Nasta Liq Collection

Calligraphy panel, 19th century or earlier (ink on paper)
909572 Calligraphy panel, 19th century or earlier (ink on paper) by Iranian School; Private Collection; Photo © Christies Images

Khatamkari calligraphic frame, Qajar Iran, c. 1900 (wood, brass, bone
1775682 Khatamkari calligraphic frame, Qajar Iran, c.1900 (wood, brass, bone, mother-of-pearl & ivory) by Shirazi, Muhammad Husayn (fl.c.1862-98)

Nasta liq Quatrain calligraphy panel, 1607 (pen & ink, w / c and gold on paper)
653629 Nasta liq Quatrain calligraphy panel, 1607 (pen & ink, w/c and gold on paper) by Hassani, Mir Emad (1554-1615); 20.3x11.5 cm; Private Collection; (add.info)

Illustration from a Safavid Shahnama: Alexander, in the disguise of an envoy
1199649 Illustration from a Safavid Shahnama: Alexander, in the disguise of an envoy, is recognized by Queen Nushaba, Shiraz, Iran, 1650-1700 (pigment & gold on paper) by Persian School

Calligraphic quatrain (ink & gold on paper)
909479 Calligraphic quatrain (ink & gold on paper) by Al-Hassani, Imad (17th century); 15.3x8.5 cm; Private Collection; Photo eChristies Images; Persian, out of copyright

Nasta liq quatrain, 1606-7 (ink on paper)
909472 Nasta liq quatrain, 1606-7 (ink on paper) by Abbasi, Riza-i (c.1565-1635); 17.5x10.5 cm; Private Collection; Photo eChristies Images; Persian, out of copyright

Calligraphy, late 16th century (ink on paper)
909219 Calligraphy, late 16th century (ink on paper) by Hassani, Mir Emad (1554-1615); 40.3x28.8 cm; Private Collection; Photo eChristies Images; Persian, out of copyright

Portrait of Itimad Al-dawla (w / c, ink & gold on paper)
2956973 Portrait of Itimad Al-dawla (w/c, ink & gold on paper) by Balchand (fl.c.1596-1640) (attr. to); 38.1x25.9 cm; Freer Gallery of Art, Smithsonian Institution

The Arab Berates His Guests, illustration from the Haftawrang (Seven Thrones
2657713 The Arab Berates His Guests, illustration from the Haftawrang (Seven Thrones) by Jallil (d. 1492), by Jami, Safavid Period, 1556-1565 (w/c, ink and gold on paper) by Persian School

Fettered Camel and Keeper, Safavid Period (opaque watercolour, ink and gold on paper)
2657711 Fettered Camel and Keeper, Safavid Period (opaque watercolour, ink and gold on paper) by Persian School, (15th century); 11.5x14.5 cm; Freer Gallery of Art, Smithsonian Institution

The Aziz and Zulaykha enter the capital of Egypt and the Egyptians come out to greet them
2657712 The Aziz and Zulaykha enter the capital of Egypt and the Egyptians come out to greet them, illustration from a Haft awrang (Seven thrones) by Jami, Safavid School, 1556-65 (w/c)

Calligraphic panel, Iranian, Indian or Turkish, 16th-19th century (ink on paper)
909580 Calligraphic panel, Iranian, Indian or Turkish, 16th-19th century (ink on paper) by Islamic School; 30.7x22.1 cm; Private Collection; Photo eChristies Images; out of copyright

Nasta liq quatrain (ink & gold on paper)
909480 Nasta liq quatrain (ink & gold on paper) by Abbasi, Riza-i (c.1565-1635); 15.4x7.7 cm; Private Collection; Photo eChristies Images; Persian, out of copyright

Nasta liq quatrain, dated 16th century (ink on paper)
909488 Nasta liq quatrain, dated 16th century (ink on paper) by Al-Hassani, Imad (17th century); 13x6.6 cm; Private Collection; Photo eChristies Images; Persian, out of copyright

Camel and keeper, Safavid Period, 1556-57 (ink, opaque w / c & gold on paper)
2657710 Camel and keeper, Safavid Period, 1556-57 (ink, opaque w/c & gold on paper) by Shaykh Muhammad (d.1588); 10.9x13.2 cm; Freer Gallery of Art, Smithsonian Institution

Calligraphic panel, 1666-67 (gouache & gold on paper)
1631863 Calligraphic panel, 1666-67 (gouache & gold on paper) by Al-Katib, Ali (fl.1666); 32.2x20.5 cm; Private Collection; (add.info.: Comprising a nasta liq quatrain outlined in black)

Qajar calligraphy (ink on paper)
909470 Qajar calligraphy (ink on paper) by Iranian School, (19th century); 9x17.7 cm; Private Collection; Photo eChristies Images; Iranian, out of copyright

Visit to a Dervish, 1560-61 (gouache & gold on paper)
3479634 Visit to a Dervish, 1560-61 (gouache & gold on paper) by Muzahhib, Mahmud (fl.1560); 35.4x23.2 cm; Private Collection; (add.info.: Bukhara)

Four portraits from the St. Petersburg Album, c. 1650-60 (w / c, ink & gold on paper)
2956981 Four portraits from the St. Petersburg Album, c.1650-60 (w/c, ink & gold on paper) by al-Hasani, Imad (d.1615) & Sadiq, Muhammad (18th century); 47.3x32.3 cm; Arthur M

Ali and Aisha at the Battle of the Camel, folio from a Rawdat al-safa
2657716 Ali and Aisha at the Battle of the Camel, folio from a Rawdat al-safa (Garden of felicity) by Mirkhwand, Safavid Period, 1571-72 (w/c)

Bandits attack the caravan of Aynie and Ria, illustration from the Haft awrang
2657715 Bandits attack the caravan of Aynie and Ria, illustration from the Haft awrang (Seven thrones) by Jami, Safavid Period, 1556-65 (w/c, ink & gold on paper) by al-Daylami

Calligraphy, c. 1600 (ink on paper)
909477 Calligraphy, c.1600 (ink on paper) by Al-Hassani, Imad (17th century); 17.5x9 cm; Private Collection; Photo eChristies Images; Persian, out of copyright

Calligraphic panel mashq (ink on paper)
909222 Calligraphic panel mashq (ink on paper) by Esfahani, Mirza Gholam-Reza (fl.1878); 35.3x24.2 cm; Private Collection; Photo eChristies Images; Iranian, out of copyright

Calligraphic manuscript (ink on card)
909217 Calligraphic manuscript (ink on card) by Persian School, (17th century); each folio 29.5x19.9 cm; Private Collection; Photo eChristies Images; Persian, out of copyright

For sale as Licensed Images

Choose your image, Select your licence and Download the media

"Nasta liq: A Journey Through Time and Artistry" Step into the world of exquisite calligraphy with these captivating artworks. From a 19th-century Calligraphy panel showcasing intricate ink strokes on delicate paper to a Khatamkari calligraphic frame from Qajar Iran, adorned with wood, brass, and bone details – each piece tells its own unique story. Travel back in time to 1607 as you admire the Nasta liq Quatrain calligraphy panel. Created using pen, ink, watercolor, and gold on paper, it beautifully captures the essence of this ancient art form. The Safavid Shahnama illustration depicts Alexander disguised as an envoy – a testament to the artistic prowess of that era. Marvel at the skillful combination of ink and gold on paper in the Calligraphic quatrain artwork from 1606-7. Its intricate design showcases not only mastery over calligraphy but also an eye for aesthetics. Another gem from late 16th century is a mesmerizing Calligraphy piece that exudes elegance through its simple yet powerful strokes. Dive into history with Itimad Al-dawla's portrait rendered in watercolor, ink, and gold on paper. This stunning portrayal captures his regal presence while highlighting the artist's attention to detail. The Haftawrang illustration titled "The Arab Berates His Guests" offers a glimpse into storytelling through art during that period. Witness beauty unfold before your eyes as you explore Fettered Camel and Keeper artwork from Safavid Period – where opaque watercolor, ink, and gold come together harmoniously on paper. Finally, immerse yourself in grandeur as Aziz and Zulaykha enter Egypt's capital amidst joyful greetings depicted vividly in another masterpiece. Conclude your journey by admiring an Iranian or Indian or Turkish Calligraphic panel dating back to the 16th-19th century.