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Miserly Collection

"The Scotsman who had his money's worth: A tale of a miserly man and his frugal ways

Background imageMiserly Collection: The Scotsman who had his moneys worth

The Scotsman who had his moneys worth
Humorous illustration by H. M. Bateman showing a rotund and satisfied Scottish man sitting at a restaurant table, having managed to eat everything on the set price lunch menu while a waiter removes a

Background imageMiserly Collection: An Old Man Counting his Money;An Old Miser Counting his Money, 1635

An Old Man Counting his Money;An Old Miser Counting his Money, 1635. Creators: Salomon Koninck, Adriaen Verdoel
An Old Man Counting his Money;An Old Miser Counting his Money, 1635

Background imageMiserly Collection: Victorian satirical cartoon, The Miser and the Dandy

Victorian satirical cartoon, The Miser and the Dandy
Vintage engraving of a victorian satirical cartoon, 19th Century. The Satires of Cynicus. The Miser and the Dandy

Background imageMiserly Collection: Allegoric Capricho, 1852, by Eugenio Lucas Velazquez

Allegoric Capricho, 1852, by Eugenio Lucas Velazquez
Eugenio Lucas Velazquez (1817-1870). Spanish painter. Allegoric Capricho, 1852. Lazaro Galdiano Museum. Madrid. Spain

Background imageMiserly Collection: A postman wishes a Merry Christmas to a Miserly Old Man

A postman wishes a Merry Christmas to a Miserly Old Man! Date: circa 1910s

Background imageMiserly Collection: Costume preparatoire, le baron avare, pour la piece de theatre 'Le chevalier avare'de Alexandre

Costume preparatoire, le baron avare, pour la piece de theatre "Le chevalier avare"de Alexandre Pouchkine
FIA5356357 Costume preparatoire, le baron avare, pour la piece de theatre " Le chevalier avare" de Alexandre Pouchkine (1799-1837)

Background imageMiserly Collection: Les comptes familiaux (The Family Accounts). Peinture de Nikolai Vasilyevich Nevrev (1830-1904)

Les comptes familiaux (The Family Accounts). Peinture de Nikolai Vasilyevich Nevrev (1830-1904), huile sur toile, 1888
FIA5371510 Les comptes familiaux (The Family Accounts). Peinture de Nikolai Vasilyevich Nevrev (1830-1904), huile sur toile, 1888. Art russe 19e siecle. State Tretyakov Gallery, Moscou

Background imageMiserly Collection: Scrooge Regarding the Poor, illustration to A Christmas Carol (1843) by Charles Dickens (1812-70)

Scrooge Regarding the Poor, illustration to A Christmas Carol (1843) by Charles Dickens (1812-70) (colour litho)
DHM139124 Scrooge Regarding the Poor, illustration to A Christmas Carol (1843) by Charles Dickens (1812-70) (colour litho) by Appleton, Honor Charlotte (1879-1951); Charles Dickens Museum, London

Background imageMiserly Collection: The Money Changers (oil on panel)

The Money Changers (oil on panel)
6335000 The Money Changers (oil on panel) by Stap, Jan Woutersz (1599-1663); 120x90 cm; Private Collection; Photo © Christies Images

Background imageMiserly Collection: Le marchand (vieil homme avec de l argent et un boulier). Peinture de Boris Michaylovich Kustodiev

Le marchand (vieil homme avec de l argent et un boulier). Peinture de Boris Michaylovich Kustodiev (Koustodiev)
FIA5379872 Le marchand (vieil homme avec de l argent et un boulier). Peinture de Boris Michaylovich Kustodiev (Koustodiev) (1878-1927), huile sur toile, 1918. Art russe, 20e siecle. I

Background imageMiserly Collection: Les collecteurs d impot. (The Tax Collectors) Peinture de Quentin Metsys (ou Quinten Matsys)

Les collecteurs d impot. (The Tax Collectors) Peinture de Quentin Metsys (ou Quinten Matsys) (1466-1530)
FIA5381275 Les collecteurs d impot. (The Tax Collectors) Peinture de Quentin Metsys (ou Quinten Matsys) (1466-1530), huile sur bois, vers 1520. Art primitif flamand, 16e siecle

Background imageMiserly Collection: La reprimande (The Scolding). Un couple age dans son interieur

La reprimande (The Scolding). Un couple age dans son interieur, la femme fait des reproches a son mari
FIA5336247 La reprimande (The Scolding). Un couple age dans son interieur, la femme fait des reproches a son mari, en lui montrant son porte monnaie

Background imageMiserly Collection: Purgatorio, Canto 19 : The souls of the avaricious: Adrian V (pape Adrien V

Purgatorio, Canto 19 : The souls of the avaricious: Adrian V (pape Adrien V
GIA745650 Purgatorio, Canto 19 : The souls of the avaricious: Adrian V (pape Adrien V) speaks to Dante, illustration from The Divine Comedy by Dante Alighieri

Background imageMiserly Collection: Temeprance enjoying a Frugal Meal, pub. 1792 (hand coloured engraving)

Temeprance enjoying a Frugal Meal, pub. 1792 (hand coloured engraving)
3025381 Temeprance enjoying a Frugal Meal, pub. 1792 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info)

Background imageMiserly Collection: Inferno, Canto 7 : The souls of the avaricious and the prodigal forced to roll heavy

Inferno, Canto 7 : The souls of the avaricious and the prodigal forced to roll heavy
GIA745737 Inferno, Canto 7 : The souls of the avaricious and the prodigal forced to roll heavy stones, illustration from The Divine Comedy by Dante Alighieri

Background imageMiserly Collection: Would you like to go halves in that? (chromolitho)

Would you like to go halves in that? (chromolitho)
731522 Would you like to go halves in that? (chromolitho) by English School, (19th century); Private Collection; (add.info.: Would you like to go halves in that?)

Background imageMiserly Collection: 'Allegorie de la prosperite'(The Prosperity

"Allegorie de la prosperite"(The Prosperity
FIA5397989 " Allegorie de la prosperite" (The Prosperity) Peinture de Domenico Tintoretto dit le Tintoret (1560-1635) Fin 16eme siecle Dim 207x140 cm Museo del Prado, Madrid by Tintoretto

Background imageMiserly Collection: Purgatorio, Canto 20 : The souls of the avaricious, illustration from

Purgatorio, Canto 20 : The souls of the avaricious, illustration from
GIA745645 Purgatorio, Canto 20 : The souls of the avaricious, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Background imageMiserly Collection: Sketch to illustrate the Passions - Avarice, 1854 (pencil

Sketch to illustrate the Passions - Avarice, 1854 (pencil
CH401744 Sketch to illustrate the Passions - Avarice, 1854 (pencil, pen & grey ink and w/c on paper) by Dadd, Richard (1817-86); 36.8x25.7 cm; Private Collection; Photo eChristies Images; English

Background imageMiserly Collection: Avarice in the Kitchen, from a series of prints depicting the Seven Deadly Sins, c

Avarice in the Kitchen, from a series of prints depicting the Seven Deadly Sins, c
STC227387 Avarice in the Kitchen, from a series of prints depicting the Seven Deadly Sins, c.1850 (colour litho) by Boilly

Background imageMiserly Collection: Moses descends from Mount Siniai with the Ten Commandments par Bol, Ferdinand (1616-1680)

Moses descends from Mount Siniai with the Ten Commandments par Bol, Ferdinand (1616-1680)
FIA5404829 Moses descends from Mount Siniai with the Ten Commandments par Bol, Ferdinand (1616-1680). Oil on canvas, size : 423x284, 1662, Koninklijk Paleis Amsterdam by Bol

Background imageMiserly Collection: The Usurers (The Money Lenders), c. 1540-60

The Usurers (The Money Lenders), c. 1540-60
LRI4612621 The Usurers (The Money Lenders), c.1540-60 by Reymerswaele, Marinus van (c.1490-c.1567); Museo Stibbert, Florence, Italy; (add.info.: after Massys); Luisa Ricciarini; Netherlandish

Background imageMiserly Collection: Rich Man. Creator: Hans Holbein the Younger

Rich Man. Creator: Hans Holbein the Younger
Rich Man

Background imageMiserly Collection: Mans hand clutching wad of dollar bills

Mans hand clutching wad of dollar bills
UNITED STATES - CIRCA 1960s: Mans hand clutching wad of dollar bills

Background imageMiserly Collection: The Miser, from the Dance of Death, 1651. Creator: Wenceslaus Hollar

The Miser, from the Dance of Death, 1651. Creator: Wenceslaus Hollar
The Miser, from the Dance of Death, 1651

Background imageMiserly Collection: Compassion (Le Brun Travested, or Caricatures of the Passions), January 21, 1800

Compassion (Le Brun Travested, or Caricatures of the Passions), January 21, 1800

Background imageMiserly Collection: Temperance Enjoying a Frugal Meal, July 28, 1792. Creator: James Gillray

Temperance Enjoying a Frugal Meal, July 28, 1792. Creator: James Gillray
Temperance Enjoying a Frugal Meal, July 28, 1792

Background imageMiserly Collection: Plate 30 from Los Caprichos : Why hide them? (Porque esconderlos?), 1799

Plate 30 from Los Caprichos : Why hide them? (Porque esconderlos?), 1799

Background imageMiserly Collection: A Miser and his Mate

A Miser and his Mate
LAVARICE A miser and his mate Date: 1824

Background imageMiserly Collection: Apparitions: Scrooge and the ghost of Jacob Marley

Apparitions: Scrooge and the ghost of Jacob Marley
The miserly Scrooge is visited by the ghost of his former business colleague Marley. Date: 1835

Background imageMiserly Collection: Avaricious Lovers, August 1, 1797. August 1, 1797. Creator: Thomas Rowlandson

Avaricious Lovers, August 1, 1797. August 1, 1797. Creator: Thomas Rowlandson
Avaricious Lovers, August 1, 1797

Background imageMiserly Collection: Der Geizhals, mid-late 19th century, (c1924). Creator: Carl Spitzweg

Der Geizhals, mid-late 19th century, (c1924). Creator: Carl Spitzweg
Der Geizhals, mid-late 19th century, (c1924). The miser. A woman holding a child begs at a window, while a man sitting on a trunk counts his money

Background imageMiserly Collection: Victorian satirical cartoon Fond of Change

Victorian satirical cartoon Fond of Change
Vintage engraving of a victorian satirical cartoon, 19th Century. The Satires of Cynicus. Miser Fond of Change

Background imageMiserly Collection: If Only We Spoke the Truth by Bruce Bairnsfather

If Only We Spoke the Truth by Bruce Bairnsfather
A disgruntled gentleman in evening dress thinks aloud, I wish you drank something cheaper, while glowering at his female companion who looks somewhat worse for wear due to all the champagne shes

Background imageMiserly Collection: Madame Vauquer, illustration from Le Pere Goriot by Honore de Balzac (1799-1850)

Madame Vauquer, illustration from Le Pere Goriot by Honore de Balzac (1799-1850)
XIR239743 Madame Vauquer, illustration from Le Pere Goriot by Honore de Balzac (1799-1850) (engraving) (b/w photo) by Bertall, Charles Albert d Arnoux (1820-82) (after); Bibliotheque Nationale

Background imageMiserly Collection: Occupations 1882 - The Miser

Occupations 1882 - The Miser. 1882

Background imageMiserly Collection: Caricature of the actor Shiel Barry

Caricature of the actor Shiel Barry in the role of Gaspard, a miserly old farmer, in the operetta The Chimes of Normandy. circa 1878

Background imageMiserly Collection: Australian pitcher plant (Cephalotus follicularis)

Australian pitcher plant (Cephalotus follicularis)
Illustration of a Australian pitcher plant (Cephalotus follicularis)

Background imageMiserly Collection: Of ryches unprofytable, illustration from Alexander Barclays English translation

Of ryches unprofytable, illustration from Alexander Barclays English translation
XJF486409 Of ryches unprofytable, illustration from Alexander Barclays English translation of The Ship of Fools, from an edition published in 1874 (engraving) by German School

Background imageMiserly Collection: Daniel Dancer (engraving)

Daniel Dancer (engraving)
XJF438413 Daniel Dancer (engraving) by English School, (19th century); Private Collection; (add.info.: Daniel Dancer (b.1716) notorious English miser; ); English, out of copyright

Background imageMiserly Collection: John Elwes Esq. (engraving)

John Elwes Esq. (engraving)
XJF438409 John Elwes Esq. (engraving) by English School, (19th century); Private Collection; (add.info.: John Elwes (1714-89) English politician

Background imageMiserly Collection: The Old Usurer, 1638 (oil on canvas)

The Old Usurer, 1638 (oil on canvas)
XIR392285 The Old Usurer, 1638 (oil on canvas) by Ribera, Jusepe de (c.1590-1652); 76 x 62 cm; Prado, Madrid, Spain; (add.info)

Background imageMiserly Collection: Avarice (oil on canvas)

Avarice (oil on canvas)
XIR239917 Avarice (oil on canvas) by Stomer, (Stom) Matthias (c.1600-p.1650); Musee des Beaux-Arts, Chambery, Savoie, Rhone-Alpes, France; (add.info.: one of the seven deadly sins; ); Dutch

Background imageMiserly Collection: The Miser (oil on canvas)

The Miser (oil on canvas)
XIR179449 The Miser (oil on canvas) by Le Prince, Jean-Baptiste (1734-81); Private Collection; French, out of copyright

Background imageMiserly Collection: Death and Miser, c. 1485-90 (oil on panel)

Death and Miser, c. 1485-90 (oil on panel)
XOS1765993 Death and Miser, c.1485-90 (oil on panel) by Bosch, Hieronymus (c.1450-1516); 93x31 cm; National Gallery of Art, Washington DC, USA; Netherlandish, out of copyright

Background imageMiserly Collection: David and Abigail, Nicolaes de Bruyn, 1608

David and Abigail, Nicolaes de Bruyn, 1608

Background imageMiserly Collection: David and Abigail, Nicolaes de Bruyn, Francoys van Beusekom, 1608

David and Abigail, Nicolaes de Bruyn, Francoys van Beusekom, 1608

Background imageMiserly Collection: The Thenardier, illustration from Les Miserables by Victor Hugo (1802-85) 1862

The Thenardier, illustration from Les Miserables by Victor Hugo (1802-85) 1862
XIR213005 The Thenardier, illustration from Les Miserables by Victor Hugo (1802-85) 1862 (litho) (b/w photo) by Brion, Gustave (1824-77); Private Collection; French, out of copyright




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"The Scotsman who had his money's worth: A tale of a miserly man and his frugal ways. " Step into the world of Eugenio Lucas Velazquez's allegoric Capricho, 1852, where a miserly old man is depicted surrounded by his precious wealth. In a Victorian satirical cartoon titled "The Miser and the Dandy, " we witness the clash between extravagance and stinginess, as these two characters embody contrasting lifestyles. Costume preparatoire for Alexandre Pouchkine's play "Le chevalier avare" showcases the character of Baron Avare, highlighting the theme of greed in this theatrical masterpiece. Nikolai Vasilyevich Nevrev's painting "Les comptes familiaux (The Family Accounts)" takes us back to 19th-century Russia, shedding light on how financial matters were managed within households. The portrayal of meticulous bookkeeping reflects an air of miserliness. Charles Dickens' iconic novel "A Christmas Carol" introduces us to Ebenezer Scrooge, whose disdain for charity and generosity towards the poor epitomizes extreme miserliness. This illustration captures Scrooge regarding the poor with indifference during Christmas time. "The Money Changers, " an oil painting depicting individuals engaged in financial transactions, reminds us that even in ancient times, there were those driven solely by monetary gain - their actions reflecting avarice rather than compassion or empathy. Boris Michaylovich Kustodiev's painting "Le marchand" portrays an elderly man clutching both money and an abacus. This image symbolizes not only wealth but also hints at a certain level of stinginess associated with counting every penny meticulously. Quentin Metsys' artwork titled "Les collecteurs d'impot (The Tax Collectors)" transports us to 16th-century Flanders. Here we see tax collectors interacting with citizens who are reluctant to part with their hard-earned money, showcasing the theme of miserliness in society.