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Mesoamerica Collection (page 5)

Mesoamerica: A Tapestry of History and Resilience From the ancient civilizations that thrived in Mesoamerica to the modern-day struggles for justice

Background imageMesoamerica Collection: Detail from a temple wall with the head of a sun god (stone)

Detail from a temple wall with the head of a sun god (stone)
XBP232320 Detail from a temple wall with the head of a sun god (stone) by Mayan; Private Collection; Photo eBoltin Picture Library; out of copyright

Background imageMesoamerica Collection: Pectoral of the King and a courtier from Tikal (jade)

Pectoral of the King and a courtier from Tikal (jade)
XBP232318 Pectoral of the King and a courtier from Tikal (jade) by Mayan; Private Collection; Photo eBoltin Picture Library; out of copyright

Background imageMesoamerica Collection: Ms Hunter 242 f. 246r Representatives of the Mexican Provinces

Ms Hunter 242 f. 246r Representatives of the Mexican Provinces
GUL232047 Ms Hunter 242 f.246r Representatives of the Mexican Provinces, from Historia de Tlaxcala by Diego Munoz Camargo (pen & ink on paper) by Mexican School

Background imageMesoamerica Collection: Pottery Goddess of the Hearth, Vera Cruz (earthenware)

Pottery Goddess of the Hearth, Vera Cruz (earthenware)
XBP232737 Pottery Goddess of the Hearth, Vera Cruz (earthenware) by Veracruz (AD 600-900); Private Collection; Photo eBoltin Picture Library; out of copyright

Background imageMesoamerica Collection: Priest in ceremonial robes, Isle of Jaina (clay & paint)

Priest in ceremonial robes, Isle of Jaina (clay & paint)
XBP231895 Priest in ceremonial robes, Isle of Jaina (clay & paint) by Mayan; Private Collection; Photo eBoltin Picture Library; out of copyright

Background imageMesoamerica Collection: Standing royal figure (earthenware)

Standing royal figure (earthenware)
XBP232314 Standing royal figure (earthenware) by Mayan; Private Collection; Photo eBoltin Picture Library; out of copyright

Background imageMesoamerica Collection: Double aspect celt bird, from Guacimo, Linea Vieja area (green jade)

Double aspect celt bird, from Guacimo, Linea Vieja area (green jade)
XBP390204 Double aspect celt bird, from Guacimo, Linea Vieja area (green jade) by Pre-Columbian; height: 8 cm; Private Collection; (add.info)

Background imageMesoamerica Collection: Seated male (earthenware)

Seated male (earthenware)
DBP422941 Seated male (earthenware) by Nayarit; Private Collection; Photo eDirk Bakker; Mexican, out of copyright

Background imageMesoamerica Collection: Seated male and female (earthenware)

Seated male and female (earthenware)
DBP422937 Seated male and female (earthenware) by Colima Culture; Private Collection; Photo eDirk Bakker; out of copyright

Background imageMesoamerica Collection: Seated male with helmet (earthenware)

Seated male with helmet (earthenware)
DBP422936 Seated male with helmet (earthenware) by Jalisco; Private Collection; Photo eDirk Bakker; Mexican, out of copyright

Background imageMesoamerica Collection: Seated female with tattoos (earthenware)

Seated female with tattoos (earthenware)
DBP422934 Seated female with tattoos (earthenware) by Nayarit; Private Collection; Photo eDirk Bakker; Mexican, out of copyright

Background imageMesoamerica Collection: Male figure with shark (earthenware)

Male figure with shark (earthenware)
DBP422927 Male figure with shark (earthenware) by Colima Culture; Private Collection; Photo eDirk Bakker; out of copyright

Background imageMesoamerica Collection: Dancer with headdress (earthenware) (see also 422924)

Dancer with headdress (earthenware) (see also 422924)
DBP422923 Dancer with headdress (earthenware) (see also 422924) by Mesoamerican; Private Collection; Photo eDirk Bakker; out of copyright

Background imageMesoamerica Collection: Dancer with ritual attire, Colima or Jalisco (earthenware)

Dancer with ritual attire, Colima or Jalisco (earthenware)
DBP422922 Dancer with ritual attire, Colima or Jalisco (earthenware) by Mesoamerican; Private Collection; Photo eDirk Bakker; out of copyright

Background imageMesoamerica Collection: Effigy jar with lid, Teotihuacan Culture (ceramic)

Effigy jar with lid, Teotihuacan Culture (ceramic)
XBP394481 Effigy jar with lid, Teotihuacan Culture (ceramic) by Pre-Columbian; height: 27.3 cm; American Museum of Natural History, New York, USA; Photo eBoltin Picture Library; South American

Background imageMesoamerica Collection: Posterior view of Seated Figure, Chinesco Culture, (ceramic)

Posterior view of Seated Figure, Chinesco Culture, (ceramic)
XBP394463 Posterior view of Seated Figure, Chinesco Culture, (ceramic) by Pre-Columbian; height: 72.4 cm; American Museum of Natural History, New York

Background imageMesoamerica Collection: Giant head, Olmec Culture (stone)

Giant head, Olmec Culture (stone)
XBP394473 Giant head, Olmec Culture (stone) by Pre-Columbian; Jalapa, Veracruz, Mexico; Photo eBoltin Picture Library; South American, out of copyright

Background imageMesoamerica Collection: Pedestal plate, Early Cocle phase, 700-800 AD (ceramic)

Pedestal plate, Early Cocle phase, 700-800 AD (ceramic)
829386 Pedestal plate, Early Cocle phase, 700-800 AD (ceramic) by Cocle Culture (1200 BC-1600 AD); height: 15 cm; Private Collection; Panamanian, out of copyright

Background imageMesoamerica Collection: Funerary collared jar, Cubita phase, 500-600 AD (ceramic)

Funerary collared jar, Cubita phase, 500-600 AD (ceramic)
829384 Funerary collared jar, Cubita phase, 500-600 AD (ceramic) by Mesoamerican, (6th century); height: 28 cm; National Museum of Anthropology, Panama; out of copyright

Background imageMesoamerica Collection: MS Hunter 242 f. 248r Picarus, or Pizarro, and war horse

MS Hunter 242 f. 248r Picarus, or Pizarro, and war horse
617895 MS Hunter 242 f.248r Picarus, or Pizarro, and war horse, illustration from the from Historia de Tlaxcala by Diego Munoz Camargo (pen & ink on paper) by Mexican School

Background imageMesoamerica Collection: Imaginary recreation of an Aztec Sun Stone calendar (see also 115255)

Imaginary recreation of an Aztec Sun Stone calendar (see also 115255)
JPC230624 Imaginary recreation of an Aztec Sun Stone calendar (see also 115255), Late Post Classic Period (lithograph) by Aztec; Private Collection; out of copyright

Background imageMesoamerica Collection: Figure of a warrior in full regalia, from the Isle of Jaina (earthenware)

Figure of a warrior in full regalia, from the Isle of Jaina (earthenware)
XBP232315 Figure of a warrior in full regalia, from the Isle of Jaina (earthenware) by Mayan (7th century); Private Collection; Photo eBoltin Picture Library; out of copyright

Background imageMesoamerica Collection: Temple 2, Late Classic Period (600-900 AD) (photo)

Temple 2, Late Classic Period (600-900 AD) (photo)
JPC252625 Temple 2, Late Classic Period (600-900 AD) (photo) by Mayan; Tikal, Peten, Guatemala; out of copyright

Background imageMesoamerica Collection: Kukulkan Pyramid, Post Classic Period (photo)

Kukulkan Pyramid, Post Classic Period (photo)
JPC252621 Kukulkan Pyramid, Post Classic Period (photo) by Mayan; Mayapan, Yucatan, Mexico; out of copyright

Background imageMesoamerica Collection: Palace of the Governors, Uxmal, Yucatan, Mexico, 1844 (coloured litho)

Palace of the Governors, Uxmal, Yucatan, Mexico, 1844 (coloured litho)
JPC238278 Palace of the Governors, Uxmal, Yucatan, Mexico, 1844 (coloured litho) by Catherwood, Frederick (1799-1854) (after); Private Collection; English, out of copyright

Background imageMesoamerica Collection: Man standing on a turtle, The Creator of the World (earthenware)

Man standing on a turtle, The Creator of the World (earthenware)
XBP343626 Man standing on a turtle, The Creator of the World (earthenware) by Mayan; Private Collection; Photo eBoltin Picture Library; out of copyright

Background imageMesoamerica Collection: Ehecatl, God of Wind (onyx)

Ehecatl, God of Wind (onyx)
XBP343622 Ehecatl, God of Wind (onyx) by Aztec; Private Collection; Photo eBoltin Picture Library; out of copyright

Background imageMesoamerica Collection: Mural of feathered Serpent (wall painting)

Mural of feathered Serpent (wall painting)
XBP343616 Mural of feathered Serpent (wall painting) by Teotihuacan; Teotihuacan, Valley of Mexico, Mexico; (add.info.: represented forces of good and light;)

Background imageMesoamerica Collection: Double flute, Vera Cruz (ceramic) (also see 232771)

Double flute, Vera Cruz (ceramic) (also see 232771)
XBP343177 Double flute, Vera Cruz (ceramic) (also see 232771) by Pre-Columbian; height: 29.2 cm; Private Collection; Photo eBoltin Picture Library; South American, out of copyright

Background imageMesoamerica Collection: Pectoral of the god Xipe Totec (gold)

Pectoral of the god Xipe Totec (gold)
XBP343164 Pectoral of the god Xipe Totec (gold) by Mixtec (c.1300-1521); Private Collection; (add.info.: god of sunset, sacrificial pain and the spring;)

Background imageMesoamerica Collection: Figure of a warrior with a shield (earthenware)

Figure of a warrior with a shield (earthenware)
XBP343160 Figure of a warrior with a shield (earthenware) by Mayan; Private Collection; Photo eBoltin Picture Library; out of copyright

Background imageMesoamerica Collection: Figures of ceremonial ballplayers, from the Isle of Jaina, c. 600 (earthenware)

Figures of ceremonial ballplayers, from the Isle of Jaina, c. 600 (earthenware)
XBP343159 Figures of ceremonial ballplayers, from the Isle of Jaina, c.600 (earthenware) by Mayan (7th century); Private Collection; Photo eBoltin Picture Library; out of copyright

Background imageMesoamerica Collection: Figure of a mayan seated king, from the Isle of Jaina (earthenware)

Figure of a mayan seated king, from the Isle of Jaina (earthenware)
XBP343157 Figure of a mayan seated king, from the Isle of Jaina (earthenware) by Mayan; height: 17.8 cm; Private Collection; Photo eBoltin Picture Library; out of copyright

Background imageMesoamerica Collection: Stylized Figure (gold)

Stylized Figure (gold)
XBP341885 Stylized Figure (gold) by Mixtec (c.1300-1521); Private Collection; Photo eBoltin Picture Library; out of copyright

Background imageMesoamerica Collection: Wheeled animal toy, Vera Cruz, Mexico (stone)

Wheeled animal toy, Vera Cruz, Mexico (stone)
XBP341879 Wheeled animal toy, Vera Cruz, Mexico (stone) by Mayan; length: 18.7 cm; Private Collection; Photo eBoltin Picture Library; out of copyright

Background imageMesoamerica Collection: Reproduction of a mural showing a servant dressing a ruler for a ceremony

Reproduction of a mural showing a servant dressing a ruler for a ceremony
452447 Reproduction of a mural showing a servant dressing a ruler for a ceremony, from the Temple of Murals, Bonampak (wall painting) by Mayan (after); Florida Museum of Natural History, Gainesville

Background imageMesoamerica Collection: Copan Stela H (stone)

Copan Stela H (stone)
JPC310187 Copan Stela H (stone) by Mayan; Copan, Honduras, Central America; out of copyright

Background imageMesoamerica Collection: Stela A, Copan, Late Classic Period, c. 730 AD (stone)

Stela A, Copan, Late Classic Period, c. 730 AD (stone)
JPC310179 Stela A, Copan, Late Classic Period, c.730 AD (stone) by Mayan; Copan, Honduras, Central America; (add.info.: stele erected during Eighteen-Rabbit kingdom; stelae were erected to celebrate)

Background imageMesoamerica Collection: Sacrificied Ball Player from Aparicio, Late Classic period (sculpture)

Sacrificied Ball Player from Aparicio, Late Classic period (sculpture)
JPC310094 Sacrificied Ball Player from Aparicio, Late Classic period (sculpture) by Veracruz (AD 600-900); Museo Nacional de Antropologia, Mexico City, Mexico; out of copyright

Background imageMesoamerica Collection: Machaquila Stela 7, Late Classic Period, 830 AD (stone)

Machaquila Stela 7, Late Classic Period, 830 AD (stone)
JPC310224 Machaquila Stela 7, Late Classic Period, 830 AD (stone) by Mayan; Museo de Arqueologia, Guatemala; out of copyright

Background imageMesoamerica Collection: Tikal Stela 2, Early Classic Period 300-600 AD (stone)

Tikal Stela 2, Early Classic Period 300-600 AD (stone)
JPC310217 Tikal Stela 2, Early Classic Period 300-600 AD (stone) by Mayan; Museo de Tikal, Peten, Guatemala; out of copyright

Background imageMesoamerica Collection: Palenque, Incense Burner, Late Classic Period, 600-900 AD (terracotta) (back of 310199)

Palenque, Incense Burner, Late Classic Period, 600-900 AD (terracotta) (back of 310199)
JPC310200 Palenque, Incense Burner, Late Classic Period, 600-900 AD (terracotta) (back of 310199) by Mayan; Museo de Palenque, Chiapas State

Background imageMesoamerica Collection: Stela C, west side, Copan, Late Classic Period, 780 AD (stone)

Stela C, west side, Copan, Late Classic Period, 780 AD (stone)
JPC310184 Stela C, west side, Copan, Late Classic Period, 780 AD (stone) by Mayan; Copan, Honduras, Central America; (add.info)

Background imageMesoamerica Collection: Relief of a monster of the earth, Late Classic period, 600-900 AD (photo)

Relief of a monster of the earth, Late Classic period, 600-900 AD (photo)
JPC310068 Relief of a monster of the earth, Late Classic period, 600-900 AD (photo) by Mayan; Xpuhil, Yucatan, Mexico; out of copyright

Background imageMesoamerica Collection: Dance of the Flyers or Pole Flying, Mexico

Dance of the Flyers or Pole Flying, Mexico
Dance of the Flyers (Danza de los Voladores) or Pole Flying (Palo Volador), ancient Mesoamerican ceremony. Handcoloured copperplate engraving by Luigi Giarre from Giulio Ferrarios Ancient




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Mesoamerica: A Tapestry of History and Resilience From the ancient civilizations that thrived in Mesoamerica to the modern-day struggles for justice, this region has witnessed remarkable events that have shaped its vibrant tapestry. In 1968, during the Olympic Games held in Mexico City, American runners Tommie Smith and John Carlos boldly raised their fists in a Black Power salute during the medal ceremonies. Their powerful gesture resonated worldwide, while Australian Peter Norman stood beside them wearing an OPHR badge, displaying solidarity against racial inequality. Diego Rivera's murals at the Ministry of Public Education capture both the solemnity and celebration of Mesoamerican culture. His mural depicting "Day of the Dead" showcases a rich tradition where life and death intertwine harmoniously. Another masterpiece portrays pre-Columbian life, specifically highlighting Zapotec civilization's contributions to Mexican heritage. The colored woodcut from 1556 offers a glimpse into Tenochtitlan (now Mexico City) at the time of Spanish conquest—a city brimming with architectural marvels and cultural richness that would forever be altered by European colonization. The cry for revolution echoed through Miguel Hidalgo's call to revolt on September 16th, 1810—the spark igniting Mexico's fight for independence. Juan O Gorman immortalized this historic moment in his mural capturing Hidalgo's impassioned plea. Mexican kitchens have long been hubs of culinary artistry and cultural preservation. An unknown artist beautifully depicts two women diligently working amidst pots and pans—an ode to their invaluable role in sustaining traditions. Rivera also pays tribute to educators with his portrayal of "The Rural School Teacher. " This mural symbolizes education as a catalyst for progress—empowering generations with knowledge and shaping brighter futures. Francisco Pancho Villa emerges as an indomitable figure within Mexican history—a revolutionary leader who fought tirelessly alongside his military staff during the Mexican Revolution.