure of the masquerade ball perfectly. Another striking image depicts Jane Georgiana Seymour, Duchess of Somerset when she was still Lady Seymour. She is dressed as the Queen of Beauty in medieval costume, complete with a regal crown atop her headdress and a fur-lined cape draping over her bejeweled robe. The attention to detail is remarkable. In Constantinople, amidst the Eastern Question, we witness individuals preparing for a grand masquerade ball in Pera. The anticipation is palpable as they make their way through bustling streets towards an evening filled with mystery and enchantment. Shakespeare's Much Ado About Nothing comes alive on stage at another masquerade ball scene from c. 1900. Vibrant colors burst forth from this lithograph capturing the excitement and revelry that unfolds during such events. Transporting ourselves to 1835 at an Opera Ball reveals two gentlemen elegantly attired for the occasion. Their lithographed image showcases their impeccable fashion sense while hinting at hidden identities behind their masks. Mistakes may occur during these masked affairs; however, they only add to the spontaneity and thrill of it all. A colorful lithograph reminds us that even mishaps can become cherished memories within this world of secrecy and disguise. The Skating Rink in Montreal transforms into a magical setting for yet another mesmerizing masquerade ball captured through engraving artistry. Guests glide across ice under shimmering lights while adorned in elaborate costumes that evoke awe-inspiring beauty.