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Menpes Collection (#9)

Mortimer L Menpes, a renowned artist and traveler, captured the essence of various cultures and landscapes through his exquisite artwork

Background imageMenpes Collection: An Orange Note: Sweet Shop, 1884, (1904). Artist: James Abbott McNeill Whistler

An Orange Note: Sweet Shop, 1884, (1904). Artist: James Abbott McNeill Whistler
An Orange Note: Sweet Shop, 1884, (1904). Painting held at the Freer Gallery of Art, Washington. From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMenpes Collection: The Toilet, 1878, (1904). Artist: James Abbott McNeill Whistler

The Toilet, 1878, (1904). Artist: James Abbott McNeill Whistler
The Toilet, 1878, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMenpes Collection: Study, 1878, (1904). Artist: James Abbott McNeill Whistler

Study, 1878, (1904). Artist: James Abbott McNeill Whistler
Study, 1878, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMenpes Collection: The Velvet Dress (Frances Leyland), c1873, (1904). Artist: James Abbott McNeill Whistler

The Velvet Dress (Frances Leyland), c1873, (1904). Artist: James Abbott McNeill Whistler
The Velvet Dress (Frances Leyland), c1873, (1904). A drypoint sketch of Frances Leyland (1834-1910) wife of Frederick Richards Leyland (1831-1892) a British shipowner and art collector

Background imageMenpes Collection: A study in Rose and Brown, c1884, (1904). Artist: James Abbott McNeill Whistler

A study in Rose and Brown, c1884, (1904). Artist: James Abbott McNeill Whistler
A study in Rose and Brown, c1884, (1904). Painting held at the Muskegon Museum of Art, Michigan. From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMenpes Collection: Nocturne-Salute, c1879, (1904). Artist: James Abbott McNeill Whistler

Nocturne-Salute, c1879, (1904). Artist: James Abbott McNeill Whistler
Nocturne-Salute, c1879, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMenpes Collection: The Smithy, 1880, (1904). Artist: James Abbott McNeill Whistler

The Smithy, 1880, (1904). Artist: James Abbott McNeill Whistler
The Smithy, 1880, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMenpes Collection: Furnace Nocturne, 1886, (1904). Artist: James Abbott McNeill Whistler

Furnace Nocturne, 1886, (1904). Artist: James Abbott McNeill Whistler
Furnace Nocturne, 1886, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMenpes Collection: The Angry Sea, 1884, (1904). Artist: James Abbott McNeill Whistler

The Angry Sea, 1884, (1904). Artist: James Abbott McNeill Whistler
The Angry Sea, 1884, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMenpes Collection: Long Venice, c1880, (1904). Artist: James Abbott McNeill Whistler

Long Venice, c1880, (1904). Artist: James Abbott McNeill Whistler
Long Venice, c1880, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMenpes Collection: Garden, 1880, (1904). Artist: James Abbott McNeill Whistler

Garden, 1880, (1904). Artist: James Abbott McNeill Whistler
Garden, 1880, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMenpes Collection: The Balcony, 1879, (1904). Artist: James Abbott McNeill Whistler

The Balcony, 1879, (1904). Artist: James Abbott McNeill Whistler
The Balcony, 1879, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMenpes Collection: The Riva, Number Two, c1880, (1904). Artist: James Abbott McNeill Whistler

The Riva, Number Two, c1880, (1904). Artist: James Abbott McNeill Whistler
The Riva, Number Two, c1880, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMenpes Collection: Chelsea Shops, c1855, (1904). Artist: James Abbott McNeill Whistler

Chelsea Shops, c1855, (1904). Artist: James Abbott McNeill Whistler
Chelsea Shops, c1855, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMenpes Collection: Upright Venice, c1880, (1904). Artist: James Abbott McNeill Whistler

Upright Venice, c1880, (1904). Artist: James Abbott McNeill Whistler
Upright Venice, c1880, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMenpes Collection: Little Court, c1881, (1904). Artist: James Abbott McNeill Whistler

Little Court, c1881, (1904). Artist: James Abbott McNeill Whistler
Little Court, c1881, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMenpes Collection: The Bridge, c1880, (1904). Artist: James Abbott McNeill Whistler

The Bridge, c1880, (1904). Artist: James Abbott McNeill Whistler
The Bridge, c1880, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMenpes Collection: A Nude Study, c1872, (1904). Artist: James Abbott McNeill Whistler

A Nude Study, c1872, (1904). Artist: James Abbott McNeill Whistler
A Nude Study, c1872, (1904). Drawing held at the Harvard Art Museums, Fogg Museum, Massachusetts. From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMenpes Collection: Nocturne - Palaces, 1878, (1904). Artist: James Abbott McNeill Whistler

Nocturne - Palaces, 1878, (1904). Artist: James Abbott McNeill Whistler
Nocturne - Palaces, 1878, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMenpes Collection: Bead Stringers, c1880, (1904). Artist: James Abbott McNeill Whistler

Bead Stringers, c1880, (1904). Artist: James Abbott McNeill Whistler
Bead Stringers, c1880, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMenpes Collection: The Thames Towards Erith, c1877, (1904). Artist: James Abbott McNeill Whistler

The Thames Towards Erith, c1877, (1904). Artist: James Abbott McNeill Whistler
The Thames Towards Erith, c1877, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMenpes Collection: San Biagio, c1879, (1904). Artist: James Abbott McNeill Whistler

San Biagio, c1879, (1904). Artist: James Abbott McNeill Whistler
San Biagio, c1879, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMenpes Collection: Nocturne - Amsterdam in Snow, 1882, (1904). Artist: James Abbott McNeill Whistler

Nocturne - Amsterdam in Snow, 1882, (1904). Artist: James Abbott McNeill Whistler
Nocturne - Amsterdam in Snow, 1882, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMenpes Collection: Wych Street, 1877, (1904). Artist: James Abbott McNeill Whistler

Wych Street, 1877, (1904). Artist: James Abbott McNeill Whistler
Wych Street, 1877, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMenpes Collection: A Sketch from Billingsgate, 1878, (1904). Artist: James Abbott McNeill Whistler

A Sketch from Billingsgate, 1878, (1904). Artist: James Abbott McNeill Whistler
A Sketch from Billingsgate, 1878, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMenpes Collection: Battersea, Dawn, 1877, (1904). Artist: James Abbott McNeill Whistler

Battersea, Dawn, 1877, (1904). Artist: James Abbott McNeill Whistler
Battersea, Dawn, 1877, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMenpes Collection: Prices Candle Works, c1875, (1904). Artist: James Abbott McNeill Whistler

Prices Candle Works, c1875, (1904). Artist: James Abbott McNeill Whistler
Prices Candle Works, c1875, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMenpes Collection: Pink and Rose, The Mothers Sleep, c1895, (1904). Artist: James Abbott McNeill Whistler

Pink and Rose, The Mothers Sleep, c1895, (1904). Artist: James Abbott McNeill Whistler
Pink and Rose, The Mothers Sleep, c1895, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMenpes Collection: Speke Shore, c1875, (1904). Artist: James Abbott McNeill Whistler

Speke Shore, c1875, (1904). Artist: James Abbott McNeill Whistler
Speke Shore, c1875, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMenpes Collection: Two Ships, 1875, (1904). Artist: James Abbott McNeill Whistler

Two Ships, 1875, (1904). Artist: James Abbott McNeill Whistler
Two Ships, 1875, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMenpes Collection: Sketch of a Girl, Nude, c1878, (1904). Artist: James Abbott McNeill Whistler

Sketch of a Girl, Nude, c1878, (1904). Artist: James Abbott McNeill Whistler
Sketch of a Girl, Nude, c1878, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMenpes Collection: Swinburne, c1877, (1904). Artist: James Abbott McNeill Whistler

Swinburne, c1877, (1904). Artist: James Abbott McNeill Whistler
Swinburne, c1877, (1904). Algernon Charles Swinburne (1837-1909) a poet and critic From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMenpes Collection: The Boy (Charlie Hanson), c1876, (1904). Artist: James Abbott McNeill Whistler

The Boy (Charlie Hanson), c1876, (1904). Artist: James Abbott McNeill Whistler
The Boy (Charlie Hanson), c1876, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMenpes Collection: Agnes, c1875, (1904). Artist: James Abbott McNeill Whistler

Agnes, c1875, (1904). Artist: James Abbott McNeill Whistler
Agnes, c1875, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMenpes Collection: Brown and Gold, Lillie In Our Alley, 1896 (1904). Artist: James Abbott McNeill Whistler

Brown and Gold, Lillie In Our Alley, 1896 (1904). Artist: James Abbott McNeill Whistler
Brown and Gold, Lillie In Our Alley, 1896 (1904). Lillie Pamington a child model found by James McNeill Whistler on the streets of London. From Whistler As I Knew Him, by Mortimer Menpes

Background imageMenpes Collection: The Desk, c1870, (1904). Artist: James Abbott McNeill Whistler

The Desk, c1870, (1904). Artist: James Abbott McNeill Whistler
The Desk, c1870, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMenpes Collection: Seated Girl, c1869, (1904). Artist: James Abbott McNeill Whistler

Seated Girl, c1869, (1904). Artist: James Abbott McNeill Whistler
Seated Girl, c1869, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMenpes Collection: Moreby Hall, Interior, 1884, (1904). Artist: James Abbott McNeill Whistler

Moreby Hall, Interior, 1884, (1904). Artist: James Abbott McNeill Whistler
Moreby Hall, Interior, 1884, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMenpes Collection: Maude, Seated, 1873, (1904). Artist: James Abbott McNeill Whistler

Maude, Seated, 1873, (1904). Artist: James Abbott McNeill Whistler
Maude, Seated, 1873, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMenpes Collection: Maude, c1876, (1904). Artist: James Abbott McNeill Whistler

Maude, c1876, (1904). Artist: James Abbott McNeill Whistler
Maudet, c1876, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMenpes Collection: The Velvet Dress (Mrs. Leyland), 1873, (1904). Artist: James Abbott McNeill Whistler

The Velvet Dress (Mrs. Leyland), 1873, (1904). Artist: James Abbott McNeill Whistler
The Velvet Dress (Mrs. Leyland), 1873, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMenpes Collection: Elinor Leyland, 1874, (1904). Artist: James Abbott McNeill Whistler

Elinor Leyland, 1874, (1904). Artist: James Abbott McNeill Whistler
Elinor Leyland, 1874, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMenpes Collection: Whistlers Mother, c1973, (1904). Artist: James Abbott McNeill Whistler

Whistlers Mother, c1973, (1904). Artist: James Abbott McNeill Whistler
Whistlers Mother, c1973, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMenpes Collection: Model Resting, 1870, (1904). Artist: James Abbott McNeill Whistler

Model Resting, 1870, (1904). Artist: James Abbott McNeill Whistler
Model Resting, 1870, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMenpes Collection: Chelsea Wharf, 1863, (1904). Artist: James Abbott McNeill Whistler

Chelsea Wharf, 1863, (1904). Artist: James Abbott McNeill Whistler
Chelsea Wharf, 1863, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMenpes Collection: Nocturne: Blue and Gold, St Marks, Venice, 1880, (1904). Artist: James Abbott McNeill Whistler

Nocturne: Blue and Gold, St Marks, Venice, 1880, (1904). Artist: James Abbott McNeill Whistler
Nocturne: Blue and Gold, St Mark s, Venice, 1880, (1904). Paitning held at the National Museum of Wales, Cardiff. From Whistler As I Knew Him, by Mortimer Menpes

Background imageMenpes Collection: Venice, c1870, (1904). Artist: James Abbott McNeill Whistler

Venice, c1870, (1904). Artist: James Abbott McNeill Whistler
Venice, c1870, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]

Background imageMenpes Collection: Annie Haden, 1860, (1904). Artist: James Abbott McNeill Whistler

Annie Haden, 1860, (1904). Artist: James Abbott McNeill Whistler
Annie Haden, 1860, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]




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Mortimer L Menpes, a renowned artist and traveler, captured the essence of various cultures and landscapes through his exquisite artwork. In the 1920s, he delved into the world of tailoring, showcasing his versatility in creativity. With meticulous attention to detail, Menpes brought life to fabrics with every stitch. One of his notable works takes us back to 1905 when he ventured into the sacred Temple of Amritsar. Through vibrant colors and intricate brushstrokes, Menpes transported viewers into this spiritual sanctuary where devotion filled the air. In another masterpiece from that same year, Menpes depicted a native bullock-cart amidst an exotic landscape. The scene exuded tranquility as these traditional means of transportation blended harmoniously with nature's beauty. It also knew how to capture leisure moments effortlessly. His painting titled "Leisure Hours" showcased individuals indulging in their favorite pastimes - reading books or simply enjoying each other's company. It was a reminder for all to take time off from busy lives and appreciate simple pleasures. "The Red Shutter, " painted in 1905 by Menpes himself, portrayed a charming corner adorned with vibrant shutters that added character to its surroundings. This piece encapsulated his ability to find beauty even in ordinary objects. Venturing beyond Asia and Europe, Menpes explored Venice extensively during different periods of his artistic career. He immortalized Palazzo Contarini degli Scrigni's grandeur against Venetian canals while capturing Cecil Rhodes' enigmatic persona during their meeting in 1900. A street scene from Venice allowed viewers to wander through its enchanting alleys lined with colorful buildings and gondolas gliding along tranquil waters—a true testament to Menpes' talent for transporting audiences across continents through artistry alone. Not only did he paint scenes but also people; "A Family Group" showcased familial bonds frozen in time—an intimate moment preserved forever.