Morland Collection (#2)

The Fair Penitent. Laetitia in Penitence Finds Relief and Protection From Her Parents, c1811. After George Morland (1762-1804). From The Connoisseur Vol. LXXV. [The Connoisseur, London, 1926]

The Tavern Door, Laetitia Deserted by her Seducer is Thrown on the Town, 1789. Artist: John Raphael Smith
The Tavern Door, Laetitia Deserted by her Seducer is Thrown on the Town, 1789. After George Morland (1762-1804). From The Connoisseur Vol. LXXV. [The Connoisseur, London, 1926]

Dressing for the Masquerade. Laetitia Flies from Reflection to Public Entertainments, 1789. Artist: John Raphael Smith
Dressing for the Masquerade. Laetitia Flies from Reflection to Public Entertainments, 1789. After George Morland (1762-1804). From The Connoisseur Vol. LXXV. [The Connoisseur, London, 1926]

A Hillside with Tramps reposing, c1793. Artist: George Morland
A Hillside with Tramps reposing, c1793. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

Shooting Sea Fowl, 1795. Artist: George Morland
Shooting Sea Fowl, 1795. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

Gipsies resting with Donkey, 1795. Artist: George Morland
Gipsies resting with Donkey, 1795. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

Morning, Higglers Preparing for Market, 1791. Artist: George Morland
Morning, Higglers Preparing for Market, 1791. Painting held at The Tate, London. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III

Morning, or Thoughts on Amusement for the Evening, c1801. Artist: William Ward
Morning, or Thoughts on Amusement for the Evening, c1801. After George Morland (1763-1804). From The Connoisseur Extra Number I: George Morland, by J. T. Herbert Baily. [Otto Limited, London, 1906]

Constantia, c1788. After George Morland (1763-1804). From The Connoisseur Extra Number I: George Morland, by J. T. Herbert Baily. [Otto Limited, London, 1906]

A Woodland Scene, c1795. Artist: George Morland
A Woodland Scene, c1795. From The Connoisseur Extra Number I: George Morland, by J. T. Herbert Baily. [Otto Limited, London, 1906]

Domestic Happiness, Laetitia with her Parents, 1789. Artist: John Raphael Smith
Domestic Happiness, Laetitia with her Parents, 1789. After George Morland (1763-1804). From The Connoisseur Extra Number I: George Morland, by J. T. Herbert Baily. [Otto Limited, London, 1906]

The Traveller, c1795. Artist: George Morland
The Traveller, c1795. From The Connoisseur Extra Number I: George Morland, by J. T. Herbert Baily. [Otto Limited, London, 1906]

Variety, 1788. Artist: William Ward
Variety, 1788. After George Morland (1763-1804). From The Connoisseur Extra Number I: George Morland, by J. T. Herbert Baily. [Otto Limited, London, 1906]

The Soldiers Return, c18th century (1909). Artist: Graham
The Soldiers Return, c18th century (1909). From British Military Prints - Connoisseur Extra No. 6 by Ralph Nevill. [The Connoisseur Publishing Company, Carmelite House, E.C. London, 1909]

Seashore: Fishermen Hauling in a Boat, 1791. Artist: George Morland
Seashore: Fishermen Hauling in a Boat, 1791. Painting held at the Victoria & Albert Museum, London. From The Connoisseur Volume LXXXIII, edited by C. Reginald Grundy

The Squires Door, 1790. Artists: Benjamin Duterrau, JT Herbert Baily
The Squires Door, 1790. After George Morland (1763-1804). From The Connoisseur Volume XX, edited by J. T. Herbert Baily. [Otto Limited, London, 1908]

The Farmers Door, 1790. Artist: Benjamin Duterrau
The Farmers Door, 1790. After George Morland (1763-1804). From The Connoisseur Vol. XXII. [Otto Limited, London, 1908-9]

A Laundry Maid Ironing, c1765, (1905). Artist: Henry Robert Morland
A Laundry Maid Ironing, c1765. Painting held at the Tate, London. From The Connoisseur 1905 [Otto Limited, London, 1905.]

Blind Mans Buff, 1788, (1917). Artist: William Ward
Blind Mans Buff, 1788. After George Morland (1763-1804). From The Connoisseur Vol XLVIII [Otto Limited, London, 1917.]

The Cottage Family, c18th century, (1916). Artist: John Raphael Smith
The Cottage Family, c18th century. After George Morland (1763-1804). From The Connoisseur Vol XLIV [Otto Limited, London, 1916.]

Mutual Joy, Or The Ship in Harbour, c1788, (1906). Artist: Philip Dawe
Mutual Joy, Or The Ship in Harbour, c1788. After George Morland (1763-1804). From The Connoisseur Volume XVI [Otto Limited, London, 1906.]

The Farmers Visit to his Married Daughter in Town, 1789, (1915). Artist: William Bond
The Farmers Visit to his Married Daughter in Town, 1789. After George Morland (1763-1804). From The Connoisseur Volume XLIII [Otto Limited, London, 1915.]

A Christmas Gambol, c18th century, (1919). Artist: John Raphael Smith
A Christmas Gambol, c18th century. After George Morland (1763-1804). From The Connoisseur Volume LV [Otto Limited, London, 1919]

Shepherds Reposing, c18th century, (1919). Artist: George Morland
Shepherds Reposing, c18th century. After George Morland (1763-1804). From The Connoisseur Volume LV [Otto Limited, London, 1919]

Evening or the Sportsmans Return, 1795, (1919). Artist: Joseph Grozer
Evening or the Sportsmans Return, 1795. After George Morland (1763-1804). From The Connoisseur Volume LV [Otto Limited, London, 1919]

Morning or the Benevolent Sportsman, 1795, (1919). Artist: Joseph Grozer
Morning or the Benevolent Sportsman, 1795. After George Morland (1763-1804). From The Connoisseur Volume LV [Otto Limited, London, 1919]

The Elopement: Laetitia (Lydia) seduced from her Friends under a promise of Marriage, 1789), 1925
The Elopement: Laetitia (Lydia) seduced from her Friends under a promise of Marriage, 1789. Plate 2 of The Laetitia Series

Finsbury Square, London, 1817. Artist: J Greig
Finsbury Square, London, 1817. Finsbury Square was developed in 1777

Statue of the Duke of Bedford, Russell Square, Bloomsbury, London, 1817. Artist: J Greig
Statue of the Duke of Bedford, Russell Square, Bloomsbury, London, 1817. The Russells, Dukes of Bedford, were the main landlords in Bloomsbury

A cricket match, 18th century (1912). Artist: George Morland
A cricket match, 18th century (1912). From Imperial Cricket, edited by P F Warner and published by The London and Counties Press Association Ltd (London, 1912)

A maid ironing, 18th century. Artist: George Morland
A maid ironing, 18th century

The Virtuous Parent. Laetitia Endeavours In Vain By Parents To Reconcile Her Parents, 1789. Artist: John Raphael Smith
The Virtuous Parent. Laetitia Endeavours In Vain By Presents To Reconcile Her Parents, 1789. After George Morland (1762-1804). From The Connoisseur Vol. LXXV. [The Connoisseur, London, 1926]

The Turnpike Gate, c1805. Artist: William Ward
The Turnpike Gate, c1805. After George Morland (1763-1804). From The Connoisseur Volume LII. [The Connoisseur Ltd. London, 1918]

The Weary Sportsman, c1803. Artists: George Morland, William Bond
The Weary Sportsman, c1803. After George Morland (1763-1804). From The Connoisseur Volume LI. [The Connoisseur Ltd. London, 1918]

A Boy Employed Burning The Weeds, 1799. Artist: James Ward
A Boy Employed Burning The Weeds, 1799. After George Morland (1763-1804). From The Connoisseur Volume LI. [The Connoisseur Ltd. London, 1918]

Children Bird Nesting, 1789. Artist: William Ward
Children Bird Nesting, 1789. After George Morland (1763-1804). From The Connoisseur Volume L. [The Connoisseur Ltd. London, 1918]

Children Nutting, c1783. Artist: Edward Dayes
Children Nutting, c1783. After George Morland (1763-1804). From The Connoisseur Volume L. [The Connoisseur Ltd. London, 1918]

Mrs Morland by George Morland, 18th century, (1913). Artist: George Morland
Mrs Morland by George Morland, 18th century. George Morland married Miss Anne Ward (Nancy), the sister of the artist William Ward (1766-1826), in July 1786

The Farmers Stable, (1791) 1901. Artist: George Morland
The Farmers Stable, 1791. Also know as Inside of a Stable. After an original work by George Morland (1763-1804). From The Connoisseur, Vol. I by [Otto Limited, London, 1901]

George Morland, 1786. Artist: Thomas Rowlandson
George Morland, 1786. Portrait of British artist George Morland (1763-1804). Illustration from Social Caricature in the Eighteenth Century

The Inside of the Stable, 1791, (1912). Artist: George Morland
The Inside of the Stable, 1791, (1912). A colour print from Famous Paintings, with an introduction by Gilbert Chesterton, Cassell and Company, (London, New York, Toronto, 1912)

Dancing Dogs, c. 1800. Artist: Morland, George (1736-1804)
Dancing Dogs, c. 1800. From a private collection

Lafayette in Prison at Olmutz. Artist: Morland, George (1736-1804)
Lafayette in Prison at Olmutz. From a private collection

The Cowshed. A cowman milks into a bucket while a milkmaid waits, holding a yoke on which the buckets are carried

Northanger Abbey / Austen
Catherine Morland asks Mr. Thorpe to stop the carriage. Date: First published: 1818

Austen / Northanger Abbey
Catherine Morland attracts the attention of the Captain... Date: First published: 1818

George Morland / Easel
GEORGE MORLAND English painter and engraver Date: 1763 - 1804

Northanger Abbey / Tilney
" Mr Tilney!" she (Catherine Morland) exclaimed. Date: First published: 1818

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"Exploring the Many Facets of Morland: From Miss Susan Morland to George Morland's Masterpieces" In the world of art, the name Morland resonates with brilliance and diversity. From the elegant portraits of Miss Susan Morland, capturing her grace and charm, to Constantia, a mesmerizing painting by George Morland that transports us into an enchanting realm. Delving deeper into George Morland's repertoire, we encounter "Delia in Town, " a masterpiece showcasing his exceptional talent for capturing urban life. Meanwhile, his renowned work "The Cowshed" immerses us in rustic simplicity as we witness a cowman diligently milking while a milkmaid patiently waits. Transported back to 1902, Colonel Morland's actions during the capture of Yola come to light. Deposing an Emir and installing his vanquished brother as ruler reveals both power struggles and political intrigue within Adamawa. George Morland's artistic prowess continues to captivate through pieces like "The Reckoning, " which invites contemplation on morality and consequences. Additionally, "St. Preux and Eloisa" showcases hand-colored mezzotint techniques that elevate emotions conveyed by this romantic scene. Shifting gears towards more lighthearted depictions, Carte de visite du Charivari from 1867 introduces humor through engravings that bring laughter amidst everyday life situations. Lastly, let us not forget about the delightful brew known as Morland Old Speckled Hen Anniversary Brew - a testament to craftsmanship passed down through generations. Morlands have left their mark across various realms - be it captivating paintings or even delicious beverages. Their legacy spans centuries with each piece telling its own unique story.