Ming Dynasty Collection (#3)

China, Hebei Province, Luanping County, Jinshanling, Great Wall of China (UNESCO World Heritage Site), Jinshanling section looking towards Simatai from Ming Dynasty

Qinan Hall, Temple of Heaven, Beijing, China

China, Hebei Province, Luanping County, Jinshanling, Great Wall of China (UNESCO World Heritage Site) from Ming Dynasty

China, Hebei Province, Luanping County, Jinshanling, Great Wall of China (UNESCO World Heritage Site) from Ming Dynasty

China, Hebei Province, Luanping County, Jinshanling, Great Wall of China (UNESCO World Heritage Site) from Ming Dynasty

China, Hebei Province, Luanping County, Jinshanling, Great Wall of China (UNESCO World Heritage Site) from Ming Dynasty

China, Hebei Province, Luanping County, Jinshanling, Great Wall of China (UNESCO World Heritage Site) from Ming Dynasty

China, Hebei Province, Luanping County, Jinshanling, Great Wall of China (UNESCO World Heritage Site) from Ming Dynasty

China, Hebei Province, Luanping County, Jinshanling, Great Wall of China (UNESCO World Heritage Site) from Ming Dynasty

Ming tower at Ming Xiaoling (Ming dynasty tomb and UNESCO World Heritage Site), Zijin Shan, Nanjing, Jiangsu, China

Beihai Park Temple buildings, Beijing, China

Heavenly King Virudhaka, 1368-1644 (hanging scroll, colour on silk)
XOS5888240 Heavenly King Virudhaka, 1368-1644 (hanging scroll, colour on silk) by Chinese School, Ming Dynasty (1368-1644); 243x95 cm; Cleveland Museum of Art, OH, USA; (add.info.: China)

Seated monk, about 1490, (cast iron)
7146865 Seated monk, about 1490, (cast iron) by Chinese School, Ming Dynasty - Hongzhi period (1488-1505); Victoria & Albert Museum, London, UK; (add.info.: Seated monk, about 1490, cast iron)

Landscape in the Style of Ancient Masters: after Gao Shangshu, following Dong Yuan (active... 1642. Creator: Unknown)
Landscape in the Style of Ancient Masters: after Gao Shangshu, following Dong Yuan (active 937-975) and Ju Ran, and later in the style of Mi Fu (1051_-1107), China, Ming dynasty (1368-1644), 1642

Noble Hermit in a Mountain Retreat, late Ming / early Qing dynasty, 17th century. Creator: Chen Ruyan
Noble Hermit in a Mountain Retreat, late Ming/early Qing dynasty, 17th century

Vase in the Form of a Bronze Wine Vessel, with Dragons, Waves, and Trigrams... (1573-1620). Creator: Unknown
Vase in the Form of a Bronze Wine Vessel, with Dragons, Waves, and Trigrams, Ming dynasty (1368-1644), Wanli reign mark and period (1573-1620)

River and Mountain Landscape, Ming dynasty (1368-1644). Creator: Xiang Shengmo
River and Mountain Landscape, Ming dynasty (1368-1644)

Enamel Ewer (duomuhu), Late Ming / early Qing dynasty, 17th century. Creator: Unknown
Enamel Ewer (duomuhu), Late Ming/early Qing dynasty, 17th century

Dish with Dragons Writhing amid Floral Scrolls, Ming dynasty (1368-1644), Zhengde reign (1506-1521). Creator: Unknown
Dish with Dragons Writhing amid Floral Scrolls, Ming dynasty (1368-1644), Zhengde reign mark and period (1506-1521)

Porcelain Tower of Nanjing (engraving)
3042431 Porcelain Tower of Nanjing (engraving) by British School, (19th century); Private Collection; (add.info.: Built in Ming dynasty, 15th century)

Washing the White Elephant, Ming dynasty (1369-1644), late 16th century. Creator: Unknown
Washing the White Elephant, Ming dynasty (1369-1644), late 16th century. After Zhang Sengyao or Qian Xuan

A Hunt in the Mountains of Heaven, Late Ming / early Qing dynasty, 17th century
A Hunt in the Mountains of Heaven, Late Ming /early Qing dynasty, 17th century. Spurious signature of Zhao Mengfu

Calligraphy, probably from the set "The Four Accomplishments", Ming dynasty
Calligraphy, probably from the set " The Four Accomplishments", Ming dynasty (1368-1644), late 16th/early 17th century

Chang E, The Moon Goddess, Yuan or early Ming dynasty, c. 1350/1440. Creator: Unknown
Chang E, The Moon Goddess, Yuan or early Ming dynasty, c. 1350/1440

Painting, from the set "The Four Accomplishments", Ming dynasty (1368-1644)
Painting, from the set " The Four Accomplishments", Ming dynasty (1368-1644), late 16th/17th century

Landscape, late Ming or early Qing dynasty, c. 17th / 18th century
Landscape, late Ming or early Qing dynasty, c. 17th/18th century

Portrait of a Gentleman, Yuan dynasty (1260-1368) or Ming dynasty (1368-1644). Creator: Unknown
Portrait of a Gentleman, Yuan dynasty (1260-1368) or Ming dynasty (1368-1644)

Woman with Female Servant in a Palace Garden, Yuan or early Ming dynasty, late 14th/15th century. Creator: Unknown
Woman with Female Servant in a Palace Garden, Yuan or early Ming dynasty, late 14th/15th century

Water Pavilion by Twin Pines, Yuan or early Ming dynasty, 14th-15th century. Creator: Unknown
Water Pavilion by Twin Pines, Yuan or early Ming dynasty, 14th-15th century. Previously attributed to Guo Xi

Flowering Lotus, Ming dynasty (1368-1644), 1543. Creator: Chen Shun
Flowering Lotus, Ming dynasty (1368-1644), 1543. Attributed to Chen Chun

Planting Fragrant Fungus at the Tiaozhou an, Ming dynasty (1368-1644), 1627 (?). Attributed to Chen Guan

Tripod Incense Holder with Floral Design, Ming dynasty (1368-1644). Creator: Unknown
Tripod Incense Holder with Floral Design, Ming dynasty (1368-1644)

Lobed Basin for Flowerpot, Ming dynasty (1368-1644), 15th century. Creator: Unknown
Lobed Basin for Flowerpot, Ming dynasty (1368-1644), 15th century

Lobed Flowerpot, Ming dynasty (1368-1644), 15th century. Creator: Unknown
Lobed Flowerpot, Ming dynasty (1368-1644), 15th century

Lobed Basin for Flowerpot with Four Cloud-Shaped Feet, Yuan (1271-1368)/Ming dynasty, 14th cent. Creator: Unknown
Lobed Basin for Flowerpot with Four Cloud-Shaped Feet, Yuan (1271-1368)/Ming dynasty (1368-1644), 14th century

Bottle-Shaped Vase with Dragon Handles... Ming dynasty or Qing dynasty, c
Bottle-Shaped Vase with Dragon Handles and Lotus Flowers, Ming dynasty (1368-1644) or Qing dynasty (1644-1911), c. late 17th/18th century

Cup with Peonies, Ming dynasty (1368-1644), Jiajing period (1522-1566). Creator: Unknown
Cup with Peonies, Ming dynasty (1368-1644), Jiajing period (1522-1566)

Bottle-Shaped Vase for Incense Sticks or Flowers, Ming dynasty or Qing dynasty
Bottle-Shaped Vase for Incense Sticks or Flowers, Ming dynasty (1368-1644) or Qing dynasty (1644-1911), c. late 17th/18th century

Jar with Paired Dragons Chasing Flaming Pearls amid Stylized Clouds, Ming dynasty (1368-1644), Jiajing reign mark and period (1522-1566)

Daoist God Zhenwu (Perfected Warrior), Supreme Emperor of the Dark Heaven, Ming dynasty (1368-1644), Zhengtong period (1435-1449), dated 1439

Elongated Bottle-Vase (Meiping) with a Scholar-Gentleman and Attendant, Ming dynasty (1368-1644), 15th century

Censer with Dragons amid Stylized Clouds, Ming dynasty (1368-1644), Jiajing reign mark and period (1522-1566)

Trumpet-Mouthed Flowerpot, Ming dynasty (1368-1644), 15th century. Creator: Unknown
Trumpet-Mouthed Flowerpot, Ming dynasty (1368-1644), 15th century

Rectangular Vessel with Truncated Neck, Ming dynasty (1368-1644), 16th century

Miniature Water Bucket with Birds by Lotus Flowers, Ming dynasty (1368-1644), Xuande reign mark and period (1425-1435)

Bowl with Dragons Chasing a Flaming Pearl, Ming dynasty (1368-1644), Zhengde reign mark and period (1506-1521)

Dish with Fish Swimming in Lotus Pond, Ming dynasty (1368-1644), Wanli reign (1573-1620)
Dish with Fish Swimming in Lotus Pond, Ming dynasty (1368-1644), Wanli reign mark and period (1573-1620)

Jar with Peacocks, Garden Rock, and Foliage, Ming dynasty, mark and period of Jiajing (1522-66)

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The Ming Dynasty, a period of Chinese history that spanned from 1368 to 1644, was characterized by its rich cultural and artistic achievements. The Selden Map of China, created by a Chinese master, provides us with valuable insights into the maritime trade routes during this era. Meanwhile, the Great Wall of China stands tall as a UNESCO World Heritage Site, reminding us of the architectural prowess and defensive strategies employed during the Ming Dynasty. Artistic expressions flourished during this time as well. Guanyin as the Nine-Lotus Bodhisattva is an exquisite sculpture dating back to 1593. Its creator remains unknown but their skill in capturing spiritual beauty is evident. Similarly, The Eight Hosts of Deva, Naga, and Yakshi showcases intricate craftsmanship from 1454. In Beijing's Temple of Heaven lies a Chinese urn that serves as a testament to Ming-era design aesthetics. It stands proudly against the backdrop of one of China's most iconic landmarks. Paintings also played an essential role in Ming Dynasty artistry. Dai Jin's masterpiece "The Hermit Xu You Resting by a Stream" captures serene tranquility amidst nature's beauty while Yin Hong's "Birds Gather under the Spring Willow" evokes feelings of joy and harmony. Not limited to visual arts alone, Abraham Hendricksz van Beijeren's "Banquet Still Life" portrays lavish feasts enjoyed during this prosperous period. As we explore further into this era’s legacy, we encounter historical remnants such as watchtowers on ancient city walls in Xi'an and depictions like Heavenly King Virudhaka hanging scroll or cast iron sculptures like Seated Monk from around 1490. Finally, Peony Hanging Scroll demonstrates how delicate brushstrokes brought flowers to life on paper in 1532—a testament to both artistic talent and appreciation for natural beauty prevalent throughout the Ming Dynasty.