Neo Classical Architecture Collection (#6)

Custom House, Dublin, Co Dublin, Ireland

Customs House And Liberty Hall, River Liffey, Dublin, Ireland

Custom House, Dublin, Co Dublin, Ireland; River Gods Of Ireland On 18Th Century Building Designed By James Gandon

Dublin, Aerial View Of Custom House, At Night

The Custom House, River Liffey, Dublin, Ireland

High Angle View Of Traffic Moving In A City At Dusk, Dublin, Republic Of Ireland

Mussenden Temple; County Derry, Ireland

Bluebells In The Pleasure Grounds, Emo Court, Co Laois, Ireland

The Custom House And Liberty Hall On The River Liffey In Dublin, Ireland

New York State Lunatic Asylum at Utica (engraving)
XJF465174 New York State Lunatic Asylum at Utica (engraving) by American School, (19th century); Private Collection; (add.info)

Commercial Exchange, Cape Town, illustration from Travels and Adventures in
XJF448242 Commercial Exchange, Cape Town, illustration from Travels and Adventures in Southern Africa by George Thompson, published 1827 (engraving) by Thompson

Arrival of the Wellington Statue at the Arch, published in The Illustrated London News
XJF437955 Arrival of the Wellington Statue at the Arch, published in The Illustrated London News, 3rd October 1846 (engraving) by Landells

Raising the Wellington Statue, published in The Illustrated London News
XJF437960 Raising the Wellington Statue, published in The Illustrated London News, 3rd October 1846 (engraving) by Landells

The Great Wellington Statue as it would appear from Constitution Hill, published
XJF437957 The Great Wellington Statue as it would appear from Constitution Hill, published in The Illustrated London News, 3rd October 1846 (engraving) by Landells

The Town Hall, Sydney, c. 1880, from Australian Pictures by Howard Willoughby
KW330030 The Town Hall, Sydney, c.1880, from Australian Pictures by Howard Willoughby, published by the Religious Tract Society, London, 1886 (litho) by English School

The Post Office, George Street, Sydney, c
KW330021 The Post Office, George Street, Sydney, c.1880, from Australian Pictures by Howard Willoughby, published by the Religious Tract Society, London, 1886 (litho) by English School

Stowe - the Garden Front, from The Illustrated London News, 18th January 1845
XJF324315 Stowe - the Garden Front, from The Illustrated London News, 18th January 1845 (engraving) by English School, (19th century); Private Collection; English, out of copyright

Washington, view of the city c. 1868 (colour litho)
KW315678 Washington, view of the city c.1868 (colour litho) by American School, (19th century); Private Collection; (add.info.: with United States Capitol in foreground; from a print by E)

Vintage postcard of the Terrace at Tsarskoye Selo, 1890s (photo)
XCF290904 Vintage postcard of the Terrace at Tsarskoye Selo, 1890s (photo) by Russian Photographer, (19th century); Private Collection; (add.info.: Catherine Palace, near St Petersburg)

The Custom House, Dublin, from Scenery and Antiquities of Ireland by George Virtue
XJF328390 The Custom House, Dublin, from Scenery and Antiquities of Ireland by George Virtue, 1860s (engraving) by Bartlett

Stone Buildings, Lincolns Inn (colour litho)
XYC284030 Stone Buildings, Lincolns Inn (colour litho) by Ireland, Samuel (d.1800); 12.1x17.8 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright

Le Quai d Orsay, 1839 (pen & ink with wash on paper)
XIR283557 Le Quai d Orsay, 1839 (pen & ink with wash on paper) by Villeret, Francois Etienne (c.1800-66); Musee de la Ville de Paris, Musee Carnavalet, Paris, France; French, out of copyright

The Rotunda and the Queens Theatre, Stowe, 1753 (w / c on paper)
XYC281166 The Rotunda and the Queens Theatre, Stowe, 1753 (w/c on paper) by Chatelain, Jean Baptiste Claude (1710-71); 22.2x31.6 cm; Yale Center for British Art, Paul Mellon Collection

Theatre royal, Covent Garden, 1809 (colour litho)
XCF286431 Theatre royal, Covent Garden, 1809 (colour litho) by English School; Private Collection; English, out of copyright

The Upper Entrance hall of the Fine Arts Academy in St. Petersburg, 1838 (w / c on paper)
BAL269928 The Upper Entrance hall of the Fine Arts Academy in St. Petersburg, 1838 (w/c on paper) by Sadovnikov, Vasili Semenovich (1800-79); 36.2x48.2 cm; Pushkin Museum, Moscow, Russia; Russian

The Oval Hall of the Old Hermitage, St Petersburg (oil on canvas)
BAL269905 The Oval Hall of the Old Hermitage, St Petersburg (oil on canvas) by Beggrov, Karl Pavlovich (1799-1875); 97.8x81.3 cm; Tretyakov Gallery, Moscow, Russia; Russian, out of copyright

The Pantheon in 1835 (w / c on paper)
XIR269595 The Pantheon in 1835 (w/c on paper) by Villeret, Francois Etienne (c.1800-66); Musee de la Ville de Paris, Musee Carnavalet, Paris

Lothbury Court, Bank of England 1801 (w / c on paper)
XCF267476 Lothbury Court, Bank of England 1801 (w/c on paper) by English School, (19th century); Bank of England, London, UK; English, out of copyright

The Royal Palace, Madrid, illustration from Spanish Pictures by the Rev
KW268373 The Royal Palace, Madrid, illustration from Spanish Pictures by the Rev. Samuel Manning (engraving) by English School

View of the Pavlovsk Palace, c. 1800 (oil on canvas)
BAL265714 View of the Pavlovsk Palace, c.1800 (oil on canvas) by Kugelgen, Carl Ferdinand von (1772-c.1835); State Open-air Museum Palace Gatchina, St

Perspective view of the house of the director of the salt works in the ideal
XIR241585 Perspective view of the house of the director of the salt works in the ideal city of Chaux, engraved by Louis Sellier (b.1757) and Coquet, c.1801 (engraving) by Ledoux

Sackville Street, Dublin (oil on canvas)
XIR223894 Sackville Street, Dublin (oil on canvas) by Hayes, Michael Angelo (1820-77); National Gallery of Ireland, Dublin, Ireland; Irish, out of copyright

New City Hall, San Francisco, from American Pictures, published by The
KW211632 New City Hall, San Francisco, from American Pictures, published by The Religious Tract Society, 1876 (engraving) by English School

The Marble Palace and the Neva Embankment in St. Petersburg, 1822 (colour litho)
BAL153255 The Marble Palace and the Neva Embankment in St. Petersburg, 1822 (colour litho) by Russian School, (19th century); Pushkin Museum, Moscow, Russia; Russian, out of copyright

The New Royal High School, Edinburgh, from Select Views of Some of the Principal
KW207912 The New Royal High School, Edinburgh, from Select Views of Some of the Principal Cities of Europe, engraved by E

Exterior view of the Madeleine, Paris (colour litho)
XIR206196 Exterior view of the Madeleine, Paris (colour litho) by Benoist, Philippe (1813-c.1905); Musee de la Ville de Paris, Musee Carnavalet, Paris

The Plaza de Bolivar, Bogota, 1837 (w / c on paper)
XIR203349 The Plaza de Bolivar, Bogota, 1837 (w/c on paper) by Castillo, J. (fl.1837); Casa-Museo 20 de Julio de 1810, Bogota

Place Louis XV, c. 1779 (oil on canvas)
XIR188711 Place Louis XV, c.1779 (oil on canvas) by Noel, Alexandre Jean (1752-1834); Musee de la Ville de Paris, Musee Carnavalet, Paris, France; French, out of copyright

Entry of Napoleon I (1769-1821) into Berlin, 27th October 1806, 1810 (oil on canvas)
XIR183837 Entry of Napoleon I (1769-1821) into Berlin, 27th October 1806, 1810 (oil on canvas) by Meynier, Charles (1768-1832); 363x493 cm; ChAteau de Versailles, France; French, out of copyright

Palace Courtyard (oil on panel)
XKH179528 Palace Courtyard (oil on panel) by Delen, Dirck van (1605-71); 69.9x54.8 cm; Hamburger Kunsthalle, Hamburg, Germany; Dutch, out of copyright

Ceremony of Laying the First Stone of the New Church of St. Genevieve in 1763, 1764
XIR172653 Ceremony of Laying the First Stone of the New Church of St. Genevieve in 1763, 1764 (oil on canvas) by Demachy, Pierre-Antoine (1723-1807); Musee de la Ville de Paris, Musee Carnavalet

The White House, in c. 1870, from American Pictures published by the Religious
KW171067 The White House, in c.1870, from American Pictures published by the Religious Tract Society, 1876 (engraving) by English School, (19th century); Private Collection; Ken Welsh; English

View of Nevsky Prospekt, St. Petersburg, 1810 (w / c on paper)
XIR169589 View of Nevsky Prospekt, St. Petersburg, 1810 (w/c on paper) by Vasiliev, Fedor Aleksandrovich (1850-73); 25.6x38 cm; Pushkin Museum, Moscow

Exterior view of the Lycee Bonaparte (engraving)
XIR156862 Exterior view of the Lycee Bonaparte (engraving) by French School, (19th century); Lycee Condorcet, Paris, france; (add.info.: originally known as Lycee Condorcet; ); French

Design for the Arc de Triomphe with a wooded background (pen & ink on paper)
XIR156596 Design for the Arc de Triomphe with a wooded background (pen & ink on paper) by Chalgrin, Jean Francois Therese (1739-1811) (circle of); Centre Historique des Archives Nationales, Paris

Return of the Ashes of the Emperor to Paris, 15th December 1840 (w / c on paper)
XIR156595 Return of the Ashes of the Emperor to Paris, 15th December 1840 (w/c on paper) by Jung, Theodore (1803-65); Musee de la Ville de Paris, Musee Carnavalet, Paris

View of Washington (litho)
XZL151154 View of Washington (litho) by American School, (19th century); Library of Congress, Washington D.C. USA; American, out of copyright

London from Greenwich, engraved by Charles Turner (1773-1857) 1811 (engraving)
XYC148720 London from Greenwich, engraved by Charles Turner (1773-1857) 1811 (engraving) by Turner, Joseph Mallord William (1775-1851) (after); 20.6x28.8 cm; Yale Center for British Art

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Neo classical architecture is a timeless masterpiece that transports us to an era of grandeur and elegance. From the iconic Guinness Boat in Dublin, Co Dublin, Ireland to the majestic Custom House and Liberty Hall, this architectural style has left an indelible mark on our world. Sudbourne Hall, captured beautifully in Giles Worsley's "England's Lost Houses, " showcases the intricate details and symmetrical design that define neo classical architecture. The apsed gallery at Lissadell in Co. Sligo takes us on a journey through history with its stunning beauty as seen in "100 Favourite Houses. " The Music Room at Home House in London, featured in Eileen Harris' "The Country Houses of Robert Adam, " exudes opulence and sophistication. Its black-and-white photo captures the essence of this architectural marvel. Similarly, The Great Dining Room at Culzean Castle in Ayrshire immerses us into a world of lavish banquets and regal celebrations. Moving from one exquisite room to another, we find ourselves enchanted by The Dining Room at 20 St. James Square and Lady Wynne's dressing room from Robert Adam's country houses collection. These spaces are testaments to the impeccable craftsmanship and attention to detail that define neo classical architecture. As we explore further into this captivating style, Syon House beckons with its Ante Room, State Dining Room, and Long Gallery showcased brilliantly in "The English Country House. " Each photograph encapsulates the grandeur of these rooms while highlighting their unique features. Finally, Lansdowne House presents us with a view of the Organ Drawing Room—a space where music meets artistry—while 19 Arlington Street mesmerizes with its Great Room adorned with intricate designs. Neo classical architecture transcends time through its harmonious blend of symmetry and grace. These photographs serve as windows into a world where beauty knows no bounds—a testament to human creativity that continues to inspire and awe us to this day.