Metaphor Collection (#2)

The Bennie Railplane, 1930, (1933). Creator: Unknown
The Bennie Railplane, 1930, (1933). The George Bennie railplane is an astounding device by which existing railways could be speeded up for passenger traffic

Goodbye London, Evening News poster, 1980. Billboard advertising the final edition of the Evening News newspaper, Friday 31 October 1980

Beneath the Quadriga, May 12 1937. From Coronation Souvenir Book 1937, edited by Gordon Beckles. [Daily Express, London, 1937]

Election fair, Copenhagen Fields, Islington, London, 1795. Artist: James Gillray
Copenhagen House.I tell you, citizens, we mean to new-dress the Constitution and turn it, and set a new nap on it Shakespeare ; showing an election fair in Copenhagen Fields, Islington, London, 1795

748 cc BSA and sidecar of HJ Finden at the MCC Lands End Trial, Beggars Roost, Devon, 1936
BSA & sidecar 748 cc. Event Entry No: 140 Rider: Finden, H.J. Award: Premier. Place: Beggars Roost North Devon. M.C.C. Lands End Trial. Date: 10/11.4.36

Chelsea Pensioners with black jacks, London, c1901 (1901)
Chelsea Pensioners with Black Jacks, London, c1901 (1901). Pensioners at The Royal Chelsea hospital with two 5 gallon black jacks

Churchill, Brooke, and Montgomery on the German-held east bank of the Rhine, 25th March, 1945. After Operation Plunder, Churchill, Montgomery, and a party of U.S

William Cecil, 1st Baron Burghley, 16th century (c1905). Cecil (1520-1598) was an English politician and the chief advisor of Queen Elizabeth I

Musicians, 1530s-1540s. Old Master
Musicians, 1530s-1540s. Master of the Female Half-Lengths (First half of 16th cen.). Found in the collection of the State Hermitage, St. Petersburg

Part of the Elgin Marbles from the Parthenon, 5th century BC
Part of the Elgin Marbles from the Parthenon, showing part of the Panathenaic procession, 5th century BC. From the British Museums collection

The Lace Maker, c1664. Artist: Jan Vermeer
The Lace Maker, c1664. The woman is making pillow lace which uses a strip of parchment on which the pattern has been pricked out

Silhouette, As Mad As A Hatter (or March Hare)
As Mad As A Hatter (or March Hare) -- silhouette based on illustrations to Alice in Wonderland, showing the Mad Hatter and March Hare sitting at the tea table

Silhouette, Enough to Make a Saint Swear
Enough to Make a Saint Swear -- silhouette showing a monk annoyed to see that a cat has knocked over a jug of milk and is lapping it all up

Trial Trip on the Underground Railway, 1863, (c1876). Creator: Unknown
Trial Trip on the Underground Railway, 1863, (c1876). Work on the worlds first underground railway started in 1860, by the Metropolitan Railway under chief engineer John Fowler

View on the Parramatta River, c1900. Creator: Unknown
View on the Parramatta River, c1900. From " 50 Picturesque Photographic Views of Sydney and Surroundings". [Swain & Co. Sydney]

The Cornish Riviera Express drawn by a King class locomotive, 1935-36
The " Cornish Riviera Express" drawn by a " King" class locomotive between Dawlish and Teignmouth (Devon), 1935-36. From " Railway Wonders of the World, Vol. 2"

Brixton purgatory, 1822. Prisoners Theodore Hook, William Cobbett, Henry Hunt and Thomas Wooler on the treadmill at Brixton Prison

Ardrishaig - The Steamer Columba at Ardrishaig Quay, 1895. From Round the Coast. [George Newnes Limited, London, 1895]

Victor Wild, 1911. From British Sports and Sportsmen Part 1. [British Sports and Sportsmen, London, 1911]

A Family Group, c1887, (1901). Artist: Mortimer L Menpes
A Family Group, c1887, (1901). From Japan - A Record in Colour, by Mortimer Menpes. [Adam & Charles Black, London, 1901]

Fore-Cabin, H. M. S. Queen Elizabeth, Rosyth, 16 November, 1918, (1935). Artist: Sir John Lavery
Fore-Cabin, H.M.S. Queen Elizabeth, Rosyth, 16 November, 1918, 1918 (1935). After the painting by Sir John Lavery, R.A. From Modern Masterpieces Part 20. [George Newnes Ltd, London, 1935]

Rot the beggar exclaims Romford, 1865. Artists: John Leech, Hablot Knight Browne
Rot the beggar exclaims Romford, 1865. From Mr. Facey Romfords Hounds, written by Robert Smith Surtees, illustrated by John Leech and H.K. Phiz Browne. [Bradbury, Evans & Co. London, 1865]

A Marine Study, c1830, (1906-7). Artist: JMW Turner
A Marine Study, c1830. A marine study in chalk, ink wash and pen and ink. From The Studio Volume 39 [London Offices of the Studio, London, 1906-7.]

Cats playing with a chessboard. Artist: Goupil and Co
Cats playing with a chessboard

Mr Winkle on the Ice, 1915. Artist: Frank Reynolds
Mr Winkle on the Ice, 1915. A scene from The Pickwick Papers by Charles Dickens, used in an advert for Black and White and Red Seal Scotch Whisky

Warwick the Kingmaker, 15th century English nobleman and soldier, (1893)
Warwick the King aker, 15th century English nobleman and soldier, (1893). Warwick (1428-1471) in armour holding a shield and sword

On the Newmarket Road, 1820, (1825)

Fencing in front of the President of the Republic, Palais de l Elysee, 1895. Artist: F Meaulle
Fencing in front of the President of the Republic, Palais de l Elysee, 1895. An illustration from Le Petit Journal, 9th June 1895

The Reform Bill, 1832 (c1850s). The Rt Hon Earl Grey introduced the Reform Act in Parliament in 1832. It was intended to make wide-ranging changes to the British electoral system

The ideal tourist bike, Brossard, 3 speeds, 1903

Great Eastern on the stocks at Millwall on the Thames, 1857. View from the stern, showing the vessel in John Scott Russells (1808-1882) yard

Roman soldiers making a tortoise with their shields, 1605. This tactic of the Roman infantry was intended to protect the soldiers from projectiles

Bela Bartok (1881-1945), Hungarian composer and pianist. He was also a collector of East European folk music

Silhouette, To Have a Finger in the Pie
To Have a Finger in the Pie -- silhouette of a man in a tall hat (probably a chef) tasting a pie

Portrait of a married Couple, 1525. Creator: Gabriel Zehender
Portrait of a married Couple, 1525.

Pink and Gold: The Neapolitan, 1897. Creator: James Abbott McNeill Whistler
Pink and Gold: The Neapolitan, 1897. Carmen Rossi, the sitter of this small portrait, was an Italian girl who posed for Whistler as a child and later, during the 1890s, became his favourite model.

Swiss guides on Canadian Pacific Rd., between c1910 and c1915. Creator: Bain News Service
Swiss guides on Canadian Pacific Rd., between c1910 and c1915.

Swiss guides on Canadian Pacific Rd., between c1910 and c1915. Creator: Bain News Service
Swiss guides on Canadian Pacific Rd., between c1910 and c1915.

Summer Squall, 1877. Creator: Winslow Homer
Summer Squall, 1877. Summer Squall was inspired by a sudden storm Homer observed from his studio at Prouts Neck, Maine. Thick strokes of white paint suggest the foaming water violently surging over

The set of the bears. Untitled plate 14, 1664. Creator: Marcus de Bye
The set of the bears. Untitled plate 14, 1664. Fourteenth in the set, a bear is depicted in a menacing, crouching pose. In the distance, two people, out of the reach of danger

J.J. Eller wins 120 yd. Hurdle 1911, 1911. Creator: Bain News Service
J.J. Eller wins 120 yd. Hurdle 1911, 1911. Shows John Jacob ("Jack"or J.J.) Eller, Jr. (1883-1967), an American track and field athlete competing in the 120 yard hurdle race, held Sept

Gen. Grenville Dodge, 1911. Creator: Bain News Service
Gen. Grenville Dodge, 1911.

The Stewart Children, 1773. Creator: Charles Willson Peale
The Stewart Children, 1773. The sitters, Isabella and John Stewart, were the children of Anthony and Jean Stewart. The scenery is the plantation the family owned on the east coast of Maryland

Laundress And Child, 1761. Creator: Hubert Robert
Laundress And Child, 1761.

Summer Squall, 1904. Creator: Alfred Stevens
Summer Squall, 1904.

Bennett sisters [boxing], between c1910 and c1915. Creator: Bain News Service
Bennett sisters [boxing], between c1910 and c1915.

Lucas Vorsterman. From Icones principum virorum ('The Iconography'), 1645. Creator: Anthony van Dyck
Lucas Vorsterman. From Icones principum virorum ('The Iconography'), 1645.

Stanford University crew rowing on Hudson River with Poughkeepsie Bridge..., between c1910-c1915
Stanford University crew rowing on Hudson River with Poughkeepsie Bridge, New York, in background, between c1910 and c1915.

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Metaphor: Unveiling the Hidden Meanings of Life Throughout history, iconic moments have been captured in art and photographs, each telling a story beyond what meets the eye. These glimpses into the past serve as metaphors for deeper truths, resonating with our collective human experience. In 1942, Winston Churchill's V for Victory sign became a metaphor for resilience and hope during World War II. His gesture symbolized unity and determination in the face of adversity, inspiring millions to stand strong. Gin Lane by William Hogarth in 1751 depicted a grim scene of societal decay fueled by alcoholism. This powerful artwork served as a metaphor for moral decline and warned against the dangers of excess. The charge of the Scots Greys at Waterloo on June 18, 1815, immortalized through art, embodied bravery and sacrifice. It stands as a metaphor for unwavering loyalty to one's country and comrades-in-arms. Daniel in the Lions Den painted by Briton Riviere in 1872 showcased courage amidst danger. This biblical tale serves as a metaphor for facing fears head-on while maintaining faith even when surrounded by adversity. A jigsaw puzzle featuring golfers on Prestwick golf course from around 1914 represents perseverance and precision. The intricate pieces coming together mirror life's challenges that require patience and strategic thinking to solve. The fencing match between Mademoiselle La Chevaliere D Eon De Beaumont and Monsieur De Saint George captured by Victor Marie Picot embodies equality breaking barriers through sport—a powerful metaphor reflecting social progress. Etchings from David Copperfield illustrated how self-expression can bridge gaps between generations—a poignant metaphor reminding us that understanding family dynamics is essential to personal growth. Ford Madox Brown's painting "The Last of England" from 1855 depicts emigration during an era marked by economic hardship—an allegory representing hope amidst despair; leaving behind old lives for new beginnings.