Michelangelo Caravaggio Collection

The Laying in the Tomb ( The Deposition / The Entombment ), 1602-16044. Artist: Michelangelo Caravaggio
The Laying in the Tomb ( The Deposition / The Entombment ), 1602-1604. Mary of Clopas with her arms raised; Mary Magdalene with bowed head; Nicodemus grasps the legs of the dead Christ

The Musicians, 1597. Creator: Michelangelo Caravaggio
The Musicians, 1597

Lute-Player, c1595. Artist: Michelangelo Caravaggio
Lute-Player, c1595. Detail. Found in the collection of The Hermitage, St Petersburg

Portrait of a Young Man, 17th century. Creator: School of Caravaggio
Portrait of a Young Man, 17th century

Portrait of a Young Man, 17th century. Creator: School of Caravaggio
Portrait of a Young Man, 17th century

Card and Backgammon Players. Fight over Cards, 1616-1626. Creators: Theodoor Rombouts, Michelangelo Caravaggio
Card and Backgammon Players. Fight over Cards, 1616-1626

Portrait of a Man, 1566-1640. Creators: Jacopo Chimenti, Michelangelo Caravaggio
Portrait of a Man, 1566-1640. Attributed to Jacopo Chimenti da Empoli (1551-1640) and earlier ascribed to Michelangelo Merisi da Caravaggio (1571-1610)

Young Woman, 17th century. Creator: School of Caravaggio
Young Woman, 17th century

St John the Baptist, early 17th century. Creator: Bartolomeo Manfredi
St John the Baptist, early 17th century

The Entombment of Christ, 1817. Creator: Ignazio di Paolo Bonajuti
The Entombment of Christ, 1817

The Ecstasy of Saint Francis, 1601. Creator: Giovanni Baglione
The Ecstasy of Saint Francis, 1601

The Entombment, 1772-1824. Creator: Tommaso Piroli
The Entombment, 1772-1824

The Denial of Saint Peter, 1610. Creator: Michelangelo Caravaggio
The Denial of Saint Peter, 1610

Madonna and child, late 16th-early 17th century, (1943). Creator: Michelangelo Caravaggio
Madonna and child, late 16th-early 17th century, (1943). Drawing in the Metropolitan Museum, New York. From " Europaische Handzeichnungen", (Five Hundred Years of European Drawings)

Death of the Virgin, c1606. Artist: Michelangelo Caravaggio
Death of the Virgin, c1606. Painting held in the Louvre, Paris. From A History of Painting, Volume III by Haldane MacFall [T. C. and E. C. Jack, London & Edinburgh, 1911]

Studies for the figure of the cross-bearer in the Last Judgement, Sistine Chapel, Rome, 1913. A print from The Art of the Great Masters, by Frederic Lees, Sampson Low, Marston and Co, London, 1913

Studies for the ceiling of the Sistine Chapel, Rome, 1913. Artist: Michelangelo Caravaggio
Studies for the ceiling of the Sistine Chapel, Rome, 1913. A print from The Art of the Great Masters, by Frederic Lees, Sampson Low, Marston and Co, London, 1913

The Tribute to Caesar, 17th century, (1870). A wood engraving after a painting by Manfredi. Illustration from The Arts of the Middle Ages and at the Period of the Renaissance, by Paul Lacroix

The Musicians, c1595. Artist: Michelangelo Caravaggio
The Musicians, c1595. One of a number of realistic paintings of half-length figures painted in Rome for aristocratic patrons

Bacchus, c1597. Artist: Michelangelo Caravaggio
Bacchus, c1597. Bacchus, Roman god of wine (Dionysius in the Greek pantheon), seated as at a banquet, with a wreath of vine leaves, holding a drinking vessel. From the Uffizi Gallery, Florence

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Michelangelo Caravaggio, a renowned Italian artist of the 16th and 17th centuries, left an indelible mark on the art world with his captivating and emotionally charged masterpieces. One such work is "The Laying in the Tomb (The Deposition / The Entombment)" created between 1602-1604. In this painting, Caravaggio skillfully captures the sorrow and grief surrounding Christ's burial. Another notable piece by Caravaggio is "The Musicians" from 1597. This composition showcases his ability to depict ordinary subjects with extraordinary realism. The figures in this artwork exude a sense of youthful energy as they engage in music-making. Caravaggio's talent for capturing human emotion can also be seen in "Lute-Player, " painted around 1595. Through his use of light and shadow, he brings depth and intensity to this simple scene of a musician lost in his melodies. "The Entombment of Christ" by Ignazio di Paolo Bonajuti pays homage to Caravaggio's iconic masterpiece while adding its own unique interpretation. Created in 1817, it demonstrates how Caravaggio's influence continued long after his death. Giovanni Baglione's "The Ecstasy of Saint Francis" echoes Caravaggio's style with its dramatic lighting and emotional intensity. Painted in 1601, it depicts Saint Francis experiencing divine ecstasy amidst nature's beauty. Tommaso Piroli’s rendition of "The Entombment" from 1772-1824 further exemplifies how artists were inspired by Caravaggio’s original work throughout history. In another powerful creation titled "The Denial of Saint Peter, " Michelangelo Caravaggio explores themes of betrayal and remorse through vivid facial expressions and dynamic composition dating back to1610.