Mundy Collection

STARK LOVE, 1927. Helen Mundy in a scene from the film

RS De Havilland, 1935. Artist: Mr Mundy
RS De Havilland, 1935. Reginald Saumarez de Havilland (1850-1921), Schoolmaster and Assistant Master at Eton College and coach of the Eton Eight rowing team

Surly Hall, 1935. Artists: Mr Mundy, Hills and Saunders
Surly Hall, 1935. Surly Hall was famous in the 19th century because of the riverside inn used by the students as a refreshment point after their boating activities

Old Mahogany, 1935. Artist: Mr Mundy
Old Mahogany, 1935. Old Mahogany, employed at the Masters Boathouse in the late 19th century. From The Eton Book of the River - With Some Account of the Thames and the Evolution Boat-Racing

Bill Windsor, 1935. Artists: Mr Mundy, Hills and Saunders
Bill Windsor, 1935. William Odell, known as Bill Windsor. From The Eton Book of the River - With Some Account of the Thames and the Evolution Boat-Racing, by L.S.R. Byrne and E. L. Churchill

The Boathouse After Reconstruction, 1909, 1935. Artists: Mr Mundy, Hills and Saunders
The Boathouse After Reconstruction, 1909, 1935. Eton College Boat House (formerly Brocas Boat House Company) after the renovation of the old building, dated back to 1909

Searles Boathouse, 1850-1870, 1935. Artists: Mr Mundy, Hills and Saunders
Searles Boathouse, 1850-1870, 1935. Searle s, Eton Colleges boathouse in use between 1850 and 1870. From The Eton Book of the River - With Some Account of the Thames and the Evolution Boat-Racing

The Boathouse Before Reconstruction, 1882, 1935. Artists: Mr Mundy, Hills and Saunders
The Boathouse Before Reconstruction, 1882, 1935. Eton College Boat House (formerly Brocas Boat House Company) before the renovation of the old building, dated back to 1882

Rafts, Upper End, about 1850, 1935. Artists: Mr Mundy, Hills and Saunders
Rafts, Upper End, about 1850, 1935. Rafts is the name of a boathouse on the north bank of the River Thames, formerly used by Eton College for its boating activities

Upper Hope, 1935. Artists: Mr Mundy, Hills and Saunders
Upper Hope, 1935. A group of young men bathing at Upper Hope, a bank of the Thames near Eton. From The Eton Book of the River - With Some Account of the Thames and the Evolution Boat-Racing

Cuckoo Weir, 1935. Artists: Mr Mundy, Hills and Saunders
Cuckoo Weir, 1935. Cuckoo Weir, the name of a bathing place near Eton. From The Eton Book of the River - With Some Account of the Thames and the Evolution Boat-Racing, by L.S.R. Byrne and E. L

The Earl and Countess of Annesley at Cowes, 1910
Society at Cowes - Francis Annesley, 6th Earl of Annesley, Lord Glerawly before succeeding to the title (1884-1914), son of the 5th earl and Miss Mabel Frances Markham

Georgiana Dss. Newcastle
GEORGIANA ELIZABETH (nee Mundy) duchess of NEWCASTLE wife of Henry Pelham-Clinton, fourth duke Date: 1789 - 1822

John Quincy Adams Ward, Johnson Mundy, Sculptor, American, 1830 - 1910, 1857, pen and brown ink over graphite on wove paper

Francis Noel Clarke Mundy and His Grandson, William Mundy Inscribed, lower left: " Francis Noel C Mundy esq | with his grandson William Mundy" Signed and dated, lower right: " R. R

Lake Rotomahana, New Zealand C016 / 6065
Mount Tarawera and Lake Rotomahana, Rotorua, New Zealand. Photographed during the voyage of HMS Challenger (1872-1876). This scientific expedition, organised by the Royal Society

Mount Tarawera and Lake Rotomahana, Rotorua, New Zealand
A photograph taken during the voyage of H.M.S. Challenger (1872-1876) funded by the British Government for scientific purposes

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"Mundy: A Journey Through Time and Art" Step into the world of Mr Mundy, an artist whose brushstrokes captured the essence of history. In 1935, RS De Havilland became his muse as he painted a masterpiece that showcased the beauty of aviation. Surly Hall also found its place on Mr Mundy's canvas that year, with Hills and Saunders joining forces to create a stunning collaboration. The allure of Old Mahogany beckoned in 1935, as Mr Mundy's artistic vision transformed this piece into a timeless treasure. Bill Windsor too had the honor of being immortalized by this talented artist, with Hills and Saunders lending their expertise to bring it to life. The Boathouse underwent reconstruction in both 1909 and 1935, becoming a subject for Mr Mundy once again. With each stroke, he captured its evolution through time alongside Hills and Saunders' skilled hands. Searles Boathouse transported us back to the mid-19th century while still embracing the artistry of 1935. Before its transformation in 1882, The Boathouse stood proud under Mr Mundy's watchful eye. Its history unfolded before us thanks to his collaboration with Hills and Saunders - an artistic duo like no other. Rafts at Upper End took us even further back in time; circa 1850 was brought vividly to life through Mr Mundy's brushstrokes alongside Hills and Saunders' creative touch. Upper Hope emerged from their collaboration as well - a testament to their ability to capture nature's splendor. Cuckoo Weir mesmerized viewers in 1935 as we marveled at yet another masterpiece by Mr Mundy with Hills and Saunders adding depth and dimensionality. And amidst these historical marvels lies The Earl and Countess of Annesley at Cowes (1910) - an exquisite portrait capturing aristocratic elegance during that era. Georgiana Dss.