Mercantilism Collection

Southern Barbarians Come to Trade, pair of six-panel screens, early 17th century (ink
1152501 Southern Barbarians Come to Trade, pair of six-panel screens, early 17th century (ink, colour, gold & gold leaf on paper) (see also 1152500) by Kano Naizen (1570-1616) (attr)

The Return to Amsterdam of the Second Expedition to the East Indies, 1599. Creator: Hendrick Cornelisz Vroom
The Return to Amsterdam of the Second Expedition to the East Indies, 1599

Detail of the Southern Barbarians Come to Trade, pair of six-panel screens
1191876 Detail of the Southern Barbarians Come to Trade, pair of six-panel screens, early 17th century (ink, colour, gold & gold leaf on paper) (see also 1152500) by Kano Naizen (1570-1616) (attr)

Detail of the Southern Barbarians Come to Trade, pair of six-panel screens
1191873 Detail of the Southern Barbarians Come to Trade, pair of six-panel screens, early 17th century (ink, colour, gold & gold leaf on paper) (see also 1152500) by Kano Naizen (1570-1616) (attr)

Ms Fr 2810 f. 69, Tax raised by Genghis Khan on salt, sugar and spices in the city of Quinsay
1750976 Ms Fr 2810 f.69, Tax raised by Genghis Khan on salt, sugar and spices in the city of Quinsay, from Livre des Merveilles du Monde, c.1410-12 (tempera on vellum) by French School

Tablet listing quantities of various commodities, with circles
AMQ113702 Tablet listing quantities of various commodities, with circles and half circles indicating numerals, proto-cuneiform, Jemdet Nasr

The Jesuit Merchants, 1845 (colour litho)
XEE3550721 The Jesuit Merchants, 1845 (colour litho) by Fragonard, Theophile Evariste (1806-76) (after); Private Collection; (add.info.: The Jesuit Merchants: In Japan)

Re-establishment of Navigation Rights in 1663, Ceiling Painting from the Galerie des
XIR165142 Re-establishment of Navigation Rights in 1663, Ceiling Painting from the Galerie des Glaces by Le Brun, Charles (1619-90); Chateau de Versailles

Frontispiece of Le Parfait Negociant by Jacques Savary, Paris
CHT207799 Frontispiece of Le Parfait Negociant by Jacques Savary, Paris, 1665 (engraving) (b/w photo) by Landry, Pierre (c)

Detail of the Southern Barbarians Come to Trade, pair of six-panel screens
1191874 Detail of the Southern Barbarians Come to Trade, pair of six-panel screens, early 17th century (ink, colour, gold & gold leaf on paper) (see also 1152500) by Kano Naizen (1570-1616) (attr)

The Corn-Laws, 1845. Creator: Unknown
The Corn-Laws, 1845. Descriptive History of the Laws relative to the Importation and Exportation of Corn. Article discussing the the Corn Laws

Martin de Azpilicueta (1492-1586), theologian and Spanish mercantilist, engraving of the collection Illustrious Men

Open Air Market. Udaipur Rajasthan. India

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"Mercantilism: Exploring the Trade and Power Dynamics of the Early 17th Century" In this captivating detail from the Southern Barbarians Come to Trade, a pair of six-panel screens created in early 17th century Japan, we are transported back in time to witness the fascinating world of mercantilism. These intricate screens, adorned with ink, color, gold leaf on paper, offer us a glimpse into an era where trade was not just about commerce but also about asserting dominance and establishing global connections. The scene depicted here showcases the arrival of Southern Barbarians seeking lucrative trading opportunities. Their ships docked at foreign shores as they embarked on journeys that would shape history. The vibrant colors and meticulous details bring to life their exotic attire and unique customs. As we delve deeper into this historical narrative, we encounter various artifacts that shed light on different aspects of mercantilism. A tablet listing quantities of commodities serves as a testament to the importance placed on tracking resources for economic gain. Meanwhile, an ancient tax record reveals how Genghis Khan imposed levies on salt, sugar, and spices in Quinsay – highlighting how even rulers sought to control trade for their own benefit. The Jesuit Merchants lithograph transports us further along our journey through time. It reminds us that religion played a significant role in shaping trade relationships during this period. Missionaries often acted as intermediaries between cultures while simultaneously pursuing commercial interests. Re-establishment of Navigation Rights painting takes us forward to 1663 when navigation rights were restored after periods of restriction. This event marked a turning point in international trade relations as it allowed merchants greater freedom to explore new markets and expand their influence across borders. Le Parfait Negociant's frontispiece by Jacques Savary offers valuable insights into the mindset prevalent among traders during this era – one focused on acquiring wealth through shrewd negotiation tactics and astute business acumen.