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Nail Collection (#9)

"Nail: From Ostrich Legs to Crucifixion, a Journey through History and Culture" In Central America's vibrant Costa Rica, the art of hand manicure takes center stage

Background imageNail Collection: Black and white illustration of making holes in metal lid using hammer and nail

Black and white illustration of making holes in metal lid using hammer and nail

Background imageNail Collection: Illustration of removing nail using claw hammer

Illustration of removing nail using claw hammer

Background imageNail Collection: Black and white illustration of hammer on a board with two nails halfway in

Black and white illustration of hammer on a board with two nails halfway in

Background imageNail Collection: Digital illustration showing how electrochemistry works

Digital illustration showing how electrochemistry works

Background imageNail Collection: Cross section biomedical illustration of fingernail

Cross section biomedical illustration of fingernail

Background imageNail Collection: BLACKSMITH, 1483. Woodcut from William Caxtons edition, 1483, of Jacobus de Cessolis Game

BLACKSMITH, 1483. Woodcut from William Caxtons edition, 1483, of Jacobus de Cessolis Game and Play of the Chess, 1483

Background imageNail Collection: LUTHER ANNIVERSARY, 1617. German broadside, 1617, commemorating the 100th anniversary

LUTHER ANNIVERSARY, 1617. German broadside, 1617, commemorating the 100th anniversary of the nailing of Martin Luthers 95 theses to the church door at Wittenberg, after a woodcut, 1518

Background imageNail Collection: The Duchess of Rochefoucauld and the hand of EugAeene de Beauharnais (oil on canvas)

The Duchess of Rochefoucauld and the hand of EugAeene de Beauharnais (oil on canvas)
XIR897164 The Duchess of Rochefoucauld and the hand of EugAeAšne de Beauharnais (oil on canvas) by David, Jacques Louis (1748-1825); Musee Fabre, Montpellier

Background imageNail Collection: Nails, hooks, pulleys and iron fitments needed to built a galley, twenty-sixth demonstration

Nails, hooks, pulleys and iron fitments needed to built a galley, twenty-sixth demonstration
XIR661375 Nails, hooks, pulleys and iron fitments needed to built a galley, twenty-sixth demonstration, plate 27, illustration from Demonstrations de toutes les pieces de bois

Background imageNail Collection: Nude (pencil on paper)

Nude (pencil on paper)
XZO473092 Nude (pencil on paper) by Rodin, Auguste (1840-1917); Musee Rodin, Paris, France; (add.info.: Nu); French, out of copyright

Background imageNail Collection: Barbara Dietzsch (German, 1706 - 1783), A Rose-Breasted Finch Hanging from a Nail, c

Barbara Dietzsch (German, 1706 - 1783), A Rose-Breasted Finch Hanging from a Nail, c. 1760, watercolor and gouache on vellum on old mount

Background imageNail Collection: Dead Birds (oil on canvas)

Dead Birds (oil on canvas)
XIR444271 Dead Birds (oil on canvas) by Hondecoeter, Melchior de (1636-95); Private Collection; (add.info.: Oiseaux Morts; ); Dutch, out of copyright

Background imageNail Collection: Altarpiece panel showing the Deposition (oil on panel)

Altarpiece panel showing the Deposition (oil on panel)
XIR440706 Altarpiece panel showing the Deposition (oil on panel) by Spanish School, (12th century); Museo Diocesano de Solsona, Lleida, Spain; (add.info.: Panneau d autel)

Background imageNail Collection: Life of Christ, the Raising of the Cross, preparatory study of tapestry cartoon for

Life of Christ, the Raising of the Cross, preparatory study of tapestry cartoon for
XIR414566 Life of Christ, the Raising of the Cross, preparatory study of tapestry cartoon for the Church Saint-Merri in Paris

Background imageNail Collection: Christ Resurrected between St. Teresa of Avila (1515-82) and St. John of the Cross

Christ Resurrected between St. Teresa of Avila (1515-82) and St. John of the Cross
XIR78699 Christ Resurrected between St. Teresa of Avila (1515-82) and St. John of the Cross (1524-91) (oil on canvas) by Corneille, Michel des Gobelins (1642-1708); Chapelle Saint-Joseph des Carmes

Background imageNail Collection: Jael, Jan Collaert (II), Philips Galle, Cornelis Kiliaan, 1588 - 1595

Jael, Jan Collaert (II), Philips Galle, Cornelis Kiliaan, 1588 - 1595

Background imageNail Collection: Crucifix pricks a nail in the cheek of a fleeing nun, Caspar Luyken, Christoph Weigel

Crucifix pricks a nail in the cheek of a fleeing nun, Caspar Luyken, Christoph Weigel, Frantz Martin Hertzen, 1710

Background imageNail Collection: The Painter Otto Eckmann (1865-1902) 1897 (oil on canvas)

The Painter Otto Eckmann (1865-1902) 1897 (oil on canvas)
XKH141053 The Painter Otto Eckmann (1865-1902) 1897 (oil on canvas) by Corinth, Lovis (Franz Heinrich Louis) (1858-1925); 110x55 cm; Hamburger Kunsthalle, Hamburg, Germany; German, out of copyright

Background imageNail Collection: The Nail Makers (Le Cloutier Grossier)

The Nail Makers (Le Cloutier Grossier); Jean-Michel Moreau le jeune, French, 1741 - 1814; about 1763; Pen and black ink and brush with gray wash over traces of black chalk; 11.7 x 24.1 cm

Background imageNail Collection: Peeling paint, rusty nails, Reykjanesskagi, Southern Peninsula or Reykjanes, Iceland

Peeling paint, rusty nails, Reykjanesskagi, Southern Peninsula or Reykjanes, Iceland

Background imageNail Collection: INDIA: FAKIR, 1907. A fakir on his bed of spikes. Stereograph, 1907

INDIA: FAKIR, 1907. A fakir on his bed of spikes. Stereograph, 1907

Background imageNail Collection: LUTHER ANNIVERSARY, 1518. German broadside, 1518, commemorating the first anniversary

LUTHER ANNIVERSARY, 1518. German broadside, 1518, commemorating the first anniversary of the nailing of Martin Luthers 95 Theses on the door of All Saints Church at Wittenberg, Germany

Background imageNail Collection: LUTHER ANNIVERSARY, 1617. German broadside, 1617, commemorating the 100th anniversary

LUTHER ANNIVERSARY, 1617. German broadside, 1617, commemorating the 100th anniversary of the nailing of Martin Luthers 95 theses to the church door at Wittenberg, after a woodcut, 1518

Background imageNail Collection: GOTHIC MUSIC MANUSCRIPT. Gothic German hymn from the 12th-16th century written

GOTHIC MUSIC MANUSCRIPT. Gothic German hymn from the 12th-16th century written in a style known as horseshoe nail notation

Background imageNail Collection: NAIL MAKER, 1568. The nail maker produces all sizes of nails and tacks for builders

NAIL MAKER, 1568. The nail maker produces all sizes of nails and tacks for builders, coopers, shoemakers and other artisans. Poem by Hans Sachs, woodcut by Jost Amman, 1568




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"Nail: From Ostrich Legs to Crucifixion, a Journey through History and Culture" In Central America's vibrant Costa Rica, the art of hand manicure takes center stage. Skilled artisans delicately shape nails into works of art, transforming them into stunning extensions of beauty. But nails have always played diverse roles throughout history. From a simple case of nails and screws used for construction to their unexpected connection with chloroform experiments in the early days of scientific exploration. Did you know that even toilets had a role to play in the evolution care? In 1930, toilet manicures were all the rage as women sought innovative ways to pamper themselves. Traveling across continents, we find ourselves in Victoria, Gozo, Malta - where crucifixion became synonymous with nails. The haunting image reminds us of the sacrifices made throughout Europe's tumultuous past. On a lighter note, nail polish remover has become an essential tool for those seeking change or simply wanting a fresh start. It effortlessly wipes away layers of color and allows for endless possibilities. Venturing further eastward brings us face-to-face with the captivating Women of the Algerian Berber Ouled Nails Tribe. Their intricate nail designs tell stories passed down through generations - each stroke representing resilience and cultural heritage. Witnessing the Dance of the Ouled Nails in Southern Algeria is like stepping into another world altogether. This mesmerizing performance celebrates tradition while showcasing grace and elegance unique to North Africa. Looking back at history reveals fascinating glimpses into how nails shaped societies worldwide. An advert from 1913 showcases John Pound & Co cases - reminding us that even mundane objects can leave lasting impressions on our collective memory. Finally, let's not forget "The Village Blacksmith" immortalized by Richard Elmore's painting turned line engraving in 1862. A testament to human ingenuity and craftsmanship that continues to inspire awe today.