Neo Classical Collection (#79)

The Lyons Hall in the Catherine Palace at Tsarskoye Selo, 1859 (w / c on paper)
BAL283542 The Lyons Hall in the Catherine Palace at Tsarskoye Selo, 1859 (w/c on paper) by Premazzi, Luigi (Ludwig Osipovich) (1814-91); State Museum Tsarskoye Selo, St

The Great Agate Hall in the Catherine Palace at Tsarskoye Selo, 1859 (w / c & white
BAL283541 The Great Agate Hall in the Catherine Palace at Tsarskoye Selo, 1859 (w/c & white colour on paper) by Premazzi, Luigi (Ludwig Osipovich) (1814-91); State Museum Tsarskoye Selo, St

The Agate Room in the Catherine Palace at Tsarskoye Selo, 1859 (w / c & white colour
BAL283539 The Agate Room in the Catherine Palace at Tsarskoye Selo, 1859 (w/c & white colour on paper) by Premazzi, Luigi (Ludwig Osipovich) (1814-91); State Museum Tsarskoye Selo, St

The Cameron Gallery at Tsarskoye Selo, 1859 (w / c & white colour on paper)
BAL283538 The Cameron Gallery at Tsarskoye Selo, 1859 (w/c & white colour on paper) by Premazzi, Luigi (Ludwig Osipovich) (1814-91); State Museum Tsarkoye Selo, St

The Russian Guard in Tsarskoye Selo in 1832, 1841 (oil on canvas)
BAL283526 The Russian Guard in Tsarskoye Selo in 1832, 1841 (oil on canvas) by Kruger, Franz (1797-1857); Private Collection; (add.info)

The Drawing Room of the Empress Maria Alexandrovna in the Great Palais in Tsarskoye Selo (w / c)
BAL283520 The Drawing Room of the Empress Maria Alexandrovna in the Great Palais in Tsarskoye Selo (w/c, gouache & ink on paper) by Hau, Eduard (1807-70); State Museum Tsarkoye Selo, St

The Chinese Room in the Great Palais in Tsarskoye Selo (w / c, gouache and ink on paper)
BAL283519 The Chinese Room in the Great Palais in Tsarskoye Selo (w/c, gouache and ink on paper) by Hau, Eduard (1807-70); State Museum Tsarkoye Selo, St. Petersburg; Russian, out of copyright

The Blue Study in the Grand Palais in Tsarkoye Selo, before 1840 (w / c, gouache
BAL283518 The Blue Study in the Grand Palais in Tsarkoye Selo, before 1840 (w/c, gouache & ink on paper) by Hau, Eduard (1807-70); State Museum Tsarkoye Selo, St. Petersburg; Russian, out of copyright

Tekemessa and Eurysakes, c. 1800-10 (oil on canvas)
XYC282786 Tekemessa and Eurysakes, c.1800-10 (oil on canvas) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825); 103.8x82.9 cm; Yale Center for British Art, Paul Mellon Collection

The Grotto and the Temple of Contemplation, Stowe, 1752 (pen & ink with wash over
XYC281164 The Grotto and the Temple of Contemplation, Stowe, 1752 (pen & ink with wash over graphite on paper) by Chatelain, Jean Baptiste Claude (1710-71); 23.2x32.4 cm; Yale Center for British Art

St. Pancrass Church, West Front, engraved by James Tingle 1827 (engraving) (b / w photo)
XJF280593 St. Pancrass Church, West Front, engraved by James Tingle 1827 (engraving) (b/w photo) by Shepherd, Thomas Hosmer (1792-1864) (after); Private Collection; (add.info)

Design for Cowley Manor, c. 1860 (w / c, pen & ink on paper)
XYC277500 Design for Cowley Manor, c.1860 (w/c, pen & ink on paper) by Clarke, George Somers (1825-82); 28.7x43.2 cm; Yale Center for British Art, Paul Mellon Collection, USA; British

Portrait of a Woman, c. 1770 (oil on canvas)
XYC288953 Portrait of a Woman, c.1770 (oil on canvas) by Kauffmann, Angelica (1741-1807); 74.5x58.1 cm; Yale Center for British Art, Paul Mellon Collection

The Oath of Horatii, 1784 (oil on canvas) (detail of 2290)
XIR285795 The Oath of Horatii, 1784 (oil on canvas) (detail of 2290) by David, Jacques Louis (1748-1825); 330x425 cm; Louvre, Paris, France; French, out of copyright

Sir David Baird, engraved by J. Thomson, from National Portrait Gallery, volume V
KW274261 Sir David Baird, engraved by J. Thomson, from National Portrait Gallery, volume V, published c.1835 (litho) by Eddis

Richard Porson, after a bust, engraved by James Fittler (1758-1835), illustration
KW285442 Richard Porson, after a bust, engraved by James Fittler (1758-1835), illustration from Memoirs of Eminent Etonians, by Sir Edward Creasy published London 1876 (litho) by English School

Portrait of Richard Boyle, Earl of Burlington (engraving) (b / w photo)
XJF283140 Portrait of Richard Boyle, Earl of Burlington (engraving) (b/w photo) by English School; Private Collection; (add.info)

Halls Library at Margate, 1789 (coloured engraving)
XCF268667 Halls Library at Margate, 1789 (coloured engraving) by Malton, Thomas (1748-1804) (after); Private Collection; English, out of copyright

A Sleeping Nymph watched by a shepherd, 1780 (oil on copper)
XCF276474 A Sleeping Nymph watched by a shepherd, 1780 (oil on copper) by Kauffmann, Angelica (1741-1807); 43.72x52 cm; Victoria & Albert Museum, London

A Nymph drawing her Bow on a Youth, 1780 (oil on copper)
XCF276473 A Nymph drawing her Bow on a Youth, 1780 (oil on copper) by Kauffmann, Angelica (1741-1807); 45.72x52 cm; Victoria & Albert Museum, London

Wylds Monster Globe, c. 1851 (litho)
XCF276464 Wylds Monster Globe, c.1851 (litho) by English School; Private Collection; (add.info.: built by James Wyld MP (1812-87)

Horatius Reading his Satires to Maecenas, 1863 (oil on cardboard)
BAL266190 Horatius Reading his Satires to Maecenas, 1863 (oil on cardboard) by Bronnikov, Fedor Andreevich (1827-1902); 27.5x49 cm; Museum of Regional Studies

Portrait of Alexander Pope (1688-1744), c. 1739-84 (pastel on paper)
XCF266099 Portrait of Alexander Pope (1688-1744), c.1739-84 (pastel on paper) by Hoare, William (1702-92); 60.2x44.9 cm; National Portrait Gallery, London, UK; (add.info.: British poet; ); English

Jacques-Louis David, from Histoire de la Revolution Francaise by Louis Blanc
KW271276 Jacques-Louis David, from Histoire de la Revolution Francaise by Louis Blanc (1811-82) (engraving) by French School

Prince Albrecht and Princess Louise, c. 1817 (oil on canvas)
BAL265716 Prince Albrecht and Princess Louise, c.1817 (oil on canvas) by Kugelgen, Franz Gerhard von (1772-1820); 116x85 cm; State Open-air Museum Palace Gatchina, St

Building the New Gallery of the British Museum (litho) (b / w photo)
XJF264724 Building the New Gallery of the British Museum (litho) (b/w photo) by Scharf, George the Elder (1788-1860); Private Collection; German, out of copyright

Mother and Child
BAL25575 Mother and Child by Buck, Adam (1759-1833); Victoria & Albert Museum, London, UK; English, out of copyright

View of the Bourse Imperial Palace and the Commercial Court, Paris, early 19th century
XIR252948 View of the Bourse Imperial Palace and the Commercial Court, Paris, early 19th century (engraving) (b/w photo) by Le Cerf, Jacques Louis Constant (fl.1815-24); Bibliotheque Nationale

The Theatre de l Odeon, c. 1830 (engraving) (b / w photo)
XIR242878 The Theatre de l Odeon, c.1830 (engraving) (b/w photo) by French School, (19th century); Private Collection; (add.info)

The Theatre de l Odeon, 1830 (engraving) (b / w photo)
XIR242875 The Theatre de l Odeon, 1830 (engraving) (b/w photo) by French School, (19th century); Bibliotheque Nationale, Paris

The Heraldic Hall in the Winter Palace, St Petersburg, 1838 (oil on canvas)
BAL241151 The Heraldic Hall in the Winter Palace, St Petersburg, 1838 (oil on canvas) by Ladurner, Adolphe (1798-1865); State Hermitage Museum, St

Andromache at the feet of Pyrrhus, illustration from Act III Scene 7 of Andromaque
XIR239570 Andromache at the feet of Pyrrhus, illustration from Act III Scene 7 of Andromaque by Jean Racine (1639-99) engraved by Henri Marais (b)

Orestes and Pyrrhus, illustration from Act I Scene 2 of Andromaque by Jean Racine
XIR239569 Orestes and Pyrrhus, illustration from Act I Scene 2 of Andromaque by Jean Racine (1639-99) engraved by Mathieu (19th century) (engraving) (b/w photo) by Girodet de Roucy-Trioson

Phaedra, Oenone and Hippolytus, illustration from Act II Scene 5 of Phedre
XIR239568 Phaedra, Oenone and Hippolytus, illustration from Act II Scene 5 of Phedre by Jean Racine (1639-99) engraved by Raphael Urbain Massard (1775-1843) 1824 (engraving) (b/w photo)

Phaedra and Oenone, illustration from Act I Scene 3 of Phedre by Jean Racine
XIR239567 Phaedra and Oenone, illustration from Act I Scene 3 of Phedre by Jean Racine (1639-99) engraved by Raphael Urbain Massard (1775-1843) 1824 (engraving) (b/w photo)

Tragedy or, Portrait of Rachel, c. 1854 (oil on canvas) (b / w photo)
XIR239564 Tragedy or, Portrait of Rachel, c.1854 (oil on canvas) (b/w photo) by Amaury-Duval, Eugene Emmanuel (1808-85); Comedie Francaise, Paris

George IV (1762-1830) 1827 (marble)
XYC239157 George IV (1762-1830) 1827 (marble) by Chantrey, Francis Legatt (1781-1841); 83.8x55.9x27.9 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright

Aurora, c. 1843-45 (marble)
XYC239156 Aurora, c.1843-45 (marble) by Gibson, John (1790-1866); 52.1x30.5x18.1 cm; Yale Center for British Art, Paul Mellon Fund, USA; British, out of copyright

The Sluggard, c. 1886-90 (bronze)
XYC239154 The Sluggard, c.1886-90 (bronze) by Leighton, Frederic (1830-96); height: 50.1 cm; Yale Center for British Art, Paul Mellon Fund, USA; English, out of copyright

Tragedy or, Portrait of Rachel, 1854 (oil on canvas)
XIR236893 Tragedy or, Portrait of Rachel, 1854 (oil on canvas) by Amaury-Duval, Eugene Emmanuel (1808-85); Comedie Francaise, Paris

Laban Searching for the Idols, 1647 (oil on canvas)
XIR232698 Laban Searching for the Idols, 1647 (oil on canvas) by La Hyre, Laurent de (1606-56); 95x133 cm; Louvre, Paris, France; (add.info.: Rachel had stolen Labans teraphim)

Seated Gladiator (oil on canvas)
XIR231702 Seated Gladiator (oil on canvas) by Drouais, Jean-Germain (1763-1788); 193x129.5 cm; Musee des Beaux-Arts, Rouen, France; French, out of copyright

The Three Graces, 1831 (marble) (see for details 164658, 164659)
XIR24957 The Three Graces, 1831 (marble) (see for details 164658, 164659) by Pradier, James (Jean-Jacques) (1790-1852); height: 172 cm; Louvre, Paris, France; Swiss, out of copyright

The Custom House on the river Liffey (photo)
KW229740 The Custom House on the river Liffey (photo) by Gandon, James (1743-1823); Dublin, Ireland; (add.info.: designed by James Gandon (1743-1823); built 1791; ); Ken Welsh; British

Madame de Stael as Corinne, 1809 (oil on canvas)
BAL2287 Madame de Stael as Corinne, 1809 (oil on canvas) by Vigee-Lebrun, Elisabeth Louise (1755-1842); 140x118 cm; Musee d Art et d Histoire, Geneva

Gallery with Views of Modern Rome, 1759 (oil on canvas)
XIR227218 Gallery with Views of Modern Rome, 1759 (oil on canvas) by Pannini or Panini, Giovanni Paolo (1691/2-1765); 231x303 cm; Louvre, Paris

Tiber Valley (oil on panel)
BAL226646 Tiber Valley (oil on panel) by Vanvitelli, Luigi (1700-73); 72.4x148.6 cm; Private Collection; Courtesy of Thomas Brod and Patrick Pilkington; Italian, out of copyright

A green toga and Camille, study for The Oath of the Horatii (oil on canvas)
XIR226032 A green toga and Camille, study for The Oath of the Horatii (oil on canvas) by David, Jacques Louis (1748-1825); 54x74 cm; Musee des Beaux-Arts, Angers

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"Neo Classical: A Timeless Fusion of Art and Architecture" Step into the world of Neo Classical, where history and elegance intertwine to create a captivating aesthetic. From the grandeur of Marylebone Town Hall in London, one of the most eminent buildings of its time, to the iconic portrayal of Napoleon Crossing the Grand Saint-Bernard Pass on canvas, this artistic movement leaves no stone unturned. Immerse yourself in thought-provoking masterpieces like "The Death of Socrates, " an oil painting that captures the essence of philosophy and sacrifice. Journey through picturesque landscapes such as Gytheio in Greece's Mani Peninsula, where ancient ruins stand against a backdrop of Southern European charm. Marvel at Upton House, a mid-19th-century gem crafted by Thomas Picken that showcases exquisite craftsmanship and architectural finesse. Explore Valletta's skyline in Malta, adorned with the domes of Carmelite Church and St. Paul's Anglican Cathedral – a testament to Neo Classical influence across Europe. Indulge your senses with "The Blackbird Song, " an enchanting oil painting that transports you to another era filled with melody and emotion. Admire Madame Recamier on canvas as she embodies grace and beauty from 1800s France. In Oxfordshire, England lies Radcliffe Camera – an architectural marvel that stands proudly within Oxford University's campus. Its timeless design is mirrored by Woburn Abbey featured in Ackermanns Repository of Arts' colorful lithograph from 1828. Neo Classical transcends time; it is not confined to any specific era or location but rather serves as a bridge between past traditions and modern interpretations. It celebrates human achievement while paying homage to classical antiquity. So step into this mesmerizing world where art meets architecture – Neo Classical will captivate your imagination with its harmonious blend of history, beauty, and sophistication.