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Mullioned Collection

"Mullioned: A Glimpse into Architectural Elegance and Artistic Expressions" Step back in time to Browda House, nestled in the picturesque village of Linkinhorne

Background imageMullioned Collection: Browda House, Linkinhorne, Cornwall. 1964

Browda House, Linkinhorne, Cornwall. 1964
A general view of Browda House, a Grade II listed building. It dates from the late 19th century but incorporating some of the original 17th century structure

Background imageMullioned Collection: The King of Arms of the Order of the Golden Fleece Writing about Jacques de Lalaing, c

The King of Arms of the Order of the Golden Fleece Writing about Jacques de Lalaing, c
3545813 The King of Arms of the Order of the Golden Fleece Writing about Jacques de Lalaing, c.1530-40 (tempera, gold leaf and ink on parchment) by Bening, Simon (c.1483-1561); 36.4x26.2 cm; J

Background imageMullioned Collection: Interior of Tonacombe Manor, Morwenstow, Cornwall. 1958

Interior of Tonacombe Manor, Morwenstow, Cornwall. 1958
A view of the interior of Tonacombe Manor showing the main hall. Tonacombe is late medieval manor house, built in the early 16th century with 18th century renovations

Background imageMullioned Collection: Tretawn, St Kew, Cornwall, 1957

Tretawn, St Kew, Cornwall, 1957
General view of most of the Grade II listed late 16th century house. Photographer: Charles Woolf

Background imageMullioned Collection: The Palazzo Pazzi (Palazzo della Congiura or Palazzo Pazzi-Quaratesi

The Palazzo Pazzi (Palazzo della Congiura or Palazzo Pazzi-Quaratesi) - a Renaissance-style palace in Florence, Tuscany, Italy

Background imageMullioned Collection: Marple Hill, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo)

Marple Hill, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo)
CLF311826 Marple Hill, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo) by English Photographer

Background imageMullioned Collection: The west front of Stanway, seen behind the north arch of the forecourt

The west front of Stanway, seen behind the north arch of the forecourt, from 100 Favourite Houses (b/w photo)
CLF310418 The west front of Stanway, seen behind the north arch of the forecourt, from 100 Favourite Houses (b/w photo) by English Photographer

Background imageMullioned Collection: Self-portrait, 1558 (tempera and gold leaf on parchment)

Self-portrait, 1558 (tempera and gold leaf on parchment)
3525765 Self-portrait, 1558 (tempera and gold leaf on parchment) by Bening, Simon (c.1483-1561); 8.5x5.7 cm; Metropolitan Museum of Art, New York

Background imageMullioned Collection: The Tailors Workshop, 1661 (oil on panel)

The Tailors Workshop, 1661 (oil on panel)
3545937 The Tailors Workshop, 1661 (oil on panel) by Brekelenkam, Quiringh Gerritsz. van (c.1620-68); 66x53.5 cm; Rijksmuseum, Amsterdam, The Netherlands; Dutch, out of copyright

Background imageMullioned Collection: Lady Playing the Lute, c. 1610 (oil on wood)

Lady Playing the Lute, c. 1610 (oil on wood)
3588428 Lady Playing the Lute, c.1610 (oil on wood) by Steenwyck, Hendrik the Younger (c.1580-1649); 65x64 cm; National Museum, Stockholm, Sweden; Flemish, out of copyright

Background imageMullioned Collection: Day Dreams, c. 1914 (oil on canvas)

Day Dreams, c. 1914 (oil on canvas)
BAG13577 Day Dreams, c.1914 (oil on canvas) by Langley, Walter (1852-1922); 121x128 cm; Bristol Museum and Art Gallery, UK; eBristol Museums, Galleries & Archives; Purchased, 1916.; English

Background imageMullioned Collection: Waiting (panel)

Waiting (panel)
MAL82271 Waiting (panel) by Linton, James Dromgole (1840-1916); 45.7x30.5 cm; Private Collection; eMallett Gallery, London, UK; English, out of copyright

Background imageMullioned Collection: Grandmother / Baby 1886

Grandmother / Baby 1886
A grandmother in her cottage garden with two granddaughters Date: 1886

Background imageMullioned Collection: Carisbrooke Castle - View through the Gatehouse Arch

Carisbrooke Castle - View through the Gatehouse Arch
Carisbrooke Castle, Isle of Wight, Hampshire, England - View through the Gatehouse Arch Date: circa 1930s

Background imageMullioned Collection: Montacute Post Office

Montacute Post Office
A Post Office situated within an elegant Elizabethan building at Montacute, South Somerset. Photograph by Norman Synge Waller Budd

Background imageMullioned Collection: Montacute House, England

Montacute House, England
Montacute House, situated in the South Somerset village of Montacute. A fantastic example of late Elizabethan architecture The three floored mansion, constructed of local Ham Hill stone



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"Mullioned: A Glimpse into Architectural Elegance and Artistic Expressions" Step back in time to Browda House, nestled in the picturesque village of Linkinhorne, Cornwall. Built in 1964, this architectural gem showcases exquisite mullioned windows that add a touch of grandeur to its facade. Intriguingly, these mullioned windows have not only been admired for their aesthetic appeal but also inspired great works of art. The King of Arms of the Order of the Golden Fleece penned his thoughts on Jacques de Lalaing while gazing out through one such window at Browda House. These windows served as a muse for creativity and contemplation. Marple Hill, captured beautifully by Giles Worsley in his book "England's Lost Houses, " transports us to another era with its black-and-white photo showcasing mullioned windows that speak volumes about the architectural heritage we cherish. Stanway's west front stands tall behind the north arch of its forecourt, revealing an enchanting sight through its mullioned openings. This image from "100 Favourite Houses" reminds us why these features are beloved by many who appreciate timeless beauty. Venturing inside Tonacombe Manor in Morwenstow, Cornwall (1958), we discover how mullioned windows infuse warmth and character into interior spaces. They invite natural light to dance across rooms while framing captivating views outside. Tretawn in St Kew, Cornwall (1957), takes us on a journey where history meets craftsmanship through intricately designed mullions that stand as testaments to skilled artisans who shaped our architectural legacy. Moving beyond architecture, we delve into artistry itself. A self-portrait from 1558 captures an artist at work using tempera and gold leaf on parchment—an ode to creativity framed by delicate mullions that echo artistic precision. "The Tailors Workshop" (1661) and "Lady Playing the Lute" (c.