Skip to main content

Nash Paul 1889 1946 Collection

Nash Paul, a remarkable artist who lived from 1889 to 1946, left an indelible mark on the art world with his diverse and captivating works

Background imageNash Paul 1889 1946 Collection: Plage, 1928 (oil on canvas)

Plage, 1928 (oil on canvas)
NGW238929 Plage, 1928 (oil on canvas) by Nash, Paul (1889-1946); 72.8x49.5 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageNash Paul 1889 1946 Collection: Wounded, Passchendaele, 1918 (oil on canvas)

Wounded, Passchendaele, 1918 (oil on canvas)
2975532 Wounded, Passchendaele, 1918 (oil on canvas) by Nash, Paul (1889-1946); 46x51 cm; Manchester Art Gallery, UK; (add.info.: The Battle of Passchendaele, also known as the Third Battle of Ypres)

Background imageNash Paul 1889 1946 Collection: The Landscape: Hill 60, c. 1917 (ink & w/c on paper)

The Landscape: Hill 60, c. 1917 (ink & w/c on paper)
3482875 The Landscape: Hill 60, c.1917 (ink & w/c on paper) by Nash, Paul (1889-1946); 26x35 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageNash Paul 1889 1946 Collection: The Field of Passchendaele, c. 1917 (pen & ink with w/c on paper)

The Field of Passchendaele, c. 1917 (pen & ink with w/c on paper)
3482874 The Field of Passchendaele, c.1917 (pen & ink with w/c on paper) by Nash, Paul (1889-1946); 26x35 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageNash Paul 1889 1946 Collection: Desolate Landscape, Ypres Salient, 1917 (w/c, ink, gouache & pencil on paper)

Desolate Landscape, Ypres Salient, 1917 (w/c, ink, gouache & pencil on paper)
7088754 Desolate Landscape, Ypres Salient, 1917 (w/c, ink, gouache & pencil on paper) by Nash, Paul (1889-1946); 19.5x25.7 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageNash Paul 1889 1946 Collection: Sandling Park, Kent, 1924 (oil on canvas)

Sandling Park, Kent, 1924 (oil on canvas)
5947234 Sandling Park, Kent, 1924 (oil on canvas) by Nash, Paul (1889-1946); 91.9x71 cm; Manchester Art Gallery, UK; (add.info.: A view of Sandling Park in Kent (close to Hythe)

Background imageNash Paul 1889 1946 Collection: Home Produce, from the series Home Gardens for Home Markets (colour litho)

Home Produce, from the series Home Gardens for Home Markets (colour litho)
MAN464515 Home Produce, from the series Home Gardens for Home Markets (colour litho) by Nash, Paul (1889-1946); Manchester Art Gallery, UK; (add.info.: 2)

Background imageNash Paul 1889 1946 Collection: Home Produce, from the series Home Gardens for Home Markets (colour litho)

Home Produce, from the series Home Gardens for Home Markets (colour litho)
MAN464514 Home Produce, from the series Home Gardens for Home Markets (colour litho) by Nash, Paul (1889-1946); Manchester Art Gallery, UK; (add.info.: 300)

Background imageNash Paul 1889 1946 Collection: Drawing at Oxenbridge, 1922 (w/c on paper)

Drawing at Oxenbridge, 1922 (w/c on paper)
3587516 Drawing at Oxenbridge, 1922 (w/c on paper) by Nash, Paul (1889-1946); Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageNash Paul 1889 1946 Collection: The Shore, Dymchurch, Kent, 1922 (w/c on paper)

The Shore, Dymchurch, Kent, 1922 (w/c on paper)
2907435 The Shore, Dymchurch, Kent, 1922 (w/c on paper) by Nash, Paul (1889-1946); 38x56 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageNash Paul 1889 1946 Collection: Edge of the Wood, 1914-15 (pen & ink and wash on paper)

Edge of the Wood, 1914-15 (pen & ink and wash on paper)
3552347 Edge of the Wood, 1914-15 (pen & ink and wash on paper) by Nash, Paul (1889-1946); 35x42 cm; Manchester Art Gallery

Background imageNash Paul 1889 1946 Collection: A Landscape at Wood Lane, 1913 (w/c on paper)

A Landscape at Wood Lane, 1913 (w/c on paper)
2975531 A Landscape at Wood Lane, 1913 (w/c on paper) by Nash, Paul (1889-1946); 56x37 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageNash Paul 1889 1946 Collection: Chaos Decoratif, 1917 (ink & w/c on paper)

Chaos Decoratif, 1917 (ink & w/c on paper)
MAN211599 Chaos Decoratif, 1917 (ink & w/c on paper) by Nash, Paul (1889-1946); 25.3x20 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageNash Paul 1889 1946 Collection: Cherry Orchard, 1930 (printed textile)

Cherry Orchard, 1930 (printed textile)
7273873 Cherry Orchard, 1930 (printed textile) by Nash, Paul (1889-1946); 177x98 cm; The Whitworth, The University of Manchester; (add.info.: Creator: Paul Nash (1889-1946), G P and J Baker Ltd

Background imageNash Paul 1889 1946 Collection: Their Hill (pencil, coloured crayon and w / c)

Their Hill (pencil, coloured crayon and w / c)
6867123 Their Hill (pencil, coloured crayon and w/c) by Nash, Paul (1889-1946); 24x33 cm; Private Collection



For sale as Licensed Images

Choose your image, Select your licence and Download the media

Nash Paul, a remarkable artist who lived from 1889 to 1946, left an indelible mark on the art world with his diverse and captivating works. His artistic journey was not without its challenges, as he experienced the horrors of war firsthand during World War I. One of Nash's notable pieces is "Wounded, Passchendaele, 1918, " a haunting depiction in oil on canvas that captures the pain and suffering endured by soldiers in battle. Through his brushstrokes, Nash conveys the physical and emotional wounds inflicted upon those who fought bravely. In "Encounter in the Afternoon, " created around 1940 using watercolor on paper, Nash showcases his versatility as an artist. This piece portrays a chance meeting between two individuals against a backdrop that hints at uncertainty and tension prevalent during wartime. "The Landscape: Hill 60" takes us back to 1917 through ink and watercolor on paper. Here we witness Nash's ability to capture nature's beauty amidst destruction—a testament to resilience even in times of chaos. Similarly, "The Field of Passchendaele" reveals another side of war through pen and ink with watercolor on paper. The artwork depicts a desolate scene where once vibrant fields have been transformed into muddy wastelands due to relentless conflict. Nash's talent extended beyond war-related themes; he also explored landscapes such as "Desolate Landscape, Ypres Salient. " In this piece—created using watercolor, ink, gouache & pencil—we see how he masterfully combines different mediums to convey both desolation and hope within one composition. Moving away from wartime subjects brings us to "Sandling Park, Kent" painted in oil on canvas in 1924. Here Nash showcases his ability to capture serene natural settings with meticulous detail—an oasis amidst turbulent times. Additionally, Nash delved into promoting self-sufficiency during challenging times with his series "Home Produce, from the series Home Gardens for Home Markets.