Nathaniel Collection (#9)

Drawings Prints, Print, U. S. Frigate Constitution, Publisher, Lithographed Published
Drawings and Prints, Print, U.S. Frigate Constitution, Publisher, Lithographed and Published by, Nathaniel Currier, American, Roxbury, Massachusetts 1813-1888 New York, Currier, Nathaniel, American

Drawings Prints, Print, Constitution, Guerriere-Fought, August, 19th, 1812- Guerriere
Drawings and Prints, Print, The Constitution and Guerriere-Fought August 19th, 1812-The Guerriere had 15 men killed and 63 wounded-The Constitution had 7 men killed and 7 wounded, Publisher

Drawings Prints, Print, Washington, Valley, Forge-December, 1777-8, Publisher, Sitter
Drawings and Prints, Print, Washington at Valley Forge-December 1777-8, Publisher, Sitter, Lithographed and Published by, Nathaniel Currier, George Washington, American, Roxbury

HAWTHORNE: THE MARBLE FAUN. The well-remembered features. Oil illustration by Alice Barber Stephens, c1900, for Nathaniel Hawthornes The Marble Faun, originally published in 1860

HAWTHORNE: THE MARBLE FAUN. Will you be my friend indeed? Illustration by Alice Barber Stephens, c1900, for Nathaniel Hawthornes The Marble Faun, originally published in 1860

CHRISTOPHER COLUMBUS (1451-1506). Italian navigator. Lithograph by Currier and Ives, 1892

YORKTOWN: SURRENDER, 1781. British General Charles O Hara surrendering the sword of General Cornwallis to American General Robert Lincoln at Yorktown

SCARLET LETTER. A woman wearing a scarlet letter A in a colonial New England town. Woodcut, early 20th century

LIONEL NATHAN de ROTHSCHILD (1808-1879). British banker and philanthropist. Lithograph, English, 19th century

DECLARATION COMMITTEE. The Declaration of Independence Committee, 1776. Left-to-right: Thomas Jefferson, Roger Sherman, Benjamin Franklin, Robert R. Livingston, and John Adams

ANDREW JOHNSON (1808-1875). 17th President of the United States. On his deathbed in Greenville, Tennessee, 31 July 1875. Lithograph by Currier & Ives, 1875

ZACHARY TAYLOR (1784-1850). Twelfth President of the United States. Death of President Taylor in the White House, Washington, D.C. 9 July 1850. Lithograph by Nathaniel Currier, 1850

EMIGRANTS: PIONEERs HOME on the western frontier, 1867. Currier & Ives lithograph

On the Nile. Hone, Nathaniel 1831 - 1917

Landscape with Cattle. Hone, Nathaniel 1831-1917

Portrait of his Son Sketching (c. 1769). Hone, Nathaniel 1718-1784. Date: 1769 (circa)

Park, St. Doulough s. Hone, Nathaniel 1831-1917

Cows under Trees. Hone, Nathaniel 1831-1917

Frances Flora Bond Palmer and Nathaniel Currier (publisher), American Winter Scenes: Morning, American, born England, c. 1812 - 1876, published 1854, hand-colored lithograph on wove paper

Nathaniel Currier, The New York Light Guards Quick Step, American, 1813 - 1888, 1839, lithograph

Mr. Winkle returns under extraordinary circumstances, illustration from The
KW259130 Mr. Winkle returns under extraordinary circumstances, illustration from The Pickwick Papers by Charles Dickens (1812-70) published 1837 (litho) by Browne

Portrait of Nathanael Greene (1742-86) (litho)
KW254751 Portrait of Nathanael Greene (1742-86) (litho) by Chappel, Alonzo (1828-87) (after); Private Collection; (add.info)

Mrs. Benjamin Cole, Nathaniel Hone, 1718-1784, Irish

Benjamin Cole Signed and dated, upper left: NHONE P | 1776, Nathaniel Hone
Benjamin Cole Signed and dated, upper left: " NHONE P | 1776", Nathaniel Hone, 1718-1784, Irish

View near Rome, Nathaniel Dance-Holland, 1735-1811, British

Cristiano Giuseppe Lidarti and Giovanni Battista Tempesti, Nathaniel Dance-Holland, 1735-1811, British

Thomas Sense Browne Thomas Brown, Garter King of Arms Thomas Brown, Garter
Thomas " Sense" Browne Thomas Brown, Garter King of Arms Thomas Brown, Garter King Signed in black paint, lower left: " NDANCE", Nathaniel Dance-Holland, 1735-1811, British

Tobias Smollet, Nathaniel Dance-Holland, 1735-1811, British

James Grant of Grant, John Mytton, the Hon. Thomas Robinson, and Thomas Wynne A Conversation Piece in Rome: James Grant, Mr. Mytton, the Hon. Thomas Robinson, and Mr

Nathaniel Seymour, Jonathan Richardson the Elder, 1665-1745, British

WASHINGTON D. C. 1892. Aerial view of Washington, D
WASHINGTON D.C. 1892. Aerial view of Washington, D.C. Lithograph, 1892, by Currier & Ives

NEW YORK: CASTLE GARDEN. Lithograph, 1848, by Nathaniel Currier

U. S. CAPITOL, 1876. A view of the U. S. Capitol in Washington, D. C. Lithograph by Currier & Ives
U.S. CAPITOL, 1876. A view of the U.S. Capitol in Washington, D.C. Lithograph by Currier & Ives, c1876

CONCORD: THE WAYSIDE. The Wayside, home of Louisa May Alcott and, later, Nathaniel Hawthorne, at Concord, Massachusetts

GLOUCESTER, c1835. View of Gloucester, Massachusetts. Lithograph, c1835, by Fitz Hugh Lane

DELHI DURBAR, c1903. George Nathaniel Curzon, Viceroy of India, saluting Indian heralds at the Delhi Durbar, c1903

HARNESS RACING, c1887. A good race, well won. Lithograph by Currier & Ives, c1887
HORSE RACING, c1887. A Good Race, Well Won. Drivers, horses, and spectators at the conclusion of a harness race. Engraving by Thomas Worth for Currier & Ives, c1887

YACHTING, 1851. The yacht, America, competing in the British Royal Yacht Squadron s
YACHTING, 1851. The yacht, America, competing in the British Royal Yacht Squadrons annual race around the Isle of Wight, 22 August 1851. America, the only non-British entry, won handily

BILLIARDS, 1874. Froze Together. Lithograph, 1874, by Currier & Ives

RAILROAD: DANGER SIGNAL. Train conductors signaling to an on-coming train on the same track. Lithograph by Currier & Ives, c1884

RAILROAD: EXPRESS TRAIN. Lithograph by Currier & Ives, c1850

STEAMSHIP, 1870. Bound Down the River. Lithograph by Currier & Ives, 1870

RAILROAD: WEST, 1868. Across the Continent: Westward the Course of Empire Takes Its Way. Lithograph, 1868, by Currier and Ives

CENTENNIAL FAIR, 1876. Birds Eye View of the Centennial Exhibition Buildings in Philadelphia, Pennsylvania, with the Art Gallery at left and the main building in center

AMERICA: SLEIGHING, 1848. The Sleigh Race. Lithograph by Currier & Ives, 1848

HOMESTEAD WINTER, 1868. American Homestead Winter, lithograph by Currier & Ives, 1868

AMERICA: SLEIGHING, 1858. Trotting cracks on the snow. Lithograph by Currier & Ives, 1858

AMERICA: SLEIGHING, 1853. The Road, Winter. Lithograph, 1853, by Nathaniel Currier

For sale as Licensed Images

Choose your image, Select your licence and Download the media

"Nathaniel: A Journey Through Time and Art" Step into the world of Nathaniel, a name that echoes through history, intertwined with remarkable events and captivating imagery. From steamboat races to political milestones, this collection of hints unveils the diverse tapestry surrounding the name "Nathaniel. " In 1870, amidst the Great Mississippi Steamboat Race between the Robert E. Lee and Natchez, it was Nathaniel Currier's lithograph that immortalized this thrilling competition. The Robert E. Lee emerged victorious after three days, eighteen hours, and fourteen minutes on July 4th. Currier & Ives continued their artistic prowess with "The Favorite Cat, " an undated lithograph capturing feline charm in its purest form. This delightful creation showcases Currier's ability to find beauty even in everyday subjects. Moving forward to 1872, we encounter another significant moment as African Americans break barriers in politics. The first colored senators and representatives emerge during the 41st Congress – a testament to progress and equality. Transporting us back further is Currier & Ives' "Home to Thanksgiving" lithograph from 1867. It encapsulates warmth and familial love during a time when gratitude united hearts across America. Lord Curzon as Viceroy stands tall among these historical snapshots – his portrait reflecting power and influence during his tenure as Viceroy of India. Shifting gears yet again brings us face-to-face with Nathan Bedford Forrest – an American army officer whose photograph captures both strength and complexity during turbulent times around 1864. Nathaniel Hawthorne emerges from this array of images as one of America's literary giants. Charles Osgood's oil painting from 1840 portrays him at his prime; a writer who delved deep into human nature through masterpieces like "The Scarlet Letter. " Patrick Henry's iconic speech reverberates through time in Currier & Ives' lithograph from 1876.