Missal Collection (#4)

Initial. Missal
Missal.s Initial detail. Holy Spirit. Latin. Codex 9. 1524. Printing Rosenbach (Barcelona, Spain). Chapter Archive of Tortosa. Catalonia. Spain

Wurzburg Missal, 1470 - 2
Part of a page from the Wurzburg Missal, 1470, one of the earliest printed books Date: 1470

Wurzburg Missal, 1470 - 1
Part of a page from the Wurzburg Missal, 1470, one of the earliest printed books Date: 1470

Henry II, Holy Roman Emperor, and wife Cunigunde.. Chromolithograph from Jakob Heinrich von Hefner-Altenecks Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889

Missal with scene of the Crucifixion. School of Avignon (1409). Gothic art. Miniature Painting. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. National Library

Abbot Blessed Balsamus, 13th c Abbey of Cava
The Blessed Balsamus of Cava, abbot from 1208 to 1232, receives a manuscript of a Benedictine monk of Bari. Roman missal. Gothic art. Miniature Painting. ITALY. CAMPANIA. SALERNO. Cava de Tirreni

St. Dunstan, from a Saxon Missal

The Mass of Saint Gregory the Great and the apparition of Jesus Christ as The Man of Sorrows
KW478242 The Mass of Saint Gregory the Great and the apparition of Jesus Christ as The Man of Sorrows, from Military and Religious Life in the Middle Ages by Paul Lacroix

The Crucifixion from the Collegium Ducale missal, c. 1420-30 (tempera colours, gold leaf
XOS1765295 The Crucifixion from the Collegium Ducale missal, c.1420-30 (tempera colours, gold leaf, and ink on parchment) by Master of the Kremnitz Stadtbuch (fl.1420s); 41.9x31 cm; J

INITIAL A : SAINT GREGORY. Initial A with Saint Gregory (Pope Gregory I). Manuscript illumination from an Austrian missal, c1260

SAINTS PETER AND PAUL. St. Peter and St. Paul in an initial E. Illumination from an English Latin Missal, early 14th century

PRIESTS CELEBRATING MASS. Illumination from Italian missal, 14th century

Missal with silver cover with roundels showing the Lamb of God. Liturgical book with text for celebration of Mass through the year. 17th century

God the Father, 1545. God enthroned, hand raised in blessing. At the corners are the symbols of the four Evangelists: Angel of St Matthew, Lion of St Mark, Eagle of St John, and Ox of St Luke

Jewish family observing Passover. After miniature from 15th century missal

Leaf of Antiphonal or Choir Missal on vellum. Notation is on the five-line stave as used today. Text is in Latin. Spain, c1650. Music Vocal Religion Christian

Missal of Sant Cugat del Vall鳮Miniature painting
Missal of Sant Cugat del Vall鳮 Miniature painting (circa 1402), supposedly made by Joan Melec, from Avignons school. Capital letters. Saint Peter is released in Jerusalem by an angel

Missal. Depiction of the Majesty (Maiestas). School of Avignon. Gothic art. Miniature Painting

Missal. 1409. Representation of the Crucifixion. School of Avignon. Gothic art. Miniature Painting. SPAIN. Madrid. National Library

Wurzburg Missal 1470
Five lines of print from the Wurzburg Missal, one of the earliest printed books. Date: 1470

Two Germans 1475
The young man with plumed cap and cape over one shoulder eyes the lady, but she is off to mass, missal in hand... Date: circa 1475

SALISBURY MISSAL, 1555. Gloria in Excelsis Deo. Detail from a page of the Salisbury Missal, printed in Paris, 1555

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"Exploring the Rich History and Beauty of Missals: From Princess Elizabeth to Sacred Fragments" Intriguing glimpses into history await as we delve into the captivating world of missals. One such enchanting figure is Princess Elizabeth, later Queen, who graced the pages of a missal dating back to c1547. This exquisite engraving from 1902 showcases her regal presence and hints at the significance these liturgical books held in royal circles. Another remarkable artifact is an Isabella of Portugal engraving from 1503-1539, adorned with vibrant colors that bring her image to life. It serves as a testament to the artistic mastery employed in creating these precious manuscripts. A thought-provoking depiction emerges through a monk with a skull, etched onto one page. This haunting image reminds us of mortality's ever-present shadow and adds depth to our exploration of missals' content. The Missal Vetus Oxemense offers a drop cap portraying The Pentecost, capturing the essence of this sacred event within its delicate artwork. Its origins date back centuries, showcasing how missals have been cherished throughout time for their religious significance. Sacramentary (Incunable Fragment), Noted Missal (Fragment), Liturgical Text (Fragment) - each fragment whispers tales from bygone eras when these texts were meticulously crafted by devoted scribes. These fragments provide valuable insights into liturgical practices and serve as tangible links connecting us with our spiritual heritage. Amongst them lies an extraordinary find - a Missal belonging to St. Eulalia created in 1403 by Rafael himself. This masterpiece exemplifies both artistry and devotion intertwined within its pages; it stands as an enduring tribute to faith's power throughout history. An initial found within another Missal captivates our attention with intricate details that draw us closer towards understanding its profound symbolism. Each stroke tells stories untold yet waiting to be discovered.