Mesoamerica Collection (#25)

Guatemala, Antigua. San Pedro Church in the town of Antigua and Vulcan de Agua

Guatemala, Antigua. Public wash basins where the local women do their laundry

Guatemala, Antigua. Floral arrangement on a table in hotel lobby

Guatemala, Antigua. Entry door at a local coffee plantation in Antigua

Guatemala, Antigua. Local Coffee Plantation and museum aka Museo del Cafe. Red coffee beans on plant

Guatemala, Antigua. Sign at a local coffee plantation in Antigua

Guatemala, Antigua. The grounds of the Casa Santo Domingo hotel

Guatemala, Antigua. Colorful houses along the town of Antigua

Guatemala, Antigua. Colonial architecture with flowers blooming along the wall

Guatemala, Antigua. Old ruins in the town of Antigua

Guatemala, Antigua. Exterior wall and wooden door along the streets of Antigua

Guatemala, Antigua. Ornate door with gate in the town of Antigua

Guatemala, Antigua. Lantern on a street corner building in the town of Antigua

Guatemala, Antigua. An old wooden cart filled with flowers on the streets of Antigua

Guatemala, Antigua. Clock tower of the Arco de Santa Catarina

Guatemala, Antigua. La Recoleccion Church of Antigua, built 1701 to 1708; built by Jose de Porres and finished by his son Diego

Guatemala, Antigua. School bulit by friars in 1757, it did not have the royal approval it was closed by Charles III in 1761 and used as Royal Custom House from 1765. Destroyed by earthquakes in 1773

Guatemala, Antigua. The church of La Merced was originally built in 1548. Its present form was designed in 1767 to withstand damaging earthquakes

Guatemala, Antigua. Peeling paint and doorway Antigua, Guatemala

Guatemala, Antigua. The Convent of Las Capuchinas. Founded by five nuns that came from Madrid, Spain. The present building was completed of January 25, 1736, designed by Diego de Porres

Guatemala, Antigua. El Carmen Church Ruin, or Inglesia de Carmen, Former seat of the military governor of the Spanish colony, Founded in 1542

Hollow clay figure of a ball player. From Colima, Mexico, 100-300 A. D
MEXICO: BALL PLAYER. Hollow clay figure of a ball player. From Colima, Mexico, 100-300 A.D

Bullfight arena of San Carlos, Mexico City. Oil on canvas, 1833, by Johann Moritz Rugendas
MEXICO: BULLFIGHT, 1833. Bullfight arena of San Carlos, Mexico City. Oil on canvas, 1833, by Johann Moritz Rugendas

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Mesoamerica: A Tapestry of History and Resilience From the ancient civilizations that thrived in Mesoamerica to the modern-day struggles for justice, this region has witnessed remarkable events that have shaped its vibrant tapestry. In 1968, during the Olympic Games held in Mexico City, American runners Tommie Smith and John Carlos boldly raised their fists in a Black Power salute during the medal ceremonies. Their powerful gesture resonated worldwide, while Australian Peter Norman stood beside them wearing an OPHR badge, displaying solidarity against racial inequality. Diego Rivera's murals at the Ministry of Public Education capture both the solemnity and celebration of Mesoamerican culture. His mural depicting "Day of the Dead" showcases a rich tradition where life and death intertwine harmoniously. Another masterpiece portrays pre-Columbian life, specifically highlighting Zapotec civilization's contributions to Mexican heritage. The colored woodcut from 1556 offers a glimpse into Tenochtitlan (now Mexico City) at the time of Spanish conquest—a city brimming with architectural marvels and cultural richness that would forever be altered by European colonization. The cry for revolution echoed through Miguel Hidalgo's call to revolt on September 16th, 1810—the spark igniting Mexico's fight for independence. Juan O Gorman immortalized this historic moment in his mural capturing Hidalgo's impassioned plea. Mexican kitchens have long been hubs of culinary artistry and cultural preservation. An unknown artist beautifully depicts two women diligently working amidst pots and pans—an ode to their invaluable role in sustaining traditions. Rivera also pays tribute to educators with his portrayal of "The Rural School Teacher. " This mural symbolizes education as a catalyst for progress—empowering generations with knowledge and shaping brighter futures. Francisco Pancho Villa emerges as an indomitable figure within Mexican history—a revolutionary leader who fought tirelessly alongside his military staff during the Mexican Revolution.