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Mouthpiece Collection

The mouthpiece, a versatile object with a rich history, has served various purposes throughout time

Background imageMouthpiece Collection: Bell's Phonautograph, 1878

Bell's Phonautograph, 1878
3479235 Bell's Phonautograph, 1878; (add.info.: Bell's Phonautograph: sounds directed to the mouthpiece caused a membrane, modelled on the action of the human ear, to vibrate)

Background imageMouthpiece Collection: Alexander Graham Bell's Dead Ear Phonautograph, 1850

Alexander Graham Bell's Dead Ear Phonautograph, 1850
3478647 Alexander Graham Bell's Dead Ear Phonautograph, 1850; (add.info.: Illustration depicting Alexander Graham Bell's Dead Ear Phonautograph)

Background imageMouthpiece Collection: Engraving depicting Bell & Tainter's Graphophone

Engraving depicting Bell & Tainter's Graphophone
5309395 Engraving depicting Bell & Tainter's Graphophone; (add.info.: Engraving depicting Bell & Tainter's Graphophone)

Background imageMouthpiece Collection: Homacoustic speaking tube, 1892

Homacoustic speaking tube, 1892
3479336 Homacoustic speaking tube, 1892; (add.info.: The homacoustic speaking tube. This model had both mouthpiece and earpiece which made it unnecessary to change position when speaking or listening)

Background imageMouthpiece Collection: Bell & Tainter's Graphophone, 1850

Bell & Tainter's Graphophone, 1850
3480072 Bell & Tainter's Graphophone, 1850; (add.info.: Bell & Tainter's Graphophone. A recording was made by speaking into a mouthpiece while turning the wax cylinder by a treadle; as in a)

Background imageMouthpiece Collection: Bell's Phonautograph, 1878

Bell's Phonautograph, 1878
3479485 Bell's Phonautograph, 1878; (add.info.: Bell's Phonautograph: sounds directed to the mouthpiece caused a membrane, modelled on the action of the human ear, to vibrate)

Background imageMouthpiece Collection: Breathing Apparatus for Diving 1913

Breathing Apparatus for Diving 1913
Photographs showing the front and back of a man wearing the latest breathing equipment to dive underwater, reaching a submarine of depths of about 200 feet, for about an hour

Background imageMouthpiece Collection: Cavalry trumpet, a bugle, a gilt trumpet made by John Harris c

Cavalry trumpet, a bugle, a gilt trumpet made by John Harris c
STC84203 Cavalry trumpet, a bugle, a gilt trumpet made by John Harris c.1730, a trumpet and a silver-mounted trumpet by William Ball c.1680, from Musical Instruments (coloured litho) by Hipkins

Background imageMouthpiece Collection: Portrait of Muhammad Shah Holding an Emerald and the Mouthpiece of a Huqqa, c

Portrait of Muhammad Shah Holding an Emerald and the Mouthpiece of a Huqqa, c
2571248 Portrait of Muhammad Shah Holding an Emerald and the Mouthpiece of a Huqqa, c.1730 (ink with w/c & gold on paper) by Nidha Mal, Jharokha (fl.1730-75); San Diego Museum of Art

Background imageMouthpiece Collection: Theatrical Performance by Deaf Mutes (engraving)

Theatrical Performance by Deaf Mutes (engraving)
6016575 Theatrical Performance by Deaf Mutes (engraving) by Morehen, Horace (b.c.1841); Private Collection; (add.info.: Theatrical Performance by Deaf Mutes)

Background imageMouthpiece Collection: Botocudos tribe of the Rio Grande, Paraguay, from Le Costume Ancien et Moderne

Botocudos tribe of the Rio Grande, Paraguay, from Le Costume Ancien et Moderne
STC173861 Botocudos tribe of the Rio Grande, Paraguay, from Le Costume Ancien et Moderne, by Jules Ferrario, published c.1820s-30s (colour engraving) (see also 177059) by Fumagalli

Background imageMouthpiece Collection: Curb Bit, Italian, Mantua or Milan, ca. 1550. Creator: Unknown

Curb Bit, Italian, Mantua or Milan, ca. 1550. Creator: Unknown
Curb Bit, Italian, Mantua or Milan, ca. 1550

Background imageMouthpiece Collection: ELECTRO-CHEMICAL PHONE

ELECTRO-CHEMICAL PHONE
Edisons Electro-chemical telephone. Date: 1879

Background imageMouthpiece Collection: An Automatic Telephone Receiver, c1930. Creator: Unknown

An Automatic Telephone Receiver, c1930. Creator: Unknown
An Automatic Telephone Receiver, c1930. From " The Wonder Book of Engineering Wonders", edited by Harry Golding. [Ward, Lock & Co. Limited, London and Melbourne]

Background imageMouthpiece Collection: Emile Berliners Gramophone, c1888

Emile Berliners Gramophone, c1888. Top: Recording stylus and mouthpiece. Bottom: Playing a disc

Background imageMouthpiece Collection: Unidentified player, 2016. Artist: Alan John Ainsworth

Unidentified player, 2016. Artist: Alan John Ainsworth
Unidentified player, BBC Big Band, Cheltenham Jazz Festival, 2016

Background imageMouthpiece Collection: Billy Hart, 2015. Artist: Alan John Ainsworth

Billy Hart, 2015. Artist: Alan John Ainsworth
Billy Hart, The Cookers, Gateshead International Jazz Festival, 2015

Background imageMouthpiece Collection: Julian Arguilles, 2011. Artist: Alan John Ainsworth

Julian Arguilles, 2011. Artist: Alan John Ainsworth
Julian Arguilles, Cheltenham Jazz Festival, 2011

Background imageMouthpiece Collection: Gilad Atzmon, 2007. Artist: Alan John Ainsworth

Gilad Atzmon, 2007. Artist: Alan John Ainsworth
Gilad Atzmon Quartet, Pizza Express Jazz Club, London, 2007

Background imageMouthpiece Collection: Julian Siegel, 2013. Artist: Alan John Ainsworth

Julian Siegel, 2013. Artist: Alan John Ainsworth
Julian Siegel, Cheltenham Jazz Festival, 2013

Background imageMouthpiece Collection: Chris Potter, 2011. Artist: Alan John Ainsworth

Chris Potter, 2011. Artist: Alan John Ainsworth
Chris Potter, Cheltenham Jazz Festival, 2011

Background imageMouthpiece Collection: Jay Phelps, 2011. Artist: Alan John Ainsworth

Jay Phelps, 2011. Artist: Alan John Ainsworth
Jay Phelps, Empirical, Cheltenham Jazz Festival, 2011

Background imageMouthpiece Collection: Eric Darius, 2010. Artist: Alan John Ainsworth

Eric Darius, 2010. Artist: Alan John Ainsworth
Eric Darius, Clearwater Jazz Holiday, Florida, 2010

Background imageMouthpiece Collection: Julian Siegel, 2010. Artist: Alan John Ainsworth

Julian Siegel, 2010. Artist: Alan John Ainsworth
Julian Siegel, Gary Husband Drive, Coventry Jazz Festival, Belgrade Theatre Coventry, 2010

Background imageMouthpiece Collection: Art Themen, 2010. Artist: Alan John Ainsworth

Art Themen, 2010. Artist: Alan John Ainsworth
Art Themen Quartet, Coventry Jazz Festival, Belgrade Theatre Coventry, 2010

Background imageMouthpiece Collection: Jazzman, 2010. Artist: Alan John Ainsworth

Jazzman, 2010. Artist: Alan John Ainsworth
Jazzman, Bonita Blues Festival, Florica, 2010

Background imageMouthpiece Collection: Andy Sheppard, 2008. Artist: Alan John Ainsworth

Andy Sheppard, 2008. Artist: Alan John Ainsworth
Andy Sheppard, London Jazz Festival, 2008

Background imageMouthpiece Collection: Andy Shepard, 2008. Artist: Alan John Ainsworth

Andy Shepard, 2008. Artist: Alan John Ainsworth
Andy Shepard, London Jazz Festival, 2008

Background imageMouthpiece Collection: Theo Travis, 2017. Artist: Alan John Ainsworth

Theo Travis, 2017. Artist: Alan John Ainsworth
Theo Travis, Ben Crosland Ray Davis Songbook, 2017

Background imageMouthpiece Collection: Joe Lovano, 2014. Artist: Alan John Ainsworth

Joe Lovano, 2014. Artist: Alan John Ainsworth
Joe Lovano, playing with Jack DeJohnette, Esperanza Spalding, Leo Geovese, Gateshead International Jazz Festival, 2014

Background imageMouthpiece Collection: Ernie Watts, c2010. Artist: Alan John Ainsworth

Ernie Watts, c2010. Artist: Alan John Ainsworth
Ernie Watts with the Kurt Elling Quintet, London Jazz Festival, c2010

Background imageMouthpiece Collection: Hookahs and Pipes, Plate 129

Hookahs and Pipes, Plate 129. Date: circa 1880s

Background imageMouthpiece Collection: Diver and Children

Diver and Children
Two children admire a diver in his diving suit while he removes the mouthpiece from the helmet in order to explain how it works. Date: 1900

Background imageMouthpiece Collection: Disraeli Cartoon

Disraeli Cartoon
Benjamin Disraeli, earl of Beaconsfield depicted as the mouthpiece of the Reform League mob Date: 1804 - 1881

Background imageMouthpiece Collection: Two shepherds, 9th century

Two shepherds, 9th century.. Handcolored copperplate drawn and engraved by Leopold Massard from French Costumes from King Clovis to Our Days, Massard, Mifliez, Paris, 1834

Background imageMouthpiece Collection: Emil Berliners Gramophone. Top: Recording stylus and mouthpiece. Bottom: Playing a disc

Emil Berliners Gramophone. Top: Recording stylus and mouthpiece. Bottom: Playing a disc. Engraving published Paris 1888

Background imageMouthpiece Collection: Scene from Emile, ou Traite de l education by Jean-Jacques Rousseau (Paris, 1762)

Scene from Emile, ou Traite de l education by Jean-Jacques Rousseau (Paris, 1762). In this novel by the French political philosopher and educationlist Rousseau (1712-1778)

Background imageMouthpiece Collection: London (NFS) firefighter in breathing apparatus, WW2

London (NFS) firefighter in breathing apparatus, WW2
Side view of the Mark IV Proto (oxygen) breathing apparatus set, showing the re-breather bag, mouthpiece, control valves and cooler



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The mouthpiece, a versatile object with a rich history, has served various purposes throughout time. Dating back to 1913, it was initially designed as a breathing apparatus for diving, allowing explorers to delve into the depths of the ocean with ease. However, its uses extended far beyond underwater exploration. In the realm of music, the mouthpiece took on different forms. It transformed into a cavalry trumpet or bugle, producing powerful and commanding melodies that echoed across battlefields. John Harris crafted an exquisite gilt trumpet with intricate designs fit for royalty like Muhammad Shah who held an emerald and an ornate huqqa's mouthpiece in his portrait. Surprisingly enough, even deaf mutes found their voice through this remarkable device. In a theatrical performance engraved forever in history, they showcased their talent and creativity using the mouthpiece as their means of expression. Traveling further south to Paraguay's Rio Grande region brings us face-to-face with the Botocudos tribe. Their traditional attire featured unique adornments such as feathers and shells alongside intricately carved wooden mouthpieces—a testament to their cultural heritage. Beyond music and culture lies technology's influence on this humble object. The electro-chemical phone revolutionized communication by transmitting sound waves through its innovative design—an early precursor to modern telephones. Similarly groundbreaking was the automatic telephone receiver from around 1930 which simplified communication even further. But perhaps one of its most iconic roles lies within Emile Berliner's gramophone invention from 1888—the epitome of musical innovation at that time. This ingenious contraption relied heavily on the precision and quality of its meticulously crafted brass mouthpiece. Fast forward to more recent times where artists like Alan John Ainsworth captured moments frozen in time through stunning portraits featuring unidentified players or renowned musicians like Billy Hart or Julian Arguilles—each showcasing their unique connection with their instrument's vital component: the mouthpiece.