Navaho Collection (#2)

The White Singer, c1906. Creator: Edward Sheriff Curtis
The White Singer, c1906. Head-and-shoulders portrait of Navajo man, facing slightly right, wearing headband and silver squash blossom necklace

The Patient, c1905. Creator: Edward Sheriff Curtis
The Patient, c1905. Portrait of Navajo man, head-and-shoulders, facing front, rag headband, blanket over shoulders

Navaho matron, c1904. Creator: Edward Sheriff Curtis
Navaho matron, c1904. Head-and-shoulders portrait of a Navaho woman

Band of mounted Navahos passing through Cañon, c1904. Creator: Edward Sheriff Curtis
Band of mounted Navahos passing through Canon, c1904

Today and Yesterday-Navajo. Antelope Ruin, Canyon del Muerto, c1906. Creator: Edward Sheriff Curtis
Today and Yesterday-Navajo. Antelope Ruin, Canyon del Muerto, c1906

Nesjaja Hatali - Navaho 1904 (photo)
679845 Nesjaja Hatali - Navaho 1904 (photo) by Curtis, Edward Sheriff (1868-1952) ; (add.info.: Nesjaja Hatali, medicine man, head-and-shoulders portrait, facing right.); Universal History Archive/UIG

Hastobiga, Navaho Medicine Man
2623732 Hastobiga, Navaho Medicine Man by Curtis, Edward Sheriff (1868-1952) ; (add.info.: Photographic print of Hastobiga, Navaho Medicine Man photographed by Edward Sheriff Curtis (1868-1952)

The Vanishing Race, Navaho, 1904 (toned platinum print on heavy paper)
1766836 The Vanishing Race, Navaho, 1904 (toned platinum print on heavy paper) by Curtis, Edward Sheriff (1868-1952) ; 24.7x33 cm; Private Collection; (add.info.: The Vanishing Race, Navaho)

Chief of the Desert, Navaho, 1904 (platinum or toned gelatin silver print on porous paper)
1766838 Chief of the Desert, Navaho, 1904 (platinum or toned gelatin silver print on porous paper) by Curtis, Edward Sheriff (1868-1952) ; 41.3x31.7 cm; Private Collection; (add.info)

Ta-otza-begay, also called Meguelito, Navajo Medicine Man (oil on canvas mounted on panel)
HEH372270 Ta-otza-begay, also called Meguelito, Navajo Medicine Man (oil on canvas mounted on panel) by Moon, Carl (1878-1948); 81.3x66 cm; Huntington Library, Art Museum, and Botanical Gardens

The Patient on the Sand Painting, c. 1906 (b / w photo)
BAL145749 The Patient on the Sand Painting, c.1906 (b/w photo) by Schwemberger, Simeon (fl.1906); Private Collection

Antelope Ruin, Canon de Muerto, Arizona, c. 1907 (b / w photo) (see also 129717)
BAL129711 Antelope Ruin, Canon de Muerto, Arizona, c.1907 (b/w photo) (see also 129717) by Curtis, Edward Sheriff (1868-1952); Private Collection

The White Singer, c. 1906 (b / w photo)
BAL145780 The White Singer, c.1906 (b/w photo) by Curtis, Edward Sheriff (1868-1952); Private Collection

Antelope Ruin, Canon del Muerto, Arizona, c. 1907 (b / w photo) (see also 129711)
BAL129717 Antelope Ruin, Canon del Muerto, Arizona, c.1907 (b/w photo) (see also 129711) by Curtis, Edward Sheriff (1868-1952); Private Collection

Tobadzischini, a Navajo Indian, 1904 (b / w photo)
XJF105320 Tobadzischini, a Navajo Indian, 1904 (b/w photo) by Curtis, Edward Sheriff (1868-1952); Private Collection

Sarape with Serrated Diamond Pattern, 1880/1900. Creator: Unknown
Sarape with Serrated Diamond Pattern, 1880/1900. A work made of wool, plain weave with "lazy lines" and dovetail tapestry weave; twined warp ends and selvages; looped

Concho Belt, 1880s. Creator: Unknown
Concho Belt, 1880s

Concho Belt, 1880/95. Creator: Unknown
Concho Belt, 1880/95

Sarape with Compound Banded Design, 1870/95. Creator: Unknown
Sarape with Compound Banded Design, 1870/95. A work made of wool, plain weave and single interlocking tapestry weave; twined warp ends and selvages; looped and knotted augmented corner tassels

Horse Headstall, 1870s. Creator: Unknown
Horse Headstall, 1870s

Sarape with Terraced Zigzag Design, 1865/85. Creator: Unknown
Sarape with Terraced Zigzag Design, 1865/85. A work made of wool, plain weave and dovetail tapestry weave; twined warp ends and selvages; looped and knotted corner tassels

Shoulder Blanket with Plain-Stripe Design, 1860/90. Creator: Unknown
Shoulder Blanket with Plain-Stripe Design, 1860/90. A work made of wool, plain weave with "lazy lines" and dovetail tapestry weave; twined warp ends and selvages; knotted corner tassels

Blanket or Rug, United States, c. 1900 (Transitional Period). Creator: Unknown
Blanket or Rug, United States, c. 1900 (Transitional Period)

Chief Blanket (Third Phase), Southwest, c. 1860/65. Creator: Unknown
Chief Blanket (Third Phase), Southwest, c. 1860/65

Blanket, New Mexico, 1890s. Creator: Unknown
Blanket, New Mexico, 1890s

Blanket or Rug, United States, Late 19th century. Creator: Unknown
Blanket or Rug, United States, Late 19th century

Moqui-Style Sarape, Northern Mexico, c. 1870. Creator: Unknown
Moqui-Style Sarape, Northern Mexico, c. 1870

Germantown Eyedazzler Rug, Arizona, c. 1800/90. Creator: Unknown
Germantown Eyedazzler Rug, Arizona, c. 1800/90. In 1864 the U.S. government forcefully resettled the Navajo in the Bosque Redondo reservation

Eye-Dazzler Weaving, New Mexico, 1880/1900. Creator: Unknown
Eye-Dazzler Weaving, New Mexico, 1880/1900

Blanket, New Mexico, 1880s/90s. Creator: Unknown
Blanket, New Mexico, 1880s/90s

Chief Blanket (Second Phase), Arizona, 1850/65. Creator: Unknown
Chief Blanket (Second Phase), Arizona, 1850/65

Blanket or Rug, Arizona, c. 1900. Creator: Unknown
Blanket or Rug, Arizona, c. 1900

Chief Tja-Yo-Ni, 1904. Creator: Edward Warren Sawyer
Chief Chief Tja-Yo-Ni, 1904. Profile medallion of a Native American man

Est-Zan-Lopa—Navajo Ganado Arizona, 1904. Creator: Edward Warren Sawyer
Est-Zan-Lopa - Navajo Ganado Arizona, 1904. Portrait medallion of Navajo girl from Arizona, taken from life

Chief Blanket (Third Phase), c. 1880. Creator: Unknown
Chief Blanket (Third Phase), c. 1880. A work made of wool, dovetail tapestry weave with "lazy lines"; twined warp ends and selvages; corner tassels

Aboriginal Life Among the Navajoe Indians, Near Old Fort Defiance, N. M. 1873
Aboriginal Life Among the Navajoe Indians, Near Old Fort Defiance, N.M. 1873. Albumen print, from the album " Geographical & Geological Explorations & Surveys West of the 100th Meridian

Silversmith at work, c. 1914 (b / w photo)
BAL145764 Silversmith at work, c.1914 (b/w photo) by Carpenter, William J. (b.1861); Private Collection; American, out of copyright

Navajo Indian silversmith, Albuquerque, New Mexico, USA
Navajo Indian silversmith at work, Albuquerque, New Mexico, USA. Date: circa 1912

Pedro, a Navajo Indian from North Arizona, USA
Pedro, a Navajo Indian living on a reservation in North Arizona, USA. Date: circa 1920

Navajo Indian, Albuquerque, New Mexico, USA
Navajo Indian, Tom of Ganado, Albuquerque, New Mexico, USA. He was the husband of Elle, the tribes most famous weaver. Date: circa 1920

Navajo Indian workroom, Albuquerque, New Mexico, USA. They are spinning and dyeing wool, weaving blankets and making silver ornaments. Date: circa 1920

Navajo Indian family and their hut, Arizona, USA
Navajo Indian family and their temporary hut (known as a Hogan), Arizona, USA. Date: circa 1910

Navajo weavers, c. 1914 (b / w photo)
BAL145761 Navajo weavers, c.1914 (b/w photo) by Carpenter, William J. (b.1861); Private Collection; American, out of copyright

Bitter recollections, c. 1915 (b / w photo)
BAL144995 Bitter recollections, c.1915 (b/w photo) by Carpenter, William J. (b.1861); Private Collection; American, out of copyright

Weaving Navaho blankets (colour photo)
3106202 Weaving Navaho blankets (colour photo) by English Photographer, (20th century); Private Collection; (add.info.: Weaving Navaho blankets)

Four Navaho Warriors, 1861 / 1869. Creator: George Catlin
Four Navaho Warriors, 1861/1869. Bran-din-ye (chief) with warriors New Mexico. 1836

Three Navaho Indians, 1861 / 1869. Creator: George Catlin
Three Navaho Indians, 1861/1869. Tchongs-tee (warrior) with Na-qua-sab-be (He fears no one) and a woman Hoocht-a in New Mexico, 1836

NATIVE AMERICAN WEAVING
Elle of Ganado, New Mexico, of the Navaho people, weaves a blanket in the traditional manner Date: 1908

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"Preserving Navajo Culture: A Glimpse into the Rich Heritage" Immerse yourself in the captivating world of Navajo culture, where ancient traditions and artistic expressions have been meticulously preserved over time. The intricate beauty of Navajo sand paintings adorns tiles, serving as a testament to their enduring significance. Step into the El Navajo Hotel in Gallup, New Mexico, USA, and be transported to a place where Native American blankets weave stories of resilience and heritage. In Nesjaja Hatali - Navaho 1904 (photo), we catch a glimpse of the wise Hastobiga, a revered Navajo Medicine Man whose knowledge is passed down through generations. The Vanishing Race captures an evocative moment frozen in time; it is a toned platinum print on heavy paper that speaks volumes about the challenges faced by the Navajo people. Chief of the Desert stands tall in another photograph from 1904, showcasing his leadership and strength within his community. Ta-otza-begay or Meguelito mesmerizes us with his presence as depicted in oil on canvas mounted on panel – an artwork that pays homage to this esteemed Medicine Man. The Patient on the Sand Painting transports us back to c. 1906 through its black-and-white photo capturing healing rituals performed upon these sacred artworks. Antelope Ruin takes us deep into Canon de Muerto, Arizona c. 1907 – monochromatic photographs revealing remnants of ancestral dwellings that whisper tales from centuries past. As we delve further into history with The White Singer captured around 1906, we witness how music has always played an integral role within this vibrant culture. Antelope Ruin once again beckons our attention towards Canon del Muerto, Arizona c. 1907 – reminding us of its archaeological significance alongside stunning visuals (see also 129711). These glimpses into Navajo artistry serve as windows connecting us to their profound spirituality, resilience, and deep-rooted traditions.