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Mucha Alfons 1860 1939 Collection

Alphonse Mucha (1860-1939), a renowned Czech Art Nouveau painter, left an indelible mark on the world of illustration and decorative arts

Background imageMucha Alfons 1860 1939 Collection: The Musee Carnavalet, 23 rue de Sevigne, Paris 75003. Architect: Nicolas Dupuis in 1548-1560

The Musee Carnavalet, 23 rue de Sevigne, Paris 75003. Architect: Nicolas Dupuis in 1548-1560
TED4727295 The Musee Carnavalet, 23 rue de Sevigne, Paris 75003. Architect: Nicolas Dupuis in 1548-1560 and rebuilt in 1660 by Francois Mansart

Background imageMucha Alfons 1860 1939 Collection: The Last Self-Portrait of Alphonse-Marie Mucha, 1937 (gelatin silver print)

The Last Self-Portrait of Alphonse-Marie Mucha, 1937 (gelatin silver print)
8678082 The Last Self-Portrait of Alphonse-Marie Mucha, 1937 (gelatin silver print) by Mucha, Alphonse Marie (1860-1939); J. Paul Getty Museum, Los Angeles, USA; (add.info.: By Alphonse Marie Mucha)

Background imageMucha Alfons 1860 1939 Collection: MUCHA, Alphonse Maria (1860-1939). Zodiac. 1896. (67 x 48 cm)

MUCHA, Alphonse Maria (1860-1939). Zodiac. 1896. (67 x 48 cm). Poster and calendar advertising the magazine "La
CUL4866398 MUCHA, Alphonse Maria (1860-1939). Zodiac. 1896. (67 x 48 cm). Poster and calendar advertising the magazine "La Plume" (The Feather). Modernism

Background imageMucha Alfons 1860 1939 Collection: Art Nouveau Stained-Glass Window With the Scenes of the Christianization of the Czech Lands in

Art Nouveau Stained-Glass Window With the Scenes of the Christianization of the Czech Lands in the New Archbishopric
1566804 Art Nouveau Stained-Glass Window With the Scenes of the Christianization of the Czech Lands in the New Archbishopric Chapel of St

Background imageMucha Alfons 1860 1939 Collection: Entertainment. Gismonda, play by Victorien Sardou with Sarah Bernhardt at the Theatre de la

Entertainment. Gismonda, play by Victorien Sardou with Sarah Bernhardt at the Theatre de la Renaissance, Paris
3434472 Entertainment. Gismonda, play by Victorien Sardou with Sarah Bernhardt at the Theatre de la Renaissance, Paris. Poster by Mucha, France, 1894

Background imageMucha Alfons 1860 1939 Collection: Illustration by Alphonse Mucha from 'Rama' a poem in three acts by Paul Verola. ca. 1898

Illustration by Alphonse Mucha from "Rama" a poem in three acts by Paul Verola. ca. 1898
5306034 Illustration by Alphonse Mucha from "Rama" a poem in three acts by Paul Verola. ca.1898. Mucha (1860 - 1939)

Background imageMucha Alfons 1860 1939 Collection: Study for a decorative panel, 1908 (gelatin silver print)

Study for a decorative panel, 1908 (gelatin silver print)
3702683 Study for a decorative panel, 1908 (gelatin silver print) by Mucha, Alphonse Marie (1860-1939); Metropolitan Museum of Art, New York

Background imageMucha Alfons 1860 1939 Collection: The Song, 1921 (oil on canvas)

The Song, 1921 (oil on canvas)
7212362 The Song, 1921 (oil on canvas) by Mucha, Alphonse Marie (1860-1939); Prague Hlahol, Prague, Czech Republic; (add.info.: Lunette in the Great Hall of the Prague Hlahol choir)

Background imageMucha Alfons 1860 1939 Collection: Zodiac calendar for La Plume, 1896 (litho)

Zodiac calendar for La Plume, 1896 (litho)
7085079 Zodiac calendar for La Plume, 1896 (litho) by Mucha, Alphonse Marie (1860-1939); 63x47 cm; Private Collection; (add.info.: Design for the Parisian art journal " La Plume".); Czech

Background imageMucha Alfons 1860 1939 Collection: Au Quartier Latin, 1898 (lithograph in colours)

Au Quartier Latin, 1898 (lithograph in colours)
1766961 Au Quartier Latin, 1898 (lithograph in colours) by Mucha, Alphonse Marie (1860-1939); 42x30 cm; Private Collection; (add.info.: Au Quartier Latin. Alphonse Mucha (1860-1939)

Background imageMucha Alfons 1860 1939 Collection: A skinny old man with an emacie face is stretching, his suit

A skinny old man with an emacie face is stretching, his suit
XEE4136916 A skinny old man with an emacie face is stretching, his suit, his shoes and a carnival mask are dragging near his diaper (a sheet jete on a couch), in " La Vie Populaire"

Background imageMucha Alfons 1860 1939 Collection: The Lady of the Camellias (La dame aux camelias). 1896 (lithograph)

The Lady of the Camellias (La dame aux camelias). 1896 (lithograph)
CUL4857138 The Lady of the Camellias (La dame aux camelias). 1896 (lithograph) by Mucha, Alphonse Marie (1860-1939); 207x77 cm; Photo eJBP/AIC; Czech, out of copyright

Background imageMucha Alfons 1860 1939 Collection: Advertising poster for Lefevre Utile Biscuits, 1897 (poster)

Advertising poster for Lefevre Utile Biscuits, 1897 (poster)
LRI4619754 Advertising poster for Lefevre Utile Biscuits, 1897 (poster) by Mucha, Alphonse Marie (1860-1939); 44x61 cm; Private Collection; Luisa Ricciarini; Czech, out of copyright

Background imageMucha Alfons 1860 1939 Collection: Art Nouveau: advertising poster for biscuits Champagne produced by Lefevre Utile

Art Nouveau: advertising poster for biscuits Champagne produced by Lefevre Utile
JLJ4605001 Art Nouveau: advertising poster for biscuits Champagne produced by Lefevre Utile, 1897 (poster) by Mucha, Alphonse Marie (1860-1939); Private Collection; Photo ePhoto Josse; Czech

Background imageMucha Alfons 1860 1939 Collection: Biscuits Lefevre-Utile, designed as a calendar for 1897 (poster)

Biscuits Lefevre-Utile, designed as a calendar for 1897 (poster)
1195188 Biscuits Lefevre-Utile, designed as a calendar for 1897 (poster) by Mucha, Alphonse Marie (1860-1939); 59.7x43.2 cm; Private Collection; Photo eChristies Images; Czech, out of copyright

Background imageMucha Alfons 1860 1939 Collection: Advertising for Chocolate ideal, 1897 (poster)

Advertising for Chocolate ideal, 1897 (poster)
LRI4619607 Advertising for Chocolate ideal, 1897 (poster) by Mucha, Alphonse Marie (1860-1939); 78x117 cm; Private Collection; Luisa Ricciarini; Czech, out of copyright

Background imageMucha Alfons 1860 1939 Collection: Sarah Bernhardt as Medee at the Renaissance Theatre. 1898 (lithograph)

Sarah Bernhardt as Medee at the Renaissance Theatre. 1898 (lithograph)
CUL4892213 Sarah Bernhardt as Medee at the Renaissance Theatre. 1898 (lithograph) by Mucha, Alphonse Marie (1860-1939); 207x77 cm; Private Collection; Photo eHILL/AIC; Czech, out of copyright

Background imageMucha Alfons 1860 1939 Collection: Stars: The Moon, 1902 (print)

Stars: The Moon, 1902 (print)
2911308 Stars: The Moon, 1902 (print) by Mucha, Alphonse Marie (1860-1939); Universal History Archive/UIG; Czech, out of copyright



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Alphonse Mucha (1860-1939), a renowned Czech Art Nouveau painter, left an indelible mark on the world of illustration and decorative arts. His talent is evident in his captivating works, such as "Rama, " an illustration for Paul Verola's poem in three acts, created around 1898. The intricate details and ethereal beauty showcased in this piece exemplify Mucha's mastery. In 1908, Mucha presented us with a glimpse into his creative process through a gelatin silver print titled "Study for a Decorative Panel. " This snapshot allows us to witness the artist's dedication to perfection and attention to detail. "The Song, " painted in 1921 using oil on canvas, transports viewers into a realm of enchantment. With vibrant colors and flowing lines, Mucha captures the essence of music itself while showcasing his signature Art Nouveau style. One cannot overlook the significance of "Zodiac Calendar for La Plume" from 1896. This lithograph demonstrates Mucha's ability to seamlessly blend artistry with functionality by creating visually stunning calendars that adorned walls across Europe during that era. Amongst his vast body of work are also advertising posters that have become iconic representations of their time. Notable examples include the charming "Advertising Poster for Lefevre Utile Biscuits" from 1897 and the exquisite "Advertising for Chocolate Ideal" poster from the same year. These pieces not only promoted products but elevated them to objects of desire through Mucha's artistic vision. Mucha was not limited to commercial endeavors; he also delved into capturing human emotions through portraiture. In his lithograph titled "The Lady of Camellias" from 1896, he immortalizes beauty intertwined with tragedy—a testament to his ability to evoke deep emotions within viewers. Throughout his career, Alphonse Mucha pushed boundaries and redefined what it meant to be an artist.