Michail Fokin Collection (#2)

Costume design for the Ballet La Legende de Joseph by R. Strauss. Artist: Bakst, Leon (1866-1924)
Costume design for the Ballet La Legende de Joseph by R. Strauss. Private Collection

Odalisque. Costume design for the ballet Sheherazade by N. Rimsky-Korsakov. Artist: Bakst, Leon (1866-1924)
Odalisque. Costume design for the ballet Sheherazade by N. Rimsky-Korsakov. Private Collection

Nymph. Costume design for the ballet The Afternoon of a Faun by C. Debussy, 1912. Artist: Bakst, Leon (1866-1924)
Nymph. Costume design for the ballet The Afternoon of a Faun by C. Debussy, 1912. From a private collection

Costume design for the ballet Sheherazade by N. Rimsky-Korsakov, 1910. Artist: Bakst, Leon (1866-1924)
Costume design for the ballet Sheherazade by N. Rimsky-Korsakov, 1910. From a private collection

Harems Secret. (Ballet Scheharazade by N. Rimsky-Korsakov), c. 1910. Artist: Bakst, Leon (1866-1924)
Harems Secret. (Ballet Scheharazade by N. Rimsky-Korsakov), c. 1910. From a private collection

Costume design for Tamara Karsavina in the ballet The Firebird (L oiseau de feu) by I. Stravinsky, 1909-1910. From a private collection

Stage design for the ballet Daphnis et Chloe by M. Ravel, 1912. Artist: Bakst, Leon (1866-1924)
Stage design for the ballet Daphnis et Chloe by M. Ravel, 1912. From a private collection

Ivan Tsarevich. Costume design for the ballet The Firebird (L oiseau de feu) by I. Stravinsky, 1910. From a private collection

Costume design for the ballet Les Papillons by Robert Schumann, 1912. Artist: Bakst, Leon (1866-1924)
Costume design for the ballet Les Papillons by Robert Schumann, 1912. From a private collection

Page de la princesse. Costume design for the ballet Sleeping Beauty by P. Tchaikovsky, 1916. From a private collection

Galisson. Costume design for the ballet Sleeping Beauty by P. Tchaikovsky, 1921. Artist: Bakst, Leon (1866-1924)
Galisson. Costume design for the ballet Sleeping Beauty by P. Tchaikovsky, 1921. From a private collection

Nijinsky and Karsavina in the ballet Le Spectre de la Rose, 1911. Artist: Bakst, Leon (1866-1924)
Nijinsky and Karsavina in the ballet Le Spectre de la Rose, 1911. From a private collection

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Michail Fokin, a renowned ballet choreographer and dancer, was not only known for his exceptional talent on stage but also for his contributions to the world of stage design. His collaborations with artists such as Leon Bakst and Karl August Fischer brought forth some of the most visually stunning ballet productions in history. One notable example is Fokin's stage design for the ballet "The Afternoon of a Faun" by Claude Debussy in 1912. Working closely with Bakst, Fokin created an ethereal setting that perfectly complemented Debussy's dreamlike music. The combination of intricate set pieces and soft lighting transported audiences into a mythical forest where Nijinsky, one of Fokin's most celebrated dancers, gracefully portrayed the faun. Fokin's attention to detail extended beyond set design to costume creation as well. In collaboration with Bakst once again, he designed captivating costumes for Stravinsky's "The Firebird" in 1922. These vibrant ensembles brought the magical creatures from Russian folklore to life on stage, enhancing the audience's experience and immersing them in this enchanting tale. Another remarkable headgear designed by Fokin was worn by Ida Rubinstein in the ballet "Scheherazade" in 1910. This ornate piece added an air of mystique to Rubinstein's performance as she embodied the seductive character from Arabian Nights. Throughout his career, Fokin worked tirelessly alongside talented artists like Fischer and Bakst to create unforgettable moments on stage. Collaborations such as Tcherepnin's "Le Pavillon d'Armide, " Rimsky-Korsakov’s "Scheherazade, " Arensky’s "Cleopatra, " Rachmaninoff’s "Paganini, " Tchaikovsky’s “Sleeping Beauty, ” and Schmitt’s “The Tragedy of Salome” showcased their collective genius. In the ballet world, Fokin's name is synonymous with innovation and artistic excellence.