Mughal Collection (page 8)

First sight of the Taj Mahal
Joshua Raif

The Indian Bridge and Serpent Fountain at Sezincote, from 100 Favourite Houses (b/w photo)
CLF310419 The Indian Bridge and Serpent Fountain at Sezincote, from 100 Favourite Houses (b/w photo) by English Photographer

The Mogul Emperor Alamgir, painting by Sarada Charan Ukil, circa 1931 Date: 18th century

Tomb of Mughal Emperor Humayun, Delhi, India
Tomb of the Mughal Emperor Humayun (1508-1556), Delhi, India, built in the 16th century (left distance). Date: circa 1832

Mausoleum of Akbar, Sikandara, Agra, India
Mausoleum of Akbar the Great, Sikandara, Agra, Uttar Pradesh, India. Date: circa 1890s

Tomb of Sheikh Salim Chishti, Fatehpur Sikri, India
The 16th century tomb of Sheikh Salim Chishti, Fatehpur Sikri, Uttar Pradesh, India. Date: circa 1890s

INDIA ROZAH
The tomb of the Mughal emperor Aurangzeb (variously spelt). Date: 1835

Sezincote, the entrance front with the Conservatory curving away to the rear, from 100 Favourite Houses (b/w photo)
CLF310420 Sezincote, the entrance front with the Conservatory curving away to the rear, from 100 Favourite Houses (b/w photo) by English Photographer

The central saloon, Sezincote, Gloucestershire, from Country Houses of the Cotswolds (b/w photo)
CLF320650 The central saloon, Sezincote, Gloucestershire, from Country Houses of the Cotswolds (b/w photo) by English Photographer

Trompe-l'oeil paintings in the dining room at Sezincote, Gloucestershire
CLF320660 Trompe-l'oeil paintings in the dining room at Sezincote, Gloucestershire, from Country Houses of the Cotswolds (b/w photo) by English Photographer

The entrance front, Sezincote, from Country Houses of the Cotswolds (b/w photo)
CLF320604 The entrance front, Sezincote, from Country Houses of the Cotswolds (b/w photo) by English Photographer, (20th century); (add.info)

Onion finials form a cresting to the roof, Sezincote, from Country Houses of the Cotswolds (b/w photo)
CLF320601 Onion finials form a cresting to the roof, Sezincote, from Country Houses of the Cotswolds (b/w photo) by English Photographer

Sezincote from the south west, from Country Houses of the Cotswolds (b/w photo)
CLF320608 Sezincote from the south west, from Country Houses of the Cotswolds (b/w photo) by English Photographer, (20th century); (add.info)

Priming flask, 17th - 18th century (ivory)
5942468 Priming flask, 17th - 18th century (ivory) by Mughal School; Manchester Art Gallery, UK; (add.info.: A Mughal-period ivory priming flask used to hold fine gunpowder for the matchlock guns)

A Family of Tartars, c. 1885 (ink, w/c & gold on paper)
XOS5884511 A Family of Tartars, c. 1885 (ink, w/c & gold on paper) by Indian School, (19th century); 25.3x33.8 cm; Cleveland Museum of Art, OH, USA; (add.info.: India, Punjab, probably Lahore)

A lady brought in from a storm at night: illustration from the musical mode Madhu Madhavi, c. 1760 (gouache on paper)
STC140553 A lady brought in from a storm at night: illustration from the musical mode Madhu Madhavi, c.1760 (gouache on paper) by Mughal School (18th century); Victoria & Albert Museum, London

153802

A royal ram with a gold chain, c. 1585 (opaque w/c & gold on paper)
XOS5884799 A royal ram with a gold chain, c. 1585 (opaque w/c & gold on paper) by Indian School, (16th century); Cleveland Museum of Art, OH, USA; (add.info.: India)

Calcutta scene showing the nationalities best known in India: Northern Indian, Mongol, Persian, Mughal, Muslim, Arab
FLO4623979 Calcutta scene showing the nationalities best known in India: Northern Indian, Mongol, Persian, Mughal, Muslim, Arab, Chinese, Malay, Armenia, British, Dutch, etc

Hookah base, 17th century (zinc alloy "bidri ware" inlaid with gold)
1071563 Hookah base, 17th century (zinc alloy "bidri ware" inlaid with gold) by Indian School, (17th century); 16.5100330201x18.4150368301x18.4150368301 cm; Dallas Museum of Art, Texas

The Emperor Jahangir in the Zenana, 17th century (ink, opaque pigments and gold on paper)
7302175 The Emperor Jahangir in the Zenana, 17th century (ink, opaque pigments and gold on paper) by Mughal School, (17th century); 20.1 x 14.8 cm; Private Collection; (add.info)

Surrounded by bricks
Mostafijur Rahman Nasim

Jesuits at the court of an Indian prince (gouache on paper)
IND368816 Jesuits at the court of an Indian prince (gouache on paper) by Indian School, (16th century); Private Collection; Otus/Index

Detail from Allegorical portrait of Jahangir (opaque w / c & gold on paper)
874379 Detail from Allegorical portrait of Jahangir (opaque w/c & gold on paper) by Ali Khan, Ghulam (fl.1815); 27.7 x18 cm; San Diego Museum of Art, USA; (add.info.: Nur-ud-din Mohammad Salim)

Portrait of Mughal Grandee, Standing, c. 1640 (opaque w / c & gold on paper)
874334 Portrait of Mughal Grandee, Standing, c.1640 (opaque w/c & gold on paper) by Ilyas Bahadur (fl.c.1640); 17.9 x10.3 cm; San Diego Museum of Art, USA; Edwin Binney 3rd Collection

Rustem Killing Arjang Div, c. 1630 (pen & ink, heightened with colour, on paper)
1196814 Rustem Killing Arjang Div, c.1630 (pen & ink, heightened with colour, on paper) by Mughal School, (17th century); 19.1x12 cm; Private Collection; Photo © Christies Images

Allegorical portrait of Jahangir (opaque w / c & gold on paper)
874380 Allegorical portrait of Jahangir (opaque w/c & gold on paper) by Ali Khan, Ghulam (fl.1815); 27.7 x18 cm; San Diego Museum of Art, USA; (add.info.: Nur-ud-din Mohammad Salim)

A hero slays a giant before a crowd of onlookers in a courtyard, illustration from the Hamza Nama, c
FIT282922 A hero slays a giant before a crowd of onlookers in a courtyard, illustration from the Hamza Nama, c.1555-67 (bodycolour on cotton) by Mughal School

Rustam killing the White Demon, from the Shahnama (Book of Kings), by Abu l-Qasim Manur Firdawsi (c. 934-c)
BAL4560 Rustam killing the White Demon, from the Shahnama (Book of Kings), by Abu l-Qasim Manur Firdawsi (c.934-c.1020), from the large Clive Album (gouache on paper) by Indian School

Rustam killing the White Demon, illustration from the Shahnama (Book of Kings), by Abu l-Qasim Manur Firdawsi (c)
STC153444 Rustam killing the White Demon, illustration from the Shahnama (Book of Kings), by Abu l-Qasim Manur Firdawsi (c.934-c.1020), from the Large Clive Album by Indian School

DDE-90024549
Agra, India. The Taj Mahal from a distance Date: 19/02/2005

DDE-90024374
Agra Fort, Agra, Uttar Pradesh, India. Date: 01/10/2009

DDE-90024266
Elephant driver at Amber Fort, Jaipur, India Date: 11/11/2005

DDE-90024265
Tourists riding elephants up to Amber Fort, Jaipur, India. Date: 11/11/2005

DDE-90024264
Tourists riding elephants up to Amber Fort, Jaipur, India. Date: 11/11/2005

DDE-90024262
Amber Fort, Jaipur, India Date: 11/11/2005

DDE-90024261
Amber Fort, Jaipur, India Date: 11/11/2005

DDE-90024260
Amber Fort, Jaipur, India Date: 11/11/2005

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The Mughal dynasty, known for its rich cultural heritage and architectural marvels, left an indelible mark on India's history. From the exquisite Mughal miniatures depicting tales like Layla and Majnun in the wilderness with animals, to the grandeur architecture seen in Delhi's majestic structures, their legacy continues to captivate us. One cannot help but be awestruck by the iconic Taj Mahal, a testament to love and beauty that stands tall even today. Its intricate design and flawless symmetry are a true reflection of the artistic brilliance of the Mughals. However, not all stories associated with this dynasty are as romantic as Shah Jahan's devotion to Mumtaz. Captain Henry Avery, a notorious pirate who plundered Indian treasures during his reign in the 17th century, also crossed paths with these rulers. In contrast to such tales of adventure and piracy is Jahangir's relationship with his father Akbar. A folio from the Shah Jahan Album showcases their bond through a mesmerizing Mughal painting that captures their regality and familial connection. Mughal artistry extended beyond human subjects; it encompassed nature too. The game of wolf-running in Tabriz depicted in an Akbar-nama reveals their fascination with wildlife. Similarly, a floral fantasy called Waq-waq presents animals and birds beautifully intertwined amidst vibrant blooms - showcasing their imagination at its finest. As we delve deeper into this captivating era, we encounter architectural wonders like Lahore's marble pavilion nestled within Fort Gardens or Sezincote in Gloucestershire - home to Baronet Rushout during c1880 - both bearing influences from Mughal aesthetics. Lastly, Bahadur Shah II emerges as one of the most prominent figures associated with this dynasty. As India's last Mughal emperor (1837-1858), he witnessed significant political changes while leaving behind a remarkable Mughal painting that immortalizes his reign.