Middle Aged Collection (#7)

Henry III Replying to the Archbishop of Canterbury and the Bishops of Salisbury
652185 Henry III Replying to the Archbishop of Canterbury and the Bishops of Salisbury, Winchester and Carlisle, Who Were Demanding a Reformation in the State

Portrait of the Artist and Thomas Jervais as Adoring Shepherds, (oil on canvas)
652130 Portrait of the Artist and Thomas Jervais as Adoring Shepherds, (oil on canvas) by Reynolds, Joshua (1723-92); 105.4x89.3 cm; Private Collection; (add.info)

A New Form of Prayer, (pencil, pen and watercolour)
651846 A New Form of Prayer, (pencil, pen and watercolour) by Rowlandson, Thomas (1756-1827); 32.4x25.4 cm; Private Collection; (add.info.: A New Form of Prayer. Thomas Rowlandson (b)

A Clerical Intervention, 1897 (watercolour heightened with white)
651519 A Clerical Intervention, 1897 (watercolour heightened with white) by Passini, Ludwig (1832-1903); 61x90 cm; Private Collection; (add.info.: A Clerical Intervention. Ludwig Passini (1832-1903)

Tea for Two, (oil on canvas)
651394 Tea for Two, (oil on canvas) by Bergeret, Denis Pierre (1846-1910); 65x52 cm; Private Collection; (add.info.: Tea for Two. Denis Pierre Bergeret (1846-1910). Oil on canvas

Scenes from La Rampe, (watercolour)
651391 Scenes from La Rampe, (watercolour) by Leloir, Maurice (1853-1940); 35.5x25.5 cm; Private Collection; (add.info.: Scenes from La Rampe. Maurice Leloir (1853-1940). Watercolour

A Carnival Scene (with Medicine lampooned) in Bogota, Colombia, c. 1822-28 (watercolour)
828299 A Carnival Scene (with Medicine lampooned) in Bogota, Colombia, c.1822-28 (watercolour) by Desire Roulin, Francois (1796-1874); 19.8x27 cm; Private Collection; (add.info)

Portrait of a Lady Said to be Mrs, (oil on canvas)
827973 Portrait of a Lady Said to be Mrs, (oil on canvas) by Romney, George (1734-1802); 91.4x71.2 cm; Private Collection; (add.info.: Portrait of a Lady Said to be Mrs)

Portrait of a Lady, standing three quarter length, wearing an Elaborate Black Costume
827972 Portrait of a Lady, standing three quarter length, wearing an Elaborate Black Costume, a White Ruff, and Lace Cuffs, holding a Gold Chain and a Pair of Gloves, 1633 (oil on panel) by Eliasz

The Horse Fair, 1863 (oil on canvas)
827941 The Horse Fair, 1863 (oil on canvas) by Friedrich, Adolf (1824-1889); 68x112.1 cm; Private Collection; (add.info.: The Horse Fair. Gustav Adolf Friederich (1824-1889). Oil on canvas

Portrait of an Academic, half-length, in black costume, holding a book, (oil on panel)
827803 Portrait of an Academic, half-length, in black costume, holding a book, (oil on panel) by Key, Willem (c.1515-68); 66.7x51.4 cm; Private Collection; (add.info.: Portrait of an Academic)

Jupiter and Semele, c. 1625 (oil on canvas)
827732 Jupiter and Semele, c.1625 (oil on canvas) by Janssens van Nuyssen, Abraham (1575-1632); 123.2x124.5 cm; Private Collection; (add.info.: Jupiter and Semele. Abraham Jannsens (c.1575-1632)

Portrait of Frans Snyders, half-length, in black costume, leaning on a chair
827701 Portrait of Frans Snyders, half-length, in black costume, leaning on a chair, a landscape beyond, (oil on canvas) by Dyck

Mucius Scaevola, (oil on canvas)
827687 Mucius Scaevola, (oil on canvas) by Brusaferro, Girolamo (1679-1745); 192x287 cm; Private Collection; (add.info.: Mucius Scaevola. Girolama Brusaferro (d.1760). Oil on canvas

Jeremiah Dictating the Word of God to Baruch the Son of Neriah (Jeremiah 36, 4)
827591 Jeremiah Dictating the Word of God to Baruch the Son of Neriah (Jeremiah 36, 4), (red chalk) by Rubens, Peter Paul (1577-1640); 34x28.3 cm; Private Collection; (add.info)

The Blessing of the Bell of the Village Church at Ormesson by the Marquisse d
827569 The Blessing of the Bell of the Village Church at Ormesson by the Marquisse d Ormesson, attended by her Husband and Villagers, (black chalk, pen and black ink and watercolour) by Martin

Awaiting the Call (oil on canvas)
827327 Awaiting the Call (oil on canvas) by Chavez, Jose de (19th century); 61x47 cm; Private Collection; (add.info.: Awaiting the Call. Jose de Chavez (19th Century). Oil on canvas

Self-portrait with Faun and Nymph, 1895 (oil on canvas)
827323 Self-portrait with Faun and Nymph, 1895 (oil on canvas) by Zorn, Anders Leonard (1860-1920); 49x41.3 cm; Private Collection; (add.info.: Self-portrait with Faun and Nymph)

The Artists Studio, (oil on canvas)
827314 The Artists Studio, (oil on canvas) by Mottez, Victor (1809-97); 95.3x123.8 cm; Private Collection; (add.info.: The Artists Studio. Victor Mottez (1809-1897). Oil on canvas

Prayer at the Sultans Tomb; Le Tombeau des Kalifes a Brousse, 1878 (oil on canvas)
827287 Prayer at the Sultans Tomb; Le Tombeau des Kalifes a Brousse, 1878 (oil on canvas) by Gerome, Jean Leon (1824-1904); 59.6x84.5 cm; Private Collection; (add.info)

In the Railway Carriage, 1879 (oil on canvas)
827281 In the Railway Carriage, 1879 (oil on canvas) by Carrier-Belleuse, Pierre (1851-1933); 54x93.4 cm; Private Collection; (add.info.: In the Railway Carriage. Pierre Carrier-Belleuse (1851-1933)

The Saffron Cake, 1920 (oil on canvas)
827254 The Saffron Cake, 1920 (oil on canvas) by Forbes, Stanhope Alexander (1857-1947); 76.2x101.6 cm; Private Collection; (add.info.: The Saffron Cake. Stanhope Alexander Forbes (1857-1947)

Marie Antoinettes History Lesson (oil on canvas)
827115 Marie Antoinettes History Lesson (oil on canvas) by Telser, Anton (19th century); 57.1x76.8 cm; Private Collection; Photo eChristies Images; German, out of copyright

Cafe Maxim, Paris, (oil on canvas)
825527 Cafe Maxim, Paris, (oil on canvas) by Forain, Jean Louis (1852-1931); 60.3x73.7 cm; Private Collection; (add.info.: Cafe Maxim, Paris. Jean Louis Forain (1852-1931). Oil on canvas

Portrait of an artist (self portrait), 1819 (oil on canvas)
3661122 Portrait of an artist (self portrait), 1819 (oil on canvas) by Duterrau, Benjamin (1767-1851); 76.7x64.2 cm; Private Collection; (add.info.: signed with initials and indistinctly dated B.D)

Engraving depicting a middle-aged couple ice skating
5308588 Engraving depicting a middle-aged couple ice skating by Du Maurier, George (1834-96); (add.info.: Engraving depicting a middle-aged couple ice skating)

Portrait of a Lady, 1615 (oil on panel)
5938259 Portrait of a Lady, 1615 (oil on panel) by Miereveld, Michiel Jansz. van (1567-1641); 65.4x55 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; Dutch, out of copyright

Man with a Tankard, 1739 (oil on panel)
5938220 Man with a Tankard, 1739 (oil on panel) by Mieris, Frans van (1635-81); 21.3x16.8 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; Dutch, out of copyright

Samuel Hallifax, Bishop of Gloucester, 1788 (w / c on ivory)
5938075 Samuel Hallifax, Bishop of Gloucester, 1788 (w/c on ivory) by Edridge, Henry (1769-1821); 6.3x5.2 cm; Fitzwilliam Museum, University of Cambridge

Maria Sheldon Scammon, 1895 (oil on canvas)
5858834 Maria Sheldon Scammon, 1895 (oil on canvas) by Zorn, Anders Leonard (1860-1920); 81.3x65.5 cm; The Art Institute of Chicago, IL

Annamite Man, Saigon, c. 1870s (b / w photo)
498525 Annamite Man, Saigon, c.1870s (b/w photo) by European Photographer, (19th century); Private Collection; (add.info.: A man from the Annamite Mountains, Vietnam.); out of copyright

Rembrandt Leaning on a Stone Sill: Half Length, 1639 (etching)
1069902 Rembrandt Leaning on a Stone Sill: Half Length, 1639 (etching) by Rembrandt Harmensz. van Rijn (1606-69); 20.2x16.3 cm; Dallas Museum of Art, Texas, USA; Anonymous Gift; Dutch

The Baddington Peerage (engraving)
2772670 The Baddington Peerage (engraving) by Browne, Hablot Knight (Phiz) (1815-92) (after); Private Collection; (add.info.: The Baddington Peerage)

A late middle-aged couple enjoying a picnic
insertcaption Date: circa 1920s

Bridget Holland (oil on canvas)
DEW289799 Bridget Holland (oil on canvas) by Hoppner, John (1758-1810); Private Collection; (add.info.: Bridget Holland (1744-1828) wife of Henry Holland; daughter of Lancelot (Capability) Brown;

Henry Holland (oil on canvas)
DEW289798 Henry Holland (oil on canvas) by Opie, John (1761-1807); Private Collection; (add.info.: Henry Holland (1745-1806) Georgian architect; ); English, out of copyright

Portrait of the Author Maxim Gorky (1868-1939), 1929 (oil on canvas)
BAL266170 Portrait of the Author Maxim Gorky (1868-1939), 1929 (oil on canvas) by Brodsky, Isaak Israilevich (1883-1939); 114x85.5 cm; State Central Literary Museum, Moscow

President John Adams (1735-1826) (colour lithograph)
PNP258649 President John Adams (1735-1826) (colour lithograph) by Parker, Edgar (1840-92); Private Collection; (add.info)

The So-called Self Portrait, 17th century (coloured chalks on paper)
AMO123474 The So-called Self Portrait, 17th century (coloured chalks on paper) by Bernini, Gian Lorenzo (1598-1680); 22.2x17 cm; Ashmolean Museum, University of Oxford

Two Portraits of Widows, 1837 (w / c and pencil on paper)
CJP107754 Two Portraits of Widows, 1837 (w/c and pencil on paper) by Dighton, Richard (1795-1880); 26.6x21.5 cm; Private Collection; eCharles Plante Fine Arts; English, out of copyright

The Flower Market (litho) (b / w photo)
CHT163593 The Flower Market (litho) (b/w photo) by Bouchot, Frederic (1798-1860); Bibliotheque des Arts Decoratifs, Paris

Michael Faraday (1791-1867) (litho)
KW245925 Michael Faraday (1791-1867) (litho) by English School, (19th century); Private Collection; (add.info.: British chemist)

Portrait of Barbara Lutken (1664-1740), 1718 (oil on canvas) (see also 179058)
XKH179059 Portrait of Barbara Lutken (1664-1740), 1718 (oil on canvas) (see also 179058) by Paulsen, Anton (fl.1718-48); 79.5x65.5 cm; Hamburger Kunsthalle, Hamburg

A Group Portrait of John Perceval, 1st Earl of Egmont (1683-1748
1765054 A Group Portrait of John Perceval, 1st Earl of Egmont (1683-1748) and his Wife Catherine (oil on canvas) by Alberry, J

Thirteen scholars in a garden setting, 1485 (hand-coloured woodcut)
985881 Thirteen scholars in a garden setting, 1485 (hand-coloured woodcut) by German School, (15th century); 30.2x21.5 cm; Private Collection; (add.info.: Thirteen scholars in a garden setting)

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"Capturing the Essence of Middle Age: A Glimpse into Art and History" In this captivating collection, we embark on a journey through time and explore the multifaceted nature of middle age. From Sigmund Freud's enigmatic gaze in a sepia-toned photograph to the lively brushstrokes depicting "The Wedding Dance, " each piece offers a unique perspective on this pivotal stage of life. Amidst vibrant blooms portrayed in "Flower Power; Marchande de Fleurs, " we witness the resilience and beauty that often accompany middle age. Meanwhile, "A Peep at the Train, India" transports us to distant lands, reminding us that adventure knows no bounds when it comes to embracing new experiences during this phase. British jockeys immortalized in 1934 reveal an unwavering passion for their craft, showcasing how dedication can endure well into one's mature years. Similarly, Abraham Lincoln's signed carte-de-visite from 1864 serves as a poignant reminder that wisdom and leadership are not limited by age but rather enhanced by experience. "The Jewel Box" invites us to delve into our own inner treasures as we navigate middle age—a period marked by introspection and self-discovery. In contrast, "Naomi and Ruth" captures the enduring bond between generations, highlighting the importance of family ties during this transformative chapter. Charles Regan's depiction reminds us that even within scientific pursuits like ichthyology lies untapped potential for exploration at any stage of life. Meanwhile, "Portrait of Captain Marshall Roberts" portrays strength and authority—qualities often associated with those who have reached middle age—and exemplifies mastery honed over time. As day turns into twilight on Le Boulevard St. Denis in gouache form, figures bustling about symbolize both vibrancy and contemplation—an allegory for navigating change while preserving one's essence amidst shifting times.