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Monster Collection (#91)

"Unveiling the Legends: Exploring the Monstrous Marvels of Myth and Cinema" An infamous image of the Loch Ness Monster emerges from the depths

Background imageMonster Collection: Sri Meenakshi temple, Madurai, Tamil Nadu, India, Asia

Sri Meenakshi temple, Madurai, Tamil Nadu, India, Asia

Background imageMonster Collection: CHINESE MYTHOLOGY: PHOENIX. Chinese phoenix, symbol of peace and prosperity. Line engraving

CHINESE MYTHOLOGY: PHOENIX. Chinese phoenix, symbol of peace and prosperity. Line engraving

Background imageMonster Collection: LONDON: STREET MUSIC, 1846. London Steet Music: the monster organ. Wood engraving, English, 1846

LONDON: STREET MUSIC, 1846. London Steet Music: the monster organ. Wood engraving, English, 1846

Background imageMonster Collection: PHINEUS AND BOREADS. Phineus, King of Thrace, rescued from the Harpies by the Boreads

PHINEUS AND BOREADS. Phineus, King of Thrace, rescued from the Harpies by the Boreads, Calais and Zetes, in the course of their journey with Jason and the Argonauts

Background imageMonster Collection: THE PRINCE OF DARKNESS. Engraving after a miniature of the Holy Grail, a 15th century manuscript

THE PRINCE OF DARKNESS. Engraving after a miniature of the Holy Grail, a 15th century manuscript

Background imageMonster Collection: HERCULES. The combat between Hercules and the Hydra. Line engraving, French, late 18th century

HERCULES. The combat between Hercules and the Hydra. Line engraving, French, late 18th century

Background imageMonster Collection: RABELAIS: PANTAGRUEL. Panurges fear of death at sea (IV, 20). Wood engraving after Gustave Dor

RABELAIS: PANTAGRUEL. Panurges fear of death at sea (IV, 20). Wood engraving after Gustave Dor

Background imageMonster Collection: RABELAIS: PANTAGRUEL. Friar Jean mocks Panurge, who lost his courage during the storm (IV, 19)

RABELAIS: PANTAGRUEL. Friar Jean mocks Panurge, who lost his courage during the storm (IV, 19). Wood engraving after Gustave Dor

Background imageMonster Collection: HOGARTH: HUDIBRAS, 1726. Frontispiece. Steel engraving, c1860, after the original engraving, 1726

HOGARTH: HUDIBRAS, 1726. Frontispiece. Steel engraving, c1860, after the original engraving, 1726, by William Hogarth

Background imageMonster Collection: BABYLONIAN SPHINX. After an antique stone carving at the Nimrud Palace, Nineveh

BABYLONIAN SPHINX. After an antique stone carving at the Nimrud Palace, Nineveh

Background imageMonster Collection: HANS von GRIMMELSHAUSEN (1622?-1676). Hans Jacob Cristoph von Grimmelshausen. German writer

HANS von GRIMMELSHAUSEN (1622?-1676). Hans Jacob Cristoph von Grimmelshausen. German writer. Title-page from the 1670 edition of Simplicissimus. Copper engraving

Background imageMonster Collection: DANTE: INFERNO. Then my guide, his palms; Expanding on the ground

DANTE: INFERNO. Then my guide, his palms; Expanding on the ground, thence fill d with earth; Raised them, and cast it in his ravenous maw. Wood engraving, 1861, after Gustave Dore

Background imageMonster Collection: FRONTIERSMAN CARICATURE. A Portrait of a distinguished Mississippian. Caricature engraving, c1840

FRONTIERSMAN CARICATURE. A Portrait of a distinguished Mississippian. Caricature engraving, c1840, of the frontiersman as half-horse, half-alligator

Background imageMonster Collection: KEPPLER: SURPLUS CARTOON. Cartoon by Joseph Keppler showing the monster financial surplus crowding

KEPPLER: SURPLUS CARTOON. Cartoon by Joseph Keppler showing the monster financial surplus crowding the hall of Congress in December 1887

Background imageMonster Collection: HOMER: THE ODYSSEY. Ulysses and his crew putting out the eye of the Cyclops

HOMER: THE ODYSSEY. Ulysses and his crew putting out the eye of the Cyclops. Wood engraving, French, 19th century

Background imageMonster Collection: HERCULES. Hercules chaining Cerberus, guardian of the underworld

HERCULES. Hercules chaining Cerberus, guardian of the underworld, and Aegeus saving Theseus from being poisoned by Medea (flying away in her chariot). Line engraving, English, late 18th century

Background imageMonster Collection: THE FALL OF THE MAGICIAN. Cups and balls, decapitation, knife through arm

THE FALL OF THE MAGICIAN. Cups and balls, decapitation, knife through arm and other conjuring feats are depicted in The Fall of the Magician, an engraving, 1565

Background imageMonster Collection: ANIMALS ENTERING THE ARK. Line engraving, Flemish, 1581

ANIMALS ENTERING THE ARK. Line engraving, Flemish, 1581

Background imageMonster Collection: THE DEVILS Astaroth, Abaddon, and Mammon: line engraving, English, 1800

THE DEVILS Astaroth, Abaddon, and Mammon: line engraving, English, 1800

Background imageMonster Collection: GRANDVILLE: AUTRE MONDE. Engraving after a drawing by Grandville (1803-1847)

GRANDVILLE: AUTRE MONDE. Engraving after a drawing by Grandville (1803-1847)

Background imageMonster Collection: SHAKESPEARE: TEMPEST. Caliban carrying a load of wood (Act II, Scene II)

SHAKESPEARE: TEMPEST. Caliban carrying a load of wood (Act II, Scene II). Wood engraving after Sir John Gilbert (1817-1897) for William Shakespeares The Tempest

Background imageMonster Collection: EVIDENCE OF WITCHES, 1726. Manifestations of witches, devils, and other supernatural beings

EVIDENCE OF WITCHES, 1726. Manifestations of witches, devils, and other supernatural beings. Engraved frontispiece to Saducismus Triumphatus

Background imageMonster Collection: POSADA: CALAVERA HUERTISTA. A representation of General Victoriano Huerta

POSADA: CALAVERA HUERTISTA. A representation of General Victoriano Huerta. Zinc engraving, c1914, formerly attributed to Jos

Background imageMonster Collection: ULYSSES AND THE SIRENS. Line engraving, English, 19th century

ULYSSES AND THE SIRENS. Line engraving, English, 19th century

Background imageMonster Collection: SHAKESPEARE: TEMPEST. Caliban (Act I, Scene II). Wood engraving after Sir John Gilbert for William

SHAKESPEARE: TEMPEST. Caliban (Act I, Scene II). Wood engraving after Sir John Gilbert for William Shakespeares The Tempest

Background imageMonster Collection: SHAKESPEARE: TEMPEST. Wood engraving for William Shakespeares The Tempest, English, 19th century

SHAKESPEARE: TEMPEST. Wood engraving for William Shakespeares The Tempest, English, 19th century

Background imageMonster Collection: HOMER: THE ODYSSEY. Scylla. Line engraving, 1805, by James Neagle after the drawing by John Flaxman

HOMER: THE ODYSSEY. Scylla. Line engraving, 1805, by James Neagle after the drawing by John Flaxman

Background imageMonster Collection: LORD SLAYING LEVIATHAN (Isaiah, 27: 1). Wood engraving after Gustave Dor

LORD SLAYING LEVIATHAN (Isaiah, 27: 1). Wood engraving after Gustave Dor
LORD SLAYING LEVIATHAN (Isaiah, 27:1). Wood engraving after Gustave Dor

Background imageMonster Collection: HOMER: THE ODYSSEY. Odysseus giving wine to Polyphemus. Line engraving, 1805

HOMER: THE ODYSSEY. Odysseus giving wine to Polyphemus. Line engraving, 1805, after the drawing by John Flaxman

Background imageMonster Collection: SHAKESPEARE: TEMPEST. Ariel, Prospero, and Caliban (Act I, Scene II)

SHAKESPEARE: TEMPEST. Ariel, Prospero, and Caliban (Act I, Scene II), from William Shakespeares The Tempest, 1611. Wood engraving after Sir John Gilbert, 1856-60

Background imageMonster Collection: Black Magic

Black Magic
US comic cited as an example of the need to prevent the sale of unsuitable comics to children, 1954-1955 Date: 1954-1955

Background imageMonster Collection: Frankenstein Comic

Frankenstein Comic
US comic cited as an example of the need to prevent the sale of unsuitable comics to children, 1954-1955 Date: 1954-1955

Background imageMonster Collection: Gargoyle of Gothic Notre Dame Cathedral and the Right Bank with Basilica of Sacre Coeur, Paris

Gargoyle of Gothic Notre Dame Cathedral and the Right Bank with Basilica of Sacre Coeur, Paris, France, Europe

Background imageMonster Collection: Sitting Buddha with naga heads, Wat Mai Complex, Luang Prabang, Laos, Indochina, Southeast Asia

Sitting Buddha with naga heads, Wat Mai Complex, Luang Prabang, Laos, Indochina, Southeast Asia, Asia

Background imageMonster Collection: Naga heads, Wat Sen, Luang Prabang, Laos, Indochina, Southeast Asia, Asia

Naga heads, Wat Sen, Luang Prabang, Laos, Indochina, Southeast Asia, Asia

Background imageMonster Collection: Naga heads, Wat Nong, Luang Prabang, Laos, Indochina, Southeast Asia, Asia

Naga heads, Wat Nong, Luang Prabang, Laos, Indochina, Southeast Asia, Asia

Background imageMonster Collection: Stone lions guard a prayer wall in Durbar Square, Kathmandu, Nepal, Asia

Stone lions guard a prayer wall in Durbar Square, Kathmandu, Nepal, Asia

Background imageMonster Collection: Man in costume representing a god at the Teyyam ceremony, near Kannur, Kerala, India, Asia

Man in costume representing a god at the Teyyam ceremony, near Kannur, Kerala, India, Asia

Background imageMonster Collection: Humorous picture showing a monster on a boat or raft collect

Humorous picture showing a monster on a boat or raft collect
Humorous picture showing a Japanese soldier blowing away the flimsy structures or fortifications of the Chinese. Date 1895

Background imageMonster Collection: Destruction of the rebel monster Merrimac off Craney Island

Destruction of the rebel monster Merrimac off Craney Island May 11th 1862. Date 1862?. Destruction of the rebel monster Merrimac off Craney Island May 11th 1862. Date 1862?

Background imageMonster Collection: To Arms, Britons! First World War propaganda

To Arms, Britons! First World War propaganda
" Arms, Britons! Avert These Horrors: The Triumph of Science and Efficiency." A typical propagandist reminder to the British of what they were fighting for, this brutish German soldier

Background imageMonster Collection: Monster Cactus at the Royal Botanic Gardens, Kew, 1845

Monster Cactus at the Royal Botanic Gardens, Kew, 1845
Engraving of a monster cactus (Echinocactus Stainesii) housed in the collection of the Royal Botanic Gardens, Kew, Surrey in 1845. Date: 4 January 1845

Background imageMonster Collection: Scylla

Scylla, the Sea monster

Background imageMonster Collection: Tacky Blackpool

Tacky Blackpool
The Monster from the Bowels of the Earth, one of the attractions on offer, along with palm reading, hamburgers, tattooing, on the Golden Mile, Blackpool, Lancashire, England Date: late 1960s

Background imageMonster Collection: Milton / Comus 1634

Milton / Comus 1634
And they, so perfect is their misery, Not once perceive their foul disfigurement, But boast themselves more comely than before. Date: First published : 1634

Background imageMonster Collection: The Legend of the Tabernacle Chief

The Legend of the Tabernacle Chief
The intrepid Angel Eblis, protector of the portable dwelling place of the divine presence, is depicted preparing to battle a monstrous crocodile, also known as the devourer of humanity. Date: 1890s

Background imageMonster Collection: Man escaping a sea monster

Man escaping a sea monster
Copy of a painting of a man escaping a sea monster. 1867

Background imageMonster Collection: Hercules strikes Cacus, and view of Rome

Hercules strikes Cacus, and view of Rome
Page of text with marginal drawings. At the top in the left margin is a picture of Rome. In front of the city stand two men, one of whom is wearing armour. There are birds flying over their heads




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"Unveiling the Legends: Exploring the Monstrous Marvels of Myth and Cinema" An infamous image of the Loch Ness Monster emerges from the depths, captivating our imagination with its elusive presence. The Papyrus of Ani (Book of the Dead) - The Judgement reveals ancient beliefs surrounding monstrous creatures and their role in the afterlife. As a Kraken attacks a ship amidst a raging storm, fear grips sailors' hearts, reminding us of humanity's vulnerability against nature's colossal forces. Boris Karloff's haunting portrayal in James Whale's Bride of Frankenstein (1935) brings to life an iconic monster that continues to captivate audiences even today. A giant octopus stretches its tentacles across our screens, showcasing nature's incredible diversity and reminding us that they can come in unexpected forms. The enigmatic Loch Ness Monster resurfaces once again, leaving us pondering over its existence and fueling our fascination with mysterious creatures lurking beneath serene waters. GODZILLA roars onto the scene, embodying mankind's fearsome creations turned against them as we witness epic battles between towering monsters and human civilization. Lon Chaney mesmerizes audiences as he dons his chilling mask in Rupert Julian's The Phantom of the Opera (1925), revealing how monstrosity can be born out of tragedy and unrequited love. Amidst a tempestuous storm, a Kraken unleashes chaos upon unsuspecting ships, serving as a reminder that legends often find their origins within treacherous tales told by seafarers throughout history. Through enchanting silhouette animation in The Adventures of Prince Achmed (1926), mythical beasts take center stage alongside heroes on daring quests, weaving together folklore and fantasy into one mesmerizing tale. The legendary Lochness Monster resurfaces yet again.