New Jerusalem Collection

The Front piece of the Liber Vitae of New Minster, Winchester
1578296 The Front piece of the Liber Vitae of New Minster, Winchester; (add.info.: The Front piece of the Liber Vitae of New Minster, Winchester)

Das Neue Jerusalem, n. d. Creator: Orpha M. Peters
Das Neue Jerusalem, n.d

The New Jerusalem, Angel, detail, 1862-3 (stained glass)
3474763 The New Jerusalem, Angel, detail, 1862-3 (stained glass) by Burne-Jones, Edward Coley (1833-98); St Michael, Lyndhurst, UK; (add.info.: Manufactured by Morris, Marshall)

The New Jerusalem (engraving)
2791951 The New Jerusalem (engraving) by English School, (18th century); Private Collection; (add.info.: The New Jerusalem)

The New Jerusalem, Angel, detail, 1862-3 (stained glass)
3474762 The New Jerusalem, Angel, detail, 1862-3 (stained glass) by Burne-Jones, Edward Coley (1833-98); St Michael, Lyndhurst, UK; (add.info.: Manufactured by Morris, Marshall)

The New Jerusalem, detail, 1862-3 (stained glass)
3474761 The New Jerusalem, detail, 1862-3 (stained glass) by Burne-Jones, Edward Coley (1833-98); St Michael, Lyndhurst, UK; (add.info.: Manufactured by Morris, Marshall, Faulkner & Co)

The New Jerusalem, detail, 1862-3 (stained glass)
3474760 The New Jerusalem, detail, 1862-3 (stained glass) by Burne-Jones, Edward Coley (1833-98); St Michael, Lyndhurst, UK; (add.info.: Manufactured by Morris, Marshall)

The New Jerusalem, Angel, detail, 1862-3 (stained glass)
3474764 The New Jerusalem, Angel, detail, 1862-3 (stained glass) by Burne-Jones, Edward Coley (1833-98); St Michael, Lyndhurst, UK; (add.info.: Manufactured by Morris, Marshall)

New Jerusalem. Cathedral of the Resurrection of Christ, Mid of the 19th century. Found in the collection of Russian State Historical Library, Moscow

NEW JERUSALEM CARTOON. Their New Jerusalem : cartoon by Hamilton from Judge magazine, 23 January 1892, calling New York the new Jerusalem with the tremendous influx of Jewish immigrants from Russia;

SINNERS IN HELL, 1744. A New England depiction of sinners in Hell, with a vision of Jerusalem at center. Woodcut from The Progress of Sin, 1744

NEW JERUSALEM. New Jerusalem (Revelation 21: 12). Manuscript illumination, Belgian, from The Apocalypse of Margaret of York, c1475

New Jerusalem Monastery, 1809. Artist: Porter, Robert Carr (1777-1842)
New Jerusalem Monastery, 1809. From a private collection

MAIUS BEATUS, c950 A. D. The New Jerusalem. Spanish manuscript illumination, c950
MAIUS BEATUS, c950 A.D. The New Jerusalem. Spanish manuscript illumination, c950, from the Maius Beatus, an illuminated copy of the Commentary on the Apocalypse, by Beatus of Liebana, 8th century

REVELATION OF SAINT JOHN. The Angel with the Key hurls the dragon into the abyss, and another angel shows St. John the New Jerusalem (Revelation 20, 1-3; 21, 9-12; 22, 8)

SINNERS IN HELL, 1744. A New England depiction of sinners in Hell, with a vision of Jerusalem at center. Woodcut from The Progress of Sin, 1744

THEODOR HERZL (1860-1904). Illustration from a Russian commemorative anthology published, 1922, by Jewish emigres in honor of Herzl, who is shown with his 1896 pamphlet, Der Judenstaat

NEW JERUSALEM, c1220. New Heavenly Jerusalem. Spanish manuscript illumination from Las Huelgas Apocalypse by Beatus of Liebana, 1220

THEODOR HERZL (1860-1904). Hungarian journalist and founder of Zionism. Illustration from a Russian commemorative anthology published, 1922, by Jewish emigrantss in honor of Herzl

DORE: NEW JERUSALEM. (Revelation 21: 2). Color engraving after Gustave Dor
DORE: NEW JERUSALEM. (Revelation 21:2). Color engraving after Gustave Dor

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"New Jerusalem: A Vision of Divine Beauty and Cultural Significance" The concept of the "New Jerusalem" has captivated artists, theologians, and historians throughout history. From stained glass windows to manuscript illuminations, this symbolic city represents a utopian ideal that transcends time and space. One such depiction is "Das Neue Jerusalem, " created by Orpha M. Peters. This artwork invites us to explore the spiritual realm where heavenly beings reside. The intricate details in the stained glass window from 1862-3 reveal an angelic figure, radiating light and hope. In another stunning portrayal, we encounter an engraving simply titled "The New Jerusalem. " Here, we witness the meticulous craftsmanship that brings this celestial city to life. Every detail speaks volumes about its grandeur and significance as a symbol of divine grace. Moving beyond artistic representations, we discover real-life embodiments of the New Jerusalem. The Cathedral of the Resurrection of Christ stands tall as a testament to faith in mid-19th century Russia. Dmitri Mikhaylovich Strukov's architectural masterpiece embodies both religious devotion and human ingenuity. Similarly, the New Jerusalem Monastery built in 1809 showcases Robert Carr Porter's artistic prowess while serving as a physical manifestation of spiritual aspirations. These structures stand as reminders that humanity has always sought glimpses of heaven on Earth. However, not all interpretations are rooted solely in spirituality or architecture; some take on political undertones too. In a satirical cartoon from Judge magazine dating back to January 1892, Hamilton humorously refers to New York City as their own "New Jerusalem. " With waves of Jewish immigrants arriving from Russia during that era, it highlights how cultural diversity shaped urban landscapes across America. Finally, we come across a manuscript illumination depicting Revelation 21:12 - "New Jerusalem. " This Belgian creation transports us into biblical times when visions were recorded with utmost reverence for future generations' enlightenment. The New Jerusalem is more than a mere concept.