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Muse Collection (#21)

"Muse: The Eternal Inspiration Unveiled" From the poetic verses of Sappho to the grandeur of the House of Muses

Background imageMuse Collection: Apollo holding pipes right hand accompanied Pegasus

Apollo holding pipes right hand accompanied Pegasus
Artokoloro

Background imageMuse Collection: Muse Poetry 19th century Graphite chalk paper

Muse Poetry 19th century Graphite chalk paper
Artokoloro

Background imageMuse Collection: Muse History ca 1865 Oil canvas 18 1 / 8 x 13 7 / 8

Muse History ca 1865 Oil canvas 18 1 / 8 x 13 7 / 8
Artokoloro

Background imageMuse Collection: Dido Reine de Cartage Muse 17th century Pen brown ink

Dido Reine de Cartage Muse 17th century Pen brown ink
Artokoloro

Background imageMuse Collection: Peter I Alexeievitch the Great (1672-1725). Tsar of Russia (1682-1725). Engraving

Peter I Alexeievitch the Great (1672-1725). Tsar of Russia (1682-1725). Engraving

Background imageMuse Collection: GERMANY: MUSES, c1535. Klagred der Neun Muse oder kunst uber Teutschlandt or

GERMANY: MUSES, c1535. Klagred der Neun Muse oder kunst uber Teutschlandt or Lament of the nine muses over the arts in Germany. Woodcut by George Pencz, c1535

Background imageMuse Collection: ALLEGORY OF ASTRONOMY. Astronomia, a personification of astronomy, with the Greek

ALLEGORY OF ASTRONOMY. Astronomia, a personification of astronomy, with the Greek muse of astronomy, Urania, and the Alexandrian astronomer, Ptolemy

Background imageMuse Collection: PTOLEMY (2nd CENTURY A. D. ). Astronomer, mathematician, and geographer of Alexandria

PTOLEMY (2nd CENTURY A. D. ). Astronomer, mathematician, and geographer of Alexandria
PTOLEMY (2nd CENTURY A.D.). Astronomer, mathematician, and geographer of Alexandria. Ptolemy, guided by the muse of astronomy, using a quadrant to measure the altitude of the moon

Background imageMuse Collection: Ceiling of the Hotel La Riviere (detail of Erato and Terpsichore), 1653 (oil on canvas)

Ceiling of the Hotel La Riviere (detail of Erato and Terpsichore), 1653 (oil on canvas)
XIR904120 Ceiling of the HAśtel La RiviAšre (detail of Erato and Terpsichore), 1653 (oil on canvas) by Le Brun, Charles (1619-90); Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageMuse Collection: Portrait of Jeanne Duval, 1862 (oil on canvas)

Portrait of Jeanne Duval, 1862 (oil on canvas)
XIR83387 Portrait of Jeanne Duval, 1862 (oil on canvas) by Manet, Edouard (1832-83); 90x113 cm; Museum of Fine Arts (Szepmuveszeti) Budapest

Background imageMuse Collection: John Vanderlyn, A Muse, American, 1775-1852, 1815-1818, charcoal and white chalk

John Vanderlyn, A Muse, American, 1775-1852, 1815-1818, charcoal and white chalk heightened with white on pinkish-tan paper, squared for transfer

Background imageMuse Collection: Polly Kennedy, mezzotint by Thomas Watson, 1771 (mezzotint)

Polly Kennedy, mezzotint by Thomas Watson, 1771 (mezzotint)
XJF696543 Polly Kennedy, mezzotint by Thomas Watson, 1771 (mezzotint) by Reynolds, Joshua (1723-92) (after); Private Collection; (add.info.: Polly Kennedy (d.1781) alias Jones, courtesan

Background imageMuse Collection: John Gray, 1893 (b / w photo)

John Gray, 1893 (b / w photo)
XJF486350 John Gray, 1893 (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: John Gray (1866a'1934)

Background imageMuse Collection: Musick, from The Gentlemans Recreation published by Richard Blome

Musick, from The Gentlemans Recreation published by Richard Blome
XJF483382 Musick, from The Gentlemans Recreation published by Richard Blome, 1686 (engraving) by English School, (17th century); Private Collection; (add.info)

Background imageMuse Collection: Painting, from The Gentlemans Recreation published by Richard Blome

Painting, from The Gentlemans Recreation published by Richard Blome
XJF483362 Painting, from The Gentlemans Recreation published by Richard Blome, 1686 (engraving) by English School, (17th century); Private Collection; (add.info)

Background imageMuse Collection: Thalia, Muse of comedy and idyllic poetry, 1805 (engraving)

Thalia, Muse of comedy and idyllic poetry, 1805 (engraving)
XJF472256 Thalia, Muse of comedy and idyllic poetry, 1805 (engraving) by English School, (19th century); Private Collection; English, out of copyright

Background imageMuse Collection: Abel-Truchet, La Muse malade, French, 1857 - 1919, c

Abel-Truchet, La Muse malade, French, 1857 - 1919, c. 1900, lithograph in brown on light brown wove paper

Background imageMuse Collection: Mrs. Morris and the Wombat, 1869 (pen & ink on paper)

Mrs. Morris and the Wombat, 1869 (pen & ink on paper)
XJF417305 Mrs. Morris and the Wombat, 1869 (pen & ink on paper) by Rossetti, Dante Gabriel Charles (1828-82); Private Collection; (add.info)

Background imageMuse Collection: The Mermaids Haunt, 1804 (oil on panel)

The Mermaids Haunt, 1804 (oil on panel)
BAL4074 The Mermaids Haunt, 1804 (oil on panel) by Ibbetson, Julius Caesar (1759-1817); 37.5 x 48 cm; Victoria & Albert Museum, London

Background imageMuse Collection: Pierre de Ronsard, aged 27 and Cassandre Salviati (engraving) (b / w photo)

Pierre de Ronsard, aged 27 and Cassandre Salviati (engraving) (b / w photo)
XIR383132 Pierre de Ronsard, aged 27 and Cassandre Salviati (engraving) (b/w photo) by Mellan, Claude (1598-1688); Bibliotheque Nationale, Paris

Background imageMuse Collection: Ulrike von Levetzow (oil on canvas)

Ulrike von Levetzow (oil on canvas)
XPH330430 Ulrike von Levetzow (oil on canvas) by German School, (19th century); Goethe National Museum, Weimar, Germany; (add.info)

Background imageMuse Collection: The Muses, Clio, Euterpe and Thalia, c. 1652-55 (oil on panel)

The Muses, Clio, Euterpe and Thalia, c. 1652-55 (oil on panel)
XIR71569 The Muses, Clio, Euterpe and Thalia, c.1652-55 (oil on panel) by Le Sueur, Eustache (1617-55); 130x138 cm; Louvre, Paris, France; French, out of copyright

Background imageMuse Collection: Minerva with the Muses (oil on canvas)

Minerva with the Muses (oil on canvas)
XIR71579 Minerva with the Muses (oil on canvas) by Stella, Jacques (1596-1657); 116x162 cm; Louvre, Paris, France; French, out of copyright

Background imageMuse Collection: Elizabeth Siddal, May 1854 (pen and ink) (b / w photo)

Elizabeth Siddal, May 1854 (pen and ink) (b / w photo)
XJF294099 Elizabeth Siddal, May 1854 (pen and ink) (b/w photo) by Rossetti, Dante Gabriel Charles (1828-82); Victoria & Albert Museum, London, UK; (add.info.: Study made during a stay at Hastings)

Background imageMuse Collection: Miss Elizabeth Siddal (pen & ink and wash on paper)

Miss Elizabeth Siddal (pen & ink and wash on paper)
XYC277146 Miss Elizabeth Siddal (pen & ink and wash on paper) by Rossetti, Dante Gabriel Charles (1828-82); 17.9x10.6 cm; Yale Center for British Art, Gift of Paul Mellon

Background imageMuse Collection: Laura de Noves, from L Histoire Universelle Ancienne et Moderne, published in Strasbourg c

Laura de Noves, from L Histoire Universelle Ancienne et Moderne, published in Strasbourg c
KW2603384 Laura de Noves, from L Histoire Universelle Ancienne et Moderne, published in Strasbourg c.1860 (engraving) by French School

Background imageMuse Collection: Muse with Lute, Jacopo Tintoretto, 1528 - 1594

Muse with Lute, Jacopo Tintoretto, 1528 - 1594

Background imageMuse Collection: Athene and the Nine Muses at the Wells of Hipokrene, 1624 (oil on copper)

Athene and the Nine Muses at the Wells of Hipokrene, 1624 (oil on copper)
BAL210198 Athene and the Nine Muses at the Wells of Hipokrene, 1624 (oil on copper) by Konig, Johann or Hans (1586-1642); 19.5x29 cm; Private Collection; (add.info)

Background imageMuse Collection: Jeanne Duval, 1865 (pen & ink on paper) (b / w photo)

Jeanne Duval, 1865 (pen & ink on paper) (b / w photo)
XIR200360 Jeanne Duval, 1865 (pen & ink on paper) (b/w photo) by Baudelaire, Charles Pierre (1821-67); 20.6x14.5 cm; Bibliotheque Nationale, Paris

Background imageMuse Collection: Portrait of Jeanne Duval with notes by Auguste Poulet-Malassis (1825-78) 1858-60

Portrait of Jeanne Duval with notes by Auguste Poulet-Malassis (1825-78) 1858-60
XIR200359 Portrait of Jeanne Duval with notes by Auguste Poulet-Malassis (1825-78) 1858-60 (pen & ink on paper) (b/w photo) by Baudelaire, Charles Pierre (1821-67); Bibliotheque Nationale, Paris

Background imageMuse Collection: Apollo and the Muses, 1600 (oil on panel)

Apollo and the Muses, 1600 (oil on panel)
XAM198147 Apollo and the Muses, 1600 (oil on panel) by Italian School, (17th century); Kunsthistorisches Museum, Vienna, Austria; Ali Meyer; Italian, out of copyright

Background imageMuse Collection: Relief depicting an Allegory of Music (lapis lazuli)

Relief depicting an Allegory of Music (lapis lazuli)
XIR184060 Relief depicting an Allegory of Music (lapis lazuli) by French School, (16th century); 12.8x9.5 cm; Louvre, Paris, France; (add.info.: allegorie de la musique composant; ); French

Background imageMuse Collection: Monument to Johannes Brahms (1833-97) 1908 (marble)

Monument to Johannes Brahms (1833-97) 1908 (marble)
XZO180304 Monument to Johannes Brahms (1833-97) 1908 (marble) by Weyr, Rudolf von (1847-1914); Ressel Park, Vienna, Austria; Austrian, out of copyright

Background imageMuse Collection: Monument to Frederic Chopin (1810-49) (marble)

Monument to Frederic Chopin (1810-49) (marble)
XZO180300 Monument to Frederic Chopin (1810-49) (marble) by French School, (19th century); Parc Monceau, Paris, France; French, out of copyright

Background imageMuse Collection: Reason, engraved by Carre, 1793 (colour litho)

Reason, engraved by Carre, 1793 (colour litho)
XIR179989 Reason, engraved by Carre, 1793 (colour litho) by Desrais, Claude Louis (1746-1816) (after); Musee de la Ville de Paris, Musee Carnavalet, Paris, France; French, out of copyright

Background imageMuse Collection: Poets Inspiration, 1785 (oil on canvas)

Poets Inspiration, 1785 (oil on canvas)
BAL174048 Poets Inspiration, 1785 (oil on canvas) by Rossi, Marco (fl.1785); 96x133 cm; Arkhangelsk Cathedral Museum, Moscow, Russia; Italian, out of copyright

Background imageMuse Collection: Calliope, Pieter Nolpe, Hendrick Goltzius, Johannes Colom, 1650

Calliope, Pieter Nolpe, Hendrick Goltzius, Johannes Colom, 1650

Background imageMuse Collection: Clio, Pieter Nolpe, Hendrick Goltzius, Johannes Colom, 1650

Clio, Pieter Nolpe, Hendrick Goltzius, Johannes Colom, 1650

Background imageMuse Collection: Erato, Pieter Nolpe, Hendrick Goltzius, Johannes Colom, 1650

Erato, Pieter Nolpe, Hendrick Goltzius, Johannes Colom, 1650

Background imageMuse Collection: Muse Clio with trumpet and squirting milk from her breast, swan and putti at her feet

Muse Clio with trumpet and squirting milk from her breast, swan and putti at her feet, Cornelis van Dalen I Jacob Lescailje, Joost Hartgers, 1644

Background imageMuse Collection: Poetry and Music (stone)

Poetry and Music (stone)
XIR165561 Poetry and Music (stone) by Clodion, Claude Michel (1738-1814); Musee d Art Thomas Henry, Cherbourg, France; (add.info.: la poesie et la musique; ); French, out of copyright

Background imageMuse Collection: The Muses Melpomene, Erato and Polymnia, 1652-55 (oil on canvas)

The Muses Melpomene, Erato and Polymnia, 1652-55 (oil on canvas)
XIR161041 The Muses Melpomene, Erato and Polymnia, 1652-55 (oil on canvas) by Le Sueur, Eustache (1617-55); 130x138 cm; Louvre, Paris

Background imageMuse Collection: Euterpe, Charles David, Franco Estius, Pierre Firens, 1618 - 1622

Euterpe, Charles David, Franco Estius, Pierre Firens, 1618 - 1622

Background imageMuse Collection: Detail of Dedication to Brahms (marble) (see also 155042, 155043 and 155045-49)

Detail of Dedication to Brahms (marble) (see also 155042, 155043 and 155045-49)
XKH155044 Detail of Dedication to Brahms (marble) (see also 155042, 155043 and 155045-49) by Klinger, Max (1857-1920); height: 385 cm; On Loan to the Hamburg Kunsthalle, Hamburg, Germany; German

Background imageMuse Collection: Poet and his muse, Gerard Melder, Abraham Ambrullaart, 1734

Poet and his muse, Gerard Melder, Abraham Ambrullaart, 1734

Background imageMuse Collection: Erato (tempera on panel)

Erato (tempera on panel)
XAL154698 Erato (tempera on panel) by Tura, Cosimo (1430-95) and Maccagnino, Angelo (15th century); Pinacoteca Nazionale, Ferrara, Italy; Italian, out of copyright

Background imageMuse Collection: Memorial to Whistler (1903-26) (marble) (b / w photo)

Memorial to Whistler (1903-26) (marble) (b / w photo)
BAL145740 Memorial to Whistler (1903-26) (marble) (b/w photo) by Rodin, Auguste (1840-1917); Private Collection; French, out of copyright

Background imageMuse Collection: Landscape with three music-making muses, Eustache Lesueur Bernard Picart, 1683 - 1733

Landscape with three music-making muses, Eustache Lesueur Bernard Picart, 1683 - 1733




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"Muse: The Eternal Inspiration Unveiled" From the poetic verses of Sappho to the grandeur of the House of Muses, the essence of inspiration has captivated humanity throughout history. In a mesmerizing dance at Harkness Theatre, Enrique Senis-Oliver's mural transports us to an era where dancers paid homage to Terpsichore, the goddess of dance. This photograph immortalizes their graceful movements as they become one with divine artistry. Even Mary Queen of Scotland found solace in her muse, drawing strength and creativity from its ethereal presence. Jane Morris, beautifully posed by Dante Gabriel Rossetti in 1865, embodies the very essence of inspiration captured on albumen print. Her captivating gaze speaks volumes about the power that muses hold over our hearts and minds. A Roman mosaic whispers tales untold as it depicts scenes inspired by these enchanting beings. Thalia and Erato stand tall among them, radiating their influence upon those who dare to dream beyond boundaries. Maurice Denis' oil painting further immortalizes these muses in all their glory; his canvas becomes a portal into a world where imagination knows no limits. The Dance of Apollo with the Nine Muses comes alive through tempera on panel—a celestial symphony that harmoniously blends movement and melody under Apollo's watchful eye. A mosaic from Augusta Treverorum stands as a testament to their enduring legacy—each muse intricately crafted with vibrant colors that breathe life into ancient stories. Jane Morris returns once more through Rossetti's lens—an embodiment not only for Clio but also for Calliope—the muses who inspire history and epic poetry alike. Their presence transcends time itself, leaving an indelible mark on artistic expression across generations. And finally, Beethoven himself succumbs to his muse's allure in 1912 when charcoal meets paper—a moment frozen forever where genius listens intently for whispers of inspiration. In the realm of creativity, muses reign supreme.