Mugged Collection

The new garotte suit (engraving)
5998290 The new garotte suit (engraving) by English School, (19th century); Private Collection; (add.info.: The new garotte suit. Illustration for Fun magazine, 1863.); © Look and Learn

Mugged (colour litho)
3641742 Mugged (colour litho) by English School, (20th century); Private Collection; (add.info.: Mugged. Postcard, early 20th century.); © Look and Learn

Fled from the scene of these excesses at once glorying and trembling from the Strange Case of Dr Jekyll
5615708 Fled from the scene of these excesses at once glorying and trembling from the Strange Case of Dr Jekyll and Mr Hyde by Robert Louis Stevenson (1850-1894) Illustration by S.G

Ms EAB 664 The Good Samaritan, from the Codex Purpureus (vellum) (b / w photo)
XIR252746 Ms EAB 664 The Good Samaritan, from the Codex Purpureus (vellum) (b/w photo) by Byzantine School, (6th century); Museo Diocesano, Rossano

Dr Syntax robbed in St Giles, London. Date: 1820

The Good Samaritan, 1870-75 (oil on canvas)
XIR409291 The Good Samaritan, 1870-75 (oil on canvas) by Ribot, Auguste Theodule (1823-91); 98x131 cm; Musee des Beaux-Arts, Pau, France; (add.info.: Le Bon Samaritain; ); French, out of copyright

The Parable of the Good Samaritan (oil on canvas)
XIR198446 The Parable of the Good Samaritan (oil on canvas) by Feti, Domenico (1589-1624); Galleria dell Accademia, Venice, Italy; (add.info.: La Parabole du Bon Samaritain; ); Italian

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Amidst the chaotic streets of old London, a chilling tale unfolds as a man, once respectable and upstanding, transforms into a sinister figure of violence and fear. In the new garotte suit, the monstrous Mr. Hyde, engraved in mugged (colour litho), mercilessly attacks an unsuspecting victim. The Good Samaritan, painted in 1751-52 (oil on canvas), looks on in horror, a stark reminder of the kindness and compassion that can be lost in the face of evil. Meanwhile, in Robert Louis Stevenson's "Strange Case of Dr Jekyll and Mr Hyde," the victims' brief glimpses of the terrifying transformation leave them trembling, as seen in this illustration by S.G. Hulme Beamish for a 1930 edition. Mr. Hyde's brutal clubbing of his victims is echoed in the brutal attack on Dr. Syntax in St. Giles, depicted in a black and white photograph. Yet, amidst the darkness, the Parable of the Good Samaritan, painted in oil on canvas, offers a beacon of hope. May we all remember to show kindness and compassion to our fellow man, no matter the circumstances, and never be mugged by the evil that surrounds us.