Mesoamerican Collection (#39)

MAYAN PYRAMID, c450 A. D. Mayan pyramid with feathered serpents, from Xochicalco, Mexico, c450 A. D
MAYAN PYRAMID, c450 A.D. Mayan pyramid with feathered serpents, from Xochicalco, Mexico, c450 A.D

MEXICO: MONTE ALBAN. Monte Alban in Oaxaca. Zapotec city of Monte Alban in Oaxaca, Mexico

MAYAN GLYPH. A worshipper kneeling before a double-headed serpent deity: Lintel 25, House G, Yaxchilan, Chiapas, Mexico, c681 A.D

RIVERA: LEAVING THE MINE. Mural by Diego Rivera at the Court of Labor at the Ministry of Education in Mexico City, 1924-28

MEXICO: POLITICAL CARTOON. Defect of Construction. Man with glasses: What do you see? Mexican political cartoon, early 20th century

MEXICO: QUETZALCOATL. God and legendary ruler of the Toltecs in Mexico. From a copy of the Mixtec Codex Borbonicus, c1500 A.D

ANASAZI BOWL. Two-faced clay bowl of the Anasazi culture from Casas Grandes, southern Arizona, 900-1400 A. D
ANASAZI BOWL. Two-faced clay bowl of the Anasazi culture from Casas Grandes, southern Arizona, 900-1400 A.D

CORTES & MONTEZUMA, 1519. Dona Marina (center) interpreting during the meeting of Montezume II (right)
CORTES & MONTEZUMA, 1519. Do├▒a Marina (center) interpreting during the meeting of Montezume II (right) and Hern├ín Cort©s at Tenochtitlan, November 1519

MEXICO: IXMIQUILPAN FRESCO. Fresco painting depicting a fanciful battle scene between Aztec warriors, combining European realism with a native Mexican syle of color and abstract design

MONTEZUMA II: SHIELD. Shield decorated with feathers which belonged to the Aztec emperor, Montezuma II (c1480-1520)

MEXICO: TOTONAC FIGURES. Ceramic figure of a woman washing a mans hair. Both show evidence of head elongation. From the Totonac culture of east-central Mexico, c200 B.C

MEXICO: TEOTIHUACAN. Ceramic vase in the shape of a turkey, from Teotihuacan, Mexico, 3rd-6th century A. D
MEXICO: TEOTIHUACAN. Ceramic vase in the shape of a turkey, from Teotihuacan, Mexico, 3rd-6th century A.D

ALFRED PERCIVAL MAUDSLAY (1850-1931). English diplomat, explorer and archaeologist. Working at the Mayan ruins at Chichen Itza, Mexico, 1889

MEXICO: CHILDREN, c1850. Girl with a guitar and another with a flower bouquet, in typical mid-19th century Mexican fashion. Oil on canvas by an unknown artist, c1850

BUSTOS: WORSHIP, 1879. Offering of Atilana Garcia and Nemensio Rico. A family giving thanks to the Virgin Mary
BUSTOS: WORSHIP, 1879. Offering of Atilana García and Nemensio Rico. A family giving thanks to the Virgin Mary. Oil on tin by Hermenegildo Bustos, 1879

MAYAN VASE, 700-900 A. D. Painted ceramic Mayan vase depicting a warrior or priest, from Jaina, Campeche, Mexico
MAYAN VASE, 700-900 A.D. Painted ceramic Mayan vase depicting a warrior or priest, from Jaina, Campeche, Mexico, 700-900 A.D. Height: 16.5 cm

MEXICO: POLITICAL CARTOON. I don t know what I have in my eyes! Mexican political cartoon, early 20th century, about U.S. involvement in Mexico around the time of the Mexican Revolution

ANTHONY QUINN (1915-2001). American (Mexican-born) actor. In a scene from the 1973 film, The Don is Dead

WALLACE BEERY (1885-1949). American actor. Beery in the title-role of Pancho Villa

BATTLE: RESACA DE LA PALMA. The Battle of Resaca de la Palma, 9 May 1846: lithograph, 1846, by Nathaniel Currier

CARLOS CHVEZ (1899-1978). Carlos Antonio de Padua Chvez y Ramrez. Mexican composer and conductor
CARLOS CHAVEZ (1899-1978). Carlos Antonio de Padua Chavez y Ramirez. Mexican composer and conductor. Photographed by Carl Van Vechten, 1937

Aztec Painting: Snakes
AZTEC PAINTING: SNAKES. Pre-conquest abstract painting of serpents, which were a symbol of life for the Aztecs

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"Mesoamerican Marvels: Exploring Diego Rivera's Captivating Murals and Mexico's Rich History" Step into the world of Mesoamerica through the mesmerizing murals of renowned artist Diego Rivera. One such masterpiece, "Detroit, " captures the essence of the booming automobile industry in 1930s America. With intricate details, Rivera showcases the power and innovation that defined this era. In another mural titled "Day of the Dead, " located at Mexico City's Ministry of Public Education, Rivera delves into a beloved Mexican tradition. The vibrant feast celebrates life and honors ancestors with colorful altars adorned with marigolds and sugar skulls. Through his artistry, Rivera immortalizes this cultural celebration. Rivera also pays homage to pre-Columbian civilizations like the Zapotec in his mural at Mexico City's Ministry of Public Education. This captivating piece from 1925 depicts their rich history and achievements, showcasing their advanced society long before European colonization. The Detroit Institute of Arts houses yet another stunning work by Rivera - a detailed section from his automotive industry mural. Here, he skillfully portrays workers laboring amidst towering machinery, symbolizing both progress and human struggle during an industrial revolution. Travel back even further in time to Tenochtitlan (Mexico City) during Spanish conquest through a vividly colored woodcut from 1556. This artwork provides a glimpse into the grandeur that once graced these ancient streets before foreign influence reshaped its landscape forever. Juan O Gorman's mural depicting Miguel Hidalgo's call for revolution on September 16th, 1810 is another powerful representation of Mexican history. It captures the spirit and bravery that fueled Mexico's fight for independence against colonial rule. Returning to Diego Rivera’s "Detroit" mural at The Detroit Institute of Arts reveals its central scene - an awe-inspiring depiction highlighting every aspect of American automobile production during that era. From assembly lines to bustling factories, Rivera showcases the magnitude of this industry's impact.