Matthew Dubourg Collection

His Majesty King George III Returning from Hunting, early-mid 19th century, (c1955). George III (1738-1820) out fox hunting, with Windsor Castle in the distance. After James Pollard

Royal Hunt in Windsor Park, early-mid 19th century, (c1955). Creator: Matthew Dubourg
Royal Hunt in Windsor Park, early-mid 19th century, (c1955). Fox hunting scene in Windsor Great Park, Berkshire, after James Pollard. Published by Ariel Press, London W1

View of St Pauls Church, Deptford, London, 1822. The Baroque church was designed by Thomas Archer, a pupil of Sir Christopher Wren

Coronation of King George IV, Westminster Hall, London, 1821 (1824). Procession of the Dean and Prebendaries of Westminster with the regalia, July 19th 1821

View of the Serpentine and Hyde Park, London, 1814

Dubourgs Museum, Grosvenor Street, Westminster, London, 1818. Artist: Matthew Dubourg
Dubourgs Museum, Grosvenor Street, Westminster, London, 1818. Interior view showing a display of cork models of ancient temples

Firework display in Green Park, Westminster, London, 1814. Artist: Matthew Dubourg
Firework display in Green Park, Westminster, London, 1814. View of the Temple of Concord in Green Park, Westminster during the firework display to celebrate peace in 1814

London Market; a fruit seller, 1822. Artist: Matthew Dubourg
London Market, 1822; showing a fruit seller outside her shop, serving a woman who has two children and a dog with her

London Market; a butchers shop, 1822. Artist: Matthew Dubourg
London Market, 1822; showing an interior and exterior view of a butchers shop. Outside the shop a butcher is displaying his meat which has been decorated with holly while inside the shop a butcher

King George IV riding through Hyde Park, London, 1831. Artist: Matthew Dubourg
King George IV riding through Hyde Park, London, 1831. By-standers watch as the king rides past in his carriage

View of the River Thames at Brandenburgh House, Hammersmith, London, 1821. Artist
View of the Watermen and Lightermen of the River Thames at Brandenburgh House, Hammersmith, London, 1821. Presenting a loyal address to Caroline of Brunswick during the governmental attempts to

The Chinese bridge and pagoda, erected in St Jamess Park, London, 1814. Artist
The Chinese bridge and pagoda, erected in St Jamess Park, London, 1814. The bridge and the pagoda were erected in commemoration of the glorious peace of 1814

Egyptians, Crocodile Catching, 1813. Artist: Matthew Dubourg
Egyptians, Crocodile Catching, 1813. Egyptians using a tethered animal as bait to hunt crocodiles on the banks of the Nile

Prince Blucher under his Horse at the Battle of Waterloo, 1815. The intervention of Field Marshal Bluchers Prussian army made a vital contribution to Wellingtons victory at Waterloo

The Tirolese Patriots Storming the Fortress of Kuffstein with their wooden Guns, 1816. Scene from the Napoleonic Wars. Austria was forced to cede the Tyrol to Bavaria after being defeated by Napoleon

The Allies before Dantzic in Winter, 1818. Artist: Matthew Dubourg
The Allies before Dantzic in Winter, 1818. A scene during the Napoleonic Wars. Danzig was made a semi-independent free city in 1807 after Napoleon was victorious in the War of the Fourth Coalition

Entrance of Lord Wellington into Salamanca, May 20th 1813 1815. Artist: Matthew Dubourg
Entrance of Lord Wellington into Salamanca at the head of a Regiment of Hussars, May 20th 1813 1815. Scene during Wellingtons final, decisive advance of the Peninsular War

A British soldier Taking Two French Officers at the Battle of the Pyrenees, 1813 (1816)
A British Soldier Taking Two French Officers at the Battle of the Pyrenees, 1813 (1816). The battle saw the British under Wellington repel a French offensive to relieve the besieged garrisons of

Highland troops at the Battle of Vimeiro, Peninsular War, 1808 (1816). Anecdote of the Bravery of the Scotch Piper of the 11th Highland Regiment at the Battle of Vimeiro

The French Conscripts, 1817. Artist: Matthew Dubourg
The French Conscripts, 1817. From Historic, Military and Naval Anecdotes, published by Edward Orme, 1817

The Duke of Wellington and his Staff Crossing the Bidassoa and Entering France, 1813 (1816). Victory over the French in the Peninsular War

French troops invading Russia, 1812 (1817). Artist: Matthew Dubourg
French troops invading Russia, 1812 (1817). The Boasted Crossing of the Niemen at the Opening of the Campaign in 1812 by N Bonaparte

Battle of Waterloo, 1815 (1817). Artist: Matthew Dubourg
Battle of Waterloo, 1815 (1817). French Cuirassiers at the Battle of Waterloo, Charged and Defeated by the Highlanders and the Scots Greys

Encampment of the British army in the Bois de Boulogne, Paris, 1815 (1817). Artist
Encampment of the British army in the Bois de Boulogne, Paris, 1815 (1817). British troops in Paris after the fall of Napoleon

French Troops Retreating Through and Plundering a Village, 1816. From Historic, Military and Naval Anecdotes, published by Edward Orme, 1816

The Battle of Waterloo Decided by the Duke of Wellington, 1815 (1816). Artist
The Battle of Waterloo Decided by the Duke of Wellington, 1815 (1816). From Historic, Military and Naval Anecdotes, published by Edward Orme, 1816

Stables of Meccenas Villa, plate eleven from the Ruins of Rome, published February 1, 1798

The Great Cascatella at Tivoli, plate thirteen from the Ruins of Rome, published February 20, 1798

Temple of the God Rediculus, plate five from the Ruins of Rome Temple of the God Rediculus, plate five from the Ruins of Rome, published March 1, 1796

Tituss Arch, plate ten from the Ruins of Rome, published March 1, 1796

The Cloaca Maxima, plate three from Ruins of Rome, published March 1, 1796

Tomb of Horath, plate six from the Ruins of Rome, published March 28, 1798

Temple of the Sun & Moon, plate two from Ruins of Rome, published March 1, 1796

Arch of Septimus Severus, plate four from the Ruins of Rome, published January, 9, 1897

Tomb of Nero, plate 7 from the Ruins of Rome, published December 6, 1796

St. Agness Church, plate eight from the Ruins of Rome, published August 4, 1796

Temple of Hope, plate twenty-four from the Ruins of Rome, published February 1, 1798

Januss Arch, plate twenty from the Ruins of Rome, published December 6, 1796

Grotto of Neptune, plate twenty-three from the Ruins of Rome, published February 1, 1798

Church of St. Andrew, plate eighteen from the Ruins of Rome, published October 11, 1796

The Coliseum, plate fifteen from the Ruins of Rome, published 1796 / 98
The Coliseum, plate fifteen from the Ruins of Rome, published 1796/98

The Gate of St. Sebastian, plate seventeen from the Ruins of Rome, published March 1, 1796

Tower of Pignattara, plate twenty-two from the Ruins of Rome, published February 20, 1798

Temple of Remus and Romulus, plate sixteen from the Ruins of Rome, published August 4, 1796

Temple of Vesta, plate nineteen from the Ruins of Rome, published October 1, 1796

Column of Trajan, plate twenty-one from Ruins of Rome, published May 1st, 1798

Temple of Tussis or the God of Coughing, plate twenty-nine from the Ruins of Rome, published February 20, 1798

Temple of Minerva Medica, plate twenty-five from the Ruins of Rome, published February 20, 1798

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Matthew Dubourg was a talented artist and painter who lived during the early to mid-19th century. His works captured the essence of London life and its historical events, showcasing his exceptional skill and attention to detail. One of his notable creations is "His Majesty King George III Returning from Hunting, " which depicts the monarch's leisurely pursuits in the countryside. This painting, dating back to around 1955, showcases Dubourg's ability to capture the regal atmosphere surrounding royalty. Another masterpiece by Dubourg is "A Bas Le Manteau, or The Murmur of the French Grand Army. . 1812. " Created in 1921, this artwork portrays an intense moment during a significant period in history. It highlights Dubourg's talent for capturing emotions and telling stories through his art. Dubourg also showcased his expertise in landscape paintings with pieces like "Royal Hunt in Windsor Park" and "View of St Pauls Church, Deptford, London. " These artworks transport viewers into serene natural settings or bustling cityscapes with their vivid colors and meticulous details. The coronation ceremony depicted in "Coronation of King George IV" demonstrates Dubourg's ability to capture grandeur on canvas. Painted around 1824 but portraying an event from three years prior, this piece immortalizes a historic moment that shaped British monarchy. Dubourg didn't limit himself solely to historical events; he also painted scenes depicting everyday life such as "London Market; a fruit seller" and "London Market; a butcher's shop. " These artworks provide glimpses into daily routines while highlighting the vibrant energy found within bustling markets. In addition to being an accomplished painter, Matthew Dubourg established his own museum called "Dubourgs Museum" on Grosvenor Street in Westminster. This venture showcased both his own work as well as other artists' contributions—an impressive testament to his passion for artistry beyond just creating it himself.