Master Of Flemalle Collection

Portrait of a Stout Man. Robert de Masmines (?), 1425. Creator: Robert Campin
Portrait of a Stout Man. Robert de Masmines (?), 1425.

Madonna and Child, c1430-1450. Creator: Unknown
Madonna and Child, c1430-1450

Madonna and Child with Saints in the Enclosed Garden, c. 1440 / 1460. Creator: Anon
Madonna and Child with Saints in the Enclosed Garden, c. 1440/1460

Man in Prayer, ca. 1430-35. Creator: Workshop of Robert Campin
Man in Prayer, ca. 1430-35

Ala De Retablo (Santa Barbara), 1438, (c1934). Artist: Robert Campin
Ala De Retablo (Santa Barbara), 1438, (c1934). Right panel of the Werl Triptych, painted by Robert Campin (sometimes called Master of Flemalle). Santa Barbara lived when Christianity was illegal

St. John the Baptist and the Franciscan master Henry of Werl, 1438, (c1934). Artist: Robert Campin
St. John the Baptist and the Franciscan master Henry of Werl, 1438, (c1934). Left panel of the Werl Triptych was painted by Robert Campin (sometimes called Master of Flemalle)

An Altar-Piece by The Maitre de Flemalle, 1907
An Altar-Piece by The Maitre de Flemalle. A Flemish altar-piece depicting the nativity, 1907

St Veronica, mid 15th century (1958). According to Christian legend, Veronica encountered Jesus on the Via Dolorosa and paused to wipe the sweat from his face with her veil

Pieta, 1927. A print from Flemish and Belgian art 1300-1900, The Exhibition organised by the Anglo-Belgian Union at Burlington House, London

The Virgin and Child before a Firescreen, 1440. Artist: Robert Campin
The Virgin and Child before a Firescreen, 1440. The Virgin is depicted seated on a wooden bench in front of a large wicker firescreen, the shape of which is suggestive of a halo

Madonna and Child before a Fireplace, 1430s. Artist: Robert Campin
Madonna and Child before a Fireplace, 1430s. In this painting, the right panel of a diptych, Mary is depicted as an ordinary Netherlandish woman seated in front of the hearth

St Joseph, c1425. Artist: Robert Campin
St Joseph, c1425. St Joseph portrayed as a medieval carpenter from the Merode Altarpiece. From the collection of the Metropolitan Museum of Art, New York, USA

The Trinity, 14th century. Artist: Robert Campin
The Trinity, 14th century. The Father, Son and the Holy Ghost, represented by the dove on Christs shoulder. Left wing of a triptych. From the Hermitage Museum, St Petersburg, Russia

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The "Master of Flemalle" remains an enigmatic figure in the art world, as his true identity still eludes us. However, his remarkable works continue to captivate audiences with their exquisite detail and profound symbolism. One of his most renowned pieces is the "Madonna and Child with Saints in the Enclosed Garden, " created between 1440 and 1460. This masterpiece showcases a serene Madonna holding baby Jesus surrounded by saints within a lush garden. The delicate brushwork and vibrant colors transport viewers into a realm of divine beauty. Another notable artwork attributed to the Master is the "Man in Prayer, " believed to be from around 1430-35. This painting depicts a devout man deep in prayer, conveying a sense of spiritual introspection that resonates even after centuries have passed. Robert Campin's workshop also played an essential role in shaping Flemish art during this period. One example is Campin's "Ala De Retablo (Santa Barbara)" from 1438, which exquisitely portrays Saint Barbara amidst intricate architectural details. In another collaboration between Robert Campin and the Master of Flemalle, we find "St. John the Baptist and the Franciscan master Henry of Werl. " Painted around 1438, this piece captures St. John alongside Henry of Werl against a backdrop that evokes both earthly landscapes and heavenly realms simultaneously. While many artworks are attributed to these artists individually or collectively, one cannot overlook their impact on religious iconography during their time. Their depictions of sacred figures such as St Veronica or St Joseph offer glimpses into devotion through meticulous attention to detail. Amongst these works stands out "The Trinity, " painted by Robert Campin himself during the fourteenth century. This composition presents God seated on His throne while Christ hangs crucified before Him—a powerful representation reminding viewers of divine sacrifice for humanity's salvation.