Murray Collection (#5)

Portrait of the composer William Croft (1678-1727), 1715. Private Collection

Bombardment of Acre, c1880. Artist: Charles Olivier Murray
Bombardment of Acre, c1880. Episode of the Second Egyptian-Ottoman War (1839-1841). From British Battles on Land and Sea, Vol. III, by James Grant

The Queens House, Colombo, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Queens House, Colombo, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

The Martale Hills, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Martale Hills, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

The Market, Colombo, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Market, Colombo, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Morning Mists in the Valley of the Mahawelli Gangha, c1880 (1905). Artist: Alexander Henry Hallam Murray
Morning Mists in the Valley of the Mahawelli Gangha, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

A Tropical Shower, c1880 (1905). Artist: Alexander Henry Hallam Murray
A Tropical Shower, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

The Mountains from Pallekelly, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Mountains from Pallekelly, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

A Street Scene in Kandy, c1880 (1905). Artist: Alexander Henry Hallam Murray
A Street Scene in Kandy, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

The Temple of the Tooth, Kandy - Interior, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Temple of the Tooth, Kandy - Interior, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

The Temple of the Tooth, Kandy - Exterior, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Temple of the Tooth, Kandy - Exterior, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

A Feeding-Place for Birds, Ahmedabad, c1880 (1905). Artist: Alexander Henry Hallam Murray
A Feeding-Place for Birds, Ahmedabad, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

A Bullock Cart, Jodhpur, c1880 (1905). Artist: Alexander Henry Hallam Murray
A Bullock Cart, Jodhpur, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

The Ascent to the Palace, Jodhpur, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Ascent to the Palace, Jodhpur, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Jodhpur - General view of the Fort, c1880 (1905). Artist: Alexander Henry Hallam Murray
Jodhpur - General view of the Fort, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

The Tank at the Back of the Dargah, Ajmere, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Tank at the Back of the Dargah, Ajmere, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

The Tomb of Khwajah Muin-Ud-Din Chisti, in the Dargah, Ajmere, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Tomb of Khwajah Muin-Ud-Din Chisti, in the Dargah, Ajmere, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

The Ana Sagar, Ajmere, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Ana Sagar, Ajmere, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

The Cauldron at the entrance to the Dargah, Ajmere, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Cauldron at the entrance to the Dargah, Ajmere, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

A Temple in the Tank at Thanesar, c1880 (1905). Artist: Alexander Henry Hallam Murray
A Temple in the Tank at Thanesar, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

The Main Street of Alwar, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Main Street of Alwar, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

The Golden Temple, Amritzar, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Golden Temple, Amritzar, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

A Gateway in the Bazaar, Lahore, c1880 (1905). Artist: Alexander Henry Hallam Murray
A Gateway in the Bazaar, Lahore, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

The Tomb of Tughlak Shah, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Tomb of Tughlak Shah, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Gwalior Fort Before Sunrise, c1880 (1905). Artist: Alexander Henry Hallam Murray
Gwalior Fort Before Sunrise, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

The Bazaar, Agra, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Bazaar, Agra, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

The Taj from the Fort, Agra, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Taj from the Fort, Agra, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Agra Fort - Inside the Delhi Gate, c1880 (1905). Artist: Alexander Henry Hallam Murray
Agra Fort - Inside the Delhi Gate, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Agra Fort - Outside the Delhi Gate, c1880 (1905). Artist: Alexander Henry Hallam Murray
Agra Fort - Outside the Delhi Gate, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

A Benares Ekka, c1880 (1905). Artist: Alexander Henry Hallam Murray
A Benares Ekka, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

A Corner Shrine in a Benares Alley, c1880 (1905). Artist: Alexander Henry Hallam Murray
A Corner Shrine in a Benares Alley, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Returning from the Mela, Allahabad, c1880 (1905). Artist: Alexander Henry Hallam Murray
Returning from the Mela, Allahabad, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

A Nameless Tomb, Bijapur, c1880 (1905). Artist: Alexander Henry Hallam Murray
A Nameless Tomb, Bijapur, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Sunset Behind the Ibrahim Roza, Bijapur, c1880 (1905). Artist: Alexander Henry Hallam Murray
Sunset Behind the Ibrahim Roza, Bijapur, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

The Shahpur Gate, Bijapur, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Shahpur Gate, Bijapur, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

A Doorway, Poona, c1880 (1905). Artist: Alexander Henry Hallam Murray
A Doorway, Poona, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

The Gol Gumbaz, Bijapur, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Gol Gumbaz, Bijapur, c1880 (1905). Gol Gumbaz is the mausoleum of Mohammed Adil Shah, Sultan of Bijapur. The tomb, located in Bijapur, Karnataka in India

The Wake of a P. & O. c1880 (1905). Artist: Alexander Henry Hallam Murray
The Wake of a P. & O. c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Gibraltar from the West, c1880 (1905). Artist: Alexander Henry Hallam Murray
Gibraltar from the West, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

The Bathing Ghats, Benares, c1880 (1905). Artist: Alexander Henry Hallam Murray
The Bathing Ghats, Benares, c1880 (1905). From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

Provost Murrays Tomb (1624) at the East End of Chapel, 1926. Eton College is a boarding independent school for boys in Eton, Berkshire, near Windsor, founded in 1440 by King Henry VI

Portrait of Lord Mansfield, 18th century, (1911). Artist: Farberger
Portrait of Lord Mansfield, 18th century, (1911). William Murray, 1st Earl of Mansfield, (1705-1793) was a British barrister, politician and judge noted for his reform of English law

Rum & Eigg from Loch Moidart, c1812. Artist:s Leith
Rum & Eigg from Loch Moidart, c1812. From Scenery of the Highlands and Islands of Scotland, by Lieut. Colonel W. Murray. [D. Morisson, Junr. & Co, Scotland, c1812]

Dunsinnane and Scone, c1812. Artist:s Leith
Dunsinnane and Scone, c1812. From Scenery of the Highlands and Islands of Scotland, by Lieut. Colonel W. Murray. [D. Morisson, Junr. & Co, Scotland, c1812]

Dunblane Cathedral, c1812. Artist:s Leith
Dunblane Cathedral, c1812. From Scenery of the Highlands and Islands of Scotland, by Lieut. Colonel W. Murray. [D. Morisson, Junr. & Co, Scotland, c1812]

Killiecrankie, c1812. Artist:s Leith
Killiecrankie, c1812. From Scenery of the Highlands and Islands of Scotland, by Lieut. Colonel W. Murray. [D. Morisson, Junr. & Co, Scotland, c1812]

Ben Lomond from the Top of`Ben Arthur, c1812. Artist:s Leith
Ben Lomond from the Top of Ben Arthur, c1812. Ben Arthur, is also known as The Cobbler. Scenery of the Highlands and Islands of Scotland, by Lieut. Colonel W. Murray. [D. Morisson, Junr

The Cobler, c1812. Artist:s Leith
The Cobler, c1812. Probably a view of Ben Arthur, also known as The Cobbler, as seen from Loch Long. From Scenery of the Highlands and Islands of Scotland, by Lieut. Colonel W. Murray. [D

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"Murray: A Multifaceted Legacy of Education, Archery, and Activism" From the ancient Scottish clan Murray to renowned scholars and activists, the name "Murray" carries a rich tapestry of history and accomplishments. In the realm of higher education, the Murrays have left an indelible mark. Whether it be through their contributions to archery or their involvement in academia, they have consistently pushed boundaries. The Scottish types associated with Clan Murray showcase their prowess in archery - a testament to their skill and precision. Venturing into High Street, Burntisland in Fifeshire reveals another facet of this intriguing surname. Here lies evidence of Horrors. My Wife. , a literary work penned by Webster Murray that undoubtedly captivates readers with its gripping narrative. The influence of Mr Percy Holden Illingworth MP and Lord Murray cannot be overlooked either. Their names are synonymous with political powerhouses who have shaped society for generations. Traveling further afield brings us to Tangiers City Wall by George Murray - an artistic masterpiece that transports viewers into another world entirely, and is here that we witness the breadth of talent within this illustrious family. Gilbert Murray stands as yet another shining example within the lineage. As a British classical scholar, his profound impact on academia is undeniable; captured beautifully in Helen Wilson's 1929 drawing. But let us not forget about exploration. Alexander Henry Hallam Murray takes center stage with his stunning depictions of Lake and Palace with a boat Udaipur, India; showcasing both his artistic prowess and wanderlust spirit. Delving deeper into historical expeditions leads us to The Man Sing Palace at Gwalior - an awe-inspiring artwork capturing moments frozen in time from c1880 (1905). Its creator's name? Alexander Henry Hallam Murray once again. And finally, Pauli Murray emerges as an American civil rights activist whose tireless efforts and powerful words continue to inspire.