Nicholas Boileau Collection

Satire VI (coloured engraving)
973487 Satire VI (coloured engraving) by Bayard, Emile Antoine (1837-91) (after); Private Collection; (add.info.: Satire VI)

Satire VIII (coloured engraving)
973485 Satire VIII (coloured engraving) by Bayard, Emile Antoine (1837-91) (after); Private Collection; (add.info.: Satire VIII)

Les Femmes, Satire X (coloured engraving)
973481 Les Femmes, Satire X (coloured engraving) by Bayard, Emile Antoine (1837-91) (after); Private Collection; (add.info.: Les Femmes, Satire X)

Epitre VII, A Racine (coloured engraving)
973478 Epitre VII, A Racine (coloured engraving) by Bayard, Emile Antoine (1837-91) (after); Private Collection; (add.info.: Epitre VII, A Racine)

Le Lutrin, Ch III (coloured engraving)
973474 Le Lutrin, Ch III (coloured engraving) by Bayard, Emile Antoine (1837-91) (after); Private Collection; (add.info.: Le Lutrin, Ch III)

Boileau (coloured engraving)
973471 Boileau (coloured engraving) by Bayard, Emile Antoine (1837-91) (after); Private Collection; (add.info.: Boileau. Illustration for Oeuvres Completes de N Boileau (Laplace, Sanchez)

Nicholas Boileau (called Despreaux) (engraving)
978430 Nicholas Boileau (called Despreaux) (engraving) by English School, (19th century); Private Collection; (add.info.: Nicholas Boileau (called Despreaux)

Le Lutrin, Ch I (coloured engraving)
973480 Le Lutrin, Ch I (coloured engraving) by Bayard, Emile Antoine (1837-91) (after); Private Collection; (add.info.: Le Lutrin, Ch I)

Le Lutrin, Ch V (coloured engraving)
973473 Le Lutrin, Ch V (coloured engraving) by Bayard, Emile Antoine (1837-91) (after); Private Collection; (add.info.: Le Lutrin, Ch V)

Satire I (coloured engraving)
973489 Satire I (coloured engraving) by Bayard, Emile Antoine (1837-91) (after); Private Collection; (add.info.: Satire I)

A M Morel, Docteur en Sorbonne, Satire VIII (coloured engraving)
973486 A M Morel, Docteur en Sorbonne, Satire VIII (coloured engraving) by Bayard, Emile Antoine (1837-91) (after); Private Collection; (add.info.: A M Morel, Docteur en Sorbonne, Satire VIII)

Les Femmes, Satire X (coloured engraving)
973483 Les Femmes, Satire X (coloured engraving) by Bayard, Emile Antoine (1837-91) (after); Private Collection; (add.info.: Les Femmes, Satire X)

Epitre XI, A Mon Jardinier, 1695 (coloured engraving)
973477 Epitre XI, A Mon Jardinier, 1695 (coloured engraving) by Bayard, Emile Antoine (1837-91) (after); Private Collection; (add.info.: Epitre XI, A Mon Jardinier, 1695)

Satire III (coloured engraving)
973488 Satire III (coloured engraving) by Bayard, Emile Antoine (1837-91) (after); Private Collection; (add.info.: Satire III)

L Art Poetique (coloured engraving)
973476 L Art Poetique (coloured engraving) by Bayard, Emile Antoine (1837-91) (after); Private Collection; (add.info.: L Art Poetique)

Le Lutrin, Ch II (coloured engraving)
973475 Le Lutrin, Ch II (coloured engraving) by Bayard, Emile Antoine (1837-91) (after); Private Collection; (add.info.: Le Lutrin, Ch II)

Le Lutrin, Ch IV (coloured engraving)
973472 Le Lutrin, Ch IV (coloured engraving) by Bayard, Emile Antoine (1837-91) (after); Private Collection; (add.info.: Le Lutrin, Ch IV)

Le Lutrin, Ch VI (coloured engraving)
973470 Le Lutrin, Ch VI (coloured engraving) by Bayard, Emile Antoine (1837-91) (after); Private Collection; (add.info.: Le Lutrin, Ch VI)

A Son Esprit, Satire X (coloured engraving)
973484 A Son Esprit, Satire X (coloured engraving) by Bayard, Emile Antoine (1837-91) (after); Private Collection; (add.info.: A Son Esprit, Satire X)

Epitre IV, Au Rois, 1672 (coloured engraving)
973479 Epitre IV, Au Rois, 1672 (coloured engraving) by Bayard, Emile Antoine (1837-91) (after); Private Collection; (add.info.: Epitre IV, Au Rois, 1672)

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Nicholas Boileau, also known as Despreaux, was a renowned French poet and critic of the 17th century. His satirical works have left an indelible mark on French literature and continue to be celebrated today. In Satire VI, depicted in a vibrant coloured engraving, Boileau's sharp wit shines through as he critiques societal norms and hypocrisy. The vivid imagery captures the essence of his biting commentary. Satire VIII is another colourful engraving that showcases Boileau's talent for satire. With incisive humor, he exposes the follies of human nature and highlights the absurdities of contemporary society. Les Femmes, Satire X, captured in yet another captivating coloured engraving, reveals Boileau's keen observations on women. Through his clever verses, he examines their complexities with both amusement and insight. Epitre VII presents a striking coloured engraving depicting A Racine - an homage to Jean Racine by Boileau himself. This artistic portrayal reflects their close friendship and mutual admiration for each other's work. Le Lutrin is one of Boileau's most famous epic poems. In Chapter III, illustrated beautifully in colour, we witness his mastery over storytelling as he weaves together humorous anecdotes with poetic finesse. A stunning coloured engraving simply titled "Boileau" pays tribute to this literary genius. It encapsulates his profound impact on French literature and serves as a testament to his enduring legacy. Nicholas Boileau (called Despreaux) is immortalized in an exquisite engraved portrait that captures both his intellectual prowess and enigmatic persona. This image stands as a symbol of reverence for this influential figure in French literary history. Le Lutrin continues its enchanting journey in Chapter I with yet another captivating coloured engraving that transports readers into its whimsical world filled with playful characters and witty dialogues.