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Minerva Collection (#19)

"Minerva: The Timeless Symbol of Wisdom and Victory" Step into the ancient world of Greek mythology as we explore the captivating figure of Minerva

Background imageMinerva Collection: Pallas Athena (panel)

Pallas Athena (panel)
XAM70774 Pallas Athena (panel) by Fontainebleau School, (16th century); 112x57 cm; Private Collection, Basel, Switzerland; French, out of copyright

Background imageMinerva Collection: The Judgement of Paris, c. 1599-1601 (oil on copper)

The Judgement of Paris, c. 1599-1601 (oil on copper)
XAM68932 The Judgement of Paris, c.1599-1601 (oil on copper) by Rubens, Peter Paul (1577-1640); 32.5x43.5 cm; Akademie der Bildenden Kunste, Vienna, Austria; Flemish, out of copyright

Background imageMinerva Collection: The Judgement of Paris

The Judgement of Paris
BAL67245 The Judgement of Paris by Hoet, Gerard (1648-1733); 37.5x46.4 cm; Johnny van Haeften Gallery, London, UK; Dutch, out of copyright

Background imageMinerva Collection: The God Mercury Waking Paris to Judge the Contest of the Golden Apple

The God Mercury Waking Paris to Judge the Contest of the Golden Apple
BAL52783 The God Mercury Waking Paris to Judge the Contest of the Golden Apple by Cranach, Lucas (1472-1553) (studio of); Rafael Valls Gallery, London

Background imageMinerva Collection: Les Pretendants, 1862-98 (oil on canvas)

Les Pretendants, 1862-98 (oil on canvas)
XIR50550 Les Pretendants, 1862-98 (oil on canvas) by Moreau, Gustave (1826-98); 343x385 cm; Musee Gustave Moreau, Paris, France; French, out of copyright

Background imageMinerva Collection: Frontispiece for the Vedute di Roma series, c. 1760 (etching)

Frontispiece for the Vedute di Roma series, c. 1760 (etching)
XJF497262 Frontispiece for the Vedute di Roma series, c.1760 (etching) by Piranesi, Giovanni Battista (1720-78); Private Collection; Italian, out of copyright

Background imageMinerva Collection: French 18th Century, Minerva Crowning the Genius of Fine Arts, hand-colored stipple

French 18th Century, Minerva Crowning the Genius of Fine Arts, hand-colored stipple engraving with gold leaf on satin

Background imageMinerva Collection: The Judgement of Paris (oil on canvas)

The Judgement of Paris (oil on canvas)
XIR417059 The Judgement of Paris (oil on canvas) by Aachen, Johann or Hans von (1552-1616); Musee de la Chartreuse, Douai

Background imageMinerva Collection: The Judgement of Paris, 1639 (oil on canvas)

The Judgement of Paris, 1639 (oil on canvas)
XIR36856 The Judgement of Paris, 1639 (oil on canvas) by Rubens, Peter Paul (1577-1640); 199x379 cm; Prado, Madrid, Spain; Flemish, out of copyright

Background imageMinerva Collection: Judgement of Paris, c. 1605 (oil on canvas)

Judgement of Paris, c. 1605 (oil on canvas)
XBP335692 Judgement of Paris, c.1605 (oil on canvas) by Rubens, Peter Paul (1577-1640); 91x114 cm; Prado, Madrid, Spain; Photo eBoltin Picture Library; Flemish, out of copyright

Background imageMinerva Collection: Temple of Minerva, Sunium, Greece, engraved, J. Saddler, Saddler, Simpson, William

Temple of Minerva, Sunium, Greece, engraved, J. Saddler, Saddler, Simpson, William, Crimea, (1823-1899), 19th century engraving

Background imageMinerva Collection: Siege of Leuven by the Dutch and French armies1635 (etching)

Siege of Leuven by the Dutch and French armies1635 (etching)
XOS3058079 Siege of Leuven by the Dutch and French armies1635 (etching) by Dutch School, (17th century); 50.7x41 cm; Rijksmuseum, Amsterdam

Background imageMinerva Collection: Salon of 1855. Minerva of the Parthenon, by Mr. Simart. Engraving

Salon of 1855. Minerva of the Parthenon, by Mr. Simart. Engraving

Background imageMinerva Collection: The Judgement of Paris

The Judgement of Paris
XAM72543 The Judgement of Paris by Klinger, Max (1857-1920); 320x720 cm; Hofburg, Vienna, Austria; German, out of copyright

Background imageMinerva Collection: Minerva asks Envy to ignite jealousy in Aglauros, Hendrick Goltzius, Franco Estius, 1590

Minerva asks Envy to ignite jealousy in Aglauros, Hendrick Goltzius, Franco Estius, 1590

Background imageMinerva Collection: The daughters of Cecrops open the basket that Minerva has entrusted them, print maker

The daughters of Cecrops open the basket that Minerva has entrusted them, print maker: Hendrick Goltzius workshop of, Hendrick Goltzius, Franco Estius, 1590

Background imageMinerva Collection: Vignette with Minerva, Smeeton Tilly, c. 1874 - 1881

Vignette with Minerva, Smeeton Tilly, c. 1874 - 1881

Background imageMinerva Collection: Vignette with Mercury, Minerva and Justice, David Coster, c. 1700 - in or before 1752

Vignette with Mercury, Minerva and Justice, David Coster, c. 1700 - in or before 1752

Background imageMinerva Collection: Allegory of the Marriage of Louis XIV (1638-1715) in 1631 (oil on canvas)

Allegory of the Marriage of Louis XIV (1638-1715) in 1631 (oil on canvas)
XIR237959 Allegory of the Marriage of Louis XIV (1638-1715) in 1631 (oil on canvas) by Deruet, Claude (1588-1660) (attr. to); 98x115 cm; ChAteau de Versailles, France; French, out of copyright

Background imageMinerva Collection: Athena and the Centaur, c. 1480 (tempera on panel)

Athena and the Centaur, c. 1480 (tempera on panel)
XAL227144 Athena and the Centaur, c.1480 (tempera on panel) by Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510); 207x148 cm; Galleria degli Uffizi, Florence, Italy; Italian

Background imageMinerva Collection: Vain efforts of the Ultras, 1819 (engraving) (b / w photo)

Vain efforts of the Ultras, 1819 (engraving) (b / w photo)
XIR230716 Vain efforts of the Ultras, 1819 (engraving) (b/w photo) by French School, (19th century); Bibliotheque Nationale, Paris, France; French, out of copyright

Background imageMinerva Collection: The Judgement of Paris (engraving) (b / w photo)

The Judgement of Paris (engraving) (b / w photo)
XIR224410 The Judgement of Paris (engraving) (b/w photo) by Raimondi, Marcantonio (1480-1534); Bibliotheque Nationale, Paris, France; Italian, out of copyright

Background imageMinerva Collection: Margarita Trip as Minerva, Instructing her Sister Anna Maria Trip, Ferdinand Bol, 1663

Margarita Trip as Minerva, Instructing her Sister Anna Maria Trip, Ferdinand Bol, 1663

Background imageMinerva Collection: Earth, detail of the right hand side, c. 1640-41 (oil on canvas)

Earth, detail of the right hand side, c. 1640-41 (oil on canvas)
XIR216681 Earth, detail of the right hand side, c.1640-41 (oil on canvas) by Deruet, Claude (1588-1660); Musee des Beaux-Arts, Orleans

Background imageMinerva Collection: Attic black-figure neck amphora with apotheosis of Heracles, c. 530-20 BC (terracotta)

Attic black-figure neck amphora with apotheosis of Heracles, c. 530-20 BC (terracotta)
XOS1765681 Attic black-figure neck amphora with apotheosis of Heracles, c.530-20 BC (terracotta) by Greek, (6th century BC); 32.9x21.9 cm; J

Background imageMinerva Collection: Athenian Attic black-figure amphora with Heracles carrying the Erymanthean boar, c

Athenian Attic black-figure amphora with Heracles carrying the Erymanthean boar, c
XOS1765680 Athenian Attic black-figure amphora with Heracles carrying the Erymanthean boar, c.510 BC (terracotta) by Greek, (6th century BC); 43x28.2 cm; J

Background imageMinerva Collection: Euboean black-figure neck amphora, c. 570-60 BC (terracotta)

Euboean black-figure neck amphora, c. 570-60 BC (terracotta)
XOS1765673 Euboean black-figure neck amphora, c.570-60 BC (terracotta) by Greek, (6th century BC); 35.8x23.8 cm; J. Paul Getty Museum, Los Angeles, USA; (add.info.: Heracles)

Background imageMinerva Collection: Athenian Attic black-figure neck amphora, attributed to the Leagros group, with Ajax and Achilles

Athenian Attic black-figure neck amphora, attributed to the Leagros group, with Ajax and Achilles
XOS1765678 Athenian Attic black-figure neck amphora, attributed to the Leagros group, with Ajax and Achilles, c.510 BC (terracotta) by Greek, (6th century BC); 30.4x45.3 cm; J

Background imageMinerva Collection: Venus and Minerva, circle of Pellegrino Tibaldi, c. 1590 - c. 1620

Venus and Minerva, circle of Pellegrino Tibaldi, c. 1590 - c. 1620

Background imageMinerva Collection: Athene and the Nine Muses at the Wells of Hipokrene, 1624 (oil on copper)

Athene and the Nine Muses at the Wells of Hipokrene, 1624 (oil on copper)
BAL210198 Athene and the Nine Muses at the Wells of Hipokrene, 1624 (oil on copper) by Konig, Johann or Hans (1586-1642); 19.5x29 cm; Private Collection; (add.info)

Background imageMinerva Collection: Study for the ceiling of the Casa de Pilatos, Seville, 1604 (pen & ink and wash on paper)

Study for the ceiling of the Casa de Pilatos, Seville, 1604 (pen & ink and wash on paper)
XIR190351 Study for the ceiling of the Casa de Pilatos, Seville, 1604 (pen & ink and wash on paper) by Pacheco, Francisco (1564-1644); Real Academia de Bellas Artes de San Fernando, Madrid

Background imageMinerva Collection: Allegory of the majority of William V, 1766, print maker: Cornelis van Noorde, 1766

Allegory of the majority of William V, 1766, print maker: Cornelis van Noorde, 1766

Background imageMinerva Collection: Portrait of Theodore John Dirk Graswinckel, Theodor Matham, Michiel Jansz van Mierevelt

Portrait of Theodore John Dirk Graswinckel, Theodor Matham, Michiel Jansz van Mierevelt, 1636 - 1666

Background imageMinerva Collection: Allegory in honor of Christina of Sweden, Pieter Nolpe, 1650

Allegory in honor of Christina of Sweden, Pieter Nolpe, 1650

Background imageMinerva Collection: Minerva with the Hague weapon, Pieter Willem van Megen, 1760 - 1785

Minerva with the Hague weapon, Pieter Willem van Megen, 1760 - 1785

Background imageMinerva Collection: Allegory of the Peace of Rijswijk, 1697, Cornelis van Dalen (I), Govert Flinck, 1649

Allegory of the Peace of Rijswijk, 1697, Cornelis van Dalen (I), Govert Flinck, 1649

Background imageMinerva Collection: Allegory of the birth of Princess Maria Amalia of Nassau-Dietz, daughter of Hendrik

Allegory of the birth of Princess Maria Amalia of Nassau-Dietz, daughter of Hendrik Casimir, January 29, 1689, around the crib with the child kneel Minerva, Juno and Cupid and Flora

Background imageMinerva Collection: On a pedestal is an emperor on his throne, beside a Medusa head, his foot rests

On a pedestal is an emperor on his throne, beside a Medusa head, his foot rests on a top hat, in his hand a rod on which a bird, Minerva offers him a chain

Background imageMinerva Collection: Minerva and two chained figures, Reinier van Persijn, Adriaen Wijngaerden, 1650

Minerva and two chained figures, Reinier van Persijn, Adriaen Wijngaerden, 1650

Background imageMinerva Collection: Minerva, Jan Saenredam, Cornelius Schonaeus, Claes Jansz. Visscher (II), 1575 - 1607

Minerva, Jan Saenredam, Cornelius Schonaeus, Claes Jansz. Visscher (II), 1575 - 1607

Background imageMinerva Collection: Address Map of Jan Smit, manufacturer of room hangings, Adolf van der Laan, 1734

Address Map of Jan Smit, manufacturer of room hangings, Adolf van der Laan, 1734

Background imageMinerva Collection: The Medici Cycle: Education of Marie de Medici (1573-1642) 1621-25 (oil on canvas)

The Medici Cycle: Education of Marie de Medici (1573-1642) 1621-25 (oil on canvas)
XIR17687 The Medici Cycle: Education of Marie de Medici (1573-1642) 1621-25 (oil on canvas) by Rubens, Peter Paul (1577-1640); 394x295 cm; Louvre, Paris, France; Flemish, out of copyright

Background imageMinerva Collection: Minerva as a personification of reason, print maker: Arnold Houbraken, Leonard Schenk

Minerva as a personification of reason, print maker: Arnold Houbraken, Leonard Schenk, 1710 - 1719

Background imageMinerva Collection: Minerva in a tree, print maker: Willem Isaacsz

Minerva in a tree, print maker: Willem Isaacsz. van Swanenburg, Michiel Jansz van Mierevelt, Petrus Scriverius, 1670 - 1726

Background imageMinerva Collection: Title Journal: Veelderhande Nieuwe Compartemente, print maker: Jacob Lutma, Johannes

Title Journal: Veelderhande Nieuwe Compartemente, print maker: Jacob Lutma, Johannes Lutma I, Frederik de Wit, 1653

Background imageMinerva Collection: Allegory installation of Ernst Casimir, Count of Nassau, stadtholder of Friesland

Allegory installation of Ernst Casimir, Count of Nassau, stadtholder of Friesland, August 5 1620, Count Ernst Casimir hand over his heart to the province of Friesland virgin

Background imageMinerva Collection: Portrait of King Charles Gustav of Sweden, Pieter Nolpe, Anonymous, 1654 - 1660

Portrait of King Charles Gustav of Sweden, Pieter Nolpe, Anonymous, 1654 - 1660




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"Minerva: The Timeless Symbol of Wisdom and Victory" Step into the ancient world of Greek mythology as we explore the captivating figure of Minerva. Known as Athena in Greek mythology, she was revered as the goddess of wisdom, courage, and strategic warfare. One of her most famous representations is found in the majestic Parthenon in Athens, where a magnificent statue stands tall, embodying her power. Delve deeper into history and you'll discover various depictions throughout time. In 1880, a publication brought to life tales from Olympus with vivid illustrations showcasing this iconic deity's adventures alongside other Greek gods. Beyond mythological realms, Minerva's influence extends to art and architecture. The Library of Congress houses "The Mosaic Minerva - Minerva of Peace, " an exquisite piece that showcases her role as a symbol for harmony and tranquility. Meanwhile, Pallas Athena or "Armoured Figure" immortalizes her strength on canvas through an oil painting created in 1664-65. Minerva's triumph over ignorance is beautifully captured in artworks such as "Minerva Victorious over Ignorance. " This portrayal emphasizes her unwavering commitment to knowledge and enlightenment. Not limited to statues or paintings alone, Minerva's presence can be felt even at sea. HMS Minerva proudly anchored at Stanley Harbour serves as a reminder that her legacy transcends boundaries. Traveling further across continents reveals astonishing remnants from ancient times. A Roman sarcophagus discovered at the Temple in Tebessa, Algeria tells stories etched onto its surface while standing testament to worship dedicated to this revered goddess. Intriguingly enough, even modern-day references pay homage to Minerva's timeless allure. From luxurious train cars like the elegant "Minerva Royal Saloon" to stunning architectural marvels like the Roman Temple at Tebessa rebuilt centuries later – all bear witness to how deeply ingrained Minerva's influence remains.