Mogol Collection

Dara Shikoh (1615-1659)
3618213 Dara Shikoh (1615-1659) by Unknown Artist, (19th century); (add.info.: Dara Shikoh (1615-1659). Elder son of the Mogol emperor Sha Yajan and his wife Mumtaz Mahal

Ruines des jardins du grand Mogol (engraving)
5989635 Ruines des jardins du grand Mogol (engraving) by European School, (19th century); Private Collection; (add.info.: Ruines des jardins du grand Mogol)

Genghis Khan (c. 1162-1227) from Receuil des Estampes
STC188396 Genghis Khan (c.1162-1227) from Receuil des Estampes, representant les Rangs et les Dignites, suivant le Costume de toutes les Nations existantes

The actor Lekain as Genghis Khan, in L Orphelin de La Chine by Voltaire
XIR414553 The actor Lekain as Genghis Khan, in L Orphelin de La Chine by Voltaire (1694-1778) 1765 (engraving) by Castelle, M.F.A

Ms E-14 Humayun (1508-56) and Akbar (1542-1605) with a vizier, from a Moraqqa (gouache
XIR195536 Ms E-14 Humayun (1508-56) and Akbar (1542-1605) with a vizier, from a Moraqqa (gouache on paper) by Indian School, (17th century); Institute of Oriental Studies, St

The Reception for the Ambassador of the Grand Moghul at the Court of the Shah Tahmasp
XIR159107 The Reception for the Ambassador of the Grand Moghul at the Court of the Shah Tahmasp, detail of the king (fresco) by Islamic School, (16th century); Chehel Sotun, or The 40 Columns

Akbar (1556-1605) from an album of portraits of Mughal Emperors at Delhi, 1774 (gouache
XIR159075 Akbar (1556-1605) from an album of portraits of Mughal Emperors at Delhi, 1774 (gouache on paper) by Indian School, (18th century); Bibliotheque Nationale, Paris, France; Indian

The Court Welcoming Emperor Jahangir (Shah Salim) (1569-1627) (gouache on paper)
XIR155570 The Court Welcoming Emperor Jahangir (Shah Salim) (1569-1627) (gouache on paper) by Mughal School, (17th century); Institute of Oriental Studies, St

Detail of the musicians, from The Reception for the Ambassador of the Grand Moghul
XIR154122 Detail of the musicians, from The Reception for the Ambassador of the Grand Moghul at the Court of the Shah Tahmasp (fresco) by Islamic School, (16th century); Chehel Sotun

Tamerlane (1336-1404) from an album of portraits of Moghul emperors, 1774 (gouache
XIR158271 Tamerlane (1336-1404) from an album of portraits of Moghul emperors, 1774 (gouache on paper) by Indian School, (18th century); Bibliotheque Nationale, Paris, France; Indian, out of copyright

Shah Jahan I / Bertrand
SHAH JAHAN I Le Grand Mogol, ou l Empereur d Indostan Mughal emperor from 1628 to 1658

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"Mogol: A Glimpse into the Magnificent Mughal Empire" Step back in time and immerse yourself in the captivating world of Mogol, a name that evokes grandeur, power, and cultural opulence. From Dara Shikoh to Shah Jahan I, this caption takes you on a journey through the rich history of the Mughal dynasty. Dara Shikoh (1615-1659), an enlightened prince known for his passion for art and spirituality, embodied the essence of Mogol's intellectual pursuits. His patronage nurtured a flourishing artistic scene that produced masterpieces like "Ruines des jardins du grand Mogol, " an enchanting engraving capturing the beauty of Mughal gardens. Genghis Khan (c. 1162-1227), though not directly associated with Mogol, left an indelible mark on history as one of its inspirations. The Receuil des Estampes showcases his iconic image alongside other influential figures who shaped this empire's destiny. Even renowned playwright Voltaire couldn't resist delving into Mogol's allure when he penned "L'Orphelin de La Chine. " In this play, actor Lekain mesmerized audiences with his portrayal of Genghis Khan - a testament to how far-reaching and captivating their stories were. Ms E-14 Humayun (1508-56) and Akbar (1542-1605) grace us with their presence in a stunning gouache painting from a Moraqqa. This artwork depicts these two great emperors alongside their vizier, showcasing both their regality and wisdom. The Reception for the Ambassador of the Grand Moghul at the Court of Shah Tahmasp exemplifies diplomatic relations between different realms during this era. It portrays elaborate ceremonies where cultures converged harmoniously under royal patronage.