Necktie Collection (#10)

Horace Annesley Vachell (1861-1955) (litho)
KW229758 Horace Annesley Vachell (1861-1955) (litho) by English School; Private Collection; Ken Welsh; English, out of copyright

Self Portrait, 1908 (oil on canvas)
XIR224971 Self Portrait, 1908 (oil on canvas) by Malevich, Kazimir Severinovich (1878-1935); 27x26.8 cm; Tretyakov Gallery, Moscow, Russia; Russian, out of copyright

Ralph Waldo Emerson (1803-82) (litho)
KW237055 Ralph Waldo Emerson (1803-82) (litho) by American School, (19th century); Private Collection; Ken Welsh; American, out of copyright

Self Portrait with Glasses, 1788-98 (oil on canvas)
XIR169345 Self Portrait with Glasses, 1788-98 (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); 61x47 cm; Musee Goya, Castres, France; Spanish, out of copyright

Portrait of Gaetano Donizetti (1797-1848)
XAL160233 Portrait of Gaetano Donizetti (1797-1848) by Italian School, (19th century); Civico Museo Bibliografico Musicale, Bologna, Italy; Italian, out of copyright

Self Portrait (pen and brown ink over traces of black chalk on paper)
XKH152179 Self Portrait (pen and brown ink over traces of black chalk on paper) by Friedrich, Caspar David (1774-1840); 13.6x9.7 cm; Hamburger Kunsthalle, Hamburg, Germany; German, out of copyright

Portrait of Johann Friedrich Nikolaus Oldach (1773-1849) 1824 (oil on canvas) (see
XKH149501 Portrait of Johann Friedrich Nikolaus Oldach (1773-1849) 1824 (oil on canvas) (see 149502 for pair) by Oldach, Julius (1804-30); 54.6x43 cm; Hamburger Kunsthalle, Hamburg, Germany; German

Portrait of Sir Robert Peel (1788-1850) engraved by C. Turner (litho) (b / w photo)
XJF142404 Portrait of Sir Robert Peel (1788-1850) engraved by C. Turner (litho) (b/w photo) by Lawrence, Thomas (1769-1830) (after); Private Collection; English, out of copyright

Portrait of Sir Robert Peel (1788-1850), engraved by Henry Brittan Willis (1810-84)
XJF142401 Portrait of Sir Robert Peel (1788-1850), engraved by Henry Brittan Willis (1810-84) (litho) (b/w photo) by English School, (19th century); Private Collection; English, out of copyright

Portrait of Sir Robert Peel (1788-1850) (engraving) (b / w photo)
XJF142400 Portrait of Sir Robert Peel (1788-1850) (engraving) (b/w photo) by English School, (19th century); Private Collection; English, out of copyright

John Milton (1608-74) (engraving)
KW166443 John Milton (1608-74) (engraving) by English School, (19th century); Private Collection; Ken Welsh; English, out of copyright

Edgar Allan Poe (1809-1849) (engraving)
KW110622 Edgar Allan Poe (1809-1849) (engraving) by Brady, Mathew (1823-96) (after); Private Collection; (add.info.: Edgar Allan Poe (born Edgar Poe)

Necktie, 19th Century Fashion

Self-Portrait ?, Attributed to Herman G. Herkomer, 1863-after 1915, American

Crucifix with John Day Up Crucifix, Winner of the oaks 1840, with John Barham Day Up, Harry Hall, 1838-1886, British

WASHINGTON: PIONEERS, c1900. A group of settlers on the frontier in Washington State, using chairs fashioned out of tree stumps. Photographed c1900

Businessman wearing a suit, sitting on a white sofa

Man in suit in an industrial area

Fashion shot of a man in a suit and jacket

Young man sitting on the stairs

Man sitting by a window, fashion shoot

Man, early 30s, wearing party clothes, fashion shot

Long-haired man in his early thirties wearing a suit, fashion shoot

Business man outside a bank building

Business man outside a bank

Business man greeting someone outside a bank

Jerusalem Gate, Buedingen, Wetterau region, Hesse, Germany, Europe

Fashion image, young man wearing a suit

Desperate young man wearing a suit covering his face with his hand, screaming

Young man wearing a suit with 100-euro notes stuffed into his mouth

Smiling young man wearing a shirt and a tie, portrait

Young man wearing a shirt and a tie, blinking an eye, portrait

Young man wearing a shirt and a tie cheering, laughing, success, victory pose

Young businessman wearing a suit with his hand on his chin, pensive, portrait

SAMUEL SEWALL (1652-1730). American merchant and jurist. Oil on canvas, 1688, by John Smibert

PAUL STRAND (1890-1976). American photographer. Photographed by Alfred Stieglitz, 1917

JOHANN STRAUSS (1825-1899). Johann Strauss the Younger. Austrian composer. Photographed in 1872 during his American tour

ROUNSEVELLE WILDMAN (1864-1901). American politician. Photographed while the American Consul General in Hong Kong. Photograph, 1898

RAYMOND POINCARE (1860-1934). French statesman and writer. Photograph, c1915

JOSEPHINE DIEBITSCH PEARY. (1863-1955). American Arctic explorer and author, wife of Robert E. Peary. Photograph, c1913

GEORGE MOBERLY (1803-1885). Bishop of Salisbury, England, 1869-1885. Photograph by Lock and Whitfield, c1877

WILLIAM HICKLING PRESCOTT (1796-1859). American historian. Engraving, American, c1850

PATRICK FLOYD GARRETT (1850-1908). Known as Pat. American frontiersman and lawman

EDUARD HANSLICK (1825-1904). Austrian music critic. Original cabinet photograph

JOHN WARNE GATES (1855-1911). American promoter and speculator

WILLIAM RUFUS DAY (1849-1923). American diplomat and politician. Day as Secretary of State, 1898

FREDERICK AUGUSTUS ABEL (1827-1902). English chemist. Photographed in the 1880s

GABY DESLYS (1881-1920). French dancer, singer, and actress. Photograph, c1912

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"The Necktie: A Timeless Symbol of Elegance and Individuality" From the dashing poet Rupert Brooke to the poised Princess Elizabeth, the necktie has adorned many iconic figures throughout history, and is a small accessory that speaks volumes about one's personality and style. In 1913, as captured by Sherill Shell's lens, Rupert Brooke donned a necktie with effortless charm. The English poet exuded sophistication, his tie adding an extra touch of refinement to his already captivating presence. Even royalty embraced this fashion statement. A young Princess Elizabeth, future Queen Elizabeth II, proudly wore her Girl Guide uniform complete with a neatly tied necktie. This early display of leadership and grace set the tone for her reign as one of Britain's most beloved monarchs. Oscar Wilde, the flamboyant Irish playwright known for his wit and audacity, sat in a chair wearing a perfectly knotted necktie. His portrait immortalizes not only his genius but also his impeccable taste in fashion. Paul Guillaume's oil-on-canvas masterpiece from 1916 showcases another facet of the necktie's allure. The subject exudes confidence and power while sporting an impeccably styled tie—a symbol of authority that transcends time. Thomas Eakins' photograph captures Samuel Murray circa 1890 sporting a classic bow tie—an elegant choice that adds flair to any gentleman's ensemble. The timeless appeal of such ties continues to inspire modern-day fashionistas seeking sartorial excellence. Samuel Sewall donned both periwig and long coat in an unknown artist's portrait from c1700-1720—his attire completed by a meticulously tied cravat or ascot-style neckwear. Such intricate details were essential during this era when men used their clothing choices to convey status and prestige. The Arrow shirt collar advertisement created by J. C Leyendecker in 1912 showcased how even accessories like collars could elevate a man's appearance.