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Neo Gothic Collection (page 8)

Step into the enchanting world of neo-gothic architecture, where history and grandeur intertwine

Background imageNeo Gothic Collection: The Great Hall, Nymans, Sussex, from England's Lost Houses by Giles Worsley (1961-2006)

The Great Hall, Nymans, Sussex, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo)
CLF311813 The Great Hall, Nymans, Sussex, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo) by English Photographer

Background imageNeo Gothic Collection: A window bay in the Teddington Room at Radnor House, Middlesex

A window bay in the Teddington Room at Radnor House, Middlesex, from England's Lost Houses by Giles Worsley
CLF311801 A window bay in the Teddington Room at Radnor House, Middlesex, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo) by English Photographer

Background imageNeo Gothic Collection: Chimneypiece at Stouts Hill, Gloucestershire, from Country Houses of the Cotswolds (b/w photo)

Chimneypiece at Stouts Hill, Gloucestershire, from Country Houses of the Cotswolds (b/w photo)
CLF320662 Chimneypiece at Stouts Hill, Gloucestershire, from Country Houses of the Cotswolds (b/w photo) by English Photographer, (20th century); Stouts Hill, Gloucestershire

Background imageNeo Gothic Collection: The Great Hall, Nymans, Sussex, from The English Manor House (b/w photo)

The Great Hall, Nymans, Sussex, from The English Manor House (b/w photo)
CLF309189 The Great Hall, Nymans, Sussex, from The English Manor House (b/w photo) by English Photographer, (20th century); (add.info)

Background imageNeo Gothic Collection: The south front, Newark Park, from Country Houses of the Cotswolds (b/w photo)

The south front, Newark Park, from Country Houses of the Cotswolds (b/w photo)
CLF320629 The south front, Newark Park, from Country Houses of the Cotswolds (b/w photo) by English Photographer, (20th century); (add.info)

Background imageNeo Gothic Collection: Woodchester Park, from Country Houses of the Cotswolds (b/w photo)

Woodchester Park, from Country Houses of the Cotswolds (b/w photo)
CLF320628 Woodchester Park, from Country Houses of the Cotswolds (b/w photo) by English Photographer, (20th century); (add.info.: the approach from the south east)

Background imageNeo Gothic Collection: East front of Apley Hall, from England's Lost Houses by Giles Worsley (1961-2006)

East front of Apley Hall, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo)
CLF311703 East front of Apley Hall, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo) by English Photographer

Background imageNeo Gothic Collection: The Library, Eaton Hall, Cheshire, from The English Country House (b/w photo)

The Library, Eaton Hall, Cheshire, from The English Country House (b/w photo)
CLF306388 The Library, Eaton Hall, Cheshire, from The English Country House (b/w photo) by English Photographer, (20th century); (add.info.: built for Hugh Lupus Grosvenor)

Background imageNeo Gothic Collection: The Chapel, Eaton Hall, Cheshire, from The English Country House (b/w photo)

The Chapel, Eaton Hall, Cheshire, from The English Country House (b/w photo)
CLF306385 The Chapel, Eaton Hall, Cheshire, from The English Country House (b/w photo) by English Photographer, (20th century); (add.info.: the chapel)

Background imageNeo Gothic Collection: Interior at Bayons Manor, Lincolnshire, from England's Lost Houses by Giles Worsley (1961-2006)

Interior at Bayons Manor, Lincolnshire, from England's Lost Houses by Giles Worsley (1961-2006)
CLF311710 Interior at Bayons Manor, Lincolnshire, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo) by English Photographer

Background imageNeo Gothic Collection: Walpole's Library, Strawberry Hill, Middlesex, from 100 Favourite Houses (b/w photo)

Walpole's Library, Strawberry Hill, Middlesex, from 100 Favourite Houses (b/w photo)
CLF310454 Walpole's Library, Strawberry Hill, Middlesex, from 100 Favourite Houses (b/w photo) by English Photographer

Background imageNeo Gothic Collection: The east facade, Eaton Hall, from The English Country House (b/w photo)

The east facade, Eaton Hall, from The English Country House (b/w photo)
CLF306389 The east facade, Eaton Hall, from The English Country House (b/w photo) by English Photographer, (20th century); (add.info.: built for Hugh Lupus Grosvenor)

Background imageNeo Gothic Collection: Design for a conversational Sofa, 1842 (pencil & w/c on paper)

Design for a conversational Sofa, 1842 (pencil & w/c on paper)
BAL1340 Design for a conversational Sofa, 1842 (pencil & w/c on paper) by Cottingham, Lewis Nockalls (1787-1847); Victoria & Albert Museum, London

Background imageNeo Gothic Collection: Design For Chancel Arch, Brigham Church, Cumberland, c. 1876 (pen & ink and w/c on paper)

Design For Chancel Arch, Brigham Church, Cumberland, c. 1876 (pen & ink and w/c on paper)
5980408 Design For Chancel Arch, Brigham Church, Cumberland, c.1876 (pen & ink and w/c on paper) by Butterfield, William (1814-1900); 38.3x48.1 cm; Manchester Art Gallery

Background imageNeo Gothic Collection: Desk and escritoire, 1865-67 (pine, mahogany, ceramic & brass) (see also 5942439)

Desk and escritoire, 1865-67 (pine, mahogany, ceramic & brass) (see also 5942439)
3711008 Desk and escritoire, 1865-67 (pine, mahogany, ceramic & brass) (see also 5942439) by Burges, William (1827-81); height: 258 cm; Manchester Art Gallery

Background imageNeo Gothic Collection: Lantern for The Light of the World, 1852 (patinated brass)

Lantern for The Light of the World, 1852 (patinated brass)
4055748 Lantern for The Light of the World, 1852 (patinated brass) by Hunt, William Holman (1827-1910); height: 35 cm; Manchester Art Gallery, UK; (add.info.: William Holman Hunt (Designer)

Background imageNeo Gothic Collection: Madonna Enthroned (stained glass)

Madonna Enthroned (stained glass)
493274 Madonna Enthroned (stained glass) by Bertini, Giuseppe (1825-98); Vatican Museums and Galleries, Vatican City; Photo © Stefano Baldini

Background imageNeo Gothic Collection: Southwark Church, Southwark, London, England

Southwark Church, Southwark, London, England
6317585 Southwark Church, Southwark, London, England by English School, (19th century); (add.info.: Southwark Church, Southwark, London, England, 19th century)

Background imageNeo Gothic Collection: New College Oxford: Proposed Gates and Railing for Entrance to Garden, 1874 (ink on paper)

New College Oxford: Proposed Gates and Railing for Entrance to Garden, 1874 (ink on paper)
NCO232971 New College Oxford: Proposed Gates and Railing for Entrance to Garden, 1874 (ink on paper) by Scott, George Gilbert (1811-1878); Courtesy of the Warden and Scholars of New College, Oxford

Background imageNeo Gothic Collection: Statue of Martin Luther in front of the Protestant-Lutheran Market Church of St. Georgii

Statue of Martin Luther in front of the Protestant-Lutheran Market Church of St. Georgii
7277776 Statue of Martin Luther in front of the Protestant-Lutheran Market Church of St. Georgii by German School, (19th century); Hanover

Background imageNeo Gothic Collection: Print of Der Rittersaal zu Erbach (Interior of Gothic Revival armory of Erbach Castle)... ca. 1850

Print of Der Rittersaal zu Erbach (Interior of Gothic Revival armory of Erbach Castle)... ca. 1850
Print of Der Rittersaal zu Erbach (Interior of Gothic Revival armory of Erbach Castle), ca. 1850

Background imageNeo Gothic Collection: Chateau de la Reine Blanche at the Ponds of Commelles, built by the Duke of Bourbon in 1826 (photo)

Chateau de la Reine Blanche at the Ponds of Commelles, built by the Duke of Bourbon in 1826 (photo)
XIR161027 Chateau de la Reine Blanche at the Ponds of Commelles, built by the Duke of Bourbon in 1826 (photo) by French School, (19th century); Chantilly, Oise

Background imageNeo Gothic Collection: New College Oxford: Proposed passage from Old to New Buildings, 1875-77 (ink on paper)

New College Oxford: Proposed passage from Old to New Buildings, 1875-77 (ink on paper)
NCO232968 New College Oxford: Proposed passage from Old to New Buildings, 1875-77 (ink on paper) by Scott, George Gilbert (1811-1878); Courtesy of the Warden and Scholars of New College, Oxford

Background imageNeo Gothic Collection: The Battle of Beth Horon, 1862-3 (stained glass)

The Battle of Beth Horon, 1862-3 (stained glass)
3474767 The Battle of Beth Horon, 1862-3 (stained glass) by Burne-Jones, Edward Coley (1833-98); St Michael, Lyndhurst, UK; (add.info.: Manufactured by Morris, Marshall, Faulkner & Co)

Background imageNeo Gothic Collection: Benedictine Palace. (Illustration, circa 1930)

Benedictine Palace. (Illustration, circa 1930)
5975927 Benedictine Palace. (Illustration, circa 1930) by French School, (20th century); Private Collection; (add.info.: Power supply)

Background imageNeo Gothic Collection: Ms. New Coll 380, f40r. The antiquities of the Cathedral Church of Saint Mary, Carlisle

Ms. New Coll 380, f40r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile
833749 Ms. New Coll 380, f40r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile, 1795 (pen & ink and w/c on paper) by Carlile

Background imageNeo Gothic Collection: Ms. New Coll 380, f41r. The antiquities of the Cathedral Church of Saint Mary, Carlisle

Ms. New Coll 380, f41r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile
833750 Ms. New Coll 380, f41r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile, 1795 (pen & ink and w/c on paper) by Carlile

Background imageNeo Gothic Collection: Dido stabbing herself, opening of Book IV of Virgils Aeneid (w / c on vellum)

Dido stabbing herself, opening of Book IV of Virgils Aeneid (w / c on vellum)
621801 Dido stabbing herself, opening of Book IV of Virgils Aeneid (w/c on vellum) by Morris, William (1834-96); 14x13.5 cm; Private Collection; Photo © Christies Images

Background imageNeo Gothic Collection: Wooden church, St. Marys, Georgia, 1936. Creator: Walker Evans

Wooden church, St. Marys, Georgia, 1936. Creator: Walker Evans
Wooden church, St. Marys, Georgia

Background imageNeo Gothic Collection: Orszaghaz Parliament neo-Gothic building and River Danube view at sunset, with clouds above

Orszaghaz Parliament neo-Gothic building and River Danube view at sunset, with clouds above, UNESCO World Heritage Site, Budapest, Hungary, Europe

Background imageNeo Gothic Collection: Tapestries, hangings and altar cloths, from The Glossary of Ecclesiastical Ornament and Costume

Tapestries, hangings and altar cloths, from The Glossary of Ecclesiastical Ornament and Costume, lithograph by H. C
STC156401 Tapestries, hangings and altar cloths, from The Glossary of Ecclesiastical Ornament and Costume, lithograph by H.C

Background imageNeo Gothic Collection: Winter in Union Square, 1889-90 (oil on canvas)

Winter in Union Square, 1889-90 (oil on canvas)
3493104 Winter in Union Square, 1889-90 (oil on canvas) by Hassam, Childe Frederick (1859-1935); 46.4x45.7 cm; Metropolitan Museum of Art, New York

Background imageNeo Gothic Collection: St John The Baptist, detail from the east window, 1861 (stained glass)

St John The Baptist, detail from the east window, 1861 (stained glass)
3474631 St John The Baptist, detail from the east window, 1861 (stained glass) by Barraud, Francis Philip (1824-1901); St John The Baptist, Bromsgrove

Background imageNeo Gothic Collection: Design for large bosses of the library ceiling for King Edward VI Grammar School, Birmingham

Design for large bosses of the library ceiling for King Edward VI Grammar School, Birmingham, 1835-36 (pen & grey)
1765212 Design for large bosses of the library ceiling for King Edward VI Grammar School, Birmingham, 1835-36 (pen & grey, red and black washes on paper) by Pugin

Background imageNeo Gothic Collection: Mitchel Tower, 250 feet high (b / w photo)

Mitchel Tower, 250 feet high (b / w photo)
7191245 Mitchel Tower, 250 feet high (b/w photo) by Porter, James (1874-1937); Private Collection; (add.info.: Mitchel Tower, 250 feet high)

Background imageNeo Gothic Collection: Gothic style State Bed, 1823

Gothic style State Bed, 1823
6339944 Gothic style State Bed, 1823 by British School, (18th-19th century); (add.info.: Gothic style State Bed, 1823. Gothic revival four-poster bed with a canopy from a throne)

Background imageNeo Gothic Collection: Curtains for a Gothic room

Curtains for a Gothic room
6338592 Curtains for a Gothic room by British School, (19th century); (add.info.: Curtains for a Gothic room. Ornate pelmet of gold-frnged fabric)

Background imageNeo Gothic Collection: Design for a Gothic Bed Room, 1813

Design for a Gothic Bed Room, 1813
6339938 Design for a Gothic Bed Room, 1813 by British School, (18th-19th century); (add.info.: Design for a Gothic Bed Room, 1813. Bed with groined arches, tent-like canopy over bedstead with steps)

Background imageNeo Gothic Collection: Gothic staircase and vestibule

Gothic staircase and vestibule
6339902 Gothic staircase and vestibule by British School, (18th-19th century); (add.info.: Gothic staircase and vestibule)

Background imageNeo Gothic Collection: Gothic conservatory, Regency era

Gothic conservatory, Regency era
6339907 Gothic conservatory, Regency era by British School, (18th-19th century); (add.info.: Gothic conservatory, Regency era)

Background imageNeo Gothic Collection: Gothic sofa, table, chair and footstool for a library, 1810

Gothic sofa, table, chair and footstool for a library, 1810
6339904 Gothic sofa, table, chair and footstool for a library, 1810 by British School, (18th-19th century); (add.info.: Gothic sofa, table, chair and footstool for a library, 1810)

Background imageNeo Gothic Collection: Enmore Castle, Somerset, the seat of the 3rd Earl of Egmont, 1825 (engraving)

Enmore Castle, Somerset, the seat of the 3rd Earl of Egmont, 1825 (engraving)
5912988 Enmore Castle, Somerset, the seat of the 3rd Earl of Egmont, 1825 (engraving) by British School, (19th century); (add.info.: Belvoir Castle, Leicestershire, seat of John Manners)

Background imageNeo Gothic Collection: Exterior view (photo)

Exterior view (photo)
JOE120911 Exterior view (photo) by Scott, George Gilbert (1811-1878); The Midland Grand Hotel, St. Pancras, London, UK; © Joe Fairs Photography

Background imageNeo Gothic Collection: Birmingham, Ward End, St Margaret, Morris & Co. Edward Burne-Jones, John Henry Dearle (1859-1932)

Birmingham, Ward End, St Margaret, Morris & Co. Edward Burne-Jones, John Henry Dearle (1859-1932), The Good Shepherd
3474918 Birmingham, Ward End, St Margaret, Morris & Co. Edward Burne-Jones, John Henry Dearle (1859-1932), The Good Shepherd, 1902 by Morris & Company; Ward End, Birmingham

Background imageNeo Gothic Collection: Birmingham, Acocks Green, St Mary The Virgin, Morris & Co. Edward Burne-Jones

Birmingham, Acocks Green, St Mary The Virgin, Morris & Co. Edward Burne-Jones, John Henry Dearle (1859-1932)
3474906 Birmingham, Acocks Green, St Mary The Virgin, Morris & Co. Edward Burne-Jones, John Henry Dearle (1859-1932), Overall View of Chancel with alabaster reredos by Bridgman of Lichfield (1903)

Background imageNeo Gothic Collection: Reform Club, Manchester (engraving)

Reform Club, Manchester (engraving)
7179904 Reform Club, Manchester (engraving) by English School, (19th century); Private Collection; (add.info.: Reform Club, Manchester)

Background imageNeo Gothic Collection: St Pauls Within the Walls, Rome (engraving)

St Pauls Within the Walls, Rome (engraving)
7185817 St Pauls Within the Walls, Rome (engraving) by Holland Tringham, Joseph (1861-1908); Private Collection; (add.info.: St Pauls Within the Walls, American Episcopal Church in Rome)

Background imageNeo Gothic Collection: The Last Judgement, detail, St Michael, 1863 (stained glass)

The Last Judgement, detail, St Michael, 1863 (stained glass)
3474786 The Last Judgement, detail, St Michael, 1863 (stained glass) by Bayne, Robert Turnill (1837-1915) & Hassam, Alfred (1843-1868); St Mary, Brome, UK; (add.info.: Heaton)




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Step into the enchanting world of neo-gothic architecture, where history and grandeur intertwine. From the majestic Glenveagh Castle on Lake Lough Beagh in County Donegal to the awe-inspiring Milan Cathedral in Italy, these structures transport us to a bygone era. The intricate architectural drawings of AWN Pugin's west front inner gate house and the vibrant views of Oxford capture the essence of this captivating style. Delve into Lyndhurst Church's stained glass design featuring an angel harpist, showcasing the ethereal beauty that characterizes neo-gothic artistry. Explore Eastnor Castle's drawing room decoration from 1850, exuding opulence and sophistication. St. Finbars Cathedral stands as a testament to unknown creators who brought their vision to life in 1898, while Dulwich College's Great Hall evokes a sense of academic excellence with its timeless charm. The iconic Woolworth Building takes us back to early 20th-century New York City, where towering heights were reached through meticulous construction. Witness its foundations being laid in 1911 and marvel at its completion as the world's tallest building in 1913. Neo-gothic architecture captivates our imagination with its ornate details, soaring spires, and dramatic presence, and is a tribute to human ingenuity and artistic expression that continues to inspire generations.