Neckline Collection (page 6)

Dodge, A.H. Mrs. portrait photograph, 1917 Oct. 2. Creator: Arnold Genthe
Dodge, A.H. Mrs. portrait photograph, 1917 Oct. 2

Deyo, Ruth, Miss, portrait photograph, 1913. Creator: Arnold Genthe
Deyo, Ruth, Miss, portrait photograph, 1913

DeMesa, Mrs. portrait photograph, 1915. Creator: Arnold Genthe
DeMesa, Mrs. portrait photograph, 1915

DeMesa, Mrs. portrait photograph, 1915. Creator: Arnold Genthe
DeMesa, Mrs. portrait photograph, 1915

Mademoiselle Duclos (Marie-Anne de Châteauneuf, 1670-1748, dite), sociétaire de... c1700. Creator: Alexis Grimou
Mademoiselle Duclos (Marie-Anne de Chateauneuf, 1670-1748, dite), societaire de la Comedie Francaise, c1700

Portrait présumé de Madame Ducreux, la mère de l'artiste. Anciennement identifié comme... c1770
Portrait presume de Madame Ducreux, la mere de l'artiste. Anciennement identifie comme celui de Marie Louise Mignot (1712-1790), dite Madame Denis, niece de Voltaire, c1770

Dorothée Louise Viedebandt (The Artist's Wife), 1761. Creator: Georg Friedrich Schmidt
Dorothee Louise Viedebandt (The Artist's Wife), 1761

Portrait de femme en robe noire tenant un gant, 1874. Creator: Jean-Paul Laurens
Portrait de femme en robe noire tenant un gant, 1874

Young woman wearing an off-the-shoulder dress and long pearl necklace, looking front... c1900. Creator: F. Gercher
Young woman wearing an off-the-shoulder dress and long pearl necklace, looking front, head-and-shoulders portrait, c1900

Jeune fille au décolleté, la fleur aux cheveux, 1893. Creator: Berthe Morisot
Jeune fille au decollete, la fleur aux cheveux, 1893. Young woman in decolletage, with flower in her hair. Portrait of Marthe Givaudan, one of Berthe Morisot's favorite models

Portrait de Marie de Rabutin-Chantal, marquise de Sévigné (1626-1696), d'après le portrait... 1898
Portrait de Marie de Rabutin-Chantal, marquise de Sevigne (1626-1696), d'apres le portrait de Claude Lefebvre, 1898

Portrait de Julia Bartet (1854-1941), sociétaire de la Comédie-Française dans le rôle de... 1884
Portrait de Julia Bartet (1854-1941), societaire de la Comedie-Francaise dans le role de Mlle du Vigean, 1884

Portrait de Jeanne-Sylvanie Arnould-Plessy (1819-1897), sociétaire de la Comédie-... c1836-1897
Portrait de Jeanne-Sylvanie Arnould-Plessy (1819-1897), societaire de la Comedie-Francaise, between 1836 and 1897

Portrait of Victoire de Froulay, Marquise de Créquy (1714-1803), between 1714 and 1803. Creator: Unknown
Portrait of Victoire de Froulay, Marquise de Crequy (1714-1803), between 1714 and 1803

Portrait of Marie Pastoureau, c1670. Creator: Unknown
Portrait of Marie Pastoureau, c1670

Portrait of Marie Bureau, wife of Claude-Nicolas Ledoux, between 1748 and 1792. Creator: Unknown
Portrait of Marie Bureau, wife of Claude-Nicolas Ledoux, between 1748 and 1792

Frances F. Cleveland, head-and-shoulders portrait, facing left, c1897. Creator: Frances Benjamin Johnston
Frances F. Cleveland, head-and-shoulders portrait, facing left, c1897. [Wife of President Grover Cleveland]

Frances F. Cleveland, February 1897. Creator: Frances Benjamin Johnston
Frances F. Cleveland, February 1897. Frances F. Cleveland, head-and-shoulders portrait, facing right. [Wife of President Grover Cleveland]

Frances F. Cleveland, February 1897. Creator: Frances Benjamin Johnston
Frances F. Cleveland, February 1897, c1897. Frances F. Cleveland, half-length portrait, standing, facing right. [Wife of President Grover Cleveland]

Portrait of a woman, between 1762 and 1815. Creator: Unknown
Portrait of a woman, between 1762 and 1815

Portrait of a woman, between 1754 and 1793. Creator: Unknown
Portrait of a woman, between 1754 and 1793

Portrait of a Woman (circa 1835), c1835. Creator: Unknown
Portrait of a Woman (circa 1835), c1835

Mrs. Elizabeth Cameron, half-length portrait, seated, facing front, between c1890 and c1910. [Elizabeth Cameron, second wife of Senator Donald Cameron, mother of Martha Cameron]

Alice Roosevelt Longworth, three-quarter length portrait, standing in front of tree...dog, c1902
Alice Roosevelt Longworth, three-quarter length portrait, standing in front of tree, facing slightly left, holding small dog, c1902

Portrait of a young woman, between 1725 and 1750. Creator: English School
Portrait of a young woman, between 1725 and 1750

Portrait of a young woman, between 1725 and 1775. Creator: English School
Portrait of a young woman, between 1725 and 1775

Portrait of a young woman, between 1700 and 1750. Creator: English School
Portrait of a young woman, between 1700 and 1750

Portrait of a young woman, between 1700 and 1750. Creator: English School
Portrait of a young woman, between 1700 and 1750

Portrait of a young woman, between 1725 and 1750. Creator: English School
Portrait of a young woman, between 1725 and 1750

Portrait of a young woman, between 1725 and 1750. Creator: English School
Portrait of a young woman, between 1725 and 1750

Portrait thought to be Lady Margaret Chudleigh, between 1750 and 1760. Creator: English School
Portrait thought to be Lady Margaret Chudleigh, between 1750 and 1760

Portrait of a young woman, between 1700 and 1750. Creator: English School
Portrait of a young woman, between 1700 and 1750

Portrait of a young woman, between 1700 and 1750. Creator: English School
Portrait of a young woman, between 1700 and 1750

Portrait of a young woman, between 1700 and 1750. Creator: English School
Portrait of a young woman, between 1700 and 1750

Portrait of a young woman, between 1700 and 1750. Creator: English School
Portrait of a young woman, between 1700 and 1750

Portrait of a young woman, between 1700 and 1750. Creator: English School
Portrait of a young woman, between 1700 and 1750

Portrait thought to be Jeanne-Elisabeth-Victoire Deshays, wife of the artist, c1760-1763

Mrs. Frances Folsom Cleveland, three-quarter-length portrait, standing, facing left, c1897. [Frances Cleveland, wife of President Grover Cleveland, became First Lady at 21

Affiche pour l'Alcazar d'Été, "Lidia". c1896. Creator: Jules Cheret
Affiche pour l'Alcazar d'Ete, "Lidia". c1896. [Publisher: Imprimerie Chaix; Place: Paris]

Portrait of a woman, 1829. Creator: Theophile Gautier
Portrait of a woman, 1829

Portrait of a young woman, c1785. Creator: Ignace Jean Victor Campana
Portrait of a young woman, c1785

Portrait of woman in a plumed hat with ribbon, c1785. Creator: Vincenza Benzi-Basteris
Portrait of woman in a plumed hat with ribbon, c1785

Portrait of young woman in a plumed hat, c1785. Creator: Vincenza Benzi-Basteris
Portrait of young woman in a plumed hat, c1785

Portrait of a young woman, between 1794 and 1795. Creator: Jean Baptiste Jacques Augustin
Portrait of a young woman, between 1794 and 1795

Portrait of a young woman. Creators: Elisabeth Louise Vigee-LeBrun, Francois Hubert Drouais
Portrait of a young woman

Portrait of a woman. Creators: Antoine Vestier, Ecole Francaise, Alexander Roslin
Portrait of a woman

Portrait d'enfant, autrefois présumé Louis XVII, . Creator: Unknown
Portrait d'enfant, autrefois presume Louis XVII

Portrait thought to be the Countess of Artois, c1775. Creators: Jean-Laurent Mosnier, Peter Adolf Hall
Portrait thought to be the Countess of Artois, c1775

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"From Blue Dresses to Flamenco Dancers: Exploring the Evolution of Necklines" The iconic blue dress of 1922, paired with a daring neckline, set the fashion world ablaze. In 1935, the female type was celebrated with maid uniforms featuring delicate necklines that exuded elegance. Flora MacDonald, the Scottish Jacobite heroine, donned regal attire with intricate necklines that symbolized her strength and courage. Diana, Princess of Wales captivated hearts worldwide with her timeless style and graceful necklines that became synonymous with royalty. David Wright's artwork in "Just Wright" showcased women embracing their femininity through alluring necklines that empowered them. PRINCESS DIANA - A name forever associated with grace and sophistication; her choice of necklines always made a statement wherever she went. Diana Dors' glamorous persona was enhanced by stunning gowns featuring plunging necklines that left audiences in awe. Churchill and Clementine's love story unfolded against a backdrop of elegant ensembles adorned with classic high-necked designs in 1908. Henri de Toulouse-Lautrec captured La Goulue at the Moulin Rouge in 1892, showcasing how even then, unique necklines were an art form themselves. Parisian flamenco dancers brought passion to life on stage as Georges Bizet's Carmen came alive through costumes boasting bold and dramatic necklines. 11 & 12: Poiret and Drecoll revolutionized daytime fashion by introducing chic afternoon dresses adorned with innovative yet sophisticated necklines for modern women seeking both comfort and style. Throughout history, from royal figures like Princess Diana to artistic representations on canvas or stage performances like flamenco dancing – neckline choices have played a significant role in expressing individuality while leaving an indelible mark on fashion trends across the ages.