Mature Man Collection (#8)

Portrait of Henry Polidori, 1953 (pencil, pen and brown ink, on paper)
1199597 Portrait of Henry Polidori, 1953 (pencil, pen and brown ink, on paper) by Rossetti, Dante Gabriel Charles (1828-82); 15.2x13.3 cm; Private Collection; Photo eChristies Images; English

Portrait of William Michael Rossetti (pencil on paper)
1199578 Portrait of William Michael Rossetti (pencil on paper) by Rossetti, Christina Georgina (1830-1894); 18.1x12.7 cm; Private Collection; (add.info.: Rossetti)

A Camel; A Dos de Chameau, 1881 (oil on canvas)
1196372 A Camel; A Dos de Chameau, 1881 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 72x75 cm; Private Collection; Photo eChristies Images; French, out of copyright

Portrait of Emperor Alexander III (1845-1894) (pencil and w / c on paper)
1195775 Portrait of Emperor Alexander III (1845-1894) (pencil and w/c on paper) by Zichy, Mihaly von (1827-1906); 34.9x24.6 cm; Private Collection; (add.info.: Zichy)

After Dinner Conversation (pencil and ink on paper)
1195769 After Dinner Conversation (pencil and ink on paper) by Yakunchikova, Maria (1870-1902); 34.9x50 cm; Private Collection; (add.info.: Yakunchikova)

Bedside Manners, 1915 (w / c on buff paper)
1197263 Bedside Manners, 1915 (w/c on buff paper) by Cadell, Francis Campbell Boileau (1883-1937); 33x25.4 cm; Private Collection; Photo eChristies Images; Scottish, out of copyright

A Reclining Turk Smoking a Hookah, 1844 (oil on canvas)
1197491 A Reclining Turk Smoking a Hookah, 1844 (oil on canvas) by Baron, Henri (1816-85); 24.4x32.6 cm; Private Collection; Photo eChristies Images; French, out of copyright

Portrait of a Man, (oil on canvas)
1195655 Portrait of a Man, (oil on canvas) by Repin, Ilya Efimovich (1844-1930); 55.8x40 cm; Private Collection; Photo eChristies Images; Russian, out of copyright

Seated Man, Arm Leaning on His Leg, c. 1872-1875 (pencil on paper)
1195572 Seated Man, Arm Leaning on His Leg, c. 1872-1875 (pencil on paper) by Repin, Ilya Efimovich (1844-1930); 21.5x18.1 cm; Private Collection; Photo eChristies Images; Russian, out of copyright

Study for a Portrait of Emperor Nicholas II, Chief of the Guard Hussar Regiment, c
1195557 Study for a Portrait of Emperor Nicholas II, Chief of the Guard Hussar Regiment, c.1908 (oil on canvas) by Makovsky

Man with a Hat in Profile, c. 1872-1875 (pencil on paper)
1195577 Man with a Hat in Profile, c. 1872-1875 (pencil on paper) by Repin, Ilya Efimovich (1844-1930); 21.5x18.1 cm; Private Collection; Photo eChristies Images; Russian, out of copyright

Study for A Parisian Cafe : Standing Man with Raised Arm, c
1195563 Study for A Parisian Cafe : Standing Man with Raised Arm, c. 1872-1875 (pencil on paper) by Repin, Ilya Efimovich (1844-1930)

A Parisian Cafe, 1875 (oil on canvas)
1195560 A Parisian Cafe, 1875 (oil on canvas) by Repin, Ilya Efimovich (1844-1930); 120.6x191.8 cm; Private Collection; Photo eChristies Images; Russian, out of copyright

A Writer Sharpening his Quill; Der Schreiber, eine Feder schneidend, (oil on canvas)
824406 A Writer Sharpening his Quill; Der Schreiber, eine Feder schneidend, (oil on canvas) by Spitzweg, Carl (1808-85); 39x22 cm; Private Collection; (add.info)

The Meal (First Constitution); Die Mahlzeit (Erste Fassung), 1920 (oil on canvas)
824334 The Meal (First Constitution); Die Mahlzeit (Erste Fassung), 1920 (oil on canvas) by Egger-Lienz, Albin (1868-1926); 73x119.5 cm; Private Collection; (add.info)

Checking the Traps, (oil on panel)
823228 Checking the Traps, (oil on panel) by Wyeth, Newell Convers (1882-1945); 63.5x101.5 cm; Private Collection; (add.info.: Checking the Traps. Newell Convers Wyeth (1882-1945). Oil on panel

Fencing at Dickels Academy, (brush and black ink and pencil on board)
823188 Fencing at Dickels Academy, (brush and black ink and pencil on board) by Remington, Frederic (1861-1909); 27.6x53.3 cm; Private Collection; (add.info.: Fencing at Dickels Academy)

A Difficult Play, (oil on canvas)
823177 A Difficult Play, (oil on canvas) by Moeller, Louis Charles (1855-1930); 46x61 cm; Private Collection; (add.info.: A Difficult Play. Louis Charles Moeller (1855-1930). Oil on canvas

Portrait of William Petty, 2nd Earl of Shelburne, 1st Marquis of Lansdowne (1737-1805)
824183 Portrait of William Petty, 2nd Earl of Shelburne, 1st Marquis of Lansdowne (1737-1805), seated three-quarter-length in Generals Uniform holding a letter addressed to Lt

Portrait of General James Pattison (1723-1805) three-quarter-length, in Military Uniform
824170 Portrait of General James Pattison (1723-1805) three-quarter-length, in Military Uniform, Holding a Document, a Battle in Progress Beyond, (oil on canvas) by Lawrence

The Sailors Return, (oil on canvas)
823275 The Sailors Return, (oil on canvas) by Hovenden, Thomas (1840-95); 91.5x145 cm; Private Collection; (add.info.: The Sailors Return. Oil on canvas. Thomas Hovenden (1840-1895). Painted in 1892

The Suspicious Customer; Ein mistrauischer Kunde (oil on canvas)
823474 The Suspicious Customer; Ein mistrauischer Kunde (oil on canvas) by Gebhardt, Karl (1860-1917); 73.5x98.5 cm; Private Collection; (add.info.: The Suspicious Customer; Ein mi?trauischer Kunde)

Peasant Couple in the Cottage, 1919 (woodcut on heavy blue wove paper)
988333 Peasant Couple in the Cottage, 1919 (woodcut on heavy blue wove paper) by Kirchner, Ernst Ludwig (1880-1938); 57.2x36.8 cm; Private Collection; (add.info)

Glassmakers, (oil on canvas)
989558 Glassmakers, (oil on canvas) by Firmin-Girard, Marie Francois (1838-1921); 75x103 cm; Private Collection; (add.info.: Glassmakers; Verriers au Four. Marie Francois Firmin-Girard (1838-1921)

The Woodcutters, (oil, gouache and pastel over traces of pencil on paper)
989529 The Woodcutters, (oil, gouache and pastel over traces of pencil on paper) by Raffaelli, Jean Francois (1850-1924); 58.5x76.8 cm; Private Collection; (add.info.: The Woodcutters)

The Holy Family with Saint John the Baptist in a Landscape, 1545-50 (oil on canvas)
990101 The Holy Family with Saint John the Baptist in a Landscape, 1545-50 (oil on canvas) by Bordone, Paris (1500-71); 102x153.5 cm; Private Collection; (add.info)

Portrait of Joseph-Nicolas Barbeau Dubarran, half-length, his Arms Folded, (black chalk
990036 Portrait of Joseph-Nicolas Barbeau Dubarran, half-length, his Arms Folded, (black chalk, brush and gray wash) by David, Jacques Louis (1748-1825); 19 diam

Franz Josef at the Opera, 1883 (oil on canvas)
989922 Franz Josef at the Opera, 1883 (oil on canvas) by Kahler, Carl (1855-1906); 201x142.3 cm; Private Collection; (add.info.: Franz Josef at the Opera. Carl Kahler (1855-1906). Oil on canvas

Sir Walter Raleigh and Queen Elizabeth, 1875 (oil on panel)
989917 Sir Walter Raleigh and Queen Elizabeth, 1875 (oil on panel) by Boutibonne, Charles Edouard (1816-97); 55.8x78.7 cm; Private Collection; (add.info.: Sir Walter Raleigh and Queen Elizabeth)

The Procession, (oil on canvas)
989773 The Procession, (oil on canvas) by Benlliure y Gil, Jose (1855-1937); 34.9x43.5 cm; Private Collection; (add.info.: The Procession. Jose Benlliure y Gil (1855-1937). Oil on canvas

The Introduction, 1868 (oil on canvas)
989767 The Introduction, 1868 (oil on canvas) by Makovsky, Konstantin Egorovich (1839-1915); 92.7x109.8 cm; Private Collection; (add.info.: The Introduction. Konstantin Makovsky (1839-1915)

A worker at Ceyleran, 1882 (oil on canvas)
988373 A worker at Ceyleran, 1882 (oil on canvas) by Toulouse-Lautrec, Henri de (1864-1901); 40.7x31.8 cm; Private Collection; (add.info.: A worker at Ceyleran; Un travailleur a Ceyleran)

A Royal Procession descending a Stairway in a Garden, 1869 (black chalk, pen and grey ink
989703 A Royal Procession descending a Stairway in a Garden, 1869 (black chalk, pen and grey ink, watercolour and bodycolour on can) by Lami

Army Reorganization in Morocco, 1872 (oil on canvas)
989487 Army Reorganization in Morocco, 1872 (oil on canvas) by Hodgson, John Evan (1831-95); 153x87 cm; Private Collection; (add.info.: Army Reorganization in Morocco. John Evan Hodgson (1831-1895)

The Harem Guard, 1899 (watercolour on paperboard)
989479 The Harem Guard, 1899 (watercolour on paperboard) by Simonetti, Attilio (1843-1925); 68.5x52.7 cm; Private Collection; (add.info.: The Harem Guard. Attilio Simonetti (1843-1925)

The Carpet Seller, (watercolour on paper laid on paperboard)
989447 The Carpet Seller, (watercolour on paper laid on paperboard) by Ballesio, Frederico (1860-1923); 54x75.6 cm; Private Collection; (add.info.: The Carpet Seller. Francesco Ballesio (1860-1923)

Gerome and Tanagra, (oil on canvas)
989439 Gerome and Tanagra, (oil on canvas) by Gerome, Jean Leon (1824-1904); 17.6x17.6 cm; Private Collection; (add.info.: Gerome and Tanagra. Jean Leon Gerome (1824-1904). Oil on canvas

Figures in an Interior, 1891 (oil on panel)
989420 Figures in an Interior, 1891 (oil on panel) by Kauffmann, Hugo (1844-1915); 37.1x46 cm; Private Collection; (add.info.: Figures in an Interior. Hugo Wilhelm Kauffmann (1844-1915)

Japanese Yakonin in Dress of Ceremony, c. 1868 (albumen print, hand-tinted)
990463 Japanese Yakonin in Dress of Ceremony, c.1868 (albumen print, hand-tinted) by Beato, Felice (Felix) (1825-c.1908); 22.23x29.84 (approx) cm; Private Collection; (add.info)

Portrait of the Rev. Thoms Wilson D. D. and his Adopted Daughter, Miss Catherine Macauley
990186 Portrait of the Rev.Thoms Wilson D.D. and his Adopted Daughter, Miss Catherine Macauley, (oil on canvas) by Wright of Derby

Self portrait, 1923 (black & white chalk on cream paper)
989376 Self portrait, 1923 (black & white chalk on cream paper) by Liebermann, Max (1847-1935); 29.8x23.2 cm; Private Collection; (add.info.: Self-Portrait. Max Liebermann (1847-1935)

Gardening, (black and white chalk on paper)
989374 Gardening, (black and white chalk on paper) by Millet, Jean-Francois (1814-75); 33.7x46.7 cm; Private Collection; (add.info.: Gardening. Jean Francois Millet (1814-1875)

The Butcher at the Montmartre Market, 1857-58 (oil on panel)
987370 The Butcher at the Montmartre Market, 1857-58 (oil on panel) by Daumier, Honore (1808-79); 20.7x27.6 cm; Private Collection; (add.info.: The Butcher at the Montmartre Market; Le Boucher)

The Village Barber, 1842 (hand coloured lithograph)
986458 The Village Barber, 1842 (hand coloured lithograph) by Tayler, William (1808-92) (after); Private Collection; (add.info.: The Village Barber)

Christ Teaching His Disciples, Within an Initial I, c
986339 Christ Teaching His Disciples, Within an Initial I, c.1480 (illuminated manuscript on vellum) by Pellegrino di Mariano (15th century) (circle of); 17.5x13.5 cm; Private Collection; (add.info)

The Holy Trinity: God the Father in His Majesty Enthroned, Holding Orb and Sceptre
986338 The Holy Trinity: God the Father in His Majesty Enthroned, Holding Orb and Sceptre, Represented with Three Faces, Within an Initial B

Mato-Tope, adorned with the Insignia of his Warlike Deeds, 1844 (hand coloured aquatint)
986299 Mato-Tope, adorned with the Insignia of his Warlike Deeds, 1844 (hand coloured aquatint) by Bodmer, Karl (1809-93) (after); Private Collection; (add.info.: Mato-Tope)

Apothecaries and potions, with two boys fighting in the foreground
986284 Apothecaries and potions, with two boys fighting in the foreground, 1491 (hand-coloured woodcut) by German School, (15th century); 29.5x20.2 cm; Private Collection; (add.info)

For sale as Licensed Images

Choose your image, Select your licence and Download the media

In this captivating collection of images, we catch a glimpse into the world of a mature man. A signed photograph of Sigmund Freud takes us back to the intellectual and introspective era of the early 20th century. The sepia tones lend an air of nostalgia as we contemplate the profound thoughts that must have occupied his mind. Moving on, we encounter a Victorian man confidently driving a horse and cart through bustling streets. His poised demeanor reflects both his experience and mastery over this traditional mode of transportation, and is an image that transports us to a bygone era where simplicity reigned supreme. The Sleeping Congregation by William Hogarth captures our attention next, showcasing a group lost in slumber during what should be an engaging sermon. This thought-provoking piece serves as a reminder that even in maturity, one can still find moments of restful contemplation amidst life's chaos. Our journey then leads us to witness the plight of a Victorian London orphan boy begging on the street in 1870. This poignant scene tugs at our heartstrings, reminding us that not all paths are paved with privilege or prosperity. It highlights the resilience and strength required for survival in times less fortunate. A signed carte-de-visite featuring Abraham Lincoln comes into view next, adorned with its gold-ruled border and inked inscription. This powerful portrait immortalizes one of history's most influential figures – his wise eyes reflecting determination and compassion despite facing immense challenges during his presidency. As we delve deeper into this exploration, The Jewel Box captivates our senses with its delicate pencil strokes and watercolor hues dancing across paper. Its intricate beauty reminds us that age does not diminish creativity; rather it refines it like precious gemstones within their ornate settings. We then encounter Captain Marshall Roberts, Master of Fox Hounds depicted in oil on canvas from 1926—an embodiment of authority intertwined with gracefulness as he commands nature's untamed beauty. This portrait speaks to the wisdom and leadership that often accompanies maturity.