Modern Masterpieces Collection (#2)

Birdcages, 1907 (1935). Artist: Harrington Mann
Birdcages, 1907 (1935). After the painting by Harrington Mann. From Modern Masterpieces Part 23. [George Newnes Ltd, London, 1935]

Hill and Dale, c1900 (1935). Artist: Mark Fisher
Hill and Dale, c1900 (1935). After the painting by Mark Fisher, R.A. From Modern Masterpieces Part 23. [George Newnes Ltd, London, 1935]

Bank Holiday, 1912 (1935). Artist: William Strang
Bank Holiday, 1912 (1935). After the painting by William Strang, R.A. From Modern Masterpieces Part 23. [George Newnes Ltd, London, 1935]

H. M. Queen Mary, 1910 (1935). Artist: Sir William Llewellyn
H.M. Queen Mary, 1910 (1935). After the painting by Sir William Llewellyn, P.R.A. From Modern Masterpieces Part 20. [George Newnes Ltd, London, 1935]

The Man With The Scythe, 1935. Artist: Henry Herbert la Thangue
The Man With The Scythe, c1896 (1935). After the painting by H. H. La Thangue, R.A. From Modern Masterpieces Part 21. [George Newnes Ltd, London, 1935]

There Was No Room At The Inn, 1935. Artist: Edward Stott
There Was No Room At The Inn, 1935. After the painting by Edward Stott, A.R.A. From Modern Masterpieces Part 19. [George Newnes Ltd, London, 1935]

Leeds Market, c1913 (1935). Artist: Harold Gilman
Leeds Market, c1913 (1935). After the painting by Harold Gilman. From Modern Masterpieces Part 19. [George Newnes Ltd, London, 1935]

The Countess of Rocksavage and Her Son, 1922 (1935). Artist: Charles Sims
The Countess of Rocksavage and Her Son, c1922 (1935). After the painting by Charles Sims, R.A. From Modern Masterpieces Part 19. [George Newnes Ltd, London, 1935]

The End of the Chapter, 1911 (1935). Artist: Philip Wilson Steer
The End of the Chapter, 1911 (1935). After the painting by P. Wilson Steer, O.M. From Modern Masterpieces Part 14. [George Newnes Ltd, London, 1935]

The Signing of Peace in the Hall of Mirrors, Versailles, 28th June 1919, 1919 (1935) Artist
The Signing of Peace in the Hall of Mirrors, Versailles, 28th June 1919, 1919 (1935). After the painting by Sir William Orpen, K.B.E. R.A. From Modern Masterpieces Part 18

A Hot Day On The Lower Icknield Way, 1935. Artist: Alexander Jamieson
A Hot Day On The Lower Icknield Way, 1935. After the painting by Alexander Jamieson. From Modern Masterpieces Part 14. [George Newnes Ltd, London, 1935]

The Artists Mother, 1935. Artist: Ambrose McEvoy
The Artists Mother, 1935. After the painting by Ambrose McEvoy, A.R.A. From Modern Masterpieces Part 14. [George Newnes Ltd, London, 1935]

Christine Nilsson, 1874 (1935). Artist: Jean-Baptiste-Camille Corot
Christine Nilsson, 1874 (1935). After the painting by J. B. C. Corot. From Modern Masterpieces Part 13. [George Newnes Ltd, London, 1935]

Portrait of the Artist, 1932 (1935). Artist: Frederick Brown
Portrait of the Artist, 1932 (1935). Self portrait after the painting by Professor Frederick Brown. 1935. From Modern Masterpieces Part 13. [George Newnes Ltd, London, 1935]

Portrait of the Artist, c1912 (1935). Artist: Ambrose McEvoy
Portrait of the Artist, c1912 (1935). Self portrait after the drawing by Ambrose McEvoy, A.R.A. From Modern Masterpieces Part 12. [George Newnes Ltd, London, 1935]

Lady Orpen and Child, 1935. Artist: William Newenham Montague Orpen
Lady Orpen and Child, 1935. From Modern Masterpieces Part 1. [George Newnes Ltd, London, 1935.]

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"Modern Masterpieces: A Glimpse into the Timeless Beauty of Art" Step into a world where creativity knows no bounds, as we explore a collection that have captivated art enthusiasts for decades. From the vibrant streets of Montparnasse to the tranquil landscapes of Savernake Forest, each artwork tells its own unique story and leaves an indelible mark on our hearts. In "A Studio in Montparnasse, " CRW Nevinson transports us back to 1926, offering a glimpse into the bustling artistic hub that was Paris. The vivid strokes and dynamic composition capture the energy and passion that permeated this era. Walter Richard Sickert's "Ennui" evokes a sense of melancholy with its muted tones and introspective subject. It serves as a poignant reminder of the human condition, showcasing Sickert's ability to convey complex emotions through his brushstrokes. Giovanni Segantini's "The Punishment of Luxury" takes us on a journey through time, bridging the gap between 1891 and 1935. This thought-provoking piece challenges societal norms by juxtaposing opulence with suffering, forcing viewers to question their values. Paul Nash invites us into his ethereal realm with "Savernake Forest. " The mystical atmosphere created by Nash's delicate touch transports us deep within nature's embrace, inviting contemplation and reflection upon our place in the world. "The Girl with the Tattered Glove" by William Nicholson captures both vulnerability and strength in one exquisite portrait. Through meticulous attention to detail, Nicholson immortalizes fleeting moments while leaving room for interpretation. George Clausen's "Ploughing" pays homage to rural life, depicting farmers working tirelessly against nature’s backdrop. His skillful use of light breathes life into every stroke, making it impossible not to feel connected to these unsung heroes who shape our land.