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Neoclassicismo Collection

Neoclassicism, an artistic movement that emerged in the late 18th century and reached its peak during the 19th century

Background imageNeoclassicismo Collection: Ganymede with Jupiters eagle, 1814-5 (marble)

Ganymede with Jupiters eagle, 1814-5 (marble)
5973922 Ganymede with Jupiters eagle, 1814-5 (marble) by Thorvaldsen, Bertel (1770-1844); Pinacoteca Tosio Martinengo, Brescia, Italy; (add.info.: Brescia)

Background imageNeoclassicismo Collection: Works by Antonio Canova: Fine Amorous Statues, 1841 (litho on mounted wove paper)

Works by Antonio Canova: Fine Amorous Statues, 1841 (litho on mounted wove paper)
6343060 Works by Antonio Canova: Fine Amorous Statues, 1841 (litho on mounted wove paper) by Fanoli, Michele (1807-76); Biblioteca Nazionale Braidense, Milan, Lombardy

Background imageNeoclassicismo Collection: Ugo Foscolo, 1813 (oil on canvas)

Ugo Foscolo, 1813 (oil on canvas)
6343064 Ugo Foscolo, 1813 (oil on canvas) by Fabre, Francois Xavier (1766-1837); Biblioteca Nazionale Centrale, Florence, Italy; (add.info.: by Francois - Xavier Fabre (1776 - 1837)); Ghigo Roli

Background imageNeoclassicismo Collection: Apollino (Young Apollo), detail, c. 1797 (marble)

Apollino (Young Apollo), detail, c. 1797 (marble)
6343104 Apollino (Young Apollo), detail, c.1797 (marble) by Canova, Antonio (1757-1822); J. Paul Getty Museum, Los Angeles, USA; (add.info.: Apollino, 1797 circa, di Antonio Canova (1757 - 1822)

Background imageNeoclassicismo Collection: Socrates bidding Farewell to his Family, 1787-90 (plaster)

Socrates bidding Farewell to his Family, 1787-90 (plaster)
6343151 Socrates bidding Farewell to his Family, 1787-90 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: Socrate si congeda dalla propria famiglia)

Background imageNeoclassicismo Collection: Apollino (Young Apollo), c. 1797 (marble)

Apollino (Young Apollo), c. 1797 (marble)
6343101 Apollino (Young Apollo), c.1797 (marble) by Canova, Antonio (1757-1822); J. Paul Getty Museum, Los Angeles, USA; (add.info.: Apollino, 1797 circa, di Antonio Canova (1757 - 1822)

Background imageNeoclassicismo Collection: Socrates drinks the cup of hemlock, 1787-90 (plaster)

Socrates drinks the cup of hemlock, 1787-90 (plaster)
6343154 Socrates drinks the cup of hemlock, 1787-90 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: Socrate beve la cicuta, 1787-90)

Background imageNeoclassicismo Collection: Crito closing Socrates Eyes, 1790-92 (plaster)

Crito closing Socrates Eyes, 1790-92 (plaster)
6343152 Crito closing Socrates Eyes, 1790-92 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: Critone chiude gli occhi di Socrate, 1790-92)

Background imageNeoclassicismo Collection: Achilles delivers Briseis to Agamemnons Heralds, 1787-90 (plaster)

Achilles delivers Briseis to Agamemnons Heralds, 1787-90 (plaster)
6343150 Achilles delivers Briseis to Agamemnons Heralds, 1787-90 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy

Background imageNeoclassicismo Collection: Dance of Alcinous Children, 1790-02 (plaster)

Dance of Alcinous Children, 1790-02 (plaster)
6343144 Dance of Alcinous Children, 1790-02 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: Danza dei figli di Alcinoo, 1790-2)

Background imageNeoclassicismo Collection: Justice, 1792 (plaster)

Justice, 1792 (plaster)
6343142 Justice, 1792 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: La Giustizia, 1792, di Antonio Canova (1757 - 1822), gesso.); Ghigo Roli

Background imageNeoclassicismo Collection: Charity, 1792 (plaster)

Charity, 1792 (plaster)
6343141 Charity, 1792 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: La Carita, 1792, di Antonio Canova (1757 - 1822), gesso.); Ghigo Roli

Background imageNeoclassicismo Collection: Francis I of Austria, 1781-82 (marble)

Francis I of Austria, 1781-82 (marble)
6343116 Francis I of Austria, 1781-82 (marble) by Canova, Antonio (1757-1822); Fondazione Canova, Possagno, Veneto, Italy; (add.info.: Francesco I d Austria, 1822 di Antonio Canova (1757 - 1822)

Background imageNeoclassicismo Collection: Apollino (Young Apollo), c. 1797 (marble)

Apollino (Young Apollo), c. 1797 (marble)
6343103 Apollino (Young Apollo), c.1797 (marble) by Canova, Antonio (1757-1822); J. Paul Getty Museum, Los Angeles, USA; (add.info.: Apollino, 1797 circa, di Antonio Canova (1757 - 1822)

Background imageNeoclassicismo Collection: Apollino (Young Apollo), c. 1797 (marble)

Apollino (Young Apollo), c. 1797 (marble)
6343102 Apollino (Young Apollo), c.1797 (marble) by Canova, Antonio (1757-1822); J. Paul Getty Museum, Los Angeles, USA; (add.info.: Apollino, 1797 circa, di Antonio Canova (1757 - 1822)

Background imageNeoclassicismo Collection: 'Hebe as cupbearer of Jupiters Eagle', 1790 (oil on canvas)

"Hebe as cupbearer of Jupiters Eagle", 1790 (oil on canvas)
6343073 " Hebe as cupbearer of Jupiters Eagle", 1790 (oil on canvas) by Landi, Gaspare (1756-1830); Pinacoteca Tosio Martinengo, Brescia, Italy; (add.info.: Ebe)

Background imageNeoclassicismo Collection: Pope Pius VII, detail of the mozzetta, 1804-5 (marble)

Pope Pius VII, detail of the mozzetta, 1804-5 (marble)
6343027 Pope Pius VII, detail of the mozzetta, 1804-5 (marble) by Canova, Antonio (1757-1822); Musee et Domaine National de Versailles et de Trianon, Versailles, France; (add.info.: Papa Pio VII)

Background imageNeoclassicismo Collection: Pope Pius VII, 1804-5 (marble)

Pope Pius VII, 1804-5 (marble)
6343026 Pope Pius VII, 1804-5 (marble) by Canova, Antonio (1757-1822); Musee et Domaine National de Versailles et de Trianon, Versailles, France; (add.info.: Papa Pio VII, 1804-5)

Background imageNeoclassicismo Collection: The three Graces, detail of legs and feet, 1812-17 (marble)

The three Graces, detail of legs and feet, 1812-17 (marble)
6342981 The three Graces, detail of legs and feet, 1812-17 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

Background imageNeoclassicismo Collection: Feeding the Hungry, detail, 1795 (plaster)

Feeding the Hungry, detail, 1795 (plaster)
6342968 Feeding the Hungry, detail, 1795 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: Dare da mangiare agli affamati, 1795)

Background imageNeoclassicismo Collection: Feeding the Hungry, 1795 (plaster)

Feeding the Hungry, 1795 (plaster)
6342967 Feeding the Hungry, 1795 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: Dare da mangiare agli affamati, 1795)

Background imageNeoclassicismo Collection: Young Girl (marble)

Young Girl (marble)
5894155 Young Girl (marble) by Cappelli, Giovanni (1814-85); Assicoop-Unipol Collection, Modena, Emilia Romagna, Italy; (add.info.: Collezione Assicoop - Unipol: inv)

Background imageNeoclassicismo Collection: Death of Priam, 1787-90 (plaster)

Death of Priam, 1787-90 (plaster)
6343148 Death of Priam, 1787-90 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: Morte di Priamo, 1787-90, di Antonio Canova (1757 - 1822)

Background imageNeoclassicismo Collection: Dance of Alcinous Children, detail, 1790-02 (plaster)

Dance of Alcinous Children, detail, 1790-02 (plaster)
6343145 Dance of Alcinous Children, detail, 1790-02 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: Danza dei figli di Alcinoo, 1790-2)

Background imageNeoclassicismo Collection: Hope, 1792 (plaster)

Hope, 1792 (plaster)
6343140 Hope, 1792 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: La Speranza, 1792, di Antonio Canova (1757 - 1822), gesso.); Ghigo Roli

Background imageNeoclassicismo Collection: Antonio Canova 1809-10 (marble)

Antonio Canova 1809-10 (marble)
6343134 Antonio Canova 1809-10 (marble) by Monti, Gaetano Matteo (1776-1847); Pinacoteca Nazionale, Bologna, Italy; (add.info.: Antonio Canova, 1809-10, di Gatano Matteo Monti (1776 - 1847)

Background imageNeoclassicismo Collection: Flora, detail, 1838-40 (marble)

Flora, detail, 1838-40 (marble)
6343005 Flora, detail, 1838-40 (marble) by Tenerani, Pietro (1789-1869); State Hermitage Museum, St. Petersburg, Russia; (add.info.: Flora, 1838-40, di Pietro Tenerani (1789 - 1869), marmo

Background imageNeoclassicismo Collection: Dancing Terpsichore (Dancer), detail of the rear part with the bare shoulders and the chignon

Dancing Terpsichore (Dancer), detail of the rear part with the bare shoulders and the chignon, 1820 (marble)
6343001 Dancing Terpsichore (Dancer), detail of the rear part with the bare shoulders and the chignon, 1820 (marble) by Monti, Gaetano Matteo (1776-1847); Seminario Vescovile, Cremona

Background imageNeoclassicismo Collection: The Graces and Cupid, detail of Cupid among the Graces legs, 1820-22 (Carrara marble)

The Graces and Cupid, detail of Cupid among the Graces legs, 1820-22 (Carrara marble)
6342993 The Graces and Cupid, detail of Cupid among the Graces legs, 1820-22 (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen

Background imageNeoclassicismo Collection: The Graces and Cupid, detail of the embrace and a hand, 1820-22 (Carrara marble)

The Graces and Cupid, detail of the embrace and a hand, 1820-22 (Carrara marble)
6342991 The Graces and Cupid, detail of the embrace and a hand, 1820-22 (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen

Background imageNeoclassicismo Collection: The Graces and Cupid, 1820-22 (Carrara marble)

The Graces and Cupid, 1820-22 (Carrara marble)
6342988 The Graces and Cupid, 1820-22 (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen, Denmark; (add.info.: Le Grazie con Cupido, 1820-2)

Background imageNeoclassicismo Collection: The three Graces, detail of the embrace, 1812-17 (marble)

The three Graces, detail of the embrace, 1812-17 (marble)
6342976 The three Graces, detail of the embrace, 1812-17 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

Background imageNeoclassicismo Collection: The three Graces, 1812-17, detail of the back and hand (marble)

The three Graces, 1812-17, detail of the back and hand (marble)
6342975 The three Graces, 1812-17, detail of the back and hand (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

Background imageNeoclassicismo Collection: The three Graces, detail of the faces and the embrace, 1812-17 (marble)

The three Graces, detail of the faces and the embrace, 1812-17 (marble)
6342973 The three Graces, detail of the faces and the embrace, 1812-17 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

Background imageNeoclassicismo Collection: 'Venus orders Psyche to fetch the Waters of the Styx', 1792, oil on canvas

"Venus orders Psyche to fetch the Waters of the Styx", 1792, oil on canvas
6343071 " Venus orders Psyche to fetch the Waters of the Styx", 1792, oil on canvas. by Gianni, Felice (1760-1823); Private Collection; (add.info)

Background imageNeoclassicismo Collection: Apollo crowning Himself, 1781-82 (marble)

Apollo crowning Himself, 1781-82 (marble)
6343099 Apollo crowning Himself, 1781-82 (marble) by Canova, Antonio (1757-1822); J. Paul Getty Museum, Los Angeles, USA; (add.info.: Apollo che si incorona, 1781-2, di Antonio Canova (1757 - 1822)

Background imageNeoclassicismo Collection: Works by Antonio Canova: Heroic Subjects inside an Arena, 1842 (litho on mounted wove paper)

Works by Antonio Canova: Heroic Subjects inside an Arena, 1842 (litho on mounted wove paper)
6343059 Works by Antonio Canova: Heroic Subjects inside an Arena, 1842 (litho on mounted wove paper) by Fanoli, Michele (1807-76); Biblioteca Nazionale Braidense, Milan, Lombardy

Background imageNeoclassicismo Collection: Works by Antonio Canova: Portraits in a Pantheon, 1844 (litho on mounted wove paper)

Works by Antonio Canova: Portraits in a Pantheon, 1844 (litho on mounted wove paper)
6343058 Works by Antonio Canova: Portraits in a Pantheon, 1844 (litho on mounted wove paper) by Fanoli, Michele (1807-76); Biblioteca Nazionale Braidense, Milan, Lombardy

Background imageNeoclassicismo Collection: Cupid and Psyche, detail, 1800-03 (marble)

Cupid and Psyche, detail, 1800-03 (marble)
6343037 Cupid and Psyche, detail, 1800-03 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St. Petersburg, Russia; (add.info.: Amore e Psiche, 1800-3, di Antonio Canova (1757 - 1822)

Background imageNeoclassicismo Collection: Hebe, 1800-05 (marble)

Hebe, 1800-05 (marble)
6343030 Hebe, 1800-05 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St. Petersburg, Russia; (add.info.: Ebe, 1800-5, di Antonio Canova (1757 - 1822), marmo.); Ghigo Roli

Background imageNeoclassicismo Collection: Princess Leopoldina Esterhazy while painting, detail of the hand while painting, 1805-18 (marble)

Princess Leopoldina Esterhazy while painting, detail of the hand while painting, 1805-18 (marble)
6343014 Princess Leopoldina Esterhazy while painting, detail of the hand while painting, 1805-18 (marble) by Canova, Antonio (1757-1822); Private Collection; (add.info)

Background imageNeoclassicismo Collection: Princess Leopoldina Esterhazy while painting, detail, 1805-18 (marble)

Princess Leopoldina Esterhazy while painting, detail, 1805-18 (marble)
6343013 Princess Leopoldina Esterhazy while painting, detail, 1805-18 (marble) by Canova, Antonio (1757-1822); Private Collection; (add.info)

Background imageNeoclassicismo Collection: Dancing Terpsichore (Dancer), detail of the hand, 1820 (marble)

Dancing Terpsichore (Dancer), detail of the hand, 1820 (marble)
6343000 Dancing Terpsichore (Dancer), detail of the hand, 1820 (marble) by Monti, Gaetano Matteo (1776-1847); Seminario Vescovile, Cremona, Italy; (add.info.: Tersicore danzante (Danzatrice), 1820

Background imageNeoclassicismo Collection: The Graces and Cupid, detail of the embrace, and faces and gazes, 1820-22 (Carrara marble)

The Graces and Cupid, detail of the embrace, and faces and gazes, 1820-22 (Carrara marble)
6342990 The Graces and Cupid, detail of the embrace, and faces and gazes, 1820-22 (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen

Background imageNeoclassicismo Collection: The three Graces, detail of the faces and the embrace, 1812-17 (marble)

The three Graces, detail of the faces and the embrace, 1812-17 (marble)
6342984 The three Graces, detail of the faces and the embrace, 1812-17 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

Background imageNeoclassicismo Collection: The three Graces, detail of the rear part, 1812-17 (marble)

The three Graces, detail of the rear part, 1812-17 (marble)
6342980 The three Graces, detail of the rear part, 1812-17 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

Background imageNeoclassicismo Collection: Young Girl (marble)

Young Girl (marble)
5894156 Young Girl (marble) by Cappelli, Giovanni (1814-85); Assicoop-Unipol Collection, Modena, Emilia Romagna, Italy; (add.info.: Collezione Assicoop - Unipol: inv)




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Neoclassicism, an artistic movement that emerged in the late 18th century and reached its peak during the 19th century, was characterized by a revival of classical Greek and Roman art. Ugo Foscolo's masterpiece from 1813, painted with oil on canvas, exemplifies this style with its meticulous attention to detail and emphasis on symmetry. In "The entry of Alexander the Great into Babylon, " a Carrara marble sculpture created between 1818-28, we see a captivating scene featuring a dromedary, palm tree, and young boys. This intricate detail showcases the neoclassical artists' dedication to accuracy and their ability to capture historical events in stunningly lifelike form. Another remarkable example is found in "Apollino (Young Apollo), " crafted around 1797 using marble. The sculpture portrays youthful beauty through its delicate features and graceful pose. It embodies the neoclassical fascination with idealized human forms inspired by ancient Greek sculptures. "Socrates bidding Farewell to his Family" is another notable work within this movement. Created between 1787-90 using plaster material, it depicts Socrates surrounded by loved ones as he prepares for his tragic fate – drinking hemlock poison. The emotional depth conveyed through this piece reflects neoclassicism's interest in exploring profound philosophical themes. Other significant works include "Crito closing Socrates Eyes" (1790-92), which captures the somber moment after Socrates' death; "Achilles delivers Briseis to Agamemnon's Heralds" (1787-90), showcasing heroic figures from Greek mythology; "Dance of Alcinous Children" (1790-02), portraying joyous movements reminiscent of ancient rituals; as well as allegorical representations such as "Justice" (1792) and "Charity" (1792).