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Musket Collection (#9)

"The Musket: A Weapon of Revolution and Victory" From the battlefields of the Revolutionary War to the Napoleonic Wars

Background imageMusket Collection: Miscellaneous 1500

Miscellaneous 1500
LLM455320 Miscellaneous 1500 by Kretschmer, Albert (1825-91); Private Collection; (add.info.: Miscellaneous 1500. Illustration from The Costumes of All Nations by Albert Kretschmer and Carl Rohrbach)

Background imageMusket Collection: American Continental Army: Uniforms of independent company organizations of 1774-5

American Continental Army: Uniforms of independent company organizations of 1774-5
PNP351144 American Continental Army: Uniforms of independent company organizations of 1774-5 (w/c on paper) by Ogden, Henry Alexander (1856-1936)

Background imageMusket Collection: An Albanian Soldier, plate 78 from Collection of One Hundred Prints Representing

An Albanian Soldier, plate 78 from Collection of One Hundred Prints Representing
STC409030 An Albanian Soldier, plate 78 from Collection of One Hundred Prints Representing the Different Nations of the Levant by Charles de Ferriol, engraved by Gerard Scotin (1671-1716)

Background imageMusket Collection: A matchlockman riding a camel, Vizagapatam, c. 1795 (brass)

A matchlockman riding a camel, Vizagapatam, c. 1795 (brass)
AME119065 A matchlockman riding a camel, Vizagapatam, c.1795 (brass) by Indian School, (18th century); height:17.3 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Indian

Background imageMusket Collection: John Hunt Morgans (1825-64) Raiders (litho)

John Hunt Morgans (1825-64) Raiders (litho)
PNP262547 John Hunt Morgans (1825-64) Raiders (litho) by American School, (19th century); Private Collection; (add.info.: daring raid through Kentucky, across the Ohio River, into Indiana and Ohio)

Background imageMusket Collection: A Private of the 15th, or Kings Hussars, from Costumes of the Army of the British

A Private of the 15th, or Kings Hussars, from Costumes of the Army of the British
NAM254118 A Private of the 15th, or Kings Hussars, from Costumes of the Army of the British Empire, according to the last regulations 1812, engraved by J.C. Stadler, published by Colnaghi & Co

Background imageMusket Collection: The Defender of Vercheres, illustration from The Romance of Canada

The Defender of Vercheres, illustration from The Romance of Canada
IL283067 The Defender of Vercheres, illustration from The Romance of Canada (colour litho) by Stott, W.R.S. (1878-1939); Private Collection; (add.info)

Background imageMusket Collection: The Battle of Antietam, 1862, by Kurz & Allison (colour litho)

The Battle of Antietam, 1862, by Kurz & Allison (colour litho)
PNP264228 The Battle of Antietam, 1862, by Kurz & Allison (colour litho) by American School, (19th century); Private Collection; Peter Newark Military Pictures; American, out of copyright

Background imageMusket Collection: Robinson Crusoe Writes the Date of the Shipwreck (colour litho)

Robinson Crusoe Writes the Date of the Shipwreck (colour litho)
CHT167328 Robinson Crusoe Writes the Date of the Shipwreck (colour litho) by French School, (19th century); Private Collection; (add.info)

Background imageMusket Collection: Musketeer from the time of Louis XV (1715-74) and Louis XVI (1754-93) (gouache on paper)

Musketeer from the time of Louis XV (1715-74) and Louis XVI (1754-93) (gouache on paper)
XIR183360 Musketeer from the time of Louis XV (1715-74) and Louis XVI (1754-93) (gouache on paper) by Lesueur, Pierre Antoine (1770-1850); Private Collection; French, out of copyright

Background imageMusket Collection: Uniform of a Private of the Continental Line in the 3rd New York Regiment in 1775, c

Uniform of a Private of the Continental Line in the 3rd New York Regiment in 1775, c
NYH182480 Uniform of a Private of the Continental Line in the 3rd New York Regiment in 1775, c.1920 (gouache on paper) by Lefferts

Background imageMusket Collection: The Knife Grinder, 1635-40

The Knife Grinder, 1635-40
BOO73052 The Knife Grinder, 1635-40 by Puga, Antonio (1602-48); 118x158.5 cm; State Hermitage Museum, St. Petersburg, Russia; Spanish, out of copyright

Background imageMusket Collection: Captain John Rackham (d. 1720) Anne Bonney (d. 1720) and Mary Read (d

Captain John Rackham (d. 1720) Anne Bonney (d. 1720) and Mary Read (d
CHT175098 Captain John Rackham (d.1720) Anne Bonney (d.1720) and Mary Read (d.1720) in the Antilles, c.1820 (colour litho) by Italian School, (19th century); Bibliotheque des Arts Decoratifs, Paris

Background imageMusket Collection: Louisiana indians tracking their enemy, c. 1811 (coloured engraving)

Louisiana indians tracking their enemy, c. 1811 (coloured engraving)
CHT174197 Louisiana indians tracking their enemy, c.1811 (coloured engraving) by French School, (19th century); Bibliotheque des Arts Decoratifs, Paris

Background imageMusket Collection: The New Manual and Platoon Exercises, as practised by His Majestys Army

The New Manual and Platoon Exercises, as practised by His Majestys Army
5920341 The New Manual and Platoon Exercises, as practised by His MajestyAs Army, circa 1795 (engraving, coloured) by Dighton, Robert (1752-1814); National Army Museum

Background imageMusket Collection: Macdonnel of Glengarry', from The Clans of the Scottish Highlands, pub

Macdonnel of Glengarry", from The Clans of the Scottish Highlands, pub
3804305 Macdonnel of Glengarry", from The Clans of the Scottish Highlands, pub.1845 (colour litho) by McIan, Robert Ronald (1803-56); Private Collection; The Stapleton Collection; Scottish

Background imageMusket Collection: 'Cameron', from The Clans of the Scottish Highlands, pub. 1845 (colour litho)

"Cameron", from The Clans of the Scottish Highlands, pub. 1845 (colour litho)
3804291 " Cameron", from The Clans of the Scottish Highlands, pub.1845 (colour litho) by McIan, Robert Ronald (1803-56); Private Collection; The Stapleton Collection; Scottish

Background imageMusket Collection: Buffalo Bills Wild West, Col. W. F. Cody, published 1890 (colour ithograph)

Buffalo Bills Wild West, Col. W. F. Cody, published 1890 (colour ithograph)
1275215 Buffalo Bills Wild West, Col. W.F. Cody, published 1890 (colour ithograph) by Ritchie, Alick Penrose Forbes (1868-1938); Private Collection; (add.info)

Background imageMusket Collection: The Cockpit, plate from The Adventures of Johnny Newcome in the Navy

The Cockpit, plate from The Adventures of Johnny Newcome in the Navy
1630663 The Cockpit, plate from The Adventures of Johnny Newcome in the Navy by John Mitford, 1818 (hand-coloured aquatint) by Williams

Background imageMusket Collection: I m Doing My Best, Sir (engraving)

I m Doing My Best, Sir (engraving)
3648088 I m Doing My Best, Sir (engraving) by Goez, Joseph Franz von (1754-1815) (after); Private Collection; (add.info.: I m Doing My Best, Sir)

Background imageMusket Collection: The Rescue, 1876 (hand-coloured lithograph)

The Rescue, 1876 (hand-coloured lithograph)
3704149 The Rescue, 1876 (hand-coloured lithograph) by Currier, N. (1813-88) and Ives, J.M. (1824-95); Metropolitan Museum of Art, New York

Background imageMusket Collection: Militia or Marine Pattern. 78in flintlock musket, 1759 (metal)

Militia or Marine Pattern. 78in flintlock musket, 1759 (metal)
3037307 Militia or Marine Pattern.78in flintlock musket, 1759 (metal) by English School, (18th century); National Army Museum, London; (add.info.: 42 in barrel, iron ramrod)

Background imageMusket Collection: Les Bachi-Bouzouks (Bashi-Bazouks) (colour litho)

Les Bachi-Bouzouks (Bashi-Bazouks) (colour litho)
3098844 Les Bachi-Bouzouks (Bashi-Bazouks) (colour litho) by French School, (19th century); Private Collection; (add.info.: Les Bachi-Bouzouks (Bashi-Bazouks)

Background imageMusket Collection: The South Carolina State Arsenal in Charleston, South Carolina

The South Carolina State Arsenal in Charleston, South Carolina
867761 The South Carolina State Arsenal in Charleston, South Carolina, guarded by parading detachments of the Washington Light Infantry, 1860 (litho) by Waud

Background imageMusket Collection: Washington in 1772, drawn by Anson Dickinson c. 1833 (steel engraving)

Washington in 1772, drawn by Anson Dickinson c. 1833 (steel engraving)
1066767 Washington in 1772, drawn by Anson Dickinson c.1833 (steel engraving) by Peale, Charles Willson (1741-1827) (after); 14x10.9 cm; Dallas Museum of Art, Texas

Background imageMusket Collection: Afghan Soldier, c. 1840-50 (coloured engraving)

Afghan Soldier, c. 1840-50 (coloured engraving)
CHT165180 Afghan Soldier, c.1840-50 (coloured engraving) by French School, (19th century); Bibliotheque des Arts Decoratifs, Paris, France; eArchives Charmet; French, out of copyright

Background imageMusket Collection: Taking the Firing Position with the Musket, 1634 / 1635. Creator: Jacques Callot

Taking the Firing Position with the Musket, 1634 / 1635. Creator: Jacques Callot
Taking the Firing Position with the Musket, 1634/1635

Background imageMusket Collection: Firing the Musket, 1634 / 1635. Creator: Jacques Callot

Firing the Musket, 1634 / 1635. Creator: Jacques Callot
Firing the Musket, 1634/1635

Background imageMusket Collection: Drill with the Musket, 1634 / 1635. Creator: Jacques Callot

Drill with the Musket, 1634 / 1635. Creator: Jacques Callot
Drill with the Musket, 1634/1635

Background imageMusket Collection: A private Marine of Col. Fourgeouds Corps, 1793. Creator: William Blake

A private Marine of Col. Fourgeouds Corps, 1793. Creator: William Blake
A private Marine of Col. Fourgeouds Corps, 1793

Background imageMusket Collection: An American military camp, Camp Blatch at Hempstead Plains, New York

An American military camp, Camp Blatch at Hempstead Plains, New York. Here, a sentry blocks two enthusiastic lady admirers and their bicycles. Date: 1898

Background imageMusket Collection: In fighting between the Portuguese and the natives, the musket proves its superiority to

In fighting between the Portuguese and the natives, the musket proves its superiority to bows and arrows, despite the disparity of numbers Date: circa 1600

Background imageMusket Collection: Combination Flintlock Pistol and Concealed Dagger, Italian, Bargi, ca. 1690

Combination Flintlock Pistol and Concealed Dagger, Italian, Bargi, ca. 1690

Background imageMusket Collection: Pair of Flintlock Pistols, Indian, Lucknow, and possibly British, London, ca. 1786

Pair of Flintlock Pistols, Indian, Lucknow, and possibly British, London, ca. 1786. Markings indicate the pistols were made in the Arsenal at Lucknow, India

Background imageMusket Collection: Pair of Pistols with Flintlocks alla Fiorentina, Italian, Pistoia, ca. 1750-75

Pair of Pistols with Flintlocks alla Fiorentina, Italian, Pistoia, ca. 1750-75

Background imageMusket Collection: Double-Barreled Flintlock Shotgun, French, Versailles, dated 1801

Double-Barreled Flintlock Shotgun, French, Versailles, dated 1801

Background imageMusket Collection: Flintlock Gun, French, Saint-Etienne, dated 1735. Creators: Louis Jaley, Nicolas Carteron

Flintlock Gun, French, Saint-Etienne, dated 1735. Creators: Louis Jaley, Nicolas Carteron
Flintlock Gun, French, Saint-Etienne, dated 1735

Background imageMusket Collection: Pair of Flintlock Pistols, Italian, Brescia, ca. 1686. Creator: Giovan Battista Francino

Pair of Flintlock Pistols, Italian, Brescia, ca. 1686. Creator: Giovan Battista Francino
Pair of Flintlock Pistols, Italian, Brescia, ca. 1686

Background imageMusket Collection: Pair of Flintlock Pistols, German, Regensburg, ca. 1760-70

Pair of Flintlock Pistols, German, Regensburg, ca. 1760-70

Background imageMusket Collection: Cased Pair of Double-Barreled Turn-Off Flintlock Pistols, French, Paris, ca. 1800

Cased Pair of Double-Barreled Turn-Off Flintlock Pistols, French, Paris, ca. 1800. The plaques feature heads of Medusa and Bacchus

Background imageMusket Collection: Pair of Flintlock Pistolsof Count Heinrich von Brühl (1700-1763), French, Paris, ca

Pair of Flintlock Pistolsof Count Heinrich von Brühl (1700-1763), French, Paris, ca
Pair of Flintlock Pistolsof Count Heinrich von Bruhl (1700-1763), French, Paris, ca. 1740

Background imageMusket Collection: Pair of Double-Barreled Flintlock Pistols, French, Paris, 1752-53

Pair of Double-Barreled Flintlock Pistols, French, Paris, 1752-53

Background imageMusket Collection: Flintlock Pistol Made for Charles XI of Sweden (1655-1697), French, Paris, dated 1676

Flintlock Pistol Made for Charles XI of Sweden (1655-1697), French, Paris, dated 1676

Background imageMusket Collection: Flintlock Longrifle, American, Pennsylvania, York County, ca. 1795

Flintlock Longrifle, American, Pennsylvania, York County, ca. 1795

Background imageMusket Collection: Pair of Flintlock Pistols of the Prince of Wales, later George IV (1762-1830), British

Pair of Flintlock Pistols of the Prince of Wales, later George IV (1762-1830), British
Pair of Flintlock Pistols of the Prince of Wales, later George IV (1762-1830), with Case and Accessories, British, London, hallmarked for 1787-88

Background imageMusket Collection: Pair of Flintlock Pistols Made for Christian Ernst, Franco-German, Erlangen-Neustadt, ca

Pair of Flintlock Pistols Made for Christian Ernst, Franco-German, Erlangen-Neustadt, ca
Pair of Flintlock Pistols Made for Christian Ernst, Margrave of Brandenburg-Ansbach-Bayreuth-Kulmbach, Franco-German, Erlangen-Neustadt, ca. 1686-90

Background imageMusket Collection: Flintlock Longrifle, American, York County, Pennsylvania, ca. 1770

Flintlock Longrifle, American, York County, Pennsylvania, ca. 1770




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"The Musket: A Weapon of Revolution and Victory" From the battlefields of the Revolutionary War to the Napoleonic Wars, the musket stood as a symbol of strength and determination. Depicted in Howard Pyle's masterpiece "The Nation Makers, " it immortalizes the Battle of Brandywine, where brave soldiers fought for freedom. Dating back to the 16th century, an arquebusse was among its predecessors. This early firearm paved the way for advancements that would shape history. Laodicea Dicey Langston, a South Carolinian heroine depicted in a mezzotint by Tompkins Harrison Matteson, exemplified this weapon's power during her valiant defense against Loyalist troops. French uniforms during Napoleon's era showcased both style and functionality. As these soldiers marched into battle with their trusty muskets in hand, they embodied discipline and unity. Across continents, such as India, smoothbore muskets like Pattern 1858 played crucial roles in conflicts. These firearms became synonymous with resistance against oppression. In American history, no flag waved more proudly than the Pine Tree flag during the Revolution. It flew high above patriots armed with muskets and rifles from 1800 onwards - instruments that safeguarded liberty itself. Brigadier General John Stark commanded victorious American forces at Bennington while wielding his trusted musket. Alonzo Chappel's painting captured this historic moment forever etched into our collective memory. The first blow for liberty resounded through Lexington and Concord – events immortalized by A. H Ritchie's colored engraving from the 19th century. Muskets fired defiantly as colonists fought bravely against British tyranny. French soldiers donned distinctive uniforms throughout history; their attire reflected changing times but never diminished their reliance on reliable weaponry like muskets – weapons that shaped nations' destinies since time immemorial.